Relevant bibliographies by topics / Dallas Museum of Art Dallas

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dallas Museum of Art Dallas'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Dallas Museum of Art Dallas"

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Toth, Georgina Gy. "THE WENDY AND EMERY REVES COLLECTION: DALLAS MUSEUM OF ART." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 4 (December 1986): 185. http://dx.doi.org/10.1086/adx.5.4.27947689.

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Gnisci, Jacopo. "Crosses from Ethiopia at the Dallas Museum of Art: An Overview." African Arts 51, no. 4 (November 2018): 48–55. http://dx.doi.org/10.1162/afar_a_00432.

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SIMPSON, E. "Ancient Gold Jewelry at the Dallas Museum of Art * Ancient Jewelry and Archaeology." Journal of Design History 12, no. 3 (January 1, 1999): 293–97. http://dx.doi.org/10.1093/jdh/12.3.293.

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DiTillio, Jessi. "The Power of Gold: Asante Royal Regalia from Ghana, curated by Roslyn A. Walker, Dallas Museum of Art, Dallas, TX April 15–August 12, 2018." African Arts 52, no. 2 (June 2019): 87–89. http://dx.doi.org/10.1162/afar_r_00467.

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Chen, Si, Zi Long Ma, and Lei Cao. "Analysis of Peter Walker’s Modern-Classical Landscape Design Method." Applied Mechanics and Materials 209-211 (October 2012): 341–45. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.341.

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Influenced by Le Notre Garden, Peter Walker’s works brought forward the landscape architectural modernism movement while embracing classical elements. Most of his works have geometric and symmetrical layout with axis and specifics to sites. Modern materials, dynamic and static waterscape, geometric shaped plants and sculptures are common elements of his design. This paper analyzed the innovative style and features of Peter Walker’s five modern-classical landscape works: Burnett Park (Fort Worth, Texas, USA), Garden of Kempinski Hotel (München, German), Toyota City Museum of Art (Toyota City, Aichi, Japan), IBM Solana (Dallas, Texas, USA) and Cambridge Center Roof Garden (Cambridge, Massachusetts, USA).
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Pico, Ramón. "AERIAL ART, THE NEW LANDSCAPE OF ROBERT SMITHSON." JOURNAL OF ARCHITECTURE AND URBANISM 43, no. 2 (January 15, 2020): 181–91. http://dx.doi.org/10.3846/jau.2019.10354.

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Aircraft were to play a decisive role in the short career of Robert Smithson. In 1969, when he published his article Aerial Art, Walther Prokosch, an architect specializing in aviation, put him in contact with TAMS engineering. This gave rise to his involvement in a land altering operation as vertiginous and brutal as the construction of Dallas Fort-Worth International Airport. At that point Smithson became aware of the human capacity to transform Mother Earth and the importance of contemplation from the air. He incorporated these interests into his artistic creation, thus paving the way for earthwork, crucial to the evolution of Land Art. The study of the documents included among Robert Smithson’s Papers at the Smithsonian Museum of American Art allows us to reconstruct a history that shared interests and concerns with Moholy-Nagy’s New Vision or Le Corbusier’s Loi du Méandre.
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Rosa, John. "Small Numbers/Big City: Innovative Presentations of Pacific Islander Art and Culture in Phoenix, Arizona." AAPI Nexus Journal: Policy, Practice, and Community 5, no. 1 (2007): 59–78. http://dx.doi.org/10.36650/nexus5.1_59-78_rosa.

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This resource paper provides an overview of how the small but growing Pacific Islander and Asian American community in Phoenix has sustained, developed, and preserved its culture and art in the absence of a permanent AAPI art or cultural museum. This article gives examples of such alternative formats and includes details on dance, music, and other folk cultural practices. Metropolitan statistical areas with AAPI populations comparable to Phoenix include Minneapolis, Atlanta, and Dallas. Phoenix community groups use small, temporary displays at annual AAPI cultural festivals. One approach is a ?museum on wheels? ? a used tour bus filled with certified reproductions of artifacts on loan from the Bishop Museum in Honolulu. Native Hawaiians also collaborate with the more numerous Native American organizations that can provide venues for indigenous arts. Universities and state humanities councils are frequent sources of funding for AAPI artists. MSAs with Pacific Islander populations most comparable to Phoenix (in the range of 10,000 to 15,000) are the U.S. Southwestern cities of Las Vegas and Salt Lake City. Pacific Islanders in these cities might be most likely to employ display formats and strategies similar to those used in Phoenix.
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Pace, Tom. "Assassination and Commemoration: JFK, Dallas, and the Sixth Floor Museum at Dealey Plaza StephenFagin. Norman: University of Oklahoma Press, 2013." Journal of American Culture 39, no. 1 (March 2016): 82–83. http://dx.doi.org/10.1111/jacc.12451.

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Imperato, Pascal James. "Roslyn Adele Walker. The Arts of Africa at the Dallas Museum. New Haven and London: Dallas Museum of Art/Yale University Press, 2010. 320 pp. Map. Color and Black-and-White Photographs. Bibliography. Index. $75.00. Cloth. - Frederick John Lamp, Amanda M. Maples, and Laura M. Smalligan. With Essays by Michael Kan and Susan Vogel. Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery. New Haven: Yale University Art Gallery, 2012. 326 pp. Color and Black-and-White Photographs. Index of Cultures, Index of Provenance, and Index of Exhibitions. Sources. $75.00. Cloth." African Studies Review 55, no. 3 (December 2012): 198–99. http://dx.doi.org/10.1017/s0002020600007332.

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KONDOROSY, ELŐD, CHRISTOPHER H. C. LYAL, and MICHAEL D. WEBB. "Nomenclatorial changes in Oriental Lygaeinae seed bugs (Hemiptera: Heteroptera: Lygaeidae)." Zootaxa 1383, no. 1 (December 18, 2006): 45–56. http://dx.doi.org/10.11646/zootaxa.1383.1.3.

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Based on the type material of Oriental Lygaeinae seed bugs in The Natural History Museum, London and elsewhere, the following taxonomic changes are made. New combinations: Aspilocoryphus dixoni (Distant, 1903), comb. nov. (from Graptostethus); Aspilocoryphus orientalis (Distant, 1903), comb. nov. (from Lygaeosoma); Lygaeosoma sordidum (Distant, 1918a) comb. nov. (from Melanotelus); Hormopleurus modestus (Distant, 1909), comb. nov. (from Lygaeosoma). New synonyms: Aspilocoryphus fraternus Distant, 1918a, a junior synonym of Aspilocoryphus orientalis (Distant, 1903) (Lygaeosoma), syn nov., Epibomius pusa Distant, 1909, a junior synonym of Lygaeosoma pusillum (Dallas, 1852) (Arocatus), syn. nov., Pyrrhobaphus (Graptostethus) collaris Breddin, 1907 a junior synonym of Graptostethus quadrisignatus Distant, 1879, syn. nov., Graptostethus diffusus Walker, 1872 a junior synonym of Graptostethus incomptus (Herrich-Schaffer, 1847) (Lygaeus), syn. nov., Graptostethus trisignatus Distant, 1879 a junior synonym of Graptostethus incertus (Walker, 1872) (Lygaeus), syn. nov. , Lygaeus degeni Distant, 1918b, a junior synonym of Cosmopleurus fulvipes (Dallas, 1852) (Lygaeus), syn. nov., Lygaeus simla Distant, 1909, a junior synonym of Tropidothorax leucopterus (Goeze, 1778) (Cimex), syn. nov., Lygaeus tonkinensis Distant, 1918b, a junior synonym of Tropidothorax maculatus (Dallas, 1852) (Lygaeus), syn. nov., Tropidothorax concisus Walker, 1872, a junior synonym of Tropidothorax fimbriatus (Dallas, 1852) (Lygaeus), syn. nov.
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Dissertations / Theses on the topic "Dallas Museum of Art Dallas"

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Koerble, Barbara Lee. "Edward Larrabee Barnes's Dallas Museum of Art: An Architectural Development Study." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500359/.

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This study examines the development of Edward Larrabee Barnes's design concepts for the Dallas Museum of Art, from preliminary concepts and program statements by Director Harry Parker and Dallas Museum trustees, through initial planning and architect selection, to site selection, the Program and Space Study, Barnes's early conceptual plans, and his Dallas Arts District master planning. Influences on Barnes's work and his career development leading to the Dallas commission, his most ambitious museum to date, are examined. Discussion and documentation of design development is based on schematic studies, presentation drawings, models, and trustees' minutes. Design changes during construction and all phases of expansion planning are also discussed. The conclusion summarizes historical influences on the design and Barnes's fulfillment of program concepts.
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Kemble, Sally Savage. "Printmaking from 1400 to 1700 with a catalogue of the print collection at the Dallas Museum of Art /." Ann Arbor (Mich.) : University microfilms international, 1986. http://catalogue.bnf.fr/ark:/12148/cb355363971.

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Aljuidan, Hanan Abdulaziz M. "Building a Collaborative Smartphone Application for Blind and Low Vision Visitors at the Dallas Museum of Art." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505223/.

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The goal of my study is to develop a mobile application to enable all visitors, including blind and low-vision visitors, to autonomously gather and share information about interpretations of art and to have a fully independent museum-going experience. With an application, blind visitors have more access to opportunities and tools in the museum, which empowers their museum experience. My study used a qualitative, mixed-methods approach to research how blind and low vision museum visitors might increase their independence in the museum space and discover ways to equalize their access without relying on museum educators. In carrying out my study, I conducted interviews and collected data based on observations and transcribed and analyzed them using a grounded theory approach. I used Freire's theory of pedagogy of the oppressed and hooks' theory of education as the practice of freedom to frame my study.
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Gormly, Robin K. "Education for Education's Sake? Exposing the Arts District of Downtown Dallas." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4876/.

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This thesis discusses the relatively new approach of art education, by paralleling it to Marxist ideology on art. The Dallas Arts District is one example of a city where museum art education is in conflict: being adopted more vigorously by some and with less acceptance by others. In order to provide a glimpse into the museum ideology of downtown Dallas, previous schools of thought regarding the role of curators and the introduction of educators into museums will be detailed, as well as conflicts between these two factions. The following questions will be addressed: Is museum art education truly a movement which strives to infuse the American culture with a greater appreciation of art? Is there a link to overcoming Marx's key issue of class? How is the movement affecting the Dallas Arts District and to what extent is museum art education being utilized within this forum? Is the emphasis toward museum art education greater in Dallas than in other large cities across the United States, and if so, how has that affected the cities' patrons?
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Lamb, Jacquelyn R. "The Patsy and Raymond Nasher Collection of Twentieth-Century Sculpture, 1967 to 1987." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501252/.

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Over a period of two decades, Raymond D. Nasher, a Dallas-based real estate developer, and his late wife Patsy amassed a collection of significant modern sculptures. For years, pieces from the private collection--numbering over 300 as of 1990--were on display in various museums and civic institutions, and they were installed on a rotating basis at Northpark Center, a Dallas shopping mall developed by Nasher. Since the 1987 Dallas Museum of Art exhibition, the collection has been shown in several major international museums. This study documents the formative period of the collection, the Nashers' collecting and exhibiting philosophies, and four early exhibitions of the sculptures. It includes a chronology of the Nashers and major acquisitions of sculpture.
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Ayres, Sara Craig. "Hidden histories and multiple meanings : the Richard Dennett collection at the Royal Albert Memorial Museum, Exeter." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/1039.

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Ethnographic collections in western museums such as the Royal Albert Memorial Museum (RAMM) carry many meanings, but by definition, they represent an intercultural encounter. This history of this encounter is often lost, overlooked, or obscured, and yet it has bearing on how the objects in the collection have been interpreted and understood. This thesis uncovers the hidden history of one particular collection in the RAMM and examines the multiple meanings that have been attributed to the objects in the collection over time. The Richard Dennett Collection was made in Africa in the years when European powers began to colonise the Congo basin. Richard Edward Dennett (1857-1921) worked as a trader in the Lower Congo between 1879 and 1902. The collection was accessioned by the RAMM in 1889. The research contextualises the collection by making a close analysis of primary source material which was produced by the collector and by his contemporaries, and includes publications, correspondence, photographs and illustrations which have been studied in museums and archives in Europe and North America. Dennett was personally involved with key events in the colonial history of this part of Africa but he also studied the indigenous BaKongo community, recording his observations about their political and material culture. As a result he became involved in the institutions of anthropology and folklore in Britain which were attempting to explain, classify and interpret such cultures. Through examining Dennett’s history this research has been able to explore the Congo context, the indigenous society, and those European institutions which collected and interpreted BaKongo collections. The research has added considerably to the museum’s knowledge about this collection and its collector, and the study responds to the practical imperative implicit in a Collaborative Doctoral Project, by proposing a small temporary exhibition in the RAMM to explore these histories and meanings. In making this proposal the research considers the current curatorial debate concerning responsible approaches to colonial collections, and assesses some of the strategies that are being employed in museums today.
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Tull, Justin Wade. "The art of preaching rediscovered and realigned! /." Theological Research Exchange Network (TREN), 1985. http://www.tren.com/search.cfm?p100-0109.

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Baughman, Leslie C. (Leslie Claire). "Self-Efficacy and Selected Variables as Predictors of Persistence for First Quarter Students at a Proprietary Institution." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278626/.

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Proprietary colleges are uniquely different from two or four year colleges due to the emphasis on the student establishing a definite career path prior to enrollment. Because of this career track emphasis, Bandura's (1977) postulation that self-efficacy is a significant variable influencing task completion may offer insight into the challenge of student retention at a proprietary college. The study's purpose was to determine if career self-efficacy, demographic factors, and academic preparedness measures in first quarter students could predict student persistence, class attendance, and academic performance. The statistical technique of multinomial logistic regression was applied to data files of 725 first quarter students who attended The Art Institute of Dallas from Summer 1996 through Winter 1997. The predictor variables included a measure of career self-efficacy, ASSET scores (American College Testing Program, 1994), ethnicity, age, gender, full-time/part-time attendance, high school grade point average, parents' educational level, socioeconomic status, and developmental course placement. Criterion variables were completion, class attendance, and cumulative grade point average.
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Siber, Elizabeth G. (Elizabeth Gaye). "The Visual Arts Philosophy of Roman Catholicism as Manifested in the Works of Four Commissioned Artists Completed for the 1987 Sanctuary of St. Rita's Catholic Church." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500454/.

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This thesis investigates how the visual arts philosophy promulgated in the 1960s by the Second Vatican Council of Roman Catholic Churches is manifested by commissioned artists for a particular parish. The primary data were the new sanctuary and the artworks, which include stained glass by Lyle Novinski, a carved-glass Marian Shrine by Claire Wing, bronze Stations of the Cross by Heri Bartscht, and wooden medallions depicting two saints carved by Don Schol. This paper reviews pertinent ecclesiastical doctrines along with interpretational publications, physically and iconographically describes the sanctuary and artwork, and considers aspects of the relationship between patron churches and the artists they commission.
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Holbert, Diana Brown. "Artspirit the perils and possibilities of starting a mission for artists /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p100-0146.

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Books on the topic "Dallas Museum of Art Dallas"

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Moore, Watson Queta, ed. Dallas Museum of Art: A guide to the collection. [Dallas, Tex.]: Dallas Museum of Art, 2012.

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Art, Dallas Museum of. Dallas Museum of Art: A guide to the collection. Dallas, Tex: Dallas Museum of Art, 1997.

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Deppert-Lippitz, Barbara. Ancient gold jewelry at the Dallas Museum of Art. Dallas, TX: Dallas Museum of Art in association with the University of Washington Press, 1996.

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A, Walker Roslyn, ed. The arts of Africa at the Dallas Museum of Art. Dallas: Dallas Museum of Art, 2009.

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Art, Dallas Museum of. Fast forward: Contemporary collections for the Dallas Museum of Art. New Haven, CT: Yale University Press, 2007.

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Art, Dallas Museum of. The arts of Africa at the Dallas Museum of Art. Dallas: Dallas Museum of Art, 2009.

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Bromberg, Anne R. Gods, men, and heroes: Ancient art at the Dallas Museum of Art. Dallas: The Museum in association with University of Washington Press, Seattle, 1996.

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Hale, Kenneth J. Kenneth J. Hale, recent prints: Marion Koogler McNay Art Museum, San Antonio, Texas, February 5-April 1, 1989, Dallas Museum of Art, Dallas, Texas, July 1-August 27, 1989. San Antonio, Tex: Marion Koogler McNay Art Museum, 1989.

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Art, Dallas Museum of. Decorative arts highlights from the Wendy and Emery Reeves collection. Dallas: Dallas Museum of Art, 1995.

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1960-, Venable Charles L., ed. American furniture in the Bybee collection. Austin: University of Texas Press, 1989.

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Book chapters on the topic "Dallas Museum of Art Dallas"

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Zalman, Sandra. "Salvador Dali's Rainy Taxi at the museum." In Revisiting the Past in Museums and at Historic Sites, 145–57. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003147695-11.

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Lucco, Mauro. "“Uscito dalla scuola del Bellino”. Qualche nota tecnica sugli inizi di Giorgione." In Museums at the Crossroads, 117–41. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.mac-eb.3.1831.

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"African Art at the DMA: A Brief History." In The Arts of Africa: At the Dallas Museum of Art. Dallas Museum of Art, 2010. http://dx.doi.org/10.37862/aaeportal.00186.001.

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"Chapter 2: African Art in the Cycle of Life." In The Arts of Africa: At the Dallas Museum of Art. Dallas Museum of Art, 2010. http://dx.doi.org/10.37862/aaeportal.00186.003.

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"Chapter 4: African Art and the Influences of Foreign Trade." In The Arts of Africa: At the Dallas Museum of Art. Dallas Museum of Art, 2010. http://dx.doi.org/10.37862/aaeportal.00186.005.

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"Chapter 3: African Decorative Arts." In The Arts of Africa: At the Dallas Museum of Art. Dallas Museum of Art, 2010. http://dx.doi.org/10.37862/aaeportal.00186.004.

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"Chapter 1: Icons and Symbols of Leadership and Status." In The Arts of Africa: At the Dallas Museum of Art. Dallas Museum of Art, 2010. http://dx.doi.org/10.37862/aaeportal.00186.002.

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"The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art: A History." In The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art. Dallas Museum of Art, 2013. http://dx.doi.org/10.37862/aaeportal.00200.001.

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"Chapter Three: The Arts of the Himalayas." In The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art. Dallas Museum of Art, 2013. http://dx.doi.org/10.37862/aaeportal.00200.004.

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"Chapter Two: The Arts of the Mughal Period." In The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art. Dallas Museum of Art, 2013. http://dx.doi.org/10.37862/aaeportal.00200.003.

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Conference papers on the topic "Dallas Museum of Art Dallas"

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Zhao, Guohua. "The Research on the Visual Emotional Response of Tourists in the Lighting Environment of Dalian Art Museum Based on the Correlation Analysis of SPSS." In 2020 International Conference on Big Data and Social Sciences (ICBDSS). IEEE, 2020. http://dx.doi.org/10.1109/icbdss51270.2020.00057.

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Feng, X., G. Li, J. Guo, Y. Bian, Z. Jin, X. Kang, and J. Song. "The Comparison of Martial Art-Based Standard Pulmonary Rehabilitation Program on COPD." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a3729.

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Marcoux, M., D. Ospina, J. Onieva Onieva, R. R. Gill, R. San Jose Estepar, and A. Majid. "Custom Stent Planning for Complex Airway Disease: A Novel "State-of-the-Art" Approach." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a3153.

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Zifodya, J. S., B. M. Whitney, R. M. Nance, J. A. C. Delaney, B. N. Harding, S. R. Heckbert, W. C. Mathews, et al. "Characteristics Associated with COPD in People Living with HIV in the Current Antiretroviral Therapy (ART) Era." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a5184.

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Chelvanambi, S., N. V. Bogatcheva, P. Jolicoeur, H. L. Twigg, and M. Clauss. "HIV-Nef Protein Persists in Bronchoalveolar Lavage Derived Extracellular Vesicles of HIV Patients on ART and Induces EMAPII Amplified Endothelial Cell Apoptosis Resulting in Pulmonary Vascular Pathologies Like Pulmonary Hypertension." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a4405.

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