Relevant bibliographies by topics / Dalmatia (croatia), history

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dalmatia (croatia), history'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Dalmatia (croatia), history"

1

Gioanni, Stéphane. "Dalmatia-Croatia Pontificia , Waldemar Könighaus (dir.)." Cahiers de civilisation médiévale 265, no. 4 (March 1, 2024): 274. http://dx.doi.org/10.3917/ccm.265.0274.

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2

Bregovac Pisk, Marina, and Matea Brstilo Rešetar. "Insignia of Honour on Three 19th-Century Portraits of Croatian Bans." Peristil 64, no. 1 (March 31, 2022): 39–48. http://dx.doi.org/10.17685/peristil.64.3.

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During the 19th century, Croatia saw a succession of nineteen bans (viceroys) and banal deputies, and the likeness of most of them has been preserved in portraits. They were not often depicted with state insignia and dignity symbols; therefore, the three representative portraits to be presented in this paper, those of Ignjat Gyulay, Josip Jelačić and Ladislav Pejačević, are the more interesting. In their own way, these portraits are a testimony of the political position of the Triune Kingdom of Croatia, Dalmatia and Slavonia within the Habsburg and, later on, Austro-Hungarian Monarchy as well as the role and authority of the Croatian ban. They are works by prominent painters and are kept in the holdings of the Croatian History Museum in Zagreb.
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Botić, Jurica, and Marija Boban. "Geostrateški i sigurnosni aspekti potencijalnih utjecaja suvremenih migrantskih kretanja na Dalmaciju." Geoadria 23, no. 1 (July 26, 2018): 7–27. http://dx.doi.org/10.15291/geoadria.1456.

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In 2015, the European geographic and political space faced culmination of one of the greatest migration crises in its history, which particularly affected the politically vulnerable region of Southeast Europe as a traditional area of migration movements. These statements gain more importance if we take into consideration the fact that Southeast Europe, as an area of traditional interlocking of geopolitical force lines, nowadays is additionally burdened with security challenges, which makes its geostrategic position more important. Moreover, as it is affected by the migrant crisis in the north and the east, and considering tourism as one of its core economic activities, the Republic of Croatia must pay special attention to maintaining an image of a safe tourist destination, although Croatian tourist destinations like Istria and Dalmatia are not directly affected by the migrant crisis. Therefore, the authors discuss geostrategic and security aspects as well as the probabilities of Dalmatia’s exposure to the effects of the recent migrant crisis. In fact, the authors in the article confirm that the physical-geographical features and political-territorial fragmentation in immediate neighbourhood do not make Dalmatia as an attractive solution for migratory movements. However, the authors also conclude that the political instability of the neighbourhood, which is potentially strengthened by the impact of the migrant movements, with the great potential of conflict at the ethno-religious level, may produce new security challenges in Southeast Europe and indirectly in Dalmatia as well.
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4

Paovica, Marko. "Tri zrnca – Iz mozaika Jovana Radulovića o udesu kulturnog identiteta dalmatinskih Srba." Узданица 18, no. 2 (November 2021): 137–51. http://dx.doi.org/10.46793/uzdanica18.2.137p.

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The paper deals with national-oriented works of Jovan Radulović from the end of the 1980s and the beginning of the 1990s, based on his book dedicated to the life of Dalmatian Serbs. The first part of the paper refers to Radulović’s biographical-anthropo- logical essays on three Serbian writers from Dalmatia, as well as to his documentary prose; the analysis of Radulović’s critical views on the actual life of Serbian people in Croatia is based on a series of his interviews and polemics. The following section of the paper deals with the last part of Radulović’s book, enti- tled “The Grains (1984‒1989)”, consisting of about fifteen public speeches and newspaper articles related to the cultural assimilation of the Serbs in Croatia. Special attention is paid to the three grains, i.e. two public speeches and one newspaper article. In the first speech, Radulović documents national and cultural discrimination against Serbs in the communist Croatia, whose position is much worse than in Austria-Hungary at the beginning of the XX century. In the second speech, Radulović optimistically presents a short version of the history of defence of spiritual and national identity of the Serbs in Dalmatia. Finally, the third grain is the article in which Radulović expresses his fears about the fate of the Serbian Autonomous Province of Krayina, whose political status was determined far away from it and from the broken Yugoslavia, and he pleads for the absolute unity of the Serbian people and the leadership of the newly formed autonomous province in Croatia. On the basis of Radulović’s political views, it can be concluded that in spite of the defeat and the mass exodus, Serbs from Croatia should not give up the idea of returning to their homeland.
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5

Ardelean, Florin Nicolae, and Neven Isailović. "From Croatia to Transylvania." Povijesni prilozi 40, no. 60 (August 2, 2021): 213–54. http://dx.doi.org/10.22586/pp.v40i60.11664.

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The article gives the history of the noble Croatian family of Perušić, following the life and career of its main male representatives across three generations, from its emergence in sources in the mid-15th century up until its extinction in the male line in 1603. All three men – Gaspar (Gašpar) the Elder, Gaspar the Younger, and Matthew (Mate) – had primarily military careers, leading cavalry units and fighting either the Turks or other Christian nobles in civil wars which burdened Croatia, Slavonia, Hungary, and Transylvania from the late 15th to the early 17th century. Gaspar the Elder was the vice-ban of Croatia-Dalmatia and is a relatively well-known figure in Croatian historiography, while the lives of his son and grandson are thoroughly researched for the first time in this article. Gaspar the Younger, initially a supporter of the Habsburgs, was fighting the Ottomans in Croatia until 1532, with significant success, and was later engaged in civil strife in Slavonia, changing the sides he supported several times. He finally opted for King John Zápolya around 1538 and migrated to Zápolya’s realm, settling finally in Transylvania, where he gained many estates and served several de jure and de facto rulers, including another fellow Croat – the bishop of Oradea, George Martinuzzi (Juraj Utišenović Martinušević). His son Matthew, the last male member of this line of the Perušić family, spent his lifetime as a military commander for various Transylvanian rulers, almost always joining the winning side in the conflict and gaining the house in the informal capital – Alba Iulia. He died in a battle in 1603, survived by his sisters’ (Catherine’s and Anna’s) descendants.
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Alimov, Denis Evgenievich. "An innovative synthesis of early medieval Croatian history (On N. Budak’s book «The Croatian history from 550 to 1100»)." Studia Slavica et Balcanica Petropolitana 29, no. 1 (2021): 169–95. http://dx.doi.org/10.21638/spbu19.2021.111.

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The article is a review of the book by the Croatian historian Neven Budak «Croatian history from 550 to 1100» (Budak, Neven. Hrvatska povijest od 550. do 1100. Zagreb, Leykam international, 2018. 352 р.). Budak’s book is an innovative conceptual synthesis of the early medieval history of Croatia taking full account of the latest achievements in history and archeology. From new theoretical and methodological positions, the book examines the processes of transition from antiquity to the Middle Ages in Dalmatia, Istria, and southern Pannonia, the formation of the Croatian ethnic community, the formation of Croatian polity and the socio-political development of the Croatian kingdom in the 9th–11th centuries. An important feature of the book is that the early medieval Croatian history is examined in it in a wider European context, with great attention to events and processes that took place in Byzantium, the Carolingian Empire, Rome, Venice, the Kingdom of Hungary, etc., which allowed the researcher to adequately interpret the most important events and the processes of the Croatian early Middle Ages. By creating a convenient theoretical framework for the further contextualizing of historical information, the book can serve as a new starting point for research and understanding of the Croatian early Middle Ages.
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Tomić, Radoslav. "Baldassare D’Anna – nove slike s hrvatskih otoka." Radovi Instituta za povijest umjetnosti, no. 47 (March 2024): 21–28. http://dx.doi.org/10.31664/ripu.2023.47.02.

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The Venetian painter Baldassare DʼAnna (Venice, 1572–1646) is represented by numerous paintings in Istria and Dalmatia. His oeuvre, relatively well researched, has been interpreted as comprising eclectic works that reveal direct and consistent influences of his contemporaries and predecessors along the lines of Titian and Jacopo Palma the Younger. This obvious influence resulted in conventional altarpieces and sacral paintings following Renaissance compositional patterns of symmetry and a clear layout, with firmly shaped figures repeating certain bodily features and physiognomy. To this corpus of the painter’s works in Croatia (and Bosnia and Herzegovina), the author has added some hitherto unattributed works on the islands of Brač, Šolta, Lošinj, and Krk. While these additions do not bring novelties in the artistic sense, they emphasize the role, significance, and popularity of D’Anna’s belated Renaissance art among Dalmatian commissioners. The still insufficiently researched role of D’Anna’s workshop collaborators has also been highlighted, given visible oscillations in the artistic value of his paintings.
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PALLUA, EMILIO. "A SURVEY OF THE CONSTITUTIONAL HISTORY OF THE KINGDOM OF DALMATIA, CROATIA, AND SLAVONIA." Canadian-American Slavic Studies 24, no. 2 (1990): v—154. http://dx.doi.org/10.1163/221023990x01038.

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Gračanin, Hrvoje. "Constantine VII Porphyrogennetos on Croats in Early Medieval Southern Pannonia (DAI, c. 30, 75–78): A Note on Concept and Method of Byzantine History Writing." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 24–43. http://dx.doi.org/10.15688/jvolsu4.2020.6.2.

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The paper endeavours to discuss anew a scholarly puzzle related to the Croatian early Middle Ages and centred on a few lines from Constantine VII Porphyrogennetos’s De administrando imperio, which in English translation are as follows: And of the Croats who arrived to Dalmatia one part separated and ruled Illyricum and Pannonia. And they also had an independent ruler who was sending envoys, though only to the ruler of Croatia from friendship. Taking a different approach from the complete dismissal of the two sentences as a pure fiction or a mere literary device, the paper instead attempts to trace the concept behind this account as well as its underlying meaning. On the one hand, it seeks to detect the methods or strategies used by the royal compiler in trying to elucidate the past. On the other hand, it aims to provide a thorough historical analysis and offer a possible interpretation in opposition to the view, still largely extant in the Croatian scholarship, that this account is an evidence for an early presence of the group called Croats in southern Pannonia.
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Ditcham, Brian G. H. ":Balkan Wars: Habsburg Croatia, Ottoman Bosnia and Venetian Dalmatia, 1499–1617." Sixteenth Century Journal 49, no. 1 (March 1, 2018): 289–91. http://dx.doi.org/10.1086/scj4901176.

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Dissertations / Theses on the topic "Dalmatia (croatia), history"

1

Caleta, Josko. "Social and musical structure of the klapa singing style, Dalmatia and Vancouver." Thesis, 1994. http://hdl.handle.net/2429/5244.

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This study examines both the social and musical characteristics of klapa singing. Comparative analysis of the klapa in Dalmatia, its place of origin, and the klapa in Vancouver is the focus. The field work for this project took place on two occasions: during the regular practices of klapa "Zvonimir", and in a series of individual interviews. The interviews were with the oldest member and one of the organisers of the klapa "Zvonimir", Jozo Cvitanovic. A traditional folk klapa was, and to an extent still is, an informal group of friends, usually brought together by similar interests, age group or occupations. Festival klapa, on the other hand, is a formally organized group with regular rehearsals and performances, whose members, as a rule, are people of various occupations and diverse musical tastes. Socially and musically, klapa singing has always been progressive for its time, which is surely the reason why this folk tradition has remained successful for such a long period.
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Books on the topic "Dalmatia (croatia), history"

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Cetnarowicz, Antoni. Odrodzenie narodowe w Dalmacji: Od "slavenstva" do nowoczesnej chorwackiej i serbskiej idei narodowej. Kraków: Uniwersytet Jagielloński, 2001.

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2

Dusa, Joan. The medieval Dalmatian episcopal cities: Development and transformation. New York: P. Lang, 1991.

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3

Italy) Convegno del Centro studi e ricerche sull'antica provincia ecclesiastica ravennate (23rd 2003 Ravenna. La Chiesa metropolitana ravennate e i suoi rapporti con la Costa adriatica orientale: [atti del XXVII Convegno del Centro studi e ricerche antica provincia ecclesiastica ravennate, Ravenna 29-31 maggio 2003]. Imola: University Press Bologna, 2005.

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4

A, Fine John V. When ethnicity did not matter in the Balkans: A study of identity in pre-nationalist Croatia, Dalmatia, and Slavonia in the medieval and early-modern periods. Ann Arbor, MI: University of Michigan, 2005.

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Rafolt, Leo. Melpomenine maske: Fenomenologija žanra tragedija u dubrovačkom ranonovovjekovlju. Zagreb: Disput, 2007.

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Stipčević, Svetlana. Dubrovačke studije. Beograd: Zavod za udžbenike i nastavna sredstva, 2004.

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Popović, Pavle. Dubrovačke studije. Beograd: Zavod za udžbenike i nastavna sredstva, 2000.

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8

Rafolt, Leo. Melpomenine maske: Fenomenologija žanra tragedija u dubrovačkom ranonovovjekovlju. Zagreb: Disput, 2007.

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Ljerka, Šimunković, ed. Vincenzo (Vicko) Drago: Storico e letterato dalmata a cavallo dei secoli XVIII-XIX. Roma: Il calamo, 2001.

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Međunarodni znanstveni skup "Kraljski Dalmatin : 200 godina zadarskog i hrvatskog novinarstva u europskom kontekstu" (2006 Zadar, Croatia). Kraljski Dalmatin: 200 godina zadarskog i hrvatskog novinarstva u europskom kontekstu : zbornik radova s međunarodnog znanstvenog skupa : Zadar, 12.-13. srpnja 2006. Zadar: Sveučilište u Zadru, Odjel za informatologiju i komunikologiju, 2007.

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Book chapters on the topic "Dalmatia (croatia), history"

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Prijatelj Pavičić, Ivana. "Utjecaj interpretacija pojma periferijske umjetnosti Ljube Karamana i Miroslava Krleže na dalmatinsku povijesti umjetnosti." In Periferno u hrvatskom jeziku, kulturi i društvu / Peryferie w języku chorwackim, kulturze i społeczeństwie, 498–510. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4038.29.

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Although the so-called „Vienna school“ practised an universalist approach to history of arts, their prominent acters like Alois Riegel and Max Dvořák influenced the nationalist ideas among the Central European art historians in the interwar period. An evident example of such an influence is Croatian art historian Ljubo Karaman (1886‒1971) ‒ a Vienna student who studied the art relations between center and periphery from early 1930s on. His thoughts on this topic were collected in his 1963 book Problemi periferijske umjetnosti. O djelovanju domaće sredine u umjetnosti hrvatskih krajeva (Problems of Peripheral Art. On Influence of Local Surrounding on the Art of the Croatian Areas). Colonial character of the Karaman’s definition of the center/periphery relation is clear in his notion that the dissemination and assimilation of the artistic styles is always one-way: from developed center to the province. His definition of „peripheral art“ appeared as a reaction to the works of famous „Vienna school“ scholars from early 20th century (particularly Polish-Austrian art historian Strzygowski). It is based on the idea of external, political and artistic influences in Dalmatia as external forces of artistic exchange. A prominent writer and encyclopaedist Miroslav Krleža turned upside-down the idea of the artistic transfer from the advanced West toward underdeveloped East/Balkans as a periphery at the edge of civilisation. In his discussion on the Second Congress of writers in Zagreb he promoted the idea of the periphery as a true center. During 1950s, Krleža strongly influenced the formation of a new cultural paradigm, and forging of the new scientific paradigm within art history in Croatia. In her paper, the author explores how texts of the Croatian art-history scholars regarding ancient Dalmatian art were influenced by Karaman’s and Krleža’s ideas and concepts on peripheral, provincial, and border-line art.
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2

Doumerc, Bernard. "De la nation mère aux fantômes des empires : de la nation dalmate à la Croatie." In Mémoire et histoire en Europe centrale et orientale, 153–61. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.104696.

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Conference papers on the topic "Dalmatia (croatia), history"

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Đorđević, Miroslav. "LEGITIMITET VIDOVDANSKOG USTAVA – IDEALIZAM BEZ REALNOG UPORIŠTA." In 100 GODINA OD VIDOVDANSKOG USTAVA. Faculty of law, University of Kragujevac, 2021. http://dx.doi.org/10.46793/zbvu21.027dj.

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The Constitution of the Kingdom of Serbs, Croats and Slovenes (KSHS) of 1921 had for its goal to constitutionalize the organization of the new state, created after the end of the First World War: its organization of government, human and minority rights and freedoms, etc. and also to establish a new nation – the so called "nation with three names" or "three-tribe nation", i.e. – Yugoslavs, as the bearer of the identity of the new state. KSHS was to reconcile not only the nations with different history, mentality and language, but also nations who fought each other fiercely just until a few years back before the adoption of the Vidovdan Constitution. The constitutionalization of a unitary state in which the official language is "Serbo-Croatian-Slovenian" (which as such simply does not exist), ignored clear signals that the essential legitimacy for such state does not exist in a significant part of the country. The analysis of the political activities of the parties, their programs and the election results in the western territories of what was soon to become KSHS (especially in Croatia, Slavonia and Dalmatia – back then within the Austro-Hungary) shows a distinct anti-Serbian and especially anti-Yugoslav narrative since the middle of the 19th century and the political actions of Ante Starčević, Eugen Kvaternik, later Ivo Pilar and others. It is also clear that such chauvinist, extreme political standpoints, present to a far greater extent to be simply ignored, would turn out to be too much of a burden for the new state and nation, as well as for the Vidovdan Constitution itself, indirectly leading to its infamous end, declaration of dictatorship, assassination of King Alexander Karađorđević and finally the disintegration of the state and horrendous atrocities and genocide against Serbs in the Independent state of Croatia (NDH). In a certain way, the Vidovdan Constitution, due to the shortcomings in its legitimacy, traced the road to hell – paved with good intentions.
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