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Dissertations / Theses on the topic 'Dance company'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Adair, Christy. "Dance, gender and ethnicity : a cultural history of Phoenix Dance Company, 1981-2001." Thesis, University of Leeds, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416838.

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2

Ballantyne, Tammy Marguerite. "Identity and transformation within the Playhouse Dance Company, 1993-1997." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002363.

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This thesis examines the principles and policies underlying the need for transformation within the Playhouse Dance Company (PDC) in Durban and the actualities of implementing these visions and procedures. It is proposed that artistic structures, ideals and processes cannot remain impervious to the climate of change. Alterations in the political arena demand radical permutations within arts councils and their concept of repertoire, educational programmes and training. Transformation is linked to the problem of identity and it is suggested that the company is in the midst of a journey towards "b

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3

Riggs, Leyva Rachael. "Dance Literacy in the Studio: Partnering Movement Texts and Residual Texts." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1420672347.

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4

Gortz, Ann-Christin. "Linguistic markers as evidence for cultural awareness : a critical examination of international critiques of a South African dance company." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6840.

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Thesis (MPhil (General Linguistics))--University of Stellenbosch, 2011.<br>Bibliography<br>ENGLISH ABSTRACT: Viewing cross-cultural dance performances on international tours or as part of international dance festivals has become common practice all over the world. For critique writers, choreographers/ dancers and the audience the accessibility of such a diverse variety of dance has both advantages and disadvantages. Cross-cultural differences in these performances challenge strategies of viewing and perception which may lead to aesthetic enrichment but these performances also risk being m

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5

Tsintziloni, Steriani. "Modernising contemporary dance and Greece in the mid-1990s : three case studies from SineQuaNon, Oktana Dancetheatre and Edafos Company." Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/modernising-contemporary-dance-and-greece-in-the-mid-1990s(f9ab30a8-4e35-499a-9762-9048f34e4283).html.

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The thesis constitutes an examination of contemporary dance in the 1990s in Greece as exemplified in the case of three dance companies - SineQuaNon, Oktana Dancetheatre and Edafos Company – major exponents of the bourgeoning dance scene of that time. The focus is on a particular historical moment, the year 1995, and on three choreographies – ProsOlotoixos [Tour de Force] by Apostolia Papadamaki (SineQuaNon), Daphnis and Chloe by Konstantinos Rigos (Oktana Dancetheatre) and Enos Leptou Sigy [One Moment of Silence] by Dimitris Papaioannou (Edafos Company) - as indications of the vitality of cont

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Büscher, Barbara. "Gegenseitige Durchdringung und Nicht-Behinderung: Über das Verhältnis zweier Performance-Systeme am Beispiel der Live Electronic Music in Produktionen der Merce Cunningham Dance Company." map - media archive performance ; 2012/3 (E-Journal, URL: http://www.perfomap.de), 2012. https://slub.qucosa.de/id/qucosa%3A4363.

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Die Zusammenarbeit von Merce Cunningham und John Cage beruhte auf dem grundlegenden Prinzip der getrennten Entwicklung und Erarbeitung von Klang/Musik und Tanz/Bewegung (Cunningham 1994). Für den getrennten Arbeitsprozess wurden nur Zeitklammern und die Dauer der Gesamtaufführung als gemeinsame Parameter festgelegt. Diese Trennung von Musik und Tanz bildet die notwendige Voraussetzung für die erweiterte Arbeit der Merce Cunningham Dance Company (MCDC) mit Cage und anderen Composer-Performern in den 1960er und 1970er Jahren, die die elektronischen Klänge live, in der Aufführung, generierten. De

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Martins, Giancarlo. "Uma nova geografia de ideias: diversidade de ações comunicativas para a dança." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/4823.

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Made available in DSpace on 2016-04-26T18:15:48Z (GMT). No. of bitstreams: 1 Giancarlo Martins.pdf: 9816916 bytes, checksum: b4a396da42ac4d1ed91e23ce1a3a0232 (MD5) Previous issue date: 2006-09-25<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>In the last ten years, actions developed in dance, live and in the media, left the focus in Rio-São Paulo. Spread through several places in the country had taken a new geography of ideas that understand dance as a communication process of the body, organized as a thought that questions power structures, artistic procedures and bound

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Tavares, Carlos Gonçalves. "Sobre a dança e outras mídias: um estudo sobre a intermidialidade nos trabalhos da Cia Ormeo (MG)." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/227.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-15T14:13:00Z No. of bitstreams: 1 carlosgoncalvestavares.pdf: 2841629 bytes, checksum: f3ed9e1d927ae031a82b7dc0378de6d5 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-15T15:46:30Z (GMT) No. of bitstreams: 1 carlosgoncalvestavares.pdf: 2841629 bytes, checksum: f3ed9e1d927ae031a82b7dc0378de6d5 (MD5)<br>Made available in DSpace on 2015-12-15T15:46:30Z (GMT). No. of bitstreams: 1 carlosgoncalvestavares.pdf: 2841629 bytes, checksum: f3ed9e1d927ae031a82b7dc0378de6d5 (MD5) Previ

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Büscher, Barbara. "Gegenseitige Durchdringung und Nicht-Behinderung." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-140675.

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Die Zusammenarbeit von Merce Cunningham und John Cage beruhte auf dem grundlegenden Prinzip der getrennten Entwicklung und Erarbeitung von Klang/Musik und Tanz/Bewegung (Cunningham 1994). Für den getrennten Arbeitsprozess wurden nur Zeitklammern und die Dauer der Gesamtaufführung als gemeinsame Parameter festgelegt. Diese Trennung von Musik und Tanz bildet die notwendige Voraussetzung für die erweiterte Arbeit der Merce Cunningham Dance Company (MCDC) mit Cage und anderen Composer-Performern in den 1960er und 1970er Jahren, die die elektronischen Klänge live, in der Aufführung, generierten. De

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10

Yang, Xiaokun. "Dance with your business partners : An empirical study about what factors influence the adoption of the ITapplications between the company and its global dealers from differentcountries, and among them which factor/factors are more importantthan others." Thesis, Mälardalen University, School of Sustainable Development of Society and Technology, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-9994.

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<p>Date: June 2010Course: EIK 034 Master thesisAuthor: Xiaokun YangTutor: Ole LiljeforsTitle: Dance with your business partnersIntroduction: Through the web conference project of Volvo Construction Equipment(VolvoCE, www.volvoce.com), the author analyzed what factors influence theadoption of IT applications between the global company and its dealers in differentcountries, and among these factors which ones are more important than others.Research question: What factors influence the adoption of the IT applicationsbetween the company and its global dealers from different countries? Among themwhi

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Silva, Michael. "“Por Instantes de Felicidade”: corpos em performances na Quasar Cia. de Dança de Goiânia." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7551.

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Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-06-23T13:07:28Z No. of bitstreams: 2 Dissertação - Michael Silva - 2017.pdf: 9912596 bytes, checksum: bb97522cfbfdb005f4a3daa1394bdd89 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-07-10T13:54:52Z (GMT) No. of bitstreams: 2 Dissertação - Michael Silva - 2017.pdf: 9912596 bytes, checksum: bb97522cfbfdb005f4a3daa1394bdd89 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available in DSpac

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12

Goncalves, De Aranjo Passos Stéphanie. "Une guerre des étoiles: les tournées de ballet dans la diplomatie culturelle de la Guerre froide, 1945-1968 /cStéphanie Gonçalves de Aranjo-Passos." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209106.

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Ma thèse de doctorat explore les tournées de ballet des « six grandes » compagnies mondiales pendant la Guerre froide (1945-1968) :ballet de l’Opéra de Paris, Royal Ballet de Covent Garden, Bolchoï et Kirov, New York City Ballet et American Ballet. Elle envisage le ballet comme un outil de diplomatie culturelle transnationale, avec un focus particulier sur les acteurs, qu’ils soient institutionnels, artistiques ou commerciaux. Outre un aspect quantitatif qui nous a amené à cartographier les tournées, il s’agit d’une histoire incarnée par des femmes et des hommes − les danseurs − dont le métier

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13

Wooding, Adriaan Willem. "A contemporary dance company and performance areas." Diss., 2009. http://hdl.handle.net/2263/30365.

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Contemporary art manifested as a reaction or addition to preceding arts. It either developed as a stark opposing contrast, or borrowed from the original in attempts to expand. This is equally true for all branches of art, including architecture and dance. This dissertation investigates dance and the role of the choreographer, as spatial informant for architecture. The author used selected dance performances as design generators. This process was largely based on the work of the architectural firm, UN Studio. It expands on the freedom of the architectural design process and defines a balance be

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14

Demelius, Yoko. "Steps of a dance production : the working lives of professionals at a dance company." Thesis, 2003. http://spectrum.library.concordia.ca/2324/1/MQ83834.pdf.

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This thesis is an ethnographic study of fine art dancers' identities, vocational life, and the dance culture. It explains the dancers' process of becoming and living as 'artistic beings,' and shows how dancers take on their journey of self-discovery, as well as how they are motivated through the feeling of empowerment and inspiration. The exploration starts with the analyses of the socio-cultural dynamics of a dance production team. Non-structured interviews are conducted with the director, ballet master, twelve dancers, two choreographers, and a few employees in the administration. In the pro

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15

Wu, Chih-Chieh, and 伍致潔. "Preservation and Management of Taiwan’s Modern Dance Company Archives:Towards Establishing a National Dance Center." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/238re6.

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碩士<br>國立臺北藝術大學<br>藝術行政與管理研究所碩士班<br>97<br>Dance, as a performing arts activity, has “time” as one important factor. Because of the uniqueness of each performance, the preservation of dance archives becomes extremely difficult. In Taiwan, there has been no library, archival center or research center established mainly for preserving dance archives; consequently, the job has been done by each dance company itself. In other words, the public could not access the first-hand data in any public library system, but could only imagine bits and pieces of each dance performance by reading reviews or repo

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16

"Don't Hold Your Breath: The Creation and Performance of a Theatrical Memoir in Motion." Master's thesis, 2018. http://hdl.handle.net/2286/R.I.50497.

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abstract: Don't Hold Your Breath is an evening-length performance created and performed by Sarah "Saza" Kent and EPIK Dance Company that consisted of street and concert dance combined with hip hop theatre, spoken text and live singing. What began as a one-woman show about the choreographer's life, turned in to an ensemble piece that included the stories of many people, including ten community members who were interviewed on their views of life and death after being affected by a diagnosis. The show follows Kat, a young woman tiptoeing the line between her party girl past and the thought of fin

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17

Wong, Chung-yu, and 黃頌茹. "Research of Marketing Planning of Modern Dance Organization in Hong Kong ──A Case Study of City Contemporary Dance Company." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/a6r7a3.

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碩士<br>國立臺北藝術大學<br>藝術行政與管理研究所<br>101<br>City Contemporary Dance Company (CCDC) is one of the earliest full-time professional companies pioneering in contemporary dance in Asia which has been established for 33 years. Successful branding of CCDC is recognized generally and be bench-marked by new organizations. The researcher believes CCDC has been developed as a mature artistic organization. It is very important to look into its marketing strategy to create greater profit margin and upkeep its privilege in the industry. Nevertheless, the objective of CCDC is not only simply the vision of the fou

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18

Walker, Christopher A. "Jamaican dance theatre folk origins and contemporary aesthetics /." 2004. http://www.oregonpdf.org.

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Thesis (M.F.A.)--State University of New York College at Brockport, 2004.<br>Includes bibliographical references (leaves 155-157). Also available online (PDF file) by a subscription to the set or by purchasing the individual file.

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19

Ko, Chia-ling, and 柯佳伶. "The Key Elements of the Transformation from Dance Studio to Professional Company in Tainan City." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/tnx83v.

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碩士<br>國立中山大學<br>劇場藝術學系碩士班<br>102<br>The number of students in dance studio has significant reduced as the times changes. Under the impact of shortage of students, the dance studio have lost their past vitality and the situation that dance studio depend on teaching operation has gone; some art directors within the studio also have turned to dance companies. However, “transformation” is chosen by many traditional dance studio as the development goal and direction; therefore, it’s crucial for most transforming or transformed dance studio that why must they transform and how to transformation. Thi

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20

Samuel, Gerard Manley. "The emergence of intercultural dialogues : children, disability and dance in KwaZulu-Natal : case studies of three dance projects held at The Playhouse Company (1997-1999)." Thesis, 2001. http://hdl.handle.net/10413/5897.

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This thesis examines the emerging intercultural dialogues around disability, performance dance and children in the multicultural context of KwaZulu-Natal. It focuses on creative dance (or modem educational dance), as it has emerged in KwaZulu-Natal schools post-1994. The intervention of the arts and a holistic approach to education is examined by appropriating Rudolf Laban (1948), Smith-Autard (1992) and other guiding principles for dance education. The thesis presents an analysis of how creative dance has come to influence notions of contemporary performance dance. This has provided a framewo

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21

Lo, Yen-fen, and 羅燕芬. "The Choreography from the Perspective of Political Environment –Based on Lin Huai-Ming''s Works in Cloud Gate Dance Company." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/88291010037502896821.

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碩士<br>國立中山大學<br>藝術管理研究所<br>95<br>Politics, economics and social conditions often have great influences on the development of culture and Art. Moreover, politics can lead to economic growth and rapid change of society. In another word, the political environment has directly impact on the development of culture and Art. This study investigates whether the external factor-political environment affects the process of choreography which should be simply conveying artists’ personal images. Thus artists revise the original ideas and styles of choreography due to this factor. This exploration of t

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22

Croft, Clare Holloway. "Funding footprints : U.S. State Department sponsorship of international dance tours, 1962-2009." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-768.

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Since the middle of the twentieth century, American dance artists have presented complicated images of American identity to world audiences, as dance companies traveled abroad under the auspices of the US State Department. This dissertation uses oral history interviews, archival research, and performance analysis to investigate how dancers navigated their status as official American ambassadors in the Cold War and the years following the 2001 terrorist attacks in the US. Dance companies worked and performed in international sites, enacting messages of American democratic superiority, while ind

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23

HU, YU-HSIN, and 胡予欣. "The Study of the Influences of the Performance Sites to the Productions: Using "Love Tale of An-Ping" and "Step in B.B.art" of Scarecrow Contemporary Dance Company as Examples." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/bug83r.

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碩士<br>國立臺灣藝術大學<br>戲劇學系表演藝術碩士班<br>105<br>"Theater" for the performing arts works, is undoubtedly the final presentation of the important elements that include the theme, form and media. The scope of the theater is not limited to well-equipped cultural venues, in recent years, more and more creators began to pay attention to the work of the specific space in a variety of forms of performance. Contemporary creators are paying more and more attention to the completeness of the works, focusing on factors that are intertwined with the works, such as cross-border integration, or the use of original m

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24

Beaulieu, Marie. "Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision." Thèse, 2008. http://hdl.handle.net/1866/6474.

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25

Garcia, Carlota Gomes de Lemos Pignatelli. "Marketing em companhias de dança contemporânea portuguesas: estudos de caso: CiM Companhia de Dança, Companhia de Dança de Almada e Quorum Ballet." Master's thesis, 2018. http://hdl.handle.net/10071/18789.

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O presente trabalho visa estudar e compreender as diferentes estratégias de comunicação adotadas por três companhias de dança contemporânea portuguesas: A CiM - Companhia de Dança, a Companhia de Dança de Almada e o Quorum Ballet. Os objetivos passam por abordar temáticas inerentes e especificas do marketing cultural, tais como a gestão do marketing mix, o posicionamento e a segmentação pretendendo aferir de que forma são aplicados nestas organizações. Fundamentada na abordagem teórica e no modelo de marketing cultural que preveem, de acordo com François Colbert, (1994) que as organizações art

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26

Gomes, Sílvia Alexandra Raposo. "Estado de Insurgência : performance, política e resistência nas práticas artísticas contemporâneas." Master's thesis, 2017. http://hdl.handle.net/10362/26592.

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A presente dissertação visa, tendo como lente teórica uma antropologia da performance, analisar o modo como os agentes artísticos resgatam a performance do mundo social e mobilizam a «versão mediática» e a «teatrocracia» do poder no que alude ao «drama social» da Guerra Civil Síria. Analisa-se a performance artística enquanto espaço reflexivo que visa desconstruir as estruturas da experiência grupal a partir de uma política cénica ou coreográfica do chão. Para tal, atenta-se ao modo como as «matérias-fantasma» possibilitam uma compreensão do espaço cénico enquanto «lugar de memória» habitado p

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Chen, Yi-Chun, and 陳宜君. "The Yellow Butterfly Flying to the South――Japanese Female Dancer-choreographer Hata-Kanoko,Her Works and the First Butoh Company in Taiwan." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/73shnw.

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碩士<br>國立臺北藝術大學<br>舞蹈理論研究所<br>98<br>The Japanese Butoh originated in 1959, inheriting the German expressionism and the reflexive Dadaism. There emerged a reflexive dance that shocked the contemporary dance field around the globe. A Japanese Butoh dancer and choreographer, Hata-Kanoko paid a visit to Taiwan and then stayed in Taipei County. While in Taiwan, she presented many pieces of Butoh and in 2005 she established the first Butoh company in Taiwan――“The Yellow Butterfly Flying to the South Butoh Company” to deepen and strengthen her dialogue with the culture in Taiwan. Between the years 19

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28

Meng-Fu, Han, and 韓孟甫. "Enriching the Plot with Songs and Dances─ Examining the relationships between characters, lyrics, and choreography in musical theatre performance. A case study of the Character "Han-Sen" in "The Angle Never Sleeps" produced by the Godot Theatre Company in Taiwan." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/70184085252982735792.

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碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>102<br>The genesis of theater can be traced back to ancient religious rituals and ceremonies. In ancient Greece, people prayed, sang, and danced as a mean of communicating to the unknown world. Masks or other forms of media were also employed to symbolize those from the unknown world. In those ceremonies, the presence of chorus was indispensable. Among those rituals, the worship of Dionysus, the god of wine and the god of plays, was the most important ceremony. Usually, the chorus, covering by masks, imitated the feats of gods and ancient heroes along with singing

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