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Relevant bibliographies by topics / Dance, hawaii

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Academic literature on the topic 'Dance, hawaii'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Dance, hawaii"

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Kealiinohomoku, Joann W., and Judy van Zile. "The Japanese Bon Dance in Hawaii." Dance Research Journal 17, no. 2 (1985): 94. http://dx.doi.org/10.2307/1478093.

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Rowe, Sharon Māhealani. "We Dance for Knowledge." Dance Research Journal 40, no. 1 (2008): 31–44. http://dx.doi.org/10.1017/s0149767700001352.

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Every year, for hundreds of thousands of tourists, seeing “real Hawaiian hula” in a hotel or in a packaged lū'au setting is standard fare. Commonplace too is receiving one's introduction to hula through any of the many competitions that take place annually in Hawai'i and, with increasing frequency, throughout the world. Still others find hula marketed for its exercise benefits, peddled as the latest fitness fad in gyms and malls across the country. But is hula the allure of exotic dancers evoking prurient responses from tourists, one moment tantalized by undulating hips only to be teasingly chastised the next to “keep your eyes on the hands”? Is it the crisp, impeccably synchronized movement danced before panels of judges at the several hula competitions that mark the year for many hula hālau? Is hula the movement, the meaning conveyed through the movement, or the full context out of which movement casts itself into an art form that inspires passion and perpetuates a traditional way of living?For Mary Kawena Pukui, credited with helping to bring the rich traditional context of hula into the present, hula is “a general name for many types of Hawaiian folk dances” (1942/1980, 70). Pukui's laconic description says everything, and nothing. Everything because hula is the unique dance of the Hawaiian people. Everything because despite the homogenizing influence of hula competition, which has brought only a limited range of the vast hula repertoire to the public's attention over the past thirty-five years, hula encompasses many different styles and types of dances. But it says nothing because hula simply cannot be reduced to Hawaiian folk dance. Hula is a moving encyclopedia inscribed into the sinews and postures of dancers' bodies. It carries forward the social and natural history, the religious beliefs, the philosophy, the literature, and the scientific knowledge of the Hawaiian people.

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TICKTIN, TAMARA, A. NĀMAKA WHITEHEAD, and HŌ‘ALA FRAIOLA. "Traditional gathering of native hula plants in alien-invaded Hawaiian forests: adaptive practices, impacts on alien invasive species and conservation implications." Environmental Conservation 33, no. 3 (July 25, 2006): 185–94. http://dx.doi.org/10.1017/s0376892906003158.

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Traditional resource management (TRM) systems in tropical forests can provide insights on sustainable resource use, but despite the growing prevalence of degraded tropical forest habitats, few studies have assessed the relationships between TRM and conservation in these environments. In Hawaii, the traditional gathering of native wild plants used for hula (chants and dance) and lei (garlands) is carried out in forests increasingly dominated by alien invasive species. Ethnographic methods and exploratory experimental harvests were employed to examine: gathering of hula plants in the past and present, ecological impacts of contemporary gathering practices of three important native hula species in alien-dominated forests, and relationships between traditional practices and past and modern conservation. Past gathering traditions included practices to increase and conserve hula plant populations. Harvest of Microlepia strigosa fern fronds significantly decreased M. strigosa cover over the short term. Cover of alien species significantly increased after frond-harvest of Sphenomeris chinensis. Regeneration of the fruit-harvested shrub, Melicope anisata, was significantly negatively correlated with the level of understorey invasive species. These results suggest that in Hawai‘i’s alien-dominated forests, gathering of some species may increase spread of alien invasive species or exacerbate regeneration problems caused by invasive species. However, some expert cultural practitioners have adapted traditional practices to ensure hula plant conservation by incorporating weeding of alien invasive species into their protocols. The re-strengthening and adaptation of traditional Hawaiian knowledge and social institutions to the modern context can provide opportunities to improve conservation of Hawai‘i’s culturally-important native plants and their habitats.

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Provencher, Ronald. "Dance of Life: Popular Music and Politics in Southeast Asia. By Craig A. Lockard. Honolulu: University of Hawaii Press, 1998. xix, 390 pp. $48.00 (cloth); $29.95 (paper)." Journal of Asian Studies 58, no. 2 (May 1999): 576–77. http://dx.doi.org/10.2307/2659486.

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Kong, Lily. "Southeast Asia - Dance of Life: Popular Music and Politics in Southeast Asia. By Craig A. Lockard. Honolulu: University of Hawaii Press, 1998. Pp. xix, 390. Bibliography, Index." Journal of Southeast Asian Studies 30, no. 1 (March 1999): 163–64. http://dx.doi.org/10.1017/s0022463400008122.

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Hajibayova, Lala, and Wayne Buente. "Representation of indigenous cultures: considering the Hawaiian hula." Journal of Documentation 73, no. 6 (October 9, 2017): 1137–48. http://dx.doi.org/10.1108/jd-01-2017-0010.

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Purpose The purpose of this paper is to explore the representation of Kanaka Maoli (Hawaiian) Hula Dance in traditional systems of representation and organization. Design/methodology/approach This exploratory study analyzes the controlled and natural language vocabularies employed for the representation and organization of Hawaiian culture, in particular Hawaiian hula. The most widely accepted and used systems were examined: classification systems (Library of Congress Classification and Dewey Decimal Classification), subject heading systems (Library of Congress Subject Headings and authority files (Library of Congress and OCLC Authority Files), and citation indexing systems (Web of Science Social Sciences and Art and Humanities databases). Findings Analysis of various tools of representation and organization revealed biases and diasporization in depictions of Hawaiian culture. The study emphasizes the need to acknowledge the aesthetic perspective of indigenous people in their organization and presentation of their own cultural knowledge and advocates a decolonizing methodology to promote alternative information structures in indigenous communities. Originality/value This study contributes to the relatively limited scholarship on representation and organization for indigenous knowledge organization systems, in particular Hawaiian culture. Research suggests that access to Native Hawaiian cultural heritage will raise awareness among information professionals in Hawai’i to the beauty of Native Hawaiian epistemology.

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Misaki, Mai. "Colonial Rupture and Native Continuity in Indigenous Cultural Representations: Through Hawaiian Ancient Dance Kahiko." Dance Research Journal 53, no. 1 (April 2021): 44–60. http://dx.doi.org/10.1017/s0149767721000024.

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AbstractThis article discusses the role of colonial oppression in creating conflicting perspectives in the reproduction of dance as Indigenous cultural heritage. The debate on kahiko, the ancient Hawaiian dance, of which practice was severely controlled and then revived through the cultural renaissance, demonstrates that the radical deprivation of the practice has created multiple understandings of the dance among different practitioners. Of primary importance in these respects is the intergenerational divide within the dance community, manifest in the critical perspective of the post-renaissance variant of kahiko, which highlights the “continuity” of the practice through the colonial rupture.

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Stillman, Amy Ku'uleialoha, Elizabeth Tatar, and Adrienne L. Kaeppler. "Hula Pahu: Hawaiian Drum Dances." Yearbook for Traditional Music 23 (1991): 133. http://dx.doi.org/10.2307/768403.

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Santamaria, Carlos A. "Molecular taxonomy of endemic coastal Ligia isopods from the Hawaiian Islands: re-description of L. hawaiensis and description of seven novel cryptic species." PeerJ 7 (August 15, 2019): e7531. http://dx.doi.org/10.7717/peerj.7531.

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Past phylogeographic work has shown Ligia hawaiensis, a coastal isopod species endemic to the Hawaiian Islands, to be a paraphyletic complex of several highly genetically divergent yet morphologically cryptic lineages. Despite the need for a taxonomic revision of this species, the lack of morphological differentiation has proven an impediment to formally describe new Ligia species in the region. Molecular characters and species delimitation approaches have been successfully used to formally describe cryptic species in other crustacean taxa, suggesting they may aid taxonomic revisions of L. hawaiensis. Herein, various distance- and tree-based molecular species delimitation approaches are applied on a concatenated dataset comprised of both mitochondrial and nuclear gene sequences of L. hawaiensis and L. perkinsi, a terrestrial species endemic to the Hawaiian archipelago. Results of these analyses informed a taxonomic revision leading to the redescription of L. hawaiensis and the description of seven new cryptic species on the basis of molecular characters: L. dante, L. eleluensis, L. honu, L. kamehameha, L. mauinuiensis, L. pele, and L. rolliensis. These coastal Ligia species from the Hawaiian archipelago appear to be largely limited to single islands, where they appear largely constrained to volcanic rift zones suggesting allopatric events at local scales may drive diversification for poorly dispersing organisms in the Hawaiian coastlines. Additional work remains needed to fully assess the role of said events; however, the description of these novel species underscore their potential to aid in studies of local diversification of marine organisms in Hawai‘i. Lastly, this represents the first application of molecular taxonomic approaches to formally describe genetic lineages found in Ligia isopods as species, underscoring the promise these methods hold to taxonomic revisions in other species in the genus shown to harbor cryptic genetic lineages.

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Kieć, Konrad. "Dyplomacja PRL wobec kryzysu karaibskiego w 1962 roku." Acta Universitatis Lodziensis. Folia Historica, no. 106 (April 30, 2020): 157–89. http://dx.doi.org/10.18778/0208-6050.106.11.

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Ministerstwo Spraw Zagranicznych oraz ówczesny szef polskiej dyplomacji Adam Rapacki uważali kryzys karaibski za niezwykle groźny dla Polski. Wynikało to z faktu, że Warszawa utrzymywała dobre relacje gospodarcze z Waszyngtonem. Od czasu nawiązania relacji dyplomatycznych z Hawaną stosunki między PRL a Kubą rozwijały się wolno. Od 1960 r. PRL była zmuszona okazywać pomoc Kubie i nie czerpała zysków z wymiany handlowej. Szersze zaangażowanie na rzecz poprawy stosunków z reżimem Castro było wymuszone przez Moskwę. Polska jako członek bloku wschodniego nawiązała relacje z Hawaną najpóźniej ze wszystkich krajów wchodzących w jego skład. Na wspomniane ruchy Stany Zjednoczone Ameryki zareagowały w sposób niezwykle nerwowy. Administracja prezydenta Johna Kennedy’ego groziła cofnięciem cesji gospodarczych udzielonych Polsce. W tym kontekście wizyta Adama Rapackiego w Hawanie w czerwcu 1961 r. wydawała się z punktu widzenia USA prowokacyjna. Inaczej wystąpienie polskiego ministra odebrali brytyjscy dyplomaci, którzy utrzymywali, że podczas przemówienia na Uniwersytecie w Hawanie Rapacki starał się nie obrażać Stanów Zjednoczonych. Dodatkowo Foreign Office uważało, że został on zmuszony do złożenia owej wizyty zagranicznej. W momencie, gdy rozpoczął się kryzys rakietowy na Kubie, polskie MSZ starało się za wszelką cenę uniknąć działań, które mogły zostać odebrane jako prowokacja przez siły US Navy, prowadzące morską blokadę wyspy. O zamiarach dotyczących rozmieszczenia pocisków atomowych na Kubie ZSRR nie poinformowało swoich sojuszników, co świadczyło o braku suwerenności PRL oraz innych państw bloku wschodniego. MSZ nie podejmowało żadnych aktywnych ruchów w tej kwestii, ale starało się pozyskać najbardziej wiarygodne informacje na temat rozgrywających się zdarzeń. Najlepiej poinformowany był ambasador PRL w Waszyngtonie, a jego odpowiednicy w Hawanie i Moskwie mieli niekompletne dane. Dodatkowo, po ustaniu największego zagrożenia związanego z wybuchem wojny termonuklearnej, to PRL przekazywała informacje o krytyce Fidela Castro kierowanej wobec Moskwy, a dotyczącej kryzysu.

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Dissertations / Theses on the topic "Dance, hawaii"

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Wright, Celia Ann. "Shadows." Thesis, 2007. http://hdl.handle.net/10125/20513.

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Lee, Noelani K. "Mai Home Hawai'i: Hawaiian Daspora and the Return of Hawaiians From the Diaspora." 2003. http://hdl.handle.net/10125/21111.

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Novack, Lynn. "The impact of the University of Hawaiʻi at Manoa Dance Program : graduate students, Honolulu dance companies, and the community of Oʻahu." Thesis, 2005. http://hdl.handle.net/10125/11519.

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Kurokawa, Yoko. "Yearning for a distant music consumption of Hawaiian music and dance in Japan /." 2004. http://proquest.umi.com/pqdweb?index=0&did=765934141&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1234371405&clientId=23440.

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Kurokawa, Yoko 1957. "Yearning for a distant music : consumption of Hawaiian music and dance in Japan." Thesis, 2004. http://hdl.handle.net/10125/11757.

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Thesis (Ph. D.)--University of Hawaii at Manoa, 2004.
Includes bibliographical references (leaves 532-554) and discography (leaves 555-557).
Also available by subscription via World Wide Web
2 v. (xix, 557 leaves, bound) music 29 cm

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Slaughter, Timothy Roy. "Performing arts for children in Hawaiʻi : a history of dance, puppetry, and theatre for children from 1900 to 1990." Thesis, 1992. http://hdl.handle.net/10125/9578.

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Books on the topic "Dance, hawaii"

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ill, Pagay Jeff, ed. Whale song & dance. Honolulu, Hawai'i: Mutual Pub., LLC, 2008.

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Aloha America: Hula circuits through the U.S. empire. Durham: Duke University Press, 2012.

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Emerson, Nathaniel Bright. Unwritten literature of Hawaii: The sacred songs of the hula. Hilo, Hawai'i: Edith Kanaka'ole Foundation, 2006.

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Paradise remade: The politics of culture and history in Hawai'i. Philadelphia: Temple University Press, 1993.

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Linda, Sunshine, Felix Antonia, Bruckheimer Jerry, and Bay Michael 1964-, eds. Pearl Harbor: The movie and the moment. New York: Hyperion, 2001.

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Pearl Harbor. Madrid, España: Suma de Letras, 2001.

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Reece, Kim Taylor. Images of Hawaii's ancient hula: Hula kahiko : fine art photography. Sacred Falls, Hawaii: Kim Taylor Reece Gallery, 1997.

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Uchiyama, Mahealani. Haumana hula handbook: A manual for the student of Hawaiian dance. [Berkeley, Calif.?]: Dancetera Publications, 1999.

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Haworth, Jill Suzuki. Bon Dance in Hawaii. Mutual Publishing, 2004.

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Thompson, Vivian L. Folk Dances of Hawaii. Alfred Publishing Company, 2000.

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Book chapters on the topic "Dance, hawaii"

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Palmer, John D. "Dance of Identities." In The Dance of Identities, 1–20. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0001.

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Palmer, John D. "Wanting to Be Like White." In The Dance of Identities, 21–44. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0002.

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Palmer, John D. "Opening Pandora’s Box." In The Dance of Identities, 45–70. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0003.

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Palmer, John D. "Engaging and Reflecting." In The Dance of Identities, 71–96. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0004.

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Palmer, John D. "Questioning What I Have Done." In The Dance of Identities, 97–132. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0005.

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Palmer, John D. "Empowering Identities." In The Dance of Identities, 133–64. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0006.

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Palmer, John D. "Linking the Dance of Identities Theory to Life Experiences." In The Dance of Identities, 165–74. University of Hawai'i Press, 2010. http://dx.doi.org/10.21313/hawaii/9780824833718.003.0007.

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Alexeyeff, Kalissa. "The Politics of Contemporary Dance." In Dancing from the Heart, 57–83. University of Hawai'i Press, 2009. http://dx.doi.org/10.21313/hawaii/9780824832445.003.0002.

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Kim, Hee-sun. "Mainstreaming Dance Music and Articulating Femininity." In Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0014.

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Korean pop music, or K-pop, has emerged and taken its dominant place since the turn of this century, but its girl groups can trace their lineage back to the 1990s, while the dance music so characteristic of K-pop began in the dance music boom of the 1980s. This chapter examines the music, image, and performance styles of female dance divas from the 1980s into the 2000s. Its purpose is threefold: first, to properly historicize the female dance singers of Korean pop music within their socio-cultural contexts and trace how the image of sexuality has evolved from those early dance divas to the K-pop girl groups of today; second, to examine the ways in which multi-dimensional cultural meanings and voices are constructed through the music, performance styles, and images, atop discourses of body, gender, and sexuality; and third, to dispute earlier assumptions about Korean female dance singers as being merely innocent victims of the globalized commercial entertainment industry and patriarchal systems. This study seeks to reveal the female dance singers as major subjectivities in shaping modern Korean popular music, a role inevitably overshadowed by the strong critical discourse on K-pop girls that emphasizes their sexuality.

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Chalfa Ruyter, Nancy Lee. "Australasia and Asia, 1936–1937." In La Meri and Her Life in Dance, 90–114. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813066097.003.0005.

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This chapter covers travel and performances in London (February-March, 1936); Australia and New Zealand (June-November, 1936); and Ceylon (Sri Lanka), India, Malaysia, Indonesia, Philippines, Hong Kong, Japan, and Hawaii (December 1936-October 1937). La Meri’s frequent and multipage letters to Lilian during this time provide a wealth of detailed information about her performances and the dance training she sought and received in the various countries like the dances of India. The letters also detail the group’s travels from one place to another, their daily activities, the difficulties they sometimes encountered, and the people they met Also discussed is La Meri’s training and work with the Indian dancer Ram Gopal.

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Conference papers on the topic "Dance, hawaii"

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Haythornthwaite, C., K. J. Lunsford, M. M. Kazmer, J. Robins, and M. Nazarova. "The generative dance in pursuit of generative knowledge." In 36th Annual Hawaii International Conference on System Sciences, 2003. Proceedings of the. IEEE, 2003. http://dx.doi.org/10.1109/hicss.2003.1174265.

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Usui, Yoko, Katsumi Sato, and Shinichi Watabe. "Learning Hawaiian hula dance by using tablet computer." In SA'15: SIGGRAPH Asia 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2818498.2818507.

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Gersch, Joseph, Dan Massey, and Scott Rose. "DANE Trusted Email for Supply Chain Management." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2017. http://dx.doi.org/10.24251/hicss.2017.350.

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