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Books on the topic 'Dance magazine'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Consult the top 27 books for your research on the topic 'Dance magazine.'

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1

name, No. Stern's directory 2003: A publication of Dance magazine. [New York, NY]: MacFadden Dance Magazine, Inc., 2002.

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2

Page, Ralph. Contras as Ralph Page called them: Containing photocopies of over 220 contra dances collected from a syllabus produced at the Stockton, California Folk Dance Camp in 1957 and from the pages of Ralph Page's magazine, "Northern junket". Ithaca, NY (702 N. Tioga St., Ithaca 14850): R.C. Knox, 1990.

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3

Osgood, Bob. The caller text: The art and science of calling square dances : with articles for callers written by callers from 37 years of Square dancing magazine. [S.l.]: Sets in Order American Square Dance Society, 1985.

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4

Mcdermott, Leeanne. GamePro Presents: Sega Genesis Games Secrets: Greatest Tips. Rocklin: Prima Publishing, 1992.

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5

Dance magazine. Oakland, CA: Dance Magazine, 2000.

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6

McCormack, Allen E. Dance Magazine College Guide: 2000-01 (Dance Magazine, 2000 2001). Dance Magazine, 2000.

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7

McCormack, Allen E. Dance Magazine College Guide: 1998-99 (Dance Magazine College Guide). 9th ed. Dance Magazine, 1998.

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8

Dance Magazine College Guide 2005 & 2006 (Dance Magazine College Guide). Dance Magazine, 2005.

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9

Dance Magazine College Guide 2006 & 2007 (Dance Magazine College Guide). Dance Magazine, 2006.

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10

Dance Magazine College Guide/1994-95 (Dance Magazine College Guide). Dance Magazine, 1994.

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11

Dance Magazine College Guide, 2004-2005 (Dance Magazine College Guide). Dance Magazine, 2004.

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12

Dance College Guide, 2003-2004 (Dance Magazine College Guide). Dance Magazine, 2003.

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13

Dance Magazine College Guide/1994-95. Dance Magazine, 1994.

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14

Hildebrand, Karen. Dance Magazine College Guide: 2002-2003. Dance Magazine, 2002.

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15

E, McCormack Allen, ed. Stern's performing arts directory: Including the Dance magazine annual. [US]: Robert D. Stern, 1998.

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16

Stern's performing arts directory: Including the dance magazine annual. [U.S.]: Stern, 1996.

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17

Magazine, Dance. Dance Magazine College Guide 2000-2001 (10th Edition 2000-2001). Dance Magazine, 2000.

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18

Institute, Netherland Dance, ed. Made in Holland: Promotion magazine on dance in the Netherlands. Amsterdam: Netherlands Dance Institute, 1989.

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19

McCormack, Allen E. Dance Magazine College Guide 1996-1997 (Issn 0193-1202. Serial). Dance Magazine, 1996.

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20

E, McCormack Allen, ed. Stern's performing arts directory: Dance music resources for professional managers & presenters : including the Dance Magazine annual. US: Stern, 1995.

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21

Blenford, Natalie. Dance Your Way to Fitness: Step-By-Step Fun and Flirty Ways to a Fabulous Figure (Zest Magazine). Collins & Brown, 2007.

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22

Barrett, Rusty. Down the K-Hole. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195390179.003.0005.

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The chapter analyzes language use in Circuit Noize, a magazine distributed at circuit parties, a type of rave dance party for gay men. The magazine positioned itself as representing the “circuit boy” subculture that developed around circuit parties. The magazine promoted the use of in-group circuit boy slang and awarded prizes for examples of witty camp language overheard at circuit parties. After an overview of circuit subculture, the chapter presents a detailed discussion of the language ideology promoted by the magazine. The language ideology in Circuit Noize served to differentiate circuit boys from other men, both gay and straight. Although the personal style of circuit boy subculture emphasized expressions of masculinity similar to those associated with heterosexual men, the use of language promoted by the magazine serves to differentiate circuit masculinity from heterosexual masculinity.

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23

Kosstrin, Hannah. The Wandering Frog That Did Not Travel Well. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0004.

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American critical reactions to Anna Sokolow’s Mexican works Wandering Frog (1940) and Lament for the Death of a Bullfighter (1941) displayed the differences between Mexican and American modernism. US critics read the dances as ethnic instead of revolutionary within an anticommunist American critical discourse of ethnic and ethnologic dance. The resonance of Sokolow’s choreography among the transnational Left in the 1930s fell flat given the United States’ wartime demonization of Communism and shift in American dance coverage from leftist to mainstream newspapers and magazines. This spectatorial mismatch ended in a loss of nuance in the public readings of her dances, but created space for dances like Kaddish (1945) to be transgressive while appearing universal. Kaddish and Mexican Retablo (1946) display Sokolow’s feminist subversion of ritual in reaction to the Holocaust. They account for a human tragedy she railed against and publicly mourned in its aftermath.

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24

Cormack, Allen E. Dance Magazine's Stern's Directory 2002 (Dance Annual Directory). Dance Magazine, 2001.

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25

Adams, Jade Broughton. F. Scott Fitzgerald's Short Fiction. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474424684.001.0001.

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F. Scott Fitzgerald is remembered primarily as a novelist, but he wrote nearly two hundred short stories for popular magazines such as the widely-read Saturday Evening Post. These stories are vividly infused with the new popular culture of the 1910s, 1920s, and 1930s, from jazz and blues music to motion pictures and performing arts. This book demonstrates how popular culture had a deep impact on Fitzgerald’s work, not just in terms of evoking period detail, but by confirming Fitzgerald as an experimental writer whose popular short stories reflect the serious modernist concerns occupying writers such as Ernest Hemingway, James Joyce, Sherwood Anderson, Dorothy Parker, and Langston Hughes. This book explores how popular culture impacted on F. Scott Fitzgerald’s literary aesthetics on both thematic and formal levels, to a greater extent than previously recognised. Encompassing spheres of both American studies and cultural studies, this book offers a revisionist perspective on Fitzgerald’s short fiction of the interwar period, which is often overlooked in favour of the novels, especially The Great Gatsby. By exploring Fitzgerald’s fascination with leisure, specifically the intertwined cultural spheres of dance, music, theatre, and film, this book argues that he innovatively imported practices borrowed from other popular cultural media into his short stories, deploying disruptive techniques of ambiguity and parody that sit in tension with reader expectations of his lyrical style and the commercial publication contexts of his stories.

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26

Eric, Levin, ed. People weekly yearbook 2000: The year in review, 1999. New York: People Weekly Books, 1999.

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27

Magazine, People. People Yearbook: Pop Culture Review. Time Inc Home Entertainment, 2000.

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