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Relevant bibliographies by topics / Dance music culture

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Journal articles
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Academic literature on the topic 'Dance music culture'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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Journal articles on the topic "Dance music culture"

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Carroll, Sam. "Hepfidelity: Digital Technology and Music in Contemporary Australian Swing Dance Culture." Media International Australia 123, no. 1 (2007): 138–49. http://dx.doi.org/10.1177/1329878x0712300113.

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Since its revival in the 1980s, Lindy hop along with other swing dances has become increasingly popular with middle class youth throughout the developed world. Social dancing plays a central part in local swing dance communities, and DJing recorded music has become an essential part of social dancing. Marked by class and gender, DJing in swing dance communities is also shaped by digital technology, from the CDs, computers and portable media devices which DJs use to play digital musical files to the discussion boards and websites where they research and discuss DJing and the online music stores

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Shahnaz Akhtar and Nuzhat Farooq. "Folk Dance and Music of Rajasthan: A Study of their Role in Fairs and Festivals." Social Science Journal for Advanced Research 3, no. 4 (2023): 59–64. http://dx.doi.org/10.54741/ssjar.3.4.9.

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Rajasthan, a state with a thriving cultural scene in India, is home to a diverse range of traditional folk dance performances and folk music that have greatly influenced the growth of the local culture. Through thoroughly examining various folk dance and music, their historical roots, and their contemporary relevance, this study sheds light on how these folk dances and music contribute to preserving Rajasthan's legacy and their significance in fairs and festivals. The main goal of this study is to examine the mutually beneficial interaction between Rajasthan's traditional performances—such as

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Liu, Chang. "Contemporary Inheritance and Interpretation of Silk Road Music and Dance Culture in the Tang Dynasty." Scientific Journal Of Humanities and Social Sciences 6, no. 11 (2024): 73–80. http://dx.doi.org/10.54691/15z5g409.

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The Tang Dynasty was a glorious period in the development of ancient Chinese music and dance, and also the most developed stage of the Silk Road. The strength of the country and the stability of the political situation provided a relatively peaceful space for the development of music and dance art in the Tang Dynasty, and also created conditions for the exchange of music and dance between the Central Plains and the Western Regions. Tang Dynasty Silk Road music and dance exchanges have great significance and value in history, and have profound reference significance in today's context of freque

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Smilkova, Smilena. "DANCE – THE WORLD’S FAVORITE METAPHOR." Education and Technologies Journal 15, no. 1 (2024): 152–55. http://dx.doi.org/10.26883/2010.241.5953.

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Dance is an art whose artistic expression is related to the movements and positions of the human body. Communication in dance (both between partners and between them and the audience) is non-verbal. In order for the message of the dance and its performers to be convincing, emotional and sensual, the art of dance is inextricably linked to music. Musical literature is extremely rich in examples of ancient and modern dances. It could be successfully used in kindergarten music situations and in elementary school music classes. The perception of instrumental dance works from the musical treasury ha

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Martynova, D. O. "Reception of the Ragtime and the Grizzly Bear Dance in the Art of the Early 20th Century." Art & Culture Studies, no. 4 (December 2023): 366–89. http://dx.doi.org/10.51678/2226-0072-2023-4-366-389.

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In this article, the author analyses the reception of the grizzly bear dance in the visual culture of the early 20th century. Such a study is relevant in the Russian discourse, since in recent years, there have been separate works on the reception of dance and music cultures in visual culture. In the grizzly bear dance, several characteristic trends of the early 20th century of the USA and Europe merged: fascination with the primitive, a desire to control moral behaviour, and the interpenetration of various cultural strategies of different countries. In this regard, it is important to analyse

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Yonglin, He. "The carrier and connotation of dance culture of Southwest China’s minority nationalities." OOO "Zhurnal "Voprosy Istorii" 2023, no. 6-1 (2023): 228–35. http://dx.doi.org/10.31166/voprosyistorii202306statyi12.

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The Southwest region of China is the habitat for many ethnic minorities, and the music and dance in various ethnic dances are also very rich. This article mainly analyzes the dance culture of Southwest ethnic minorities, and studies the artistic characteristics and unique historical and cultural connotations contained therein.

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Ayobade, Dotun. "Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic." Dance Research Journal 53, no. 1 (2021): 5–22. http://dx.doi.org/10.1017/s0149767721000048.

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AbstractPopular dances encapsulate the aliveness of Africa's young. Radiating an Africanist aesthetic of the cool, these moves enflesh popular music, saturating mass media platforms and everyday spaces with imageries of joyful transcendence. This essay understands scriptive dance fads as textual and choreographic calls for public embodiment. I explore how three Nigerian musicians, and their dances, have wielded scriptive prompts to elicit specific moved responses from dispersed, heterogenous, and transnational publics. Dance fads of this kind productively complicate musicological approaches th

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HÎRȚESCU, Diana Petronela, and Nicolae SILISTRARU. "Formation of children’s ethnoartistic culture in the perspective of popular music and dance." Univers Pedagogic 86, no. 2 (2025): 75–80. https://doi.org/10.52387/1811-5470.2025.2.10.

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The text analyzes the formation of children’s ethno-artistic culture from the perspective of folk music and dance, highlighting their fundamental role in preserving cultural identity and transmitting traditional values. The study explores the diversity of Romanian folk dances, the geographical and historical influences on choreographic styles and the impact of music on the dynamics and expressiveness of movements. The rhythmic structure, tempo and instrumental accompaniment are also analyzed, as well as the importance of shouts as essential elements of the folk performance. These perspectives

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Yanng, Jiseon. "A Study on Gyobang Dance and Music in Honam Area of the Joseon Dynasty." Korean Society of Culture and Convergence 44, no. 7 (2022): 373–86. http://dx.doi.org/10.33645/cnc.2022.7.44.7.373.

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The purpose of this study is to study Gyobang dance and music in Honam region during the Joseon Dynasty. Except for Jeju Island, there were six Gyobangs in the Honam region: Namwon, Jeonju, Gwangju, Sunchang, Muju, and Suncheon. The dances that had been passed down to Gyobang in the Honam region are 11 events such as Jengmu, Pogorak, Seonyurak, Geommu, Heonbando, Cheoyongmu, Seungmu, Geommu, Hakdance, Abakmu, and Mudong. Kyobang’s music was handed down 19 songs. The characteristics of Gyobang dance in Honam region are, first, Gyobang dance contains human joy and anger and contains an unr

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Bondarenko, Andrii. "Electronic Dance Music in Ukrainian Musical Culture." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 60–66. https://doi.org/10.31866/2410-1176.43.2020.220071.

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The purpose of the work is to analyse the features of electronic dance music (EDM) in the cultural space of Ukraine in the late 2000s and early 2010s based on the study of online publications on electronic dance music, review the most important events in EDM culture and provide an interpretation of the most relevant musical trends over the past two decades. The research methodology includes descriptive and interpretive approaches, statistical analysis, synthesis and generalization of the collected information to complete the scientific understanding of the electronic dance music existence in U

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Dissertations / Theses on the topic "Dance music culture"

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Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.

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Thornton, Sarah. "Record hops to raves : authenticity and subcultural capital in music and media cultures." Thesis, University of Strathclyde, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261836.

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Hillion, Toulcanon Marie-Muriel. "Maloya dance and music: Réunionese Créole togetherness." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2532.

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La Réunion is a former French colony where the coffee, vanilla — and later the sugarcane industry — brought together the mostly enslaved and indentured people from Madagascar, Africa, India, China and France. A quintessential part of this hybrid culture has been the development of maloya, an improvised music-and-dance form that so alienated French colonial authorities and landowners that it was unofficially banned until 1981. While maloya music has been taught since 1987 at Conservatoire de La Réunion and has reached international stages, maloya dance itself has rarely been explored academical

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McIver, Sharon. "WaveShapeConversion : the land as reverent in the dance culture and music of Aotearoa : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1635.

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This thesis is the result of more than ten years involvement with outdoor dance events in Aotearoa, with a specific focus on Te Wai Pounamu (South Island) and Otautahi (Christchurch). Two symbiotic themes are explored here – that of the significance of the landscape in inspiring a conversion to tribal-based spirituality at the events, and the role of the music in ‘painting’ a picture of Aotearoa in sound, with an emphasis on those musicians heard in the outdoor dance zones. With no major publications or studies specific to Aotearoa to reference, a framework based on global post-rave culture ha

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Kavanaugh, Philip R. "Solidarity and drug use in the electronic dance music scene." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.39 Mb., 70 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435827.

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Colombo, Ambrose. "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/83.

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Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA fe

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Barnes, Duncan Martin. "Selling the modern day tribe: The commodification of rave culture." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2107.

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This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local impact of rave. I provide a visual ethnographic study from 1999-2014, based on my work as a commercial photographer of the Perth, Western Australian scene. While critically reflecting on existing subcultural research this thesis adds another dimension – the effect that global corporations have had in reshaping subcultural practices, specifically the commodification of rave culture in the form of the contemporary electronic dance festival. The research incorpo

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White, Bob Whitman. "Modernity's spiral : popular culture, mastery, and the politics of dance music in Congo-Kinshasa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0020/NQ44627.pdf.

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Webb, Brock F. "This side of midnight: Recovering a queer politics of disco club culture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363615857.

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Hinchliff, Sharron. "Phenomenology and the dance culture : women's perceptions of ecstasy use, clubbing and the body." Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20721/.

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In-depth interviews were conducted with women who use ecstasy for recreation, mainly in the context of the dance event. The aim was to discover the meaning of ecstasy use, and its surrounding culture, for women in the late 1990s. A further endeavour involved disclosing how the body was experienced at the dance event and what this meant to the women. Existential phenomenological analysis led to the following key conclusions. The dance event is experienced as a social space that allows women to be themselves and find a strong sense of belonging. There may be apparent dependence upon the experien

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Books on the topic "Dance music culture"

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Nigeria. National Commission for Museums and Monuments. Music, dance and Yoruba culture: Exhibition guide. National Commission for Museums and Monuments, 2002.

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1954-, Levine Victoria Lindsay, ed. Choctaw music and dance. University of Oklahoma Press, 1990.

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Jóri, Anita, and Martin Lücke, eds. The New Age of Electronic Dance Music and Club Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39002-0.

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Reynolds, Simon. Energy flash: A journey through rave music and dance culture. Picador, 1998.

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Simão, Emília. Exploring psychedelic trance and electronic dance music in modern culture. Information Science Reference, 2015.

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1968-, St John Graham, ed. The local scenes and global culture of psytrance. Routledge, 2010.

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Claus-Bachmann, Martina. Traditional music culture in Sri Lanka - Dance (CD-ROM): A multimedial-interactive journey to an unfamiliar music culture. ulme-mini-verlag, 2000.

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Cooper, Carolyn. Sound clash: Jamaican dancehall culture at large. Palgrave Macmillan, 2004.

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B, Lengel Laura, ed. Intercultural communication and creative practice: Music, dance, and women's cultural identity. Praeger Publishers, 2005.

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Krnić, Rašeljka. Sociologija i party scena. Naklada Ljevak, 2013.

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Book chapters on the topic "Dance music culture"

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Lee, Gyu Tag. "New Generation Dance Music." In Transnational Convergence of East Asian Pop Culture. Routledge, 2021. http://dx.doi.org/10.4324/9781003126850-7.

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Kyriakopoulos, Leandros. "On the Network Culture of Electronic Dance Music." In Class, Culture, and the Media in Greece, Volume 2. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-55159-8_10.

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Johnson, Thomas J., Danielle D. Weisman, Virgil L. Sheets, Brianna Todd, and Cody Lesniak. "Spirituality, substance use and transformation in electronic dance music culture." In Musical Psychedelia. Routledge, 2023. http://dx.doi.org/10.4324/9781032047140-16.

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Conner, Christopher T., and David R. Dickens. "Chapter 3: Phase III: EDM as Culture Industry (2010–2022)." In Electronic Dance Music. Lexington Books, 2023. http://dx.doi.org/10.5771/9781793620408-71.

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George, Melanie. "Jazz Dance, Pop Culture, and the Music Video Era." In Jazz Dance. University Press of Florida, 2014. http://dx.doi.org/10.5744/florida/9780813049298.003.0023.

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"Dance and March: Music and Culture." In The Strauss Dynasty and Habsburg Vienna. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009276450.006.

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"Popular culture: music, dance and poetry." In The Modern Middle East. Routledge, 2013. http://dx.doi.org/10.4324/9781315881270-12.

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Laughey, Dan. "Early Youth Cultures of Music and Dance." In Music and Youth Culture. Edinburgh University Press, 2006. http://dx.doi.org/10.3366/edinburgh/9780748623808.003.0003.

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"CONCEPTUAL AMERICANISM, MODERNISM AND UNIVERSALISM IN MUSIC AND DANCE." In Dance, Modernity and Culture. Routledge, 2003. http://dx.doi.org/10.4324/9780203359730-15.

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Reiter, Walter S. "Bach and the Influence of French Culture in the German Lands." In The Baroque Violin & Viola, vol. II. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0027.

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Bach’s contact with French culture dates from his schooldays in Lüneberg and was to last all his life, so the French influence in his music and the consequences for historical performance practice cannot be ignored. After the devastating Thirty Years War, many German rulers looked to the court of Versailles for cultural regeneration: French culture became fashionable and French musicians, many of whom Bach knew personally, exerted an influence on German musical life. The entire body of Bach’s work, instrumental and vocal, is permeated with the rhythms of dance. The dances in his suites, many o

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Conference papers on the topic "Dance music culture"

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Marolt, Matija, Janez Franc Vratanar, and Gregor Strle. "Ethnomuse: Archiving folk music and dance culture." In IEEE EUROCON 2009 (EUROCON). IEEE, 2009. http://dx.doi.org/10.1109/eurcon.2009.5167650.

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Yanxiang, Zhang, Fangbemi Abassin, and Dong Dong. "Resynchronize Japanese "Geisha" Dance Video Using Music of Different Styles." In 2013 International Conference on Culture and Computing (Culture Computing). IEEE, 2013. http://dx.doi.org/10.1109/culturecomputing.2013.43.

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Yaxiong, Mao. "Conservation and Utilization of Ba Nationality's Culture of Music and Dance." In International Conference on Information System and Management Engineering. SCITEPRESS - Science and Technology Publications, 2015. http://dx.doi.org/10.5220/0006026303620365.

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Martinsone-Škapare, Katrīne. "The Cultural Heritage of Character Dance Genre in the Education of a Choreographer in Latvia." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2021. http://dx.doi.org/10.22364/htqe.2024.36.

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Research in the fields of culture and arts is an important resource for the development of cultural and creative industries for the creation of new teaching methods, emphasizing the professional aspects of teaching. In professional dance education, teachers’ theoretical and practical skills, alongside their body language, are of utmost importance and are honed to perfection. The study courses are primarily based on the accepted knowledge of history and cultural heritage, preserving these values as a continuation of traditions in the dance industry. The author has chosen the genre of character

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Cahyono, Agus, Mark Dhaksa Halilintar, Heri Wijayanto, and Hanitiya Taufiq Noviantoro. "The Music of Glass Plate Dance in Silampari Studio of Musi Rawas Regency (The Melodic Element Analysis)." In Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.19.

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Halilintar, Mark Dhaksa, Heri Wijayanto, and Hanitiya Taufiq Noviantoro. "The Music of Glass Plate Dance in Silampari Studio of Musi Rawas Regency (The Melodic Element Analysis)." In Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.73.

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Mukherjee, Tapati. "Focusing Cultural Affinity Among South Asian Cultures, Cutting Across Geo-spatial Barrier: Rabindranath Tagore and His Multi-dimensional Creativity." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8205.

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In a jet – set globalized world where change is the only con-stant as an aftermath of phenomenal progress in science and tech-nology, we are at ease to interact with various cultures, pertaining to various countries, nations and groups. But it is indeed amazing that even in the nineteenth century, a poet and litterateur of as-tounding magnitude in British ruled – India – Rabindranath Tagore, the first Nobel Laureate of Asia could visualize the idea of a one world across geo – political boundary. Notwithstanding his multiple visits to Europe and America, his fascination for Asian countries has

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Shi, Yuanyuan. "Research on the Inheritance Method of Minority Music and Dance Art based on Motion Capture Technology." In Proceedings of the 1st International Symposium on Education, Culture and Social Sciences (ECSS 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/ecss-19.2019.44.

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Chen, Xilin, and Tao Xi. "Cross-Cultural Management of Chinese Traditional Theatre Industry Based on Broadway Operation Model." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001860.

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Broadway, as one of the leading commercial show districts in the West, has a mature commercial experience and operation model. The theatre industry on Broadway is different from other places, and its production and marketing methods have also proven to be highly successful. This paper analyses the business model, artistic concept, communication strategy, and user research of Western theatre based on Broadway at the academic level. At the practical level, the paper investigates the cross-cultural management and communication model of the Chinese theatre industry. The Broadway theatre management

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Talpa, Svetlana. "Stage folk dance versus character dance." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.09.

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In the article, the author’s main objective is to argue the need to study and capitalize on folk stage dance and character dance by comparatively assigning their methodological and aspectual features. For this purpose, the analytical method of approaching the problem is used, as well as the pedagogical aspect. Performing folk dance and character dance exploits the capacity of the mind of both a professional dancer (ballet artists) and of an amateur dancer, by educating the body in order to be aware of each movement performed. From a methodological point of view, the stage folk dance and the ch

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