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Relevant bibliographies by topics / Dance music Rave culture

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Dissertations / Theses

Academic literature on the topic 'Dance music Rave culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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Dissertations / Theses on the topic "Dance music Rave culture"

1

Kavanaugh, Philip R. "Solidarity and drug use in the electronic dance music scene." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.39 Mb., 70 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435827.

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McIver, Sharon. "WaveShapeConversion : the land as reverent in the dance culture and music of Aotearoa : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1635.

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This thesis is the result of more than ten years involvement with outdoor dance events in Aotearoa, with a specific focus on Te Wai Pounamu (South Island) and Otautahi (Christchurch). Two symbiotic themes are explored here – that of the significance of the landscape in inspiring a conversion to tribal-based spirituality at the events, and the role of the music in ‘painting’ a picture of Aotearoa in sound, with an emphasis on those musicians heard in the outdoor dance zones. With no major publications or studies specific to Aotearoa to reference, a framework based on global post-rave culture ha

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Thornton, Sarah. "Record hops to raves : authenticity and subcultural capital in music and media cultures." Thesis, University of Strathclyde, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261836.

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Colombo, Ambrose. "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/83.

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Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA fe

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Halstead, Simon. "After Techno and Rave : Status and Validity in Post-Dance Music." Thesis, University of Surrey, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518691.

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Lau, Gar-lum, and 劉嘉琳. "The social construction of rave culture in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228288.

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Heller, David Francis. "Pass The Flow: The Subcultural Practice of Liquid Dance." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/539612.

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Dance<br>Ph.D.<br>This dissertation explores how the subcultural practice of liquid dance emerged from US rave culture and continues to sustain itself and evolve in today’s era of social media and EDM festival culture. I draw upon the concept of flow as a lens to trace the historical, aesthetic, digital, social and subcultural trajectory of liquid dance. I analyze how this subculture continues to evolve through individual practice, as well as how dance is shared through online and live dance exchange. My dissertation consists of seven chapters that provide both academic and practitioner perspe

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Takahashi, Melanie L. "Theatre in search of a storyline: The role of the "technoshaman" in rave culture." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/29176.

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Since its emergence in the late 1980s, the subculture referred to as "rave" has become a significant global youth phenomenon. At the heart of every event one encounters the DJ, the individual accountable for the success or failure of the rave. The DJ is responsible for taking the dancers on a "journey" so that they may experience the feelings of connectedness, spirituality, and a state of what participants refer to as "ecstasy." Given this role, some have labelled the DJ a "technoshaman." Using the survey and interview method, participant observation and the existing literature on raves, this

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Ortiz, Colleen Lenore. "Rave to redoblada: the role of modernization and tourism in the traditional music and dance of Ibiza." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12551.

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Thesis (M.A.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>Ibiza, a small Spanish island in the Mediterranean, embodies the tensions between modem and traditional identities. The development of tourist industries in Ibiza has had a significant impact on traditional musi

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Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.

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