Relevant bibliographies by topics / Dance music Rave culture / Dissertations / Theses
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Dissertations / Theses on the topic 'Dance music Rave culture'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

Kavanaugh, Philip R. "Solidarity and drug use in the electronic dance music scene." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.39 Mb., 70 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435827.

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McIver, Sharon. "WaveShapeConversion : the land as reverent in the dance culture and music of Aotearoa : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1635.

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This thesis is the result of more than ten years involvement with outdoor dance events in Aotearoa, with a specific focus on Te Wai Pounamu (South Island) and Otautahi (Christchurch). Two symbiotic themes are explored here – that of the significance of the landscape in inspiring a conversion to tribal-based spirituality at the events, and the role of the music in ‘painting’ a picture of Aotearoa in sound, with an emphasis on those musicians heard in the outdoor dance zones. With no major publications or studies specific to Aotearoa to reference, a framework based on global post-rave culture ha
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Thornton, Sarah. "Record hops to raves : authenticity and subcultural capital in music and media cultures." Thesis, University of Strathclyde, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261836.

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Colombo, Ambrose. "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/83.

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Electronic dance music is a genre that has been long in the making. Starting with disco in the 1970s, dance culture genres evolved into house, acid house, techno, garage, 2-step, hardcore, gabba, san frandisco, electro, and many others. This paper studies the transformation of electronic sound, and the contributing/impeding factors involved. Drug use is heavily related to the creation and enjoyment of music, and features prominently in the history of dance culture. Starting with the use of acid in the 1960s and progressing to the use of acid, Quaaludes, poppers, speed in the 1970s, with MDA fe
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Halstead, Simon. "After Techno and Rave : Status and Validity in Post-Dance Music." Thesis, University of Surrey, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518691.

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Lau, Gar-lum, and 劉嘉琳. "The social construction of rave culture in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228288.

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Heller, David Francis. "Pass The Flow: The Subcultural Practice of Liquid Dance." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/539612.

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Dance<br>Ph.D.<br>This dissertation explores how the subcultural practice of liquid dance emerged from US rave culture and continues to sustain itself and evolve in today’s era of social media and EDM festival culture. I draw upon the concept of flow as a lens to trace the historical, aesthetic, digital, social and subcultural trajectory of liquid dance. I analyze how this subculture continues to evolve through individual practice, as well as how dance is shared through online and live dance exchange. My dissertation consists of seven chapters that provide both academic and practitioner perspe
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Takahashi, Melanie L. "Theatre in search of a storyline: The role of the "technoshaman" in rave culture." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/29176.

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Since its emergence in the late 1980s, the subculture referred to as "rave" has become a significant global youth phenomenon. At the heart of every event one encounters the DJ, the individual accountable for the success or failure of the rave. The DJ is responsible for taking the dancers on a "journey" so that they may experience the feelings of connectedness, spirituality, and a state of what participants refer to as "ecstasy." Given this role, some have labelled the DJ a "technoshaman." Using the survey and interview method, participant observation and the existing literature on raves, this
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Ortiz, Colleen Lenore. "Rave to redoblada: the role of modernization and tourism in the traditional music and dance of Ibiza." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12551.

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Thesis (M.A.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>Ibiza, a small Spanish island in the Mediterranean, embodies the tensions between modem and traditional identities. The development of tourist industries in Ibiza has had a significant impact on traditional musi
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Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.

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White, Bob Whitman. "Modernity's spiral : popular culture, mastery, and the politics of dance music in Congo-Kinshasa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0020/NQ44627.pdf.

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Webb, Brock F. "This side of midnight: Recovering a queer politics of disco club culture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363615857.

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Hinchliff, Sharron. "Phenomenology and the dance culture : women's perceptions of ecstasy use, clubbing and the body." Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20721/.

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In-depth interviews were conducted with women who use ecstasy for recreation, mainly in the context of the dance event. The aim was to discover the meaning of ecstasy use, and its surrounding culture, for women in the late 1990s. A further endeavour involved disclosing how the body was experienced at the dance event and what this meant to the women. Existential phenomenological analysis led to the following key conclusions. The dance event is experienced as a social space that allows women to be themselves and find a strong sense of belonging. There may be apparent dependence upon the experien
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Dinerstein, Joel Norman. "Swinging the machine : White technology and Black culture between the World Wars /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Forsyth, Alasdair John MacGregor. "A quantitative exploration of dance drug use the new pattern of drug use of the 1990s /." Thesis, Connect to electronic version, 1997. http://hdl.handle.net/1905/184.

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Plouchard, Nathalie. "En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0059.

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Au carrefour de la sociologie de la culture et de la sociologie de la déviance, ce travail porte sur les dimensions festives et oppositionnelles du monde des free parties, qui s’articule autour de manifestations techno clandestines et marginales. A partir d’une enquête ethnographique, il s’agit d’examiner une pratique culturelle et musicale mais aussi de saisir la variété des expressions oppositionnelles que les jeunes engagés dans ce monde y déploient. A la suite d’un travail de clarification théorique, cette recherche s’inspire de la notion de contre-culture, dans laquelle l’idée de conflict
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Kavka, Daniel Robert. "Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797.

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Humphrey, Ashley Renee. "Where's the Roda?: Understanding Capoeira Culture in an American Context." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.

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Montano, Edward James. "DJs, clubs and vinyl the cultural commodification and operational logics of contemporary commercial dance music in Sydney /." Phd thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/19792.

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Thesis (PhD)--Macquarie University, Division of Humanities, Department of Contemporary Music Studies, 2007.<br>Bibliography: p. 291-313.<br>Introduction -- "Back to this subculture thing": literature review and methodology -- "The crowd went berserk": dance music and club culture in Sydney and Australia -- "Once you find a groove you've got to keep it locked": the role and significance of the DJ -- "There's a great myth about that": DJ culture in Sydney -- "You're not a real DJ unless you play vinyl": technology and formats: the progression of dance music and DJ culture -- "What is underground
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Kemper, Christian. "Mapping techno : jugendliche Mentalitäten der 90er /." Frankfurt am Main [u.a.] : Lang, 2004. http://www.gbv.de/dms/ilmenau/toc/380098598kempe.PDF.

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Gabrielsson, Daniel. "”Forget your sickness and dance” : En etnologisk studie om mötet med den medicinska föreställningsvärlden och musikens roll i en läkande process." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-104414.

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“Dance and forget your sickness” - An ethnological study of the interaction between patients and the medical conceptual world, and the role of music in a healing process. This study is based on interviews with four people. It describes their experiences with the health care system and the role of music in their lives. What these people have in common is that their illnesses are not verifiable from a normal medical perspective. The overall purpose is to describe this interaction with medical care and discuss what role music might have in the mitigation of the perceived illness. The patient-heal
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Araújo, Adriana Dias Gomide 1974. "Apropriações de sentidos de um grupo cultural de cantigas de roda." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253953.

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Orientador: Olga Rodrigues de Moraes von Simson<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-25T10:51:02Z (GMT). No. of bitstreams: 1 Araujo_AdrianaDiasGomide_D.pdf: 2983364 bytes, checksum: ee2833247e1f768924a950606bb39f02 (MD5) Previous issue date: 2014<br>Resumo: A pesquisa reconstrói a história do Grupo Cultural Meninas de Sinhá formado, majoritariamente, por mulheres negras, da terceira idade, moradoras de uma favela da cidade de Belo Horizonte, que conquistaram reconhecimento com a prática de difusão das cantigas
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Moonga, Nsamu Urgent. "Exploring music therapy in the life of the batonga of Mazabuka Southern Zambia." Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/76730.

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The use of music for healing is ubiquitous in every human community. Music Therapy, however, as the clinical and evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship by a credentialed professional, may not share the same pervasive prevalence in human society. This study explored how a culturally-sensitive music therapy process may be designed among baTonga of Mazabuka, particularly in relation to the participants’ existing understandings of masabe (musical healing ritual) Participants' perceptions of musical healing rituals of masabe we
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Ruggiero, Diana Mabel. "Más allá del fútbol: La Bomba, the Afrochoteño Subaltern, and Cultural Change in Ecuador’s Chota-Mira Valley." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1273711996.

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Middlebrooks, Justin M. Mr. "The Intersection Between Politics, Culture, and Spirituality: An Interdisciplinary Investigation of Performance Art Activism and Contemporary Societal Problems." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1333397676.

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Alfonsi, Daniela do Amaral. "Para todos os gostos: um estudo sobre classificações, bailes e circuitos de produção do forró." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08072008-141736/.

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Esta dissertação apresenta as controvérsias que envolvem músicos, produtores e públicos apreciadores no que diz respeito ao forró, seus bailes, danças e músicas. A partir das denominações que se atribuem aos estilos desse gênero musical (como forró eletrônico, pé-deserra e universitário), este trabalho visa a discorrer sobre os significados atribuídos a tais termos em diferentes contextos e por atores distintos na disputa pela definição e legitimação da maneira de se tocar o forró. Mais do que distinguir um tipo específico de fazer musical, essas classificações ajudam a configurar gostos, opin
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Liaukevičiūtė, Rasa. "Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420.

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Informacinė sklaida šiomis dienomis yra kaip niekad intensyvi ir įvairialypė. Komunikacinių kanalų gausa ir įvairovė sukuria galimybę aktyviai dalyvauti komunikaciniuose procesuose net pačioms mažiausioms ir uždariausioms visuomenės grupėms. Nuo to, kokiais visuomenės informavimo kanalais ir kokio pobūdžio informacija skelbiama apie tam tikrą grupę, gali priklausyti tiek jos visuomeninio įvaizdžio kaita, tiek tolimesnės raidos tendencijos. Elektroninės šokių muzikos subkultūra – viena iš įdomesnių sociokultūrinių grupių, kurios komunikacijos pobūdis su žiniasklaida ir yra šio darbo objektas. D
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Saint-Sardos, Diaz Flores Jeanne. "S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040183/document.

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Dans la capitale péruvienne, trois danses continuent de rythmer la vie des Ayacuchanos émigrés bien que leurs contextes de performance aient subi des changements radicaux. Il s‟agit de danses de compétition réservées à des artistes spécialistes : la danse des ciseaux, celle des huaylías et celle des negritos de cinta. Dans les villages de la sierra, ces expressions représentent de véritables rituels qui s‟inscrivent au coeur des relations socioreligieuses de la communauté : elles les figurent mais participent aussi à leur renouvellement et à leur équilibre. Associée à celle qui en découle dans
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Rodrigues, Vanúzia Almeida. "Música popular e dança de salão: o maxixe nos jornais norte-americanos do início do século XX." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27032018-171249/.

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Este trabalho trata da circulação de notícias do maxixe brasileiro nos jornais estadunidenses no começo do século XX. Os periódicos colhidos no repositório Newspaperarchive foram sistematizados nos moldes de um corpus documental. Este foi o principal objetivo do trabalho ora apresentado: produzir um instrumento de pesquisa através da construção de uma coletânea com todas as matérias a respeito do maxixe brasileiro, publicadas nos jornais dos Estados Unidos, na forma de anúncios, artigos, contos, notas, notícias e poemas, entre 1906 momento em que encontramos a primeira notícia focalizando o t
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Bagnole, Rihab Kassatly. "Imaging the Almeh: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1132433330.

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Röthig, Sabine. "Windowlicker." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17491.

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In der Arbeit wird das Zusammentreffen der aus dem Club kommenden Electronic Dance Music (EDM) mit dem massenmedial konsolidierten Musikvideo untersucht. Diskutiert wird die These eines ästhetischen Paradigmenwechsels, der sich dadurch im Musikvideo vollzieht. Dieser beruht vor allem auf der musikalischen Figur des instrumentalen, modularen Tracks, die sich signifikant von der des Songs unterscheidet. Der originäre Zweck des Musikvideos, den Auftritt des Interpreten auf dem Monitor zu visualisieren, steht also mit dem Track zur Disposition oder wird gar obsolet; das erfordert neue Strategien d
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Motl, Kaitlyne A. "“WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES." UKnowledge, 2018. https://uknowledge.uky.edu/sociology_etds/38.

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The purpose of this study was to explore emerging issues surrounding gendered fear, threat, and violence perpetration at music festivals – particularly events that feature a synthesis of jam band and electronic dance music acts – a genre termed jamtronica by its fans. Though gendered violence perpetration and prevention have been widely studied within other party-oriented settings (i.e., sexual violence perpetration on college campuses), very little research exists to address how wider disparities of gender and sexuality permeate a community whose members frequently claim the scene’s immunity
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Tang, Hans. "Kulturstråket." Thesis, KTH, Arkitektur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168438.

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Älvsjö är stark trafikknytpunkt med goda pendeltåg- och bussförbindelser och en målpunkt för alla besökare till populära Stockholmsmässan. En Kulturskola i Älvsjö skulle förstärka och utveckla platsen ytterligare som en mötesplats och koppla ihop Älvsjö centrum, Älvsjö station med Stockholmsmässan. En kulturell mötesplats där barn och ungdomar mellan 6-22 år kan mötas i samband med kulturella aktiviteter såsom dans, musik, teater och bild. Konceptet är att skapa ett tydligt publikt stråk genom byggnaden som tar besökaren från stationen ner till parken och eventuellt vidare till Stockholmsmässa
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Nilson, Teodor. "Kulturskolan Maskinen." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168582.

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Arkitekturprojektet som förslag syftar till att synliggöra Kulturskolans verksamhet i det aktuella området: Älvsjö i Stockholm. Skolan som plats utgör en plattform för möten och kulturutövande. Byggnadens utformning tangerar äldre såväl som senare arkitektur och skapar en relation som speglar Älvsjös mångtydiga identiteter. Skolbyggnaden skapar en fantasifull sfär för lärande och lek som hävdar barnkulturens okränkbara rätt till utrymme i staden.<br>The architectural project aims to make the activity of the Communal Culture School visible in the Älvsjö area in Stockholm. The school as a place
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Fancher, Robert A. "Club Texas : building community in electronic music fan culture through online collaboration." 2012. http://hdl.handle.net/2152/19924.

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Club Texas: Building Community in Electronic Music Fan Culture through Online Collaboration is a report of results from a content analysis that analyzes the role of online participatory culture for community development and social capital for a local underground EDM ‘scene’ (Electronic Dance Music) in Dallas, TX. This study analyzes DallasDanceMusic.com (DDM), one of the first and largest message board communities to support the EDM community in Dallas, TX since 1994. The study measures participatory culture and social capital using content analysis of the site during high profile activity
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Anaipakos, Jessica Lyle. "Celebrity and fandom on Twitter : examining electronic dance music in the Digital Age." 2012. http://hdl.handle.net/2152/19664.

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This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009. EDM artists count on the website to promote their music, engage with fans, discover new songs, and contact each other. More specifically, Twitter is an extension of a celebrity’s private life, as most celebrities access Twitter from their cellphones and personal computers, cutting out gatekeepers from c
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Zervogiannis, Fanitsa Helen. "The "e" in rave : a profile of young ecstasy users and its implication for educators." 2000. http://hdl.handle.net/10500/17873.

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The use of methylenedioxymethamphetamine (MDMA) or Ecstasy is a phenomenon that has established itself in the widespread Rave culture. Ecstasy use causes not only physical, social and psychological problems in the development of the adolescent but may also influence his concentration and learning abilities. To prevent these problems educators should be well informed regarding current drug use trends and also be capable of assisting adolescents. Research regarding the nature of Ecstasy use and the characteristics of its users is lacking nationally. The increase in use amongst school going adole
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Sliavaite, Kristina. "When global becomes local, rave culture in Lithuania." 1998. http://www.anthrobase.com/Txt/S/Sliavaite_K_01.htm.

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Thesis--Lund Universitet, Sociologiska Institutionen, Avd. för Socialantropologi, 1998.<br>Title from screen page; viewed 25 July 2005. Includes bibliographical references. Also available in print format.
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Marsh, Charity. "Raving cyborgs, queering practices, and discourses of freedom : the search for meaning in Toronto's rave culture /." 2005. http://wwwlib.umi.com/cr/yorku/fullcit?pNR11596.

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Thesis (Ph.D.)--York University, 2005. Graduate Programme in Musicology and Ethnomusicology.<br>Typescript. Includes bibliographical references (leaves 255-268). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11596
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Renzo, Adrian, University of Western Sydney, College of Arts, and School of Communication Arts. "Love in the first degree : handbag dance music and gay male culture." 2007. http://handle.uws.edu.au:8081/1959.7/11830.

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This thesis explores the links between handbag dance music and gay male culture. Handbag (colloquial British slang for ‘uplifting,’ ‘girly’ remixes of Top 40 songs and similar club material) is frequently derided within club culture for being predictable, formulaic, and ‘commercial.’ However, the same music is hugely popular within gay male clubs. Significantly, handbag tends to retain clear song structures, as opposed to the more open-ended instrumental ‘tracks’ which are the norm in electronic dance music. Why would a marginalised group adopt such a low-status music as its own? Why does hand
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Segal, Barbara. "The Contribution of Dance and Pantomime to London’s Musical Culture." 2020. https://slub.qucosa.de/id/qucosa%3A73212.

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Lock, Julia Corinne. "Waltz across Texas literary and cinematic articulations of Texas country music and dance culture /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116108.

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Chaudhuri, Arun Kumar. "Culture, community, and identity in the "sampled world" : South Asian urban/electronic music in Toronto /." 2005.

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Thesis (M.A.)--York University, 2005. Graduate Programme in Social Anthropology.<br>Typescript. Includes bibliographical references (leaves160-169). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url%5Fver=Z39.88-2004&res%5Fdat=xri:pqdiss &rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR11765
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Conner, Christopher Thomas. "Documenting The Use of Appearances Among The DJ and Nightclub Patrons." Thesis, 2010. http://hdl.handle.net/1805/2132.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>This is a photo-documentary study of two themes found within the literature on fabulous appearances: the gay nightclub patron and the club DJ. This study used a large Midwestern gay nightclub as the field setting. Fabulousness involves the way patrons costume themselves in order to communicate status within the setting. This study revealed that participants in the setting utilize three different types of self-presentation. These types embody desirable characteristics and ideas of attractiveness that revolve around power, establis
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Hoeppner, JoAnna. "The importance of preserving American folk culture a guide to the cooperative teaching of folk dance in physical education and music /." 2003. http://www.oregonpdf.org.

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Hsu, Shan-Hui, and 許善惠. "Museum, Performance and Culture: a Case Study on Paiwan Kalarulan Performance in“Austronesian Music and Dance Show”." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/p2a4xs.

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碩士<br>國立臺北藝術大學<br>博物館研究所碩士班<br>98<br>Besides exhibitions, museums communicate with their audiences through performances. In recent years, museums cooperate with Taiwanese indigenous peoples through cultural performances, in the form of body movements, ballads sung or dramas, to attract the public to know more about their culture. However, as one type of cultural representations, how do performance represent a culture？Performances provide audiences dynamic and emotional stirring learning experience, but what the effect do performances bring to performers themselves and their culture？ This is
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Mugovhani, Ndwamato George. "Venda choral music: compositional styles." Diss., 2007. http://hdl.handle.net/10500/1202.

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Black choral music composers in South Africa, inspired by the few opportunities available to them until recent times, have nonetheless attempted to establish, perhaps subconsciously, some choral tradition and, in doing so, incorporate African musical elements in their works. My research traces the foundations and historical development of choral music as an art amongst Vhavenda, and the contributions made thereto by a number of past and present Venda composers that this researcher could manage to identify and trace, to the music of the people. The selected composers are Stephen Maimela Dziv
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Kazdová, Darina. "Počátky pražské klubové scény." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-299016.

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This piece of work was meant to be countinuous to my bachelor's thesis. In that essay I was dealing with the history of Czech electronic dance music in general. This time I focused just on Prague and surrounding area. The Czech capital was deeply influenced by presence of tourists. After the Velvet revolution, they were suddenly able to visit Prague. And as they they were already familiar with electronic music, they could help to spread it here. The situation in Prague is also compared with the rest of the world (western civilization). In the first part of the essay, I describe the qualitative
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Klementová, Kateřina. "Renesanční tanec: zrcadlo kultury raně novověké společnosti." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-352957.

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The main focus of the dissertation is 15th century Italian court dance, which was one of the prime manifestations of the emerging aristocratic society all across renaissance Europe. The dissertation draws on a detailed research into original dance notations and works on dance theory of dance masters Domenico da Piacenza, Antonio Cornazana and Guglielmo Ebreo/Giovanni Ambrosio and contains first-time Czech translations of important parts of these works. The text first addresses general issues (occasions and locations for dancing, dance education and the role of the dance master, functions of da
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Izu, Benjamin Obeghare. "Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria." Diss., 2012. http://hdl.handle.net/10500/6721.

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This study examines the Oba of Benin Royal Ugie ceremonies, which is an annual religious and cultural event celebrated by the Benin speaking people of Edo State, Nigeria. As a communal and spiritual activity, the Oba and people of Benin kingdom mark the Ugie festivals with Musical and dance performances. Within this context, the study adopts the historical and participant approaches as its method of contending that some events during the Oba of Benin Royal Ugie festival ceremonies are colorful theatrical performances. The organizational structure of the Oba of Benin Palace as it relates to th
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