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Books on the topic 'Dance music'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Snoman, Rick. Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830.

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2

Marshall-Ward, Jackie. Dance and music. Hawthorn Music, 1994.

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3

Jähnichen, Gisa, and Chinthaka Meddegoda. Music dance environment. Universiti Putra Malaysia Press, 2013.

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4

Baeza, Silvia P. Music and dance. Rourke Publications, 1995.

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5

Holland, Nola Nolen. Music fundamentals for dance. Human Kinetics, 2012.

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6

1954-, Levine Victoria Lindsay, ed. Choctaw music and dance. University of Oklahoma Press, 1990.

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7

Titan, Group. Anatolian break dance. Pharaway Sounds, 2016.

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8

Austin, Louise. Playing music for the dance. ARS Education Committee, 1991.

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9

Clark, Mary Higgins. Loves music, loves to dance. Century, 2002.

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10

Cibel, Hendrickson Frances, and Griffiths John, eds. Early American dance and music. Hendrickson Group, 1989.

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11

Clark, Mary Higgins. Loves music, loves to dance. Arrow, 1992.

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12

Biswas, Deepika. Evolution of music, dance & drama. ABD Publishers, 2009.

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13

Clark, Mary Higgins. Loves music, loves to dance. Thorndike Press, 1991.

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14

Dance Music. Nicolae Sfetcu, 2006.

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15

Lles, Luis. Dance Music. Celeste, 1999.

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16

Veroli, Patrizia, and Gianfranco Vinay. Music-Dance. Taylor & Francis Group, 2019.

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17

Angela Shelf Medearis and Michael R. Medearis. Music/Dance. Twenty-First Century Books (CT), 1997.

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18

Hovater, Stanley. Dance, David, Dance. Abingdon Press, 1996.

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19

Holland, Nola Nolen. Music Fundamentals for Dance. Human Kinetics, 2013. http://dx.doi.org/10.5040/9781718212855.

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Music Fundamentals for Dance provides students with a fundamental understanding of music and how it applies to dance performance, composition, and teaching. This valuable reference helps professional choreographers, dance educators, and dancers expand their knowledge of music and understand the relationships between music and dance. Fundamentals of Music for Dance helps dancers understand of the elements of music—form and structure, musical time, melody, texture, and score reading—and how they relate to dance performance and choreography. They will learn music vocabulary for easier communicati

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20

Snoman, Rick. Dance Music Manual. Routledge, 2013. http://dx.doi.org/10.4324/9780203383643.

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21

Zbikowski, Lawrence M. Music and Dance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653637.003.0005.

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This chapter provides an introduction to and analyses of relationships between music and dance in two dance practices from Western Europe: the first from early eighteenth-century France, the second from early nineteenth-century Vienna. The chapter introduces French dance notation and shows how it facilitates an analysis of the steps and music for a bourrée. The analysis offers insights into the musical grammar of the bourrée and the contribution that dance practice made to the construction of social relations in the court of Louis XIV. The second dance practice is that of the waltz, which had

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22

Snoman, Rick. Dance Music Manual. Routledge, 2013. http://dx.doi.org/10.4324/9780080926964.

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23

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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24

Bond, Frances Anne. Dance Without Music. Headline Book Publishing, 1990.

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25

Dance and Music. University Press of Florida, 2001.

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26

Dance Music Manual. Routledge, 2019.

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27

Dance Music Manual. Taylor & Francis Group, 2024.

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28

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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29

Bradley, Miles. Emotional Dance Music. Broken Sleep Books, 2020.

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30

Macdonald, Fiona. Music and Dance. Rebound by Sagebrush, 2001.

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31

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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32

PEKOS, Dimitrios. Oriental Dance Music. Independently Published, 2021.

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33

Bond. Dance Without Music. Headline Book Publishing, 1989.

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34

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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35

Snoman, Rick. Dance Music Manual. Taylor & Francis Group, 2019.

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36

Bond, Frances Anne. Dance Without Music. Story Sound, 1992.

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37

Music, Dance, Anthropology. Kingston Publishing, Sean, 2021.

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38

Dance Without Music. G K Hall & Co, 1990.

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39

Dance Music Manual. Taylor & Francis Group, 2024.

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40

Dance with Music. Notion Press, 2020.

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41

Conner, Christopher T., and David R. Dickens. Electronic Dance Music. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666990003.

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Electronic Dance Music: From Deviant Subculture to Culture Industry explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. Conner and Dickens explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dolla

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42

Hidalgo, Danielle Antoinette. Dance Music Spaces. Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666990539.

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Dance Music Spaces examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicat

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43

Smith, Jacqueline. Dance Composition (Ballet, Dance, Opera & Music). 3rd ed. A & C Black, 1997.

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44

Smith-Auturd, J. M. Dance Composition (Ballet, Dance, Opera & Music). 4th ed. A & C Black, 2000.

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45

Betty White Practice Dance Music: Latin Dances. Conversa-Phone Inst, 1998.

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46

Betty White Practice Dance Music: Latin Dances. Conversa-Phone Inst, 1998.

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47

Manuel, Peter. Creolizing Contradance in the Caribbean. Temple University Press, 2009.

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48

Rees-Larcombe, Jennifer. Dance to the Music. Marshall Pickering, 1986.

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49

Snoman, Rick. The Dance Music Manual. Routledge, 2012. http://dx.doi.org/10.4324/9780080470306.

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50

Social Dance Music Set. Human Kinetics, 1991.

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