Relevant bibliographies by topics / Dance notation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dance notation'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 August 2024

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Journal articles on the topic "Dance notation"

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Spalva, Rita. "Dance Notation : a Historical Fact or a Necessity." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 2 (July 24, 2015): 495. http://dx.doi.org/10.17770/sie2014vol2.644.

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For centuries choreographers and dance theorists have been looking for ample signs to create a universal system for dance notation. Dance notation was created based on the need for a repeated staging of dances or for their preservation. However, unlike with music, no universal method of notation has been established allowing to capture dance techniques and compositions from different centuries in a single system. Nowadays, when video recording enables to capture each movement, dance or dance performance, the verbalgraphic style of dance notation can be perceived as dated an ineffective. Howeve
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Guest, Ann Hutchinson. "Dance Notation." Perspecta 26 (1990): 203. http://dx.doi.org/10.2307/1567163.

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Hsieh, Chieh-Ting. "The Body That Counts." Prism 20, no. 2 (September 1, 2023): 503–16. http://dx.doi.org/10.1215/25783491-10992820.

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Abstract This article is intended to analyze the “digital techniques of dance” implied in the different dance notations from the perspective of Medienwissenschaft. Medienwissenschaft, which is often translated as German “media theories,” regards media as techniques through which concepts are developed. The digital technique is therefore redefined here as the technique of counting in general through which the concept of number is developed. The digital technique of dance in this article is also defined as the “technique of counting number with the body in dance.” This article's analysis of the
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Rakocevic, Selena. "The Jankovic sisters and kinetography Laban." Muzikologija, no. 24 (2018): 151–72. http://dx.doi.org/10.2298/muz1824151r.

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Based on the archival material from the Legacy of Sisters Jankovic, which is stored in the National Library of Serbia, this article critically examines Ljubica and Danica Jankovic?s relation to today?s world-renowned dance notation, kinetography Laban. The analyzed archival material includes the transcript of the first edition of Laban?s notation called Schrifttanz in German, as well as several unpublished manuscripts by Ljubica Jankovic. Even though the Jankovic sisters were familiar with kinetography Laban, they (especially Ljubica) were its great opponents. Instead of learning and using kin
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De Carvalho, Daniela Dias. "Urban design and architecture through notation." Ekistics and The New Habitat 73, no. 436-441 (December 1, 2006): 323–29. http://dx.doi.org/10.53910/26531313-e200673436-441133.

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The author attended Ginasiano Dance School in Porto, Portugal where she studied contemporary and classical Dance , and ESAP (College of Arts, Porto) where she graduated in Architecture. Seeking to congregate her experiences in architecture and dance, she developed her graduation thesis on Notation: Architecture and Dance. After graduation, she was invited to join two art research centers, Centro de Estudos Arnaldo Araújo and Instituto de História da Arte, as a researcher. As an architect, she worked in two offices of architecture - Noventa Graus and Off 4- for two years, on a project for the C
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Cerbino, Ana Beatriz. "Dance, Reconstruction, and Intellectual Property." Congress on Research in Dance Conference Proceedings 2016 (2016): 50–53. http://dx.doi.org/10.1017/cor.2016.9.

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The objective is to initiate a investigation between dance, authorship, intellectual property, and choreography. For this, a look at what is meant by authoring in dance with the publication of Chorégraphie, ou l'art de décrire la danse par caracteres (1700) by Raoul-Auger Feuillet and the dispute with Pierre Beauchamp for the authorship of dance notation and recent discussions about copyright and choreography will be made; I will also discuss some cases of revival/reconstruction. It's not only understanding such procedures as “embodied textual practices” (Thomas 2004), from the perspective of
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Fugedi, Janos. "Dance Notation and Computers." Yearbook for Traditional Music 23 (1991): 101. http://dx.doi.org/10.2307/768399.

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Lu, Mei-Chen. "The Dance Notation Bureau." Dance Chronicle 32, no. 2 (July 7, 2009): 291–301. http://dx.doi.org/10.1080/01472520902966062.

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Bercu, Alina. "Golden Era of Baroque Dance." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (December 30, 2021): 69–78. http://dx.doi.org/10.24193/subbmusica.2021.2.05.

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"The reign of Louis XIV marks an important milestone in the development of dance and art. Convinced that visual arts and music would significantly contribute to a monarch’s authority, image, and glory, the “Sun King” coordinated artistic activities through establishing a significant number of royal academies. Through the Académie Royale de Danse the art of dancing was given a proper language and notation system for the first time in history. On the other hand, the Académie Royale de Musique was tied to the birth of a national operatic style. Opera was the perfect tool for an idealistic and maj
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Filippidou, Eleni. "Dance Stereotypes. Reflection of gender relations in the ‘Karsilama’ dance in Greece." International Journal of Research and Innovation in Social Science 06, no. 11 (2022): 839–44. http://dx.doi.org/10.47772/ijriss.2022.61143.

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Τhe research field of this paper is the Greek dance ‘Karsilama’ as this is danced in the area of Thrace in Greece. More specifically, the research was carried out in the community of Nea Vyssa, which is located in the northern part of this country. The aim of this research is to study the dances of ‘Karsilama’ in Nea Vyssa, which have rhythm of nine beats (9/8), so that through the analysis of their form, it can be established whether these dances reflect stereotypes of the position of the two sexes in society. The collection of ethnographic data was based on the ethnographic method. Laban’s n
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Dissertations / Theses on the topic "Dance notation"

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Greyling, Eduard. "Benesh movement notation : African dance application : [part 1]." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/7842.

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It is important that scholars not only research African dance culture but that we find new ways to gather information. It is a formidable task but one that must be undertaken if we are to ever document as many of the dances as possible to increase out knowledge and expand our appreciation of African dance (Glendoal Yhema Mills, 1996). The full use of Benesh Movement Notation in recording African dance is long overdue. This syllabus is a notation handbook to be used in the African dance notation lectures by students majoring in African dance. It comprehensively constitutes the most important as
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Howard, Suzanne, and suzieholidayhoward@hotmail com. "Learning to Dance." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080215.163153.

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This research will examine the various techniques of writing stage directions for choreography or dance action within a feature film script. I will discuss and analyse two methodologies for annotating choreography, both developed by experts in dance notation. I will also examine and interpret the observations made by film director, dancer and choreographer Bob Fosse about the purpose and objectives of dance action in feature film scripts. I will examine two case studies of contemporary feature film scripts that contain dance action. The selected scripts are Strictly Ballroom (Australia
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Benn, Sophie Luhman. "La Methode graphique: Dance, Notation, and Media, 1852-1912." Case Western Reserve University School of Graduate Studies / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=case1623408754116016.

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Acker, Shaun Albert. "Writing the aerial dancing body a preliminary choreological investigation of the aesthetics and kinetics of the aerial dancing body." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002361.

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This mini-thesis investigates some of the nineteenth century socio-cultural ideals that have structured a connection between virtuosic aerial skill and bodily aesthetics. It views the emergence of a style of aerial kineticism that is structured from the gender ideologies of the period. It investigates the continual recurrence of this nineteenth century style amongst contemporary aerial dance works and outlines the possible frictions between this Victorian style of kineticism and contemporary aerial explorations. From this observation, a possible catalyst may be observed with which to relocate
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Riggs, Leyva Rachael. "Dance Literacy in the Studio: Partnering Movement Texts and Residual Texts." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1420672347.

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Pflumm, Bernd A. "Kine ti um : an architectonic artefact." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1033634.

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The aim of this creative project is the search for an alternative path of spatial understanding and the implementation of an complementary way that seeks to communicate new spatial ideas in the real of architecture.By introducing the hypothesis of a consolidated unit that consists of the triptych space, movement and the perceiving human being, one is necessary to create a media that can potentially help the expression of multidimensional structures.For this purpose dance is introduced in the field of architecture. Choreography and movement notation are structured and interpreted in order to in
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Reis, Ana Rita Dias Araújo. "Uma visão coreográfica." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17894.

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Dissertação de Mestrado em Design, com a especialização em Design de Comunicação apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>A comunicação visual desempenha um papel fundamental na compreensão de múltiplas realidades, sobretudo quando esta tem a capacidade de modificar a perceção das mesmas. Na dança, este tipo de comunicação torna-se essencial para interpretar corretamente as diversas obras, bem como os movimentos que lhes são inerentes. O presente projeto de investigação tem como objeto de estudo a notação de dança. A dança não possu
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Anapolskaya, Ekaterina. "Les Millions d’Arlequin de Marius Petipa et Riccardo Drigo : les créateurs, l’analyse du ballet, son destin." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040095.

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Les Millions d’Arlequin est un ballet créé en 1900, fruit du talent et de la passion pour leur métier de deux figures significatives de la scène du Théâtre Mariinski à Saint-Pétersbourg à la fin du XIXe et au début du XXe siècle : le chorégraphe français Marius Petipa et le compositeur et chef d’orchestre italien Riccardo Drigo. 1900 est une date symbolique, la fin d’une époque et le début d’une autre, l’aboutissement du style académique dans le ballet classique russe et l’apparition de nouvelles tendances dans la chorégraphie qui vont triompher avec Les Ballets russes de Diaghilev. Nous conna
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McLay, Grant A. "Movement Capture: A choreographic re-interpretation of the physical dynamics and sequential movements of a rugby union match." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/109619/1/Grant_McLay_Thesis.pdf.

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This thesis explored ways of coding and reinterpreting physical movement data from sport to create movement responses within a choreographic practice context in the field of contemporary dance. The study consisted of the notation and analysis of the physical dynamics and sequential body patterns of the high impact sport of rugby union to inform and influence the creation of movement scores that resulted in the creation of a new contemporary dance work and contributed to furthering the knowledge, understanding and practice of choreographic approaches to dance.
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Kiss, Dóra. "La saisie du mouvement : de l'écriture et de la lecture des sources de la belle danse." Thesis, Nice, 2013. http://www.theses.fr/2013NICE2047.

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La thèse définit ce qui pourrait être une saisie du mouvement et interroge la possibilité d'écrire et de lire la danse. La belle danse, dont l'origine, la contextualisation, et la définition en tant que style sont présentés dans le premier chapitre est prise comme cas d'école. Le second chapitre est rédigé dans la perspective du scripteur et il présente une analyse de la notation Beauchamps-Feuillet. Le troisième chapitre, qui adopte le point de vue du lecteur, définit les règles implicites de la belle danse, déductible de l'analyse des sources, et propose une analyse de la "Türkish Dance" (c.
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Books on the topic "Dance notation"

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Mei, Wu Ji. Coordination method dance notation. Shanghai, P.R., China: Shanghai Literature and Art Pub. House, 1987.

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Muriel, Topaz, ed. The Notation issue. Chur: Harwood Academic Publishers, 1988.

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Schillinger, Joseph. Graph method of dance notation. London: Cervera Press, 1985.

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Siegel, Machlin Lisa, and Dance Notation Bureau (New York, N.Y.), eds. Notated theatrical dances: A listing of theatrical dance scores housed at the Dance Notation Bureau (founded in 1940). 3rd ed. New York, NY: The Bureau, 1992.

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Uphoff, Joe. Dance: Modern dynamics. Colorado Springs, Colo: Arjuna Library Press, 1996.

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Uphoff, Joe. Dance: Sculptural kinematics. Colorado Springs, CO: Arjuna Library Press, 1995.

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Lepczyk, Billie Frances. Dance literacy: Creative dance as a writing intensive. Reston, Va: National Dance Association, 1998.

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Maletic, Vera. Body, space, expression: The development of Rudolf Laban's movement and dance concepts. Berlin: Mouton de Gruyter, 1987.

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Silva, Soraia Maria. Profetas em movimento: Dansintersemiotização ou metáfora cênica dos Profetas do Aleijadinho utilizando o método Laban. São Paulo, SP, Brasil: EDUSP, 2001.

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Beck, Jill. Your 1st ballet workbook in dance notation. Hartford, CT (308 Farmington Ave., Hartford 06105): School of the Hartford Ballet, 1985.

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Book chapters on the topic "Dance notation"

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Donin, Nicolas. "Finding the body in twentieth-century musical notation." In Music-Dance, 122–38. Abingdon, Oxon; New York, NY: Routledge, 2018. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315271996-8.

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Mirzabekiantz, Eliane. "Benesh Movement Notation for Humanoid Robots?" In Dance Notations and Robot Motion, 299–317. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_14.

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Calvert, Tom. "Approaches to the Representation of Human Movement: Notation, Animation and Motion Capture." In Dance Notations and Robot Motion, 49–68. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_3.

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Bianchini, Samuel, Florent Levillain, Armando Menicacci, Emanuele Quinz, and Elisabetta Zibetti. "Towards Behavioral Objects: A Twofold Approach for a System of Notation to Design and Implement Behaviors in Non-anthropomorphic Robotic Artifacts." In Dance Notations and Robot Motion, 1–24. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_1.

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Lee, Jeong-seob. "An Intuitive Mobile Application for Notation of Group Dance Floor Plan." In HCI International 2014 - Posters’ Extended Abstracts, 349–54. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07854-0_61.

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Wortelkamp, Isa. "Notieren im Tanz." In Bewegungsszenarien der Moderne, 111–25. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-7.

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Note taking is a choreographic writing practice that implies processes of thinking, projecting and rejecting ideas. Note by note, a complex scenery of movement emerges through reflexive practices of writing, which are designed for a performative event. This article explores different forms of choreographic notation from the perspective of their performative dimensions and draws on approaches from literary theory, procedures of drafting and drawing, as well as considerations of writing as a thought process. The emphasis will be on specific examples of contemporary dance.
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Tongpaeng, Yootthapong, Mongkhol Rattanakhum, Pradorn Sureephong, and Satichai Wicha. "Implementing a Tool for Translating Dance Notation to Display in 3D Animation: A Case Study of Traditional Thai Dance." In Advances in Artificial Intelligence: From Theory to Practice, 22–26. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60045-1_3.

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Kimmel, Michael, and Emanuel Preuschl. "Dynamic Coordination Patterns in Tango Argentino: A Cross-Fertilization of Subjective Explication Methods and Motion Capture." In Dance Notations and Robot Motion, 209–35. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_10.

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LaViers, Amy, Lin Bai, Masoud Bashiri, Gerald Heddy, and Yu Sheng. "Abstractions for Design-by-Humans of Heterogeneous Behaviors." In Dance Notations and Robot Motion, 237–62. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_11.

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Liu, Jia, Fangxiaoyu Feng, Yuzuko C. Nakamura, and Nancy S. Pollard. "Annotating Everyday Grasps in Action." In Dance Notations and Robot Motion, 263–82. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25739-6_12.

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Conference papers on the topic "Dance notation"

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El Raheb, Katerina, and Yannis Ioannidis. "From Dance Notation to Conceptual Models." In the 2014 International Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2617995.2618000.

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TALPĂ, Svetlana. "The importance of noting dance on paper as a particular method of teaching-learning-evaluation of dance disciplines." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v2.25-03-2022.p155-159.

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This article discusses practitioners who have contributed to the development of the process of capturing dance or dance movements on paper, through: notation, photography and film. The reflections of these personalities, such as Ann Hutchinson, Rudolf Von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey, included the definition of direct research on how these three documentary media interact to describe a dancing in various choreographic genres. The aim of this research is to highlight the importance of noting and capturing the body in motion, to see if it i
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Papadopoulou, Foteini, and Martin Schulte. "Movement Notation and Digital Media Art in the Contemporary Dance Practice." In MOCO'16: 3rd International Symposium on Movement and Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2948910.2948929.

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Broekmaat, Marcel, and Ioannis Brilakis. "Exploiting Music and Dance Notation to Improve Visualization of Data in BIM." In ASCE International Conference on Computing in Civil Engineering 2019. Reston, VA: American Society of Civil Engineers, 2019. http://dx.doi.org/10.1061/9780784482421.038.

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Tokuno, Kihiro, Kodai Moriya, Fusako Kusunoki, Shigenori Inagaki, and Hiroshi Mizoguchi. "THE DANCER’S APPRENTICE: NEXT-GEN DANCE NOTATION FOR BEGINNERS USING BODY POSTURE DETECTION." In 14th annual International Conference of Education, Research and Innovation. IATED, 2021. http://dx.doi.org/10.21125/iceri.2021.1141.

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Sookhanaphibarn, Termpetch, Suthana Tingsabhat, and Worawat Choensawat. "Utilizing Self-Learning Software for the Acquisition and Exploration of Standard Dance Notation Fundamentals in Krabi Krabong Arts Education." In 2023 IEEE 12th Global Conference on Consumer Electronics (GCCE). IEEE, 2023. http://dx.doi.org/10.1109/gcce59613.2023.10315458.

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