Relevant bibliographies by topics / Dance of darkness

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dance of darkness'

Author: Grafiati
Published: 19 February 2023
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Dance of darkness.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Dance of darkness"

1

Dornfeld, Barry, and Edin Velez. "Dance of Darkness." Ethnomusicology 35, no. 3 (1991): 465. http://dx.doi.org/10.2307/851990.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Simas, Rosy. "My Making of We Wait in the Darkness." Dance Research Journal 48, no. 1 (2016): 29–32. http://dx.doi.org/10.1017/s0149767716000073.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Supendi, Eko, Jonet Sri Kuncoro, and Suroto Suroto. "Kolaborasi Karya Tari Suara Hati." Acintya Jurnal Penelitian Seni Budaya 15, no. 1 (2023): 11–19. http://dx.doi.org/10.33153/acy.v15i1.5059.

Full text
Abstract:
Research on art creation entitled Suara Hati Dance Collaboration involving dancers (students) and children with visual impairments (disabilities) to answer concerns about how a dancer feels dancing in the dark. This research method is a collaboration between the potential of dancers and the artistic potential of blind children. The dancers’ explorations were inspired by the behavior of the character Gendari in the Mahabarata story, who closed his eyes all his life only to feel the same darkness as his husband, Destrarastra. Exploring the potential of blind children is an important part of this
APA, Harvard, Vancouver, ISO, and other styles
4

Gibson, Jennifer. "Couples Who Collaborate: James Ransome and Lesa Cline-Ransome." Children and Libraries 16, no. 2 (2018): 16. http://dx.doi.org/10.5860/cal.16.2.16.

Full text
Abstract:
Married couple James Ransome and Lesa Cline-Ransome are a truly prolific pair. They have created a great number of award-winning picture-books together—titles like Satchel Paige, Young Pele, Quilt Alphabet, Before There Was Mozart, Words Set Me Free: The Story of Young Frederick Douglass, My Story, My Dance, and Light in Darkness.
APA, Harvard, Vancouver, ISO, and other styles
5

cian, paris cyan. "2323BlackLuna." Visual Arts Research 47, no. 1 (2021): 79–88. http://dx.doi.org/10.5406/visuartsrese.47.1.0079.

Full text
Abstract:
Abstract 2323BlackLuna is an experimental moving image, embodied portal, honoring meditation with/in darkness, dark space. In this project, darkness serves as creative in/sight for the practice and spiritual processing of Black girl eroticism and love through dance and movement. 2323BlackLuna inundates the goings and magic of process, centering play within concepts of corporeality, liminality, and time-traveling. Alice Walker and Audre Lorde challenge, guide, and support the portal between the spiritual and the political, shaping the meditation of “love at its deepest meaning.” This work leans
APA, Harvard, Vancouver, ISO, and other styles
6

Camacho, Fidel. "The Earth Rumbles: Amerindian Mythology of the Ténabarim, Koyolim, and Sena’Aso, Three Musical Instruments of the Pajko’Ola." Encartes 7, no. 13 (2024): 17–42. http://dx.doi.org/10.29340/en.v7n13.364.

Full text
Abstract:
During his dance, the Pajko'ola performs various percussion instruments by shaking (ténabarim, koyolim and senaaso). The analysis of each one cannot be separated from the mythology that underlies the character, associated with the Earth and telluric movements. Here the existence of a complex related to predominantly feminine entities and "wild beasts" -ancient women or ogres- of the "Old Men of the Dance" type and to nocturnal lepidoptera is proposed. The review of this approach is not exhaustive, but it allows us to locate aspects of mythology of Yuto-Nahuas groups and other linguistic affili
APA, Harvard, Vancouver, ISO, and other styles
7

Goodman, David G., and Susan Blakely Klein. "Ankoku Buto: The Premodern and Postmodern Influences on the Dance of Utter Darkness." Monumenta Nipponica 44, no. 4 (1989): 512. http://dx.doi.org/10.2307/2384548.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lee, Jane. "A Study on Hijikata Tatsumi’s Ankoku Butoh (Dance of Darkness) by Analyzing Butoh Notation." Journal of Dance Society for Documentation & History 51 (December 31, 2018): 149–69. http://dx.doi.org/10.26861/sddh.2018.51.149.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Salet, Newel, Marieke Visser, Cornelis Stam, and Yvo M. Smulders. "Stroboscopic light effects during electronic dance music festivals and photosensitive epilepsy: a cohort study and case report." BMJ Open 9, no. 6 (2019): e023442. http://dx.doi.org/10.1136/bmjopen-2018-023442.

Full text
Abstract:
ObjectivesElectronic dance music (EDM) concerts are becoming increasingly popular. Strong stroboscopic light effects are commonly part of these shows, and may provoke seizures in individuals with photosensitive epilepsy. This study aims to examine the risk of epileptic seizures during EDM concerts.Setting28 EDM concerts taking place in The Netherlands.ParticipantsWe describe a young man who experienced a seizure during an EDM concert, and who later showed a positive electroencephalographic provocation test during exposure to video footage of the same concert. Subsequently, we performed a cohor
APA, Harvard, Vancouver, ISO, and other styles
10

Wessels, Michael. "Separating the Magical from the Real." Matatu 50, no. 1 (2018): 188–207. http://dx.doi.org/10.1163/18757421-05001005.

Full text
Abstract:
AbstractZakes Mda’s novel She Plays with the Darkness has been characterised as a magical realist novel. It is notable, though, that the magical elements are reserved almost exclusively for the sections of the novel that relate to the major character, Dikosha, and her world of music, art and dance. Central to this world are the Barwa, better known as the Bushmen or San. This article is chiefly concerned with the novel’s representation of Dikosha’s relationship with the Barwa. It also examines the depiction of the Barwa way of life and the symbolic resonance they possess for the present.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Dance of darkness"

1

Jewell, Melinda R. "The representation of dance in Australian novels the darkness beyond the stage-lit dream /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39463.

Full text
Abstract:
Thesis (Ph.D.) -- University of Western Sydney, 2008.<br>A thesis submitted to the University of Western Sydney, College of Arts, School of Communication Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles
2

Lawler, Dwayne P. "De-Domesticating the Actor: Applying Ankoku Butoh's Training Process of De-domestication to Develop Presence in Western Actor Training through Experiences of Awareness, Discipline and Energy." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/404471.

Full text
Abstract:
The primary aim of this research is to contribute to existing Western actor training methods that explore the experience of ‘presence’ in actor training environments, through the construction of a suite of exercises, formulated from the Japanese psychophysical performance practice of ankoku butoh (‘dance of darkness’). The research differentiates between the states of ‘being present’ and of ‘having presence’, with ‘being present’ equivalent to being in the moment, and ‘having presence’ representing an actor’s authentic presence as perceived by others. Subsequently, exercises derived from this
APA, Harvard, Vancouver, ISO, and other styles
3

Karampampas, Panas. "Dancing into darkness : cosmopolitanism and 'peripherality' in the Greek goth scene." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/10829.

Full text
Abstract:
This thesis discusses concepts of cosmopolitism and peripherality in the Greek and wider European goth scene. The research took place primarily in Greece but extended to Germany, the United Kingdom and online as I followed the movement of Athenian goths who were searching for connectivity, hybridity and their cosmopolitan selves. In living a hybrid cosmopolitan identity, goths regularly challenge national stereotypes and transgress international boundaries. But sometimes the complexities of goth cosmopolitan identity may also contain unpalatable aspects, such as hard-core Greek or German natio
APA, Harvard, Vancouver, ISO, and other styles
4

Truter, Orlando Vincent. "The originating impulses of Ankoku Butoh: towards an understanding of the trans-cultural embodiment of Tatsumi Hijikata's dance of darkness." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1004454.

Full text
Abstract:
From Introduction: Ankoku Butoh is a performing art devised in Japan in the wake of the Second World War by the dancer and choreographer Tatsumi Hijikata (born Akita, 1928; died Tokyo, 1986). A highly aesthetic and subversive performing art, Butoh often evokes "images of decay, of fear and desperation, images of eroticism, ecstasy and stillness." Typically performed with a white layer of paint covering the entire body of the dancer, Butoh is visually characterized by continual transformations between postures, distorted physical and facial expressions, and an emphasis on condensed and visually
APA, Harvard, Vancouver, ISO, and other styles
5

Jewell, Melinda R., University of Western Sydney, College of Arts, and School of Communication Arts. "The representation of dance in Australian novels : the darkness beyond the stage-lit dream." 2008. http://handle.uws.edu.au:8081/1959.7/39463.

Full text
Abstract:
Many Australian novelists since the late 1890s have written about dance in varied and interesting ways. Characters in many Australian novels are portrayed dancing on stage, dancing within the context of their everyday lives, watching corroborees, reminiscing about social dance events in distant homelands or gyrating under flashing lights at discos and raves. In other instances the word “dance” (or an associated term) is used metaphorically to convey actual or imagined movement such as the wind dancing in trees, or thoughts dancing in characters’ minds. Although representations of dance in Aust
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Dance of darkness"

1

Brouwer, Sigmund. Dance of darkness. ChariotVictor Pub., 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Skyid sras dge legs nyi ma. Mun pa'i gar: Dance in darkness. Rgyal-gshen Dpe-skrun Khang, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Klein, Susan Blakeley. Ankoku Butō: The premodern and postmodern influences on the dance of Utter Darkness. East Asia Program, Cornell University, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1940-, Pinner David, and Djerassi Carl, eds. Newton's darkness: Two dramatic views. Imperial College Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

San Francisco (Calif.). Office of the Controller. City Services Auditor Division. Board of Supervisors: Political activity audit : Up From Darkness, Inc. Office of the Controller, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

San Francisco (Calif.). Office of the Controller. City Services Auditor Division. Board of Supervisors: Political activity audit : Footloose Dance Company, Inc. Office of the Controller, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Bollini, Paolo. Dante visto dalla luna: Figure dinamiche nei primi canti del Paradiso. Dedalo, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gilson, Simon A. Medieval optics and theories of light in the works of Dante. E. Mellen Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Division, San Francisco (Calif ). Office of the Controller City Services Auditor. Board of Supervisors: Cody's Books complied with the requirement to not use City funds for political activities. Office of the Controller, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Division, San Francisco (Calif ). Office of the Controller City Services Auditor. Board of Supervisors: Political activity audit : HomeBase, The Center for Common Concerns. Office of the Controller, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Dance of darkness"

1

Lan, Kong. "The Dance of Light and Shadow: Exploring the Transformative Power of Luminosity and Darkness in Painting." In Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023). Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-214-9_62.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kronegger, Marlies. "Reason and Laughter: Jeanne d’Arc au Bûcher and La Danse des Morts." In The Elemental Dialectic of Light and Darkness. Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-017-3296-3_22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cohen, Dvir, Yisroel Mirsky, Manuel Kamp, et al. "DANTE: A Framework for Mining and Monitoring Darknet Traffic." In Computer Security – ESORICS 2020. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58951-6_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Crawling out of the darkness." In Dance of the Dung Beetles. Wits University Press, 2019. http://dx.doi.org/10.18772/12019042347.6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jagger, Jasmine. "Coda." In Rhythms of Feeling in Edward Lear, T. S. Eliot, and Stevie Smith. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198868804.003.0005.

Full text
Abstract:
This coda considers the relationship between poetry, rhythm, and relief, and conceptualizes poetics as a kind of dance of feeling. It looks at the idea of rhythm as performing a peculiar tenderness in poetry, which allows poets to plumb their own depths. Engaging with literary thinkers such as Roland Barthes, Paul Valéry, Elizabeth Sewell, and Edwin Denby, it explores lightness in poetry as an infectious dance away from a lurking darkness, but argues that, as light needs dark, dark needs light to exist. It concludes by proffering an analogy for affective poetics more generally.
APA, Harvard, Vancouver, ISO, and other styles
6

Fortuna, Victoria. "Common Goods." In Moving Otherwise. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190627010.003.0006.

Full text
Abstract:
This chapter examines how contemporary dance embraced cooperative politics following Argentina’s 2001 economic crisis. It begins with the 2007–8 labor dispute at the San Martín Theater that gave rise to the Bailarines Organizados (Organized Dancers) labor movement and the Compañía Nacional de Danza Contemporánea (National Contemporary Dance Company, CNDC 2009–), whose repertory initially focused on social justice issues generally and the last military dictatorship specifically. It analyzes Daniel Payero Zaragoza’s 2010 Retazos pequeños de nuestra historia más reciente (Small Pieces of Our Rece
APA, Harvard, Vancouver, ISO, and other styles
7

Nair, Parvati. "Elusive Song: Flamenco as Field and Passage for the Gitanos in Córdoba Prison." In Constructing Identity in Contemporary Spain. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198159933.003.0003.

Full text
Abstract:
Abstract Flamenco has long provided the Western imaginary with a location for passion. Popular definitions of the word ‘flamenco’ blur the music with the dance style and the Andalusian with the gypsy, yet intimate that these are separate and interdependent components of a single regional and cultural expression.It would appear that the gitano, with his supposed darkness of skin, eyes, and temperament, exemplifies in extreme the southern Spaniard when viewed as exotic or passionate Other. Consider the following description by William Washabaugh in his Flamenco: Passion, Politics and Popular Cul
APA, Harvard, Vancouver, ISO, and other styles
8

Scioli, Anthony, and Henry B. Biller. "Overcoming Hopelessness: Escape From Darkness." In Hope in the Age of Anxiety. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195380354.003.0014.

Full text
Abstract:
Abstract Dante Alighieri spent the last 13 years of his life (1308–1321) in exile, banished from his beloved Florence. It was during this period that he crafted his epic masterpiece, The Divine Comedy. Hailed as “the greatest single poem ever written,” it is a journey that spans Hell, Purgatory, and Paradise, an allegory representing “the soul’s struggle to find God” after descending into the deepest regions of hell. At the start of his journey, Dante found himself on a “deep and savage road.” As he entered the “Inferno,” “the city of woes,” he gazed skyward, where over the portal of hell he s
APA, Harvard, Vancouver, ISO, and other styles
9

Boitani, Piero. "From Darkness to Light: Governance and Government in Purgatorio XVI." In Dante and Governance. Oxford University Press, 1997. http://dx.doi.org/10.1093/acprof:oso/9780198159117.003.0002.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

KIRKPATRICK, ROBIN. "How Wrong Could Dante Be?" In Desire, Faith, and the Darkness of God. University of Notre Dame Press, 2015. http://dx.doi.org/10.2307/j.ctvpj7dcs.13.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Dance of darkness"

1

Karichashvili, Lia. "Homeland Concept In „the Knight in the Panther’s Skin“ by Shota Rustaveli and „Divine Comedy“ by Dante Alighieri." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8416.

Full text
Abstract:
In The Knight in the Panther’s Skin by Shota Rustaveli, the syntagma “native land” was mentioned twice. It has binary meaning: directly it means the homeland (“the native land is mine”, 544) allegorically – the paradise (“They gave me the native land so desired for me” 812). The concept of the homeland has the binary meaning in the Divine Comedy by Dante Alighieri as well. The poet defines its metaphorical sense: We should imply the heaven as the homeland (91). In the both texts the biblical concept is apparent: the paradise was Adam’s homeland, once lost and returning to it became the eschato
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Dance of darkness' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography