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Journal articles on the topic '"Dance pavilion"'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

S.I., Galkin, Doiko N.M., and Mordatenko I.L. "Restoring the structure of woody plantations of landscape area "Dance Pavilion" and its optimization in Dendrological Park "Olexandria"of the NAS of Ukraine." Plant Introduction 69 (May 1, 2016): 50–59. https://doi.org/10.5281/zenodo.2334056.

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As a result of the research it was determined species and age of plantings, developed a project to restore the structure of the area “Dance Pavilion”. Due to the project architectural structure “Dance Pavilion” was restored, ways network, including historic paths of the original coating were restored too. The foundations of the Great and Monarchal pavilions were partially uncovered, the historic “Hornbeam path” and historic track around the old oak were restored; woody plantation was optimized, flower beds around the “Dance pavilion” were renewed

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Jankov, Sonja. "Choreographic and Spatial Layers in Jasmina Cibic's Screendance The Pavilion." Život umjetnosti, no. 106 (November 30, 2020): 36–51. http://dx.doi.org/10.31664/zu.2020.106.03.

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The paper is a case study of Jasmina Cibic's film The Pavilion (2015) in relation to the theory of screendance. The first part of the paper discusses the definitions of the term screendance by various researchers, and its position to related terms choreocinema, cine-dance, dance cinema, dance for the camera, dance on screen, dancefilm, and video dance. The second part of the paper is a close analysis of the film, synchronously focused on three key aspects: the choreography of the five female performers, the cinematic techniques, and the narration. The third part of the paper examines the role

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3

Johnson, Lorin, and Donald Bradburn. "Fleeing the Soviet Union, Dancing on the West Coast." Experiment 20, no. 1 (2014): 297–316. http://dx.doi.org/10.1163/2211730x-12341266.

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In the 1970s and 1980s, Los Angeles audiences saw Soviet defectors Mikhail Baryshnikov, Alexander Godunov, Natalia Makarova, and Rudolf Nureyev in the prime of their careers at the Hollywood Bowl, The Dorothy Chandler Pavilion and the Greek Theater. Dance photographer Donald Dale Bradburn, a local Southern California dancer describes his behind-the-scenes access to these dancers in this interview. Perfectly positioned as Dance Magazine’s Southern California correspondent, Bradburn offers a candid appraisal of the Southern California appeal for such high-power Russian artists as well as their i

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WOYNARSKI, LISA, ADELINA ONG, TANJA BEER, et al. "Dossier: Climate Change and the Decolonized Future of Theatre." Theatre Research International 45, no. 2 (2020): 179–208. http://dx.doi.org/10.1017/s0307883320000085.

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This dossier opens up a set of questions about what theatre and performance can do and be in a climate-changed future. Through a series of practice snapshots the authors suggest a diversity of responses to decolonizing and environmental justice issues in and through theatre and performance. These practices include the climate-fiction film The Wandering Earth, which prompts questions about what decolonizing means for China and the impact of climate chaos on the mental well-being of young people; The Living Pavilion, an Australian Indigenous-led project that created a biodiverse event space show

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Aprian, Willy, and Didin Supriadi. "THE MOTIF OF THE BANYUWANGI KENDANG PERFORMANCE IN THE CAK MUNARNO STYLE OF CAK MUNARNO JEJER DANCE accompaniment." Jurnal Penelitian Musik 4, no. 2 (2023): 70–80. https://doi.org/10.21009/jurnalpenelitianmusik.42.06.

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This study aims to describe the Banyuwangi drum percussion motif found in the Jejer Gandrung Dance with the cak Munarno percussion style. The research method used is descriptive qualitative research, this research was carried out at the TMII Pavilion in East Java and at the home of the resource person which was held from February 26, 2022 to May 17, 2022. The data obtained were the result of carrying out observations, interviews, documentation, and journals collected. obtained. The result of this research is that Banyuwangi art has unique characteristics and is very thick, by obtaining descrip

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Widayati, Sri, Lian Agustina Setiyaningsih, Arif Syaivul Affandi, Alfarizi Dwi Saputra, Sufiyanto Sufoyanto, and Diyah Sukanti Cahyaningsih. "Preserving the Local Wisdom of Sukowilangun Village through Cultural Rituals Towards a Cultural Heritage Tourism Village." Bulletin of Community Engagement 3, no. 2 (2023): 119. http://dx.doi.org/10.51278/bce.v3i2.907.

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The public service emphasizes cross-generational collaboration in Sukowilangun Village. The main aim to elevate cultural rituals in the form of birth, marriage and death rituals and “Jaranan” to become cultural heritage. One of the activities undertaken was pavilion flooring and the addition of important facilities has improved the quality of cultural workshops, increasing engagement, especially among the younger generation. In addition, documentation of cultural activities, such as the “Jaranan Turonggo Setyo Budoyo” dance, provides valuable insight into the community's cultural heritage, whi

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Jovic, Bojan. "Transmental Sheherazade on the interwar avant-garde balls in Belgrade and Paris." Muzikologija, no. 14 (2013): 93–115. http://dx.doi.org/10.2298/muz1314093j.

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In expert circles, attention has been drawn to the ?1002nd Night Ball? created by the protagonists of Yugoslav and Serbian avant-garde, in particular on its dance and musical segments, moreover, the ballet ?Le balai du valet? by Marko Ristic and Miloje Milojevic, as well as the ensuing series of balls related to the Association of Friends of Art ?Cvijeta Zuzoric?. On the other hand, it is an (almost) completely unknown fact that Rade Drainac?s original idea to throw a ball for the benefit of artists and writers that needed financial assistance because of difficult financial situation (later re

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Marjuni, Marjuni Misri, and Adly Rosyad Fudhulul Ulwani. "The Islamic Moral Perspective on Semiotic Analysis of Reyog Art against Children's Drama "Songgolangit Sayemboro"." Islamika Inside: Jurnal Keislaman dan Humaniora 8, no. 1 (2022): 60–84. http://dx.doi.org/10.35719/islamikainside.v8i1.173.

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Abstract: The semiotic interpretation of Reyog as an intangible cultural treasure and a representation of Ponorogo people's historical knowledge is still debatable, especially in light of Reyog Ponorogo's failure to become one of the nominees to be presented to UNESCO in the second week of April 2022. This research explains how a) Reyog Ponorogo as a local culture requires socio-religious values and b) the historical construction of Reyog Ponorogo has strengthened the reality of social change. Child Reog Performance and Drama "Songgolangit Sayemboroo" on December 11, 2021, on the Youtube Chann

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9

Sina, Adrien, and Eugenia Sydorenko. "To exploud, be destroyed or unexpectedly resist: An interview with curator Adrien Sina." Text and Image: Essential Problems in Art History, no. 1 (2023): 71–84. http://dx.doi.org/10.17721/2519-4801.2023.1.05.

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Adrien Sina is a French arts curator, architect, dance and performance art historian. In his cross-disciplinary exhibition Feminine Futures: Ukraine, part of the series War | Oppression | Dystopia Mr Sina aims to provide a platform for Ukrainian dancers to speak out about the war with Russia. He achieves this by showcasing never-before-seen short films in which artists strive to create dialogue between their own bodies and architectural pieces, which results in the emotional reflection on the bloody present, anticipation of future devastating tragedies but also the highest expression of love a

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10

Duangkhachon, Kriangkrai. "Dan Kwian clay doll designing from Korat folksong identity for Adding value to the product of cultural tourism." Asian Creative Architecture, Art and Design 37, no. 1 (2024): 1–21. http://dx.doi.org/10.55003/acaad.2024.270192.

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This research developed the design of Dan Kwian clay doll souvenir products from the identity of Korat Folksong, to add value to product which promote creative cultural tourism. The objectives of the research are 1) study the identity from Korat Folksong to create a small sculpture and creating prototypes from 3D Printing 2) Experimenting with Dan Kwian clay in order to create Dan Kwain clay doll and glazing to develop souvenir products. 3) To design packaging to convey contemporary Korat Folksong which promote cultural tourism. The research found that 1) The identity of Korat Folksong. Men's

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11

Yli-Jokipii, Pentti. "The Cultural Geography of the Summer Dance Pavilions of Ostrobothnia, Finland." Journal of Cultural Geography 18, no. 2 (1999): 109–32. http://dx.doi.org/10.1080/08873639909478306.

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12

Setiawan, Felicia, and Sidhi Wiguna Teh. "PAVILIUN KEBUDAYAAN BETAWI." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 2, no. 1 (2020): 403. http://dx.doi.org/10.24912/stupa.v2i1.6767.

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Most people are trapped by their monotonous activities, they tend to look for more practical entertainment through smart phones, the internet or television. That might reduce the real meaning of social interaction. The existence of public space itself is one of many factors that encourgage people to do social interaction. Therefore, as what the author has read in a literature study, that third place able to be one of the bridges of social interaction. Third Place provides a catalyst space between home and work, making the third place a comfortable haven. Third Place is not a place of work or h

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13

Moore, Clive. "Dame Sybil Von Thorndyke and the Queen's Birthday Balls." Queensland Review 14, no. 2 (2007): 105. http://dx.doi.org/10.1017/s132181660000667x.

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Dame Sybil is one of Brisbane's most famous drag personas. In 1962 Dame Sybil was one of the founders of Brisbane's annual Queen's Birthday Ball, the longest continuously running annual gay celebration in the world. The balls have become extravagant dance parties, far removed from their humble origins in a house at Mt Tamborine. Back in the 1960s and 1970s, gays and lesbians were a persecuted minority who held private house parties and preferred to stay out of sight. The groundbreaking Queen's Birthday Balls were an important part of the cultural and political ‘coming out’ of the modern queer

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14

Nakatani, Sanae. "Staging Democracy and Multiculturalism." Asian Diasporic Visual Cultures and the Americas 1, no. 1-2 (2015): 40–62. http://dx.doi.org/10.1163/23523085-00101003.

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This article examines the critical role Hawai‘i’s Japanese American diaspora played at the 1970 Osaka Exposition in facilitating a Hawai‘i-Japan economic partnership and disseminating messages of Hawai‘i’s multiculturalism and democracy to local and international audiences. White and Japanese American male government officials and members of the Governor’s Citizen Advisory Committee for the Expo emphasized the large Japanese American population in Hawai‘i as well as the cultural hybridity of their state in order to make the Japanese audience—potential tourists and investors—feel welcome. The m

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15

Weigel, François. "Nancy Huston e Sérgio Kokis, escritores “latinos do Norte”?" Revista do GELNE 26, no. 1 (2024): e35490. http://dx.doi.org/10.21680/1517-7874.2024v26n1id35490.

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O escritor Sérgio Kokis nasceu em 1944 no Rio de Janeiro, onde viveu durante mais de vinte anos, mas se exilou do seu país natal para fugir da ditadura militar e, morando hoje em Montréal, escolheu a língua francesa para construir toda sua obra literária. Nancy Huston, canadense nascida em Calgary, mas que escolheu o francês para ser a língua principal do seu processo criativo, tem uma relação muito mais distante com o Brasil, onde apenas fez uma curta viagem, tendo lido também textos sobre a cultura brasileira. As lembranças de infância alimentaram a ficção em Le pavillon des miroirs, primeir

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16

KARTSEVA, EKATERINA A. "SCREEN FORMS AT BIENNIALS OF CONTEMPORARY ART." Art and Science of Television 16, no. 3 (2020): 11–30. http://dx.doi.org/10.30628/1994-9529-2020-16.3-11-30.

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Video today is a popular tool for artists of postmodern, poststructuralist, post-conceptual orientations. These practices have not yet developed their economic model and have spread mainly through biennials and festivals of contemporary art, as the main form of their comprehension and display. At the same time, “video art”, “video installations”, “video sculptures”, “video performances”, “films” at the exhibitions are far from an exhaustive list of strategies, stating a cinematic turn in contemporary art, where videos are considered among the basic tools of a contemporary artist and curator. I

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17

Om Prakash. "Marriage Rituals in Kol Tribe." RESEARCH REVIEW International Journal of Multidisciplinary 6, no. 12 (2021): 113–19. http://dx.doi.org/10.31305/rrijm.2021.v06.i12.015.

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Marriage is a sacred bond in which the bride and groom, taking their clan gods and fire as witnesses, commit to live together in each other's happiness and sorrow and in future life. In the Kol tribe, marriages are performed by many small rituals. Mandap Chhajan and Mayan Puja, Matrika Puja or Maati Mangal, the ritual of offering oil, Parchan, Janvasa, Dwarchar or Dwar Puja, Oli Bharai, Lava Parswai, Sindoordan, Mangal Phere, Kanyadaan, foot worship and Khobar. But in the present scenario, the role of the pandit in the marriage ceremony is visible from beginning to end. In the evening, men and

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18

Swift, Anthony. "Russia’s Construction of a Post-Soviet National Image at World Fairs, 1992–2022." Studies on National Movements 13, no. 1 (2024). http://dx.doi.org/10.21825/snm.91454.

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This article examines the evolution of Russia’s use of world expos to reshape its image and construct a non-socialist national identity after the end of the Soviet Union. Between 1992 and 2000, Russia’s exhibitions at Seville’s Expo ’92, Hannover’s Expo 2000, and Aichi’s Expo 2005 echoed earlier Soviet pavilions’ emphasis on material objects and space technology. Since Shanghai’s Expo 2010, however, Russia has been developing an updated, contemporary expo brand that celebrates its historical achievements and status as a leading nation. Imposing pavilions, state-of-the-art multimedia displays,

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19

Mu, Yu. "The International Cultural Expression of Chinese Mainstream Ballet and the International Recognition of Ballet Version of The Peony Pavilion in International Dance Critics." Ethnic Art Studies 29, no. 3 (2016). http://dx.doi.org/10.21004/issn.1003-840x.2016.03.048.

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20

Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

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Fedorova, Ksenia. "Mechanisms of Augmentation in Proprioceptive Media Art." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.744.

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Introduction In this article, I explore the phenomenon of augmentation by questioning its representational nature and analyzing aesthetic modes of our interrelationship with the environment. How can senses be augmented and how do they serve as mechanisms of enhancing the feeling of presence? Media art practices offer particularly valuable scenarios of activating such mechanisms, as the employment of digital technology allows them to operate on a more subtle level of perception. Given that these practices are continuously evolving, this analysis cannot claim to be a comprehensive one, but rathe

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Gerrand, Vivian, Kim Lam, Liam Magee, Pam Nilan, Hiruni Walimunige, and David Cao. "What Got You through Lockdown?" M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2991.

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Introduction While individuals from marginalised and vulnerable communities have long been confronted with the task of developing coping strategies, COVID-19 lockdowns intensified the conditions under which resilience and wellbeing were/are negotiated, not only for marginalised communities but for people from all walks of life. In particular, the pandemic has highlighted in simple terms the stark divide between the “haves” and “have nots”, and how pre-existing physical conditions and material resources (or lack thereof), including adequate income, living circumstances, and access to digital an

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McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an

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