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Books on the topic 'Dance, poland'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Benet, Sula. Song, dance, and customs of peasant Poland. New York: Polish Heritage Publications, 1996.

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2

European dance: Ireland, Poland, Spain, and Greece. 2nd ed. New York: Chelsea House, 2010.

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3

European dance: Ireland, Poland, Spain, and Greece. 2nd ed. New York: Chelsea House, 2010.

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4

Mark, Attrill, ed. The folk dance & costume atlas of Poland: History, geography, music, weddings, dances, songs, costumes. [Rainham, Essex?]: H. Matyka, 1991.

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5

The body revolving the stage: New dance in new Poland. Warsaw: Instytut Teatralny, 2011.

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6

Trochimczyk, Maja. Polish dance in Southern California. Boulder, [Colo.]: East European Monographs, 2007.

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7

Zamorska, Magdalena Anna. Intense Bodily Presence: Practices of Polish Butō Dancers. Bern: Peter Lang International Academic Publishers, 2018.

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8

Grazyna, Dabrowska, Bielawski Ludwik, and Polish Academy of Sciences. Institute of Art. Polish Society for Ethnochoreology., eds. Dance, ritual and music: Proceedings of the 18th Symposium of the Study Group on Ethnochoreology, the International Council for Traditional Music, August 9-18, 1994 in Skierniewice, Poland. Warsaw: [Polish Society for Ethnochoreology, Institute of Art - Polish Academy of Sciences], 1995.

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9

Poland. Senat. Kancelaria. Biuro Informacyjne. Wybrane dane o pracy Senatu Rzeczypospolitej Polskiej II kadencji. Warszawa: Kancelaria Senatu RP, Biuro Informacyjne, 1993.

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10

Poland. Senat. Kancelaria. Biuro Informacyjne. Wybrane dane o pracy Senatu Rzeczypospolitej Polskiej I kadencji. 2nd ed. Warszawa: Kancelaria Senatu RP, Biuro Informacyjne, 1991.

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11

Poland. Senat. Kancelaria. Biuro Studiów i Analiz. Wybrane dane o pracy Senatu Rzeczypospolitej Polskiej, III kadencji, obejmuje okres od 15.10.1993 r. do 20.10.1997 r. Warszawa: Biuro Studiów i Analiz Kancelarii Senatu RP, 1997.

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12

Poland. Senat. Kancelaria. Biuro Studiów i Analiz. Wybrane dane o pracy Senatu Rzeczypospolitej Polskiej, III kadencji, obejmuje okres od 15.10.1993 r. do 15.10.1996 r. Warszawa: Biuro Studiów i Analiz Kancelarii Senatu RP, 1996.

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13

Poland. Senat. Kancelaria. Biuro Informacji i Dokumentacji Senackiej. Wybrane dane o pracy Senatu Rzeczypospolitej Polskiej IV kadencji: Zestawienie za okres od 21.10.1997 r. do 18.10.2001 r. Warszawa: Biuro Informacji i Dokumentacji Senackiej, 2001.

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14

Fred, Bruemmer, and Blessley Cara, eds. Polar dance: Born of the north wind. [Omaha, Neb.]: Images of Nature, 1997.

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15

Gliori, Debi. Polar Bolero: A bedtime dance. San Diego: Harcourt, 2001.

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16

1950-, Bloom Suzanne, Bloom Suzanne 1950-, and Yu Zhiying translator, eds. Da xiong hui tiao wu: Bear can dance! Wuhan: Chang Jiang shao nian er tong chu ban she, 2017.

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17

Polskie Siły Powietrzne w Wielkiej Brytanii w latach 1940-1947: Łącznie z Pomocniczą Lotniczą Służbą Kobiet (PLSK-WAAF) : imienny wykaz personelu wszystkich stopni oraz dalsze dane uzyskane po 1947 roku. 2nd ed. Warszawa: Wydawn. Comandor, 2008.

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18

Polar Bolero. London: Scholastic Children's Books, 2000.

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19

ill, Pinkwater Jill, ed. Dancing Larry. New York: Marshall Cavendish, 2006.

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20

European Dance: Ireland, Poland & Spain (World of Dance). Chelsea House Publications, 2004.

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21

European Dance: Ireland, Poland & Spain (World of Dance). Chelsea House Publications, 2003.

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22

Trochimczyk, Maja. Polish Dance in Southern California. 6th ed. Columbia University Press, 2006.

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23

Kenney, Padraic. Dance in Chains. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199375745.001.0001.

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The political prisoner is a creation of the modern era, in which states deploy police, courts, and prisons against organized opposition movements. Dance in Chains traces the history of political imprisonment from the 1860s through the present day, using the struggles of opponents from a wide variety of regimes. They range from colonial South Africa through the detention center at Guantanamo Bay, and from the right-wing dictatorship in 1930s Poland through the Troubles in Northern Ireland. The book asks why regimes incarcerate opponents, and why political prisoners are important to opposition movements. It examines the contest in the cells themselves, as political prisoners organize themselves and engage in acts of protest and resistance, and how prisoner assistance movements like Amnesty International help to make the political prisoner a recognizable figure in global history.

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24

Zamorska, Magdalena Anna. Intense Bodily Presence: Practices of Polish butō Dancers. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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25

Zamorska, Magdalena Anna. Intense Bodily Presence: Practices of Polish butō Dancers. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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26

Zamorska, Magdalena Anna. Intense Bodily Presence: Practices of Polish butō Dancers. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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27

Zamorska, Magdalena Anna. Intense Bodily Presence: Practices of Polish butō Dancers. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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28

Folk-dances From old Homelands: A Third Volume of Folk-dances and Singing Games, Containing Thirty-three Folk-dances From Belgium, Czecho-Slovakia, ... Poland, Portugal, Russia, Spain, Sweden, A. Franklin Classics, 2018.

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29

Halski, Czesław. Folk music in Poland: Songs, dances, instruments : A study of their origins and their development. Polish Cultural Foundation, 1992.

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30

Bakan, Michael B. Maureen Pytlik. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190855833.003.0008.

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In 2017, Maureen Pytlik graduated from Ottawa’s Carleton University with degrees major in both clarinet performance and mathematics. Her curriculum also included advanced music theory studies and West African drumming and dance. She describes her West African dance experiences as transformative. “I was quite happy to open up and be awkwardly uncoordinated,” she relates, “because it was something that created a lot of group bonding in a way. Feeling part of the group was very important to me because having Asperger’s means it’s not something that I experience easily.” African dance, and drumming too, helped Maureen to navigate a dichotomy which has been difficult for her to manage in her life, and one that she identifies closely with having Asperger’s: the conflicting pulls of competing desires for control and freedom. “I am pulled in these two different directions,” she acknowledges. “My modes of being can fluctuate between the two styles of having control and experiencing freedom, but I have a hard time (as with any polar opposites) hovering in the middle between them without gravitating toward one extreme or the other at any given time.” Music and dance, especially of the West African variety, have enabled her to move closer to achieving that elusive balance.

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31

Polar Bolero. Scholastic, 2001.

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32

(Illustrator), Erik Brooks, ed. Polar Polka: Counting Polar Bears in Alaska. Sasquatch Books/Paws IV Children's Books, 2008.

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33

Brzeskie Freski Mistrza Jana: O Tym, Jak Dane Mi Byo, Ponownie Odkryc Iluzje Przez Jana Kubena. MS Wydawnictwo, 2003.

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