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1

Parfitt, Clare, ed. Cultural Memory and Popular Dance. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71083-5.

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2

Popular classical dances of India. Mylapore, India: Skanda Publications, 2005.

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3

Bonilla, Lia. Danza popular costarricense. San José, Costa Rica: Ediciones Guayacan, S.A., 1989.

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4

Kennedy, Judith. Popular dances of the Renaissance: A dance lesson with written & vocal instructions. [S.l.]: J. Kennedy, 1985.

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5

Julie, Malnig, ed. Ballroom, boogie, shimmy sham, shake: A social and popular dance reader. Urbana and Chicago: University of Illinois Press, 2009.

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6

Dance for two: Selected essays. New York: Pantheon Books, 1996.

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7

Dance for two: Selected essays. London: Bloomsbury, 1996.

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8

Popular dance: From ballroom to hip-hop. New York: Chelsea House Publishers, 2010.

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9

Bill, Willard, ed. Let's dance: Popular music in the 1930s. New York: Oxford University Press, 1998.

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10

Smith, Karen Lynn. Popular dance: From ballroom to hip-hop. New York: Chelsea House Publishers, 2010.

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11

Smith, Karen Lynn. Popular dance: From ballroom to hip-hop. New York: Chelsea House Publishers, 2010.

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12

The Marabi dance. Oxford: Heinemann, 1989.

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13

Museo Nacional de Arte (Mexico), ed. Jarabes y fandanguitos: Imagen y música del baile popular. México, D.F: Museo Nacional de Arte, 1990.

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14

Titan, Group. Anatolian break dance. Place of publication not identified]: Pharaway Sounds, 2016.

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15

Dance kinesiology. New York: Schirmer Books, 1988.

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16

Dance kinesiology. 2nd ed. New York: Schirmer Books, 1996.

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17

Salsa y casino: De la cultura popular tradicional cubana. Buenos Aires: Balletin Dance Ediciones, 2010.

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18

Castañón, Edmundo Miranda. La danza folklórica y popular de Bolivia. La Paz, Bolivia: The Author, 2007.

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19

La danza folklórica y popular de Bolivia. La Paz, Bolivia: The Author, 2007.

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20

Inc, Mattel. Dance party mix. Hawthorne, Calif.?]: Mattel, 2013.

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21

Werosch, Sheila. Bailar en uruguayo: Acercamiento teórico-metodológico al desarrollo de la danza popular tradicional. [Montevideo, Uruguay]: Praxis Producciones, 2002.

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22

Kang, Wŏl-lae. The dance: Han'guk taensŭ myujik 100-yŏnsa = 100 years of Korean dance music. [Kyŏnggi-do Sŏngnam-si]: Kŭraesŏ Ŭmak, 2021.

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23

Dancing on the canon: Embodiments of value in popular dance. Houndmills, Basingstoke Hampshire: Palgrave Macmillan, 2011.

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24

Pérsico, Eduardo. Lunfardo en el tango y la poética popular. Buenos Aires: Proyecto Editorial, 2004.

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25

Entre a ponta de pé e o calcanhar: Reflexões sobre como o frevo encena o povo, a nação e a dança no Recife. Recife, PE: Ed. Universitária da UFPE, 2009.

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26

Hip hop dance. Santa Barbara, Calif: Greenwood, 2012.

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27

Duri, Fidelis. Linking African traditional dance and history: A study of the Munchongoyo Dance among the Ndau of Southeastern Zimbabwe. Cape Town: CASAS, 2007.

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28

Kessel, Juan Van. Lucero brillante: Mística popular y movimiento social. Iquique, Chile: Universidad Libre de Amsterdam, 1987.

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29

Kessel, Juan Van. Lucero brillante: Mística popular y movimiento social. Iquique, Chile: Universidad Libre de Amsterdam, 1987.

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30

Roger, Thomas. Rock, pop, and dance. Des Plaines, Ill: Heinemann Library, 1998.

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31

Popular music in evangelical youth culture. New York: Routledge, 2012.

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32

Lockard, Craig A. Dance of life: Popular music and politics in Southeast Asia. Honolulu, HI: University of Hawaiʻi Press, 1998.

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33

Dodds, Sherril. Dancing on the Canon: Embodiments of Value in Popular Dance. Basingstoke: Palgrave Macmillan, 2011.

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34

Dance, media-entertainment, and popular performance in south east Africa. Bayreuth, Germany: E. Breitinger, 1998.

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35

Origins of Cuban music and dance: Changüí. Lanham, Md: Scarecrow Press, 2008.

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36

Guy, Rogers, ed. Pat Green's dance halls & dreamers. [Texas]: Dance Halls & Dreamers Pub., 2008.

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37

Tango y misoginia: Cultura popular en América Latina. La Plata: Editorial de la Universidad Nacional de La Plata, 2001.

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38

Daniel, Yvonne. Caribbean Popular Dance Transformations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036538.003.0005.

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This chapter examines Caribbean popular dances that undergo transformations over time and across borders, with particular emphasis on Cuban community rumba and how it evolved into commercial rhumba. It first considers intra-Caribbean dances and their dance music mixtures before turning to Cuban rumba to illustrate how popular dance changes shape and identities and travels across old and new borders, from local to transnational. It also discusses mixing and (con)fusion that characterize Cuban popular dances by citing the case of mambo, a descendant of son. Finally, it describes quindembo, a mixture of dance movement vocabulary that keeps refreshing itself with new trends, and the concept of liberation within Caribbean popular dance.
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39

Borelli, Melissa Blanco, ed. The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.001.0001.

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This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple choreographies of identity such as race, gender, sexuality, class, and nation. It also considers the types of bodies that are associated with specific dances and their relation to power, access, and agency, as well as the role(s) of a specific film in the genealogy of Hollywood dance films. The book is divided into five sections that examine dance in films such asMoulin Rouge!, Dance Girl Dance, Dirty Dancing, and Save the Last Dance; the different aspects of commercial dance films in the context of identity politics, technology, commercialism, and the politics of moving bodies; how dance and its practice are constructed in films as a form of self-discovery and individual expression; the impact of music videos on popular dance and its dissemination; and how dance video games such as Dance Central influence concepts of choreography, embodiment, and dance pedagogy.
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40

Popular Dance From Ballroom To Hiphop. Checkmark Books, 2010.

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41

Wainwright, Lyndon. The Story of British Popular Dance. International Dance Teachers' Association Ltd, 1996.

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42

Vaccarino, Elisa Guzzo. Dance in Cuba: From Classical Ballet and Contemporary Dance to the Traditional and Popular Dances. Gremese International, 2021.

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43

Zuhur, Sherifa. Popular Dance and Music in Modern Egypt. McFarland & Company, Incorporated Publishers, 2021.

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44

Calabria, Frank M. Dance of the Sleepwalkers: The Dance Marathon Fad (Popular Entertainment and Leisure). Popular Press 1, 1993.

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45

Sellers-Young, Barbara. Belly Dance, Pilgrimage and Identity. Palgrave Macmillan, 2018.

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46

Chasteen, John Charles. National Rhythms, African Roots: The Deep History of Latin American Popular Dance (Dialogos). University of New Mexico Press, 2004.

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47

Rock 'n' Film: Cinema's Dance with Popular Music. Oxford University Press, Incorporated, 2016.

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48

Borelli, Melissa Blanco. Oxford Handbook of Dance and the Popular Screen. Oxford University Press, Incorporated, 2014.

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49

James, David E. Rock 'N' Film: Cinema's Dance with Popular Music. Oxford University Press, Incorporated, 2016.

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50

James, David E. Rock 'N' Film: Cinema's Dance with Popular Music. Oxford University Press, Incorporated, 2017.

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