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Dissertations / Theses on the topic 'Dandyismus'

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1

Rossbach, Susanne. "Des Dandys Wort als Waffe : Dandyismus, narrative Vertextungsstrategien und Geschlechterdifferenz im Werk Jules Barbey d'Aurevillys /." Tübingen : M. Niemeyer, 2002. http://catalogue.bnf.fr/ark:/12148/cb38996771s.

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2

Brito, Cláudia Sofia Simas Monteiro. "Dandyism survival." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20522.

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Dissertação de Mestrado em Design, apresentada na Faculdade de Arquitetura da Universidade de Lisboa, com a especialização em Design de Moda para obtenção de grau de Mestre.<br>O presente trabalho versa o tema do universo do movimento: Dandy, como tendência na moda no vestuário masculino e a influência que o mesmo exerceu desde o seu aparecimento, até aos dias de hoje. O Dandy é o homem moderno perfeito, que opta por viver a vida intensamente, que dá um enorme valor e atenção ao esteticismo e à beleza dos pormenores, quer exteriores quer interiores. Reúne características bastante peculiares e
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3

Carlson, Heidi. "Dandyism: Creating a Tradition for Consumption in London Society." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/319.

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4

Guan, Beibei, and 关贝贝. "Rebellion as aestheticism: the dandyism of Charles Baudelaire and Oscar Wilde." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45706037.

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5

Fremiot, Anne. "Barbey d'Aurevilly : identite et difference dans la fiction du dandy." Thesis, University of Nottingham, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243661.

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6

Burton, Tara Isabella. ""Narrative dandyism" : the theology of creation in the French decadent-dandyist novel, 1845-1907." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:4bb3da1e-a2f8-40bf-ba9c-c960ebf6976c.

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This thesis explores how selected "decadent-dandyist" writers of late 19<sup>th</sup> century France at once exemplify and subvert the self's act of shaping and imprinting its own selfhood upon the world: a model in which an autonomous, discrete artist-self freely creates, and in which both reader/audience and artistic "subjects" are treated as raw canvas and denied agency of their own. Storytellers like Barbey D'Aurevilly, Villiers de l'Isle-Adam, J.K. Huysmans, and Remy de Gourmont create not only hyper-artificial, cloistered, "auto-telic" (to use Charles Taylor's term) textual worlds (e.g.
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7

Kerr, Darin Douglas. ""The Idea Of Beauty In Their Persons:" Dandyism And The Haunting Of Contemporary Masculinity." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431098722.

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8

Glogorovska, Kristina. "EXPLORATION OF THE GENDER MYTH VIA FASHION MEDIA : ANDROGYNY AND DANDYISM IN CONTEMPORARY FASHION MAGAZINES." Thesis, Stockholms universitet, Centrum för modevetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62780.

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This paper attempts to analyze different representations of "androgyny‟ as fashion tendency in contemporary fashion magazines (Vogue, i-D and LOVE Magazine) for the period of 2010 and 2011. In order to show the development of "androgyny‟ as fashion tendency, this study first explores how androgyny metamorphosed from a "hidden‟ signifier of unconventional sexuality to "visible‟ postmodern teaser for sexual identities. Currently, we live in the "Age of Androgyny‟ where the modern androgynous dandy is being seen as an aphrodisiac for the fashion industry. This study also tries to provide explanat
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Knapp, Ferdinand Mathes. "Dandyism as a principle of aesthetic composition : a study of Georg Büchner, Franz Kafka and Oswald Wiener." Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/265453.

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In considering the dandy, this study does not concern itself so much with the historical figure, but rather with the specific mode of dandyistic writing. It seeks to understand the term "dandyism", and so explain the move from the dandy as a social phenomenon to dandyism as a principle of aesthetic composition. The core of my argument is that the dandy-figure has from the beginning constituted itself as a written text, and that this understanding opens up questions of identity, origination and the nature of writing. Part I takes Buchner's own dress-sense as a point of departure, through an ana
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10

Ström, Maria. "Man eller mus? : En studie i representationer av maskulinitet och dandyism i Alexander Golovins porträtt av Mikhail Tereshchenko." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-39670.

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The purpose of this study is to analyze the representation of masculinity of Mikhail Tereshchenko as painted by Alexander Golovin at the beginning of the 20’th century, and to connect masculinity to the values of dandyism. An iconological analysis, in the style of Erwin Panofsky, and literary research resulted in various findings. Dandyism could partly be seen as a reaction against the normative masculinity, or hegemonic masculinity stated by R.W. Connell. Both Tereshchenko and Golovin were in their everyday life surrounded by highly regarded dandies and it is likely that they were influenced
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11

Hoffmann, Ana Cleia Christovam. "Pinturas de si : moda e artesania da existência." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/128879.

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A pintura de si anunciada nesta dissertação não versa sobre nenhum tipo padrão de estilo, tampouco sobre normas do bem vestir. Busca, antes, modos de escapar do já instituído para pensar esta ação que nos acompanha diariamente, como uma artesania da existência que implica múltiplos modos de viver. Por isso, toma o dandismo como disparo para pensar um modo de vida que conjugue existência com aparência numa proposta ético-estética destinada a fortificar a alma. Como alguém evita as coisas mecânicas, ao produzir seu estilo pedagógico, faz com que surja o dândi educador, trazendo consigo suas hist
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12

Venter, Dawid Johan. "Die aristokraat-virtuoos in die moderniteit : die ontwikkeling van die Franse Fluitskool in die laat negentiende eeu (Afrikaans)." Diss., University of Pretoria, 2008. http://hdl.handle.net/2263/23578.

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During the early 19th century, the flautist became known as a frivolous “dandy” figure whose extravagant appearance suited his light and virtuoso playing. He becomes a so-called professional virtuoso, generating his own income in the absence of aristocratic patronage while entertaining the rising bourgeois public, who demands light yet virtuoso performances. Many artists are disillusioned in this sphere where the arts seem to be reduced to something that is merely utile to the public – a form of entertainment; a social tool. The greatest concern of writers and poets is that the universal truth
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13

Huttunen, Tomi. "Imažinist Mariengof dendi, montaž, ciniki /." Helsinki : University of Helsinki, 2007. http://urn.fi/URN:ISBN:978-952-10-4432-8.

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14

Stauffer, Isabelle. "Weibliche Dandys, blickmächtige Femmes fragiles : Ironische Inszenierungen des Geschlechts im Fin de Siècle /." [S.l.] : Böhlau Köln, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3112482&prov=M&dok_var=1&dok_ext=htm.

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15

Beuttenmuller, Eric. "Mitos, arquétipos e visão de mundo na obra em prosa de Mário de Sá-Carneiro." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-12052015-122631/.

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O ponto fundamental desta tese é a comprovação de que os mitos e arquétipos presentes na obra em prosa de Mário de Sá-Carneiro auxiliam na formação de uma visão de mundo do autor. Mitos e arquétipos representam motivos, elementos temáticos fundamentais que aparecem e se repetem nos textos literários ao longo do tempo e revelam metaforicamente um conjunto de valores. Cada autor tem a sua mitologia particular, ou seja, mesmo que a criação literária seja feita pelo desejo consciente do artista de construir o seu texto, esses elementos temáticos aparecem em sua obra, tenha ele consciência disso ou
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16

Geffroy, Cyril. "Paradoxes et silences : étude des statuts de l'écriture chez Albert Cossery." Thesis, Versailles-St Quentin en Yvelines, 2015. http://www.theses.fr/2015VERS009S.

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Cette étude de l’œuvre d’Albert Cossery interroge les relations entre parole et silence qui la gouvernent. Sous cet angle, le paradoxe s’impose comme une clé de lecture essentielle. Il permet de questionner le statut d’une écriture suspendue à la menace de son extinction. Dans un premier temps, la thèse envisage la dimension existentielle de la création littéraire pour Cossery, ce qui soulève une triple problématique touchant l’autobiographie, le rapport au temps et l’inscription dans l’espace. A chaque fois, un même constat s’impose : écrire est aussi vital que subsidiaire, car le dandy Cosse
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17

Julin, Hanna. "„Alle Wege führen hier immerhin zur Ironie.“ : Verbale Ironie als Gestaltungsmittel desDandytums in Christian Krachts ‚Faserland‘ undPer Hagmans ‚Att komma hem ska vara enschlager‘. Ein Vergleich." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-99508.

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Title: “All roads here always lead to irony”. Verbal irony as a mean of presenting dandyismin the novels ‘Faserland’, by Christian Kracht and ‘Att komma hem ska vara en schlager’, byPer Hagman. A contrastive analysis. Author: Hanna JulinSupervisor: Bärbel WestphalExaminator: Corina Löwe Summary: The aim of this study is to investigate how verbal irony is used in fiction to indicatedandyism in pop-modern literature. It is a contrastive study based on Christian Kracht’s novelFaserland (1995), which is considered to be a romana à clef in the German popliterature. Attkomma hem ska vara en schlager
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18

Chantoiseau, Jean-Baptiste. "Déjouer la transgression : du dandysme au terrorisme des images littéraires, plastiques et cinématographiques." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030133.

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Les représentations artistiques de la transgression aux XXe et XXIe siècles offrent souvent au regard un spectacle violent et macabre. Son intensité attesterait l’existence d’une "pulsion de mort" (Freud, 1920) tout comme elle scellerait ce lien entre l’érotisme et la mort dépeint par Georges Bataille. Déjouer un tel "terrorisme de la transgression", qui épuise aussi bien l’œuvre que son spectateur, invite à démasquer le conformisme et les falsifications de telles entreprises. Aux antipodes de ces postures, existent d’autres manières d’envisager la transgression en art afin de faire de celle-c
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19

Ait, Aattou-Behrend Emma. "Luchino Visconti et l'adaptation cinématographique d'œuvres littéraires : fondements de l'imaginaire et fatalité." Thesis, Strasbourg, 2020. https://publication-theses.unistra.fr/restreint/theses_doctorat/2020/Ait_Aattou_Behrend_Emma_2020_520.pdf.

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En Italie, le cinéma prend vraiment son essor peu avant la Première Guerre Mondiale. Cette nouvelle industrie y connaît un élan considérable grâce à la multiplication des salles obscures. Néoréalisme serait né entre le Toni de Jean Renoir et l’Ossessione de Luchino Visconti. Et c’est autour des adaptations cinématographiques d’ouvrages littéraires de Visconti que notre étude s’attache, au gré des focalisations, inspirations et transpositions du réalisateur milanais. Ainsi, l’œuvre colossale du comte de Lonate Pozzolo se mue en banque de données à la source inépuisable<br>In I
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20

Dietze, Markus. "Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen." Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-152855.

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Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und we
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21

Chiang, Hsin-Jung, and 江欣蓉. "A Study of Oscar Wilde's Dandyism." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/tjq837.

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碩士<br>國立臺灣師範大學<br>英語學系<br>100<br>This thesis aims to provide a thematic study of Oscar Wilde’s dandyism and to explore the uniqueness of it. As a famous Victorian dandy and decadent writer, Wilde put both his dandyism and aesthetics into his literary works. Thus, this thesis first points out the uniqueness of Wildean dandyism, and then analyzes how the dandiacal characters of his writing mirror it. Except for the introduction and conclusion, this thesis is composed of three major chapters. The three main chapters are: “Defining Wildean Dandyism: Aestheticism, Decadence and Modern Heroicism,” “
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22

Fu-ying, Cheng. "Subversive Dandyism in Oscar Wilde's Society Comedies." 2005. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0001-1407200511054100.

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23

Cheng, Fu-ying, and 鄭富櫻. "Subversive Dandyism in Oscar Wilde’s Society Comedies." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/31631023215789068291.

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碩士<br>國立臺灣大學<br>外國語文學研究所<br>93<br>This paper intends to examine Oscar Wilde’s literary strategy – his manipulation of the contemporary theatrical conventions – along with his deployment of dandyism and his cultural background of the Anglo-Irish which contributes to his ambiguous attitude toward self-identity. In Wilde’s society comedies, the seemingly conventional elements that appeal to the audiences’ taste are ironically the subversive ideas in disguise. Through the perusal of the playwright’s dramatic works, we would discover a “political” Wilde with trenchant criticism toward society and
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24

"Teddy Roosevelt, Dandyism, and Masculinities: A Nominalist History of Fitness Centers in the United States." Master's thesis, 2012. http://hdl.handle.net/2286/R.I.15886.

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abstract: In the latter half of the nineteenth century, colleges and universities transformed their thinking of the body as they institutionalized physical education, recreational activities, and especially physical exercise. In this study, I examine the historical discourse on physical exercise and training during this period. I employ the theoretical and methodological practices of Michel Foucault's archeological and genealogical work to write a "history of the present." I challenge the essential narrative of physical fitness on college and university campuses. I also discuss nineteenth cent
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25

Jones, Zoe Marie. "A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914." Diss., 2011. http://hdl.handle.net/10161/4995.

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<p>ABSTRACT</p><p>My dissertation studies the intersection of popular entertainment and the visual arts in Paris during the first decades of the twentieth century and the dialogue that formed between this subculture and the avant-garde factions of Paris and Italy. While this project will focus on the Italian Futurist Gino Severini (1883-1966), it is not conceived of as a monograph. Instead I will use Severini as a case study to help make sense of a complicated world in which the boundaries between bohemia and the bourgeoisie, masculinity and femininity, and art and popular culture are transgre
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26

Lebedová, Anna. "Barbey d'Aurevilly mezi romantismem a dekadencí." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369914.

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(in English): The main objective of the thesis Jules Barbey d'Aurevilly between romanticism and decadence is not only to describe Barbey's novels Un Prêtre marié and L'Ensorcelée but specially to put these two works into context of decadent aesthetics. At the beginning of this work stood the question of whenever we can consider Jules Barbey d'Aurevilly (similarly to Charles Baudelaire) to be a pioneer of the decadent movement. We will be analysing generally universal themes, such as love, pride or revolt, but we will see them through the prism of decadence, allowing them to obtain new meanings
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Neto, Francisco José Sousa. "A diversidade intertextual d' A Correspondência de Fradique Mendes : dandismo e jogo(s) de apresentação/simulação." Doctoral thesis, 2016. http://hdl.handle.net/10400.2/5890.

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A Correspondência de Fradique Mendes de Eça de Queirós radica numa tradição textual que conheceu uma notória proliferação na literatura europeia do século XIX, nomeadamente em textos de Hippolyte Taine (Notes sur Paris) e Thomas Carlyle (Sartor Resartus). Na verdade, quando a obra é publicada, Fradique surge inserido num mistificador jogo textual, muito semelhante ao que Taine e Carlyle utilizaram para apresentar Graindorge e Teufelsdröckh, respetivamente. A produção ‘literária’ do dândi (um epistolário) vem acompanhada de um estudo biográfico, intitulado “Memórias e Notas”, onde um narrador a
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28

Kolařík, Karel. "Věčné jinošství Jiřího Karáska ze Lvovic." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-307931.

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The thesis attempts to describe the life and work of Jiří Karásek ze Lvovic through an analysis of his lifestyle, i.e. the way in which he organized, embellished and individualized his life. Karásek sought to shape his existence as an artwork, in accordance with the inspirational concepts of the contemporary and antecedent thinkers and artists (e.g. Oscar Wilde, Walter Pater and Maurice Maeterlinck). He accented its integrity and orientation towards beauty. In accord with his aesthetic vision (and his literary work) Karásek conditioned beauty with sadness and pain and attempted to emphasize me
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29

Jirátová, Kristýna. "Samota uprostřed davu: Charles Baudelaire a umění 20. století a současnosti." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-386502.

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Alone in a Crowd: Charles Baudelaire and 20th-Century and Contemporary Art The dissertation called Alone in a Crowd explores the influence of the poet Charles Baudelaire's personality and work on 20th-century and contemporary art. Due to the field of study, the main focus is on the visual arts, but literature, music, philosophy, and film are also included to a large extent. This dissertation is divided into four substantive chapters. The first chapter, The Inner Message, introduces the poet's life, his family and acquaintances, as well as Baudelaire's poetry collection The Flowers of Evil. The
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30

Dietze, Markus. "Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen." Master's thesis, 2012. https://tud.qucosa.de/id/qucosa%3A28299.

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Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und we
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