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Journal articles on the topic 'Dandyismus'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Hörner, Fernand. "Dandyismus und popkultur." POP 2, no. 1 (2013): 156–76. http://dx.doi.org/10.14361/pop.2013-0121.

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2

정원석. "Verbrechen und Dandyismus – In Bezug auf die psychologische Verwandtschaft." Koreanische Zeitschrift für Germanistik 60, no. 3 (2019): 263–83. http://dx.doi.org/10.31064/kogerm.2019.60.3.263.

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3

Chung, Wonseok. "Dandyismus und Verbrechen – In Bezug auf Thomas Manns Roman Bekenntnisse des Hochstaplers Felix Krull." Deutsche Sprach- und Literaturwissenschaft 28, no. 3 (2020): 1–24. http://dx.doi.org/10.24830/kgd.28.3.1.

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4

정원석. "Ensemble des Dandys mit dem Dekadent – Über die Wechselwirkung des Dandyismus und der Dekadenz im Fin de siècle." Koreanische Zeitschrift für Germanistik 57, no. 1 (2016): 131–51. http://dx.doi.org/10.31064/kogerm.2016.57.1.131.

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5

Wiener, Oswald. "An Ego of Her Own." October 170 (October 2019): 69–94. http://dx.doi.org/10.1162/octo_a_00371.

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The essay formulates a theory of dandyism that relates the literature of Dark Romanticism to computer science and psychology. Oswald Wiener describes dandyism as an ambivalent response to scientific and technological developments that reduce human beings to their observable behavior and seek to render them predictable. Dandyism, according to Wiener, articulates itself in social experiments in which the dandy adopts a behaviorist perspective yet at the same time distances himself from any aspect of his personality whose mechanisms he thereby understands.

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6

Belyakov, Nikolai Aleksandrovich, and Elena Aleksandrovna Kutseva. "The Political Basis of Dandyism in Edward Bulwer-Lytton's novel «Pelham, or The Adventures of a Gentleman»." Genesis: исторические исследования, no. 11 (November 2024): 79–90. https://doi.org/10.25136/2409-868x.2024.11.71891.

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The subject of this study is the external and internal aspects of dandyism described in the novel «Pelham, or The Adventures of a Gentleman» in 1828 by the English writer E. Bulwer-Lytton. The study examines: the style of a dandy in appearance and costume, the code of conduct of a dandy, the value content of dandyism, dandy personalities of the XIX century (such as D. Brummel, D. Byron, A. d'Orsay and others). Special attention is paid to the cultural background of the period of the late XVII – early XIX century, on the basis of which dandyism appeared and developed in England. The study uses

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7

Casaroto Filho, Cesar Marcos. "O dandismo heteronímico é uma poética." Alea: Estudos Neolatinos 25, no. 1 (2023): 203–17. http://dx.doi.org/10.1590/1517-106x/202325112.

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Resumo Os heterônimos são uma forma poética de romper com o mito moderno de um eu indivisível e uno. A poética do dandismo heteronímico encontra na multiplicação de si uma poesia em democrático diálogo com o mundo, afastada das relações hierárquicas que visam julgar o certo e o errado. Para pensar um eu heteronímico não mais encerrado em si mesmo, mas poroso e aberto para diversas formas de fingir compreender o mundo, é preciso basear-se em pensadores vitalistas como Karl Marx, Friedrich Nietzsche, Henri Bergson e Vladimir Safatle, somados à filosofia heteronímica, sensacionista, que une o cor

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8

Nicolay, Claire. "DELIGHTFUL COXCOMBS TO INDUSTRIOUS MEN: FASHIONABLE POLITICS IN CECIL AND PENDENNIS." Victorian Literature and Culture 30, no. 1 (2002): 289–304. http://dx.doi.org/10.1017/s1060150302301141.

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THOMAS CARLYLE’S CONTEMPTUOUS DESCRIPTION of the dandy as “a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes” (313) has survived as the best-known definition of dandyism, which is generally equated with the foppery of eighteenth-century beaux and late nineteenth-century aesthetes. Actually, however, George Brummell (1778–1840), the primary architect of dandyism, developed not only a style of dress, but also a mode of behavior and style of wit that opposed ostentation. Brummell insisted that he was completely self-made, and his audacious self-tra

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9

Glick, Elisa. "The Dialectics of Dandyism." Cultural Critique 48, no. 1 (2001): 129–63. http://dx.doi.org/10.1353/cul.2001.0035.

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10

Schillinger, Jakob. "Oswald Wiener on Dandyism." October 170 (October 2019): 31–50. http://dx.doi.org/10.1162/octo_a_00368.

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The article introduces readers to Oswald Wiener's writings on dandyism from the late 1970s and early 1980s and relates them to Wiener's previous work with the Vienna Group and his seminal text “the bio-adapter.” At the core of Wiener's aesthetic, according to the author, is a problematization of human behavior as it was conceptualized and operationalized by behaviorism and cybernetics. Drawing on systems theory and on the work of Gilles Deleuze and Félix Guattari the article argues that what is at stake in Wiener's texts is not so much a hypothetical difference between human and machine as the

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11

Guan, Bei, and Jian Xie. "Morality and Evil in Baudelaire’s The Flowers of Evil." English Language and Literature Studies 7, no. 4 (2017): 73. http://dx.doi.org/10.5539/ells.v7n4p73.

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Dandyism reflected the social reality and the rebellious spirit of resistance within 19th century Western Europe. As an aesthetic dandy, Baudelaire combined form, spirit and rebellion. He forever sought beauty with passion and sincerity. His work was about a decadent spirit and wild ideas, he displayed to his world the evil flowers of aestheticism, and thus fulfilled the last flash of light of an aesthetic heroism. The article investigates the dandyism of Baudelaire and his aesthetic revolt, and how his works represented rebellion towards the bourgeois authority.

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12

Krizhovetskaya, O. M. "DENDISM AS A TRANSCULTURAL PHENOMENON." Bulletin of the Tver State Technical University. Series «Social Sciences and Humanities», no. 3 (2020): 28–33. http://dx.doi.org/10.46573/2409-1391-2020-3-28-33.

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The phenomenon of dandyism is considered as the open cultural system, the ultra-disciplinary integrity, and the borderline creativity. Dandyism combines possibilities that are not realized in existing cultures. Some perspectives of «dandy discourse» in modern culture are outlined. The article raises the problem of productivity of this unique phenomenon in a retrospective context. It concerns such a complex culture object as fiction, in particular, its component targeted at the tastes of mass reading public and those social models of behavior that are implanted today by mass culture.

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13

MALTSEV, KONSTANTIN. "DANDYISM: TYPE AND IMAGE. CRITERIA OF CULTURAL IDENTITY." Культурный код, no. 2024-1 (2024): 21–46. http://dx.doi.org/10.36945/2658-3852-2024-1-21-46.

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The article presents a cultural interpretation of dandyism, a notable phenomenon in Western culture of the 19th century. The scientific relevance of the article is determined by the polar assessments of dandies as a form of culture in bourgeois society. The article’s aim is to clarify the factors that mark the dandy identity, such as costume, accessories, manners, body language, norms of behavior in society. Their manifestations are considered in interaction: costume symbolizes material luxury and an idle lifestyle, while updating the new aesthetics of body; body language with the costume, pro

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14

Sirkel, Katri. "The Victorian Gentleman Dandified: Aspects of Dandyism in Charles Dickens’ Bleak House and A Tale of Two Cities." Interlitteraria 16, no. 2 (2011): 579–92. http://dx.doi.org/10.12697/il.2011.16.2.13.

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15

Gamalova, N. "Innokenty Annensky: the poet’s appearance." Voprosy literatury, no. 4 (August 19, 2021): 118–39. http://dx.doi.org/10.31425/0042-8795-2021-4-118-139.

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The topic of the article places it within the overlapping boundaries of literary criticism, the history of 19th-c. men’s suits, and memoirs.The methodology of the study involved comparing all contemporary descriptions of I. Annensky’s appearance with his photographs as well as Parisian fashion magazines with articles on men’s fashion, in particular, on collars and neckties; it was mostly these items of his wardrobe that caught the eye of the people who wrote about Annensky. And if it seems that descriptions like ‘overly ceremonious’ and ‘old-fashioned’ begin to dominate the memoirs, it is not

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16

Ko, Hyunzin. "A Historical Review of Black Dandyism." Journal of the Korean Society of Costume 70, no. 2 (2020): 98–116. http://dx.doi.org/10.7233/jksc.2020.70.2.098.

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17

Todd, Drew. "Dandyism and Masculinity in Art Deco Hollywood." Journal of Popular Film and Television 32, no. 4 (2005): 168–81. http://dx.doi.org/10.3200/jpft.32.4.168-181.

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18

Zima, Peter V. "From dandyism to art or narcissus bifrons." Neohelicon 12, no. 2 (1985): 201–38. http://dx.doi.org/10.1007/bf02093324.

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19

Cuckovic, Aleksandar. "Dandyism and fashion: From clothes to style." Kultura, no. 141 (2013): 73–100. http://dx.doi.org/10.5937/kultura1341073c.

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20

Foffani, Enrique. "Figura del poeta en la iconografía vallejiana: pobreza y dandismo." Archivo Vallejo 1, no. 1 (2018): 17. http://dx.doi.org/10.34092/av.v1i1.32.

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Este ensayo se propone leer la figura del poeta y los modos con que Vallejo la construye en su escritura (sobre todo en la poesía y en las cartas) para confrontarla con los textos iconográficos, en especial con la fotografía. Como punto de partida, se pretende discernir los alcances de la pobreza del autor tal como esta se registra en la biografía, es decir, como creciente intensificación particularmente en los últimos años de su estadía europea. La hipótesis del ensayo consiste en sostener que Vallejo se esmera en construir esa imagen en las poses y el vestido registrados en las fotos y, de e

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21

Maciejewski, Grzegorz, and Dawid Lesznik. "Twenty-First Century Male Elegance Amongst Elegantly-Dressing Polish Males and Self-Declared “Dandies”." Marketing of Scientific and Research Organizations 40, no. 2 (2021): 71–92. http://dx.doi.org/10.2478/minib-2021-0010.

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Abstract Dandyism was a thriving philosophical and social movement amongst elegant men of the nineteenth century. The prevailing conviction in the literature on the subject is that the dandy trend began to gradually disappear in the twentieth century, whereas in the new millennium it essentially no longer exists, or at best exists only as a mere shadow of itself. Herein we report a questionnaire study of elegantly-dressing Polish males regarding their behaviour on the fashion market, seeking to gain an better image of this particular market segment and at the same time to identify the features

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22

Stilling, Robert. "Dandyism: Forming Fiction from Modernism to the Present." Genre 53, no. 3 (2020): 271–77. http://dx.doi.org/10.1215/00166928-8847253.

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23

Hiddleston, J. A., and Bernard Howells. "Baudelaire: Individualism, Dandyism and the Philosophy of History." Modern Language Review 94, no. 3 (1999): 832. http://dx.doi.org/10.2307/3737049.

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24

Todd, Drew. "Decadent Heroes: Dandyism and in Art Deco Hollywood." Journal of Popular Film and Television 33, no. 4 (2005): 168–81. http://dx.doi.org/10.3200/jpft.33.4.168-181.

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25

Richards, Sinan. "‘I am a Clown’: Lacan's Difficult Literary Dandyism." Paragraph 47, no. 1 (2024): 59–73. http://dx.doi.org/10.3366/para.2024.0451.

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Jacques Lacan was a notoriously difficult and idiosyncratic thinker. But is there any value in his hermetically difficult style? By highlighting certain crucial elements of his practice, I show how Lacan enlists the notion of difficulty to press home that he did not want his readers to understand directly. Instead, as Foucault and Althusser explain so well, Lacan wished for his readers and auditors to discover themselves as subjects of desire through reading him. Indeed, in miming the language of the unconscious, Lacan believed he could throw into sharp relief the notion of the unconscious its

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26

Zanetta, Julien. "Absorption and Theatricality in the Staging of Contempt: Flaubert, Baudelaire, Huysmans." Studia Universitatis Babeş-Bolyai Dramatica 69, no. 2 (2024): 61–74. https://doi.org/10.24193/subbdrama.2024.2.02.

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Drawing on two categories suggested by art historian Michael Fried – absorption and theatricality –, this article suggest a specification relative to how we feel and express a particular emotion: contempt. To better understand the distinction between absorbed and distanced contempt, and all the emotional consequences that ensue, three specific and contrasting examples taken from Flaubert, Baudelaire and Huysmans are analysed here. Keywords: contempt, emotions, Flaubert, Bovary, Baudelaire, Huysmans, dandyism.

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27

Guan, Beibei. "Oscar Wilde’s Aestheticism." Journal of Arts and Humanities 7, no. 2 (2018): 24. http://dx.doi.org/10.18533/journal.v7i2.1331.

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<p> <em>Abstract</em>-Dandyism is a very important and significant social phenomenon in 19<sup>th</sup> century Europe. This paper focuses on Oscar Wilde and Wilde’s numerous works. Aestheticism was used as a tool by the dandy in his rebellious performances in London, manifesting the contradiction between the spiritual and the material, the aristocracy and the bourgeoisie, and art and nature. The social backgrounds and life experiences of Wilde influenced his transformation into dandies during the time of the Victorian period. With his strong sense of fashion and

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28

Pham-Thanh, Gilbert. "Lost in Translations? Maleness, Masculinity, Dandyism, Literature and Criticism." Roczniki Humanistyczne 66, no. 5 (2018): 128–41. http://dx.doi.org/10.18290/rh.2018.66.5-9.

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29

CLARKE, DAVID. "Dandyism and Homosexuality in the Novels of Christian Kracht." Seminar: A Journal of Germanic Studies 41, no. 1 (2005): 36–54. http://dx.doi.org/10.3138/sem.v41.1.36.

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30

Humphreys, Karen. ""Barbey, Baudelaire, and the 'Imprevu': Strategies in Literary Dandyism"." Modern Language Studies 29, no. 1 (1999): 61. http://dx.doi.org/10.2307/3195360.

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31

Hyunzin, Ko. "A Study on the Black Dandyism of Sapeur Subculture." Journal of the Korean Society of Costume 68, no. 6 (2018): 150–66. http://dx.doi.org/10.7233/jksc.2018.68.6.150.

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32

Lane, Christopher. "The Drama of the Impostor: Dandyism and Its Double." Cultural Critique, no. 28 (1994): 29. http://dx.doi.org/10.2307/1354509.

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33

Lloyd, Rosemary. "Baudelaire: Individualism, Dandyism and the Philosophy of History (review)." Nineteenth Century French Studies 30, no. 1 (2001): 193–95. http://dx.doi.org/10.1353/ncf.2001.0047.

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34

García, Frank. "Inside the NBA: Black Dandyism and the Racial Regime." Journal of the Midwest Modern Language Association 51, no. 2 (2018): 103–36. http://dx.doi.org/10.1353/mml.2018.0016.

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35

McMillan, Michael. "Saga Bwoys and Rude Bwoys: Migration, Grooming, and Dandyism." Nka Journal of Contemporary African Art 2016, no. 38-39 (2016): 60–69. http://dx.doi.org/10.1215/10757163-3641689.

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36

Greenfeld, Anne. ""Chemin bordé d'aristoloches": Dandyism, Projection and Self-Satire in Paludes." Australian Journal of French Studies 35, no. 2 (1998): 189–98. http://dx.doi.org/10.3828/ajfs.35.2.189.

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37

Efimova, Anna D. "DIACHRONIC ANALYSIS OF THE SEMANTIC STRUCTURE OF THE NOTION “DANDYISM”." Bulletin of the Moscow State Regional University (Linguistics), no. 2 (2018): 27–36. http://dx.doi.org/10.18384/2310-712x-2018-2-27-36.

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38

Ferrero-Regis, Tiziana. "Twenty-first century dandyism: fancy Lycra® on two wheels." Annals of Leisure Research 21, no. 1 (2017): 95–112. http://dx.doi.org/10.1080/11745398.2017.1379028.

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39

Harrison, Bill. "Violence, dandyism and the literary self-portraiture of Quentin Crisp." Neohelicon 44, no. 1 (2016): 199–215. http://dx.doi.org/10.1007/s11059-016-0361-x.

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40

Kim, Boo Young, and Hye Kyung Kim. "A Study on the Men's Jacket Fashion Design Applying 19th century Dandyism of Men's Fashion - Focused on Aesthetic Features and Figurative Characteristic of Dandyism -." Korean Society of Fashion Design 16, no. 1 (2016): 171–88. http://dx.doi.org/10.18652/2016.16.1.11.

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41

Wiener, Oswald. "Some Remarks on Konrad Bayer: Dark Romanticism and Surrealism in Postwar Vienna." October 170 (October 2019): 61–68. http://dx.doi.org/10.1162/octo_a_00370.

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In “Some Remarks on Konrad Bayer” Oswald Wiener reflects on his deceased friend and collaborator. Arguing that Bayer's personal presence was more influential than his literary work, Wiener focuses on experiments Bayer conducted in his milieu, which aimed at predicting and manipulating the behavior of others. If the other proved hard enough to predict, according to Wiener, such experiments could complicate the participants' representations of the situation to such an extent that they would induce ecstatic states. Wiener connects these experiments to epistemological questions and relates them to

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42

Moriah, Kristin. "Slaves to Fashion: Black Dandyism and the Styling of Black Identity." Callaloo 33, no. 4 (2010): 1137–40. http://dx.doi.org/10.1353/cal.2010.0078.

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43

Vugt, Geertjan de. "Dandyism as Monumental-Political ethos: Van Deyssel and the Walking Utopia." Dutch Crossing 37, no. 1 (2013): 57–78. http://dx.doi.org/10.1179/0309656412z.00000000025.

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44

Tilby, Michael. "Dandyism in the Age of Revolution: The Art of the Cut." French Studies 70, no. 2 (2016): 269.2–269. http://dx.doi.org/10.1093/fs/knw042.

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45

COLE, SARAH ROSE. "The Aristocrat in the Mirror: Male Vanity and Bourgeois Desire in William Makepeace Thackeray's Vanity Fair." Nineteenth-Century Literature 61, no. 2 (2006): 137–70. http://dx.doi.org/10.1525/ncl.2006.61.2.137.

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39 Alexis de Tocqueville, The Old R´´gime and the French Revolution, trans. Stuart Gilbert (Garden City, N.Y.: Doubleday and Doubleday, 1955), pp. 88-89.Taking their cue from Thomas Carlyle's Sartor Resartus (1833-34), scholars of Regency and early-Victorian dandyism have focused on a supposed opposition between the dandyism of a declining aristocracy and the moral earnestness of a rising bourgeoisie. This historical model obscures the full complexity of relations between the nineteenthcentury British bourgeoisie and aristocracy, a complexity that can be illuminated by a closer examination of

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46

Cho, Eunra. "Woman Dandyism and the Paradox of Gender : Esthetics of Worship or Revulsion." Europe Culture Arts Association 12, no. 1 (2021): 167–81. http://dx.doi.org/10.26854/jeca.2021.12.1.167.

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47

Botz-Bornstein, Thorsten. "Rule-Following in Dandyism: "Style" as an Overcoming of "Rule" and "Structure"." Modern Language Review 90, no. 2 (1995): 285. http://dx.doi.org/10.2307/3734540.

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48

Rossbach, Susanne. "Dandyism in the Literary Works of Barbey d'Aurevilly: Ideology, Gender, and Narration." Modern Language Studies 29, no. 1 (1999): 81. http://dx.doi.org/10.2307/3195361.

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49

Kolomeytseva, Ekaterina B. "THE DANDY IN LITERATURE: ANALYZING THE LANGUAGE OF THE LITERATURE OF DANDYISM." Вестник Пермского университета. Российская и зарубежная филология 12, no. 1 (2020): 24–33. http://dx.doi.org/10.17072/2073-6681-2020-1-24-33.

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50

Braithwaite, Alisa K. "Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity." MFS Modern Fiction Studies 57, no. 1 (2011): 151–53. http://dx.doi.org/10.1353/mfs.2011.0027.

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