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Relevant bibliographies by topics / Dangarembga

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Academic literature on the topic 'Dangarembga'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Dangarembga"

1

Nembaware, Shadreck. "NOVEL-FILM INTERFACE AND POSTCOLONIAL DYSTOPIA: A COMPARATIVE ANALYSIS OF TSITSI DANGAREMBGA’S NOVEL AND FILM, NERVOUS CONDITIONS AND NERIA." Imbizo 5, no. 1 (2017): 52–59. http://dx.doi.org/10.25159/2078-9785/2829.

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This paper comparatively and contrastively explores two art forms, the novel and film, by the same artist, Tsitsi Dangarembga, with a view to gauging their effectiveness in configuring Zimbabwe’s postcolonial dispensation. What is gained and what is lost when an artist shifts from one art form to another? Dangarembga belongs to the protest tradition of Zimbabwean postcolonial artists and the conceptual fibre of this tradition is notably the dystopian themes like disillusionment, cultural confusion, sex-role stereotyping, as well as social power relations. Dangarembga’s canonical novel, Nervou

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2

Rooney, Caroline. "Interview with Tsitsi Dangarembga." Wasafiri 22, no. 2 (2007): 57–62. http://dx.doi.org/10.1080/02690050701336949.

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Aambø, Arild. "Tsitsi Dangarembga: Nervous conditions." Fokus på familien 39, no. 03 (2011): 232–33. http://dx.doi.org/10.18261/issn0807-7487-2011-03-07.

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4

George, Rosemary Marangoly, Helen Scott, and Tsitsi Dangarembga. "An Interview with Tsitsi Dangarembga." NOVEL: A Forum on Fiction 26, no. 3 (1993): 309. http://dx.doi.org/10.2307/1345839.

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5

Madenga, Tadiwanashe. "Reading Tsitsi Dangarembga in the Diaspora." Journal of African Cultural Studies 32, no. 4 (2020): 459–63. http://dx.doi.org/10.1080/13696815.2019.1704698.

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Lopez, Marta Sofia. "Creating Daughterlands: Dangarembga, Adichie, and Vera." Journal of the African Literature Association 2, no. 1 (2007): 83–97. http://dx.doi.org/10.1080/21674736.2007.11690064.

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Chikafa-Chipiro, Rosemary. "Tsitsi Dangarembga and the Zimbabwean Pain Body." Journal of African Cultural Studies 32, no. 4 (2020): 445–47. http://dx.doi.org/10.1080/13696815.2019.1704694.

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8

Cloete, N. "Psychological afflictions as expressed in Bessie Head’s A Question of Power and Tsitsi Dangarembga’s Nervous Conditions." Literator 21, no. 1 (2000): 37–52. http://dx.doi.org/10.4102/lit.v21i1.439.

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This article refutes the glib generalization about the lack of psychological sensitivity so often attributed to Africans by examining female suffering manifesting itself in nervous afflictions as a result of colonialism and patriarchy as portrayed in these two novels. It is argued that the overriding theme of A Question of Power (1973) is the struggle of a displaced, marginalised woman for what she perceives as her rights in a hostile world. In similar vein, Dangarembga reveals in Nervous Conditions (1988) how patriarchy coupled with colonialism, causes different kinds of psychological afflict

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Donadey, Anne. "Overlapping and Interlocking Frames for Humanities Literary Studies: Assia Djebar, Tsitsi Dangarembga, Gloria Anzaldúa." College Literature 34, no. 4 (2007): 22–42. http://dx.doi.org/10.1353/lit.2007.0043.

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Boehmer, Elleke. "Differential Publics—Reading (in) the Postcolonial Novel." Cambridge Journal of Postcolonial Literary Inquiry 4, no. 1 (2017): 11–25. http://dx.doi.org/10.1017/pli.2016.43.

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AbstractThis essay discusses the activity of reading in three postcolonial novels from three different national contexts (Dangarembga in Zimbabwe, Kapur in India, and Adichie in Nigeria). The essay considers the scenes of focused, respectful, even canonical reading staged in these novels, alongside the more selective or eclectic “reading” and citation taking place at the level of the narration. On the basis of this contrast, it suggests that the postcolonial and transnational publics interpellated by the novels are sometimes different from the audiences or readers dramatized in the texts. It c

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Dissertations / Theses on the topic "Dangarembga"

1

Mphiko, Benjamin Lesibana. "The oppression of women in the novels of Sembene Ousmane and Tsitsi Dangarembga." Thesis, University of Limpopo, 2016. http://hdl.handle.net/10386/2354.

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Thesis (M. A.(English Studies)) --University of Limpopo, 2016<br>The primary aim of this study is to examine the oppression and repression of African women through the collusion of indigenous African patriarchy and colonial, imperialist values. The selected novels are Nervous Conditions (1988) and God’s Bits of Wood (1960) by Tsitsi Dangarembga and Sembene Ousmane, respectively. The study focuses on the roles played by both African and European values in the class, gender and racial oppression of African women. Using the theoretical frameworks of Marxism and Feminism, the study evaluates issue

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2

Rodgers, Randi Jean. "Representations of women, identity and education in the novels of Tsitsi Dangarembga and Kopano Matlwa." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85705.

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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis explores the representation of women, identity and education in the works of Tsitsi Dangarembga, Nervous Conditions (1989) and The Book of Not (2006), and Kopano Matlwa, Coconut (2007) and Spilt Milk (2010), through the lens of postcolonial studies. The arguments presented deal with the complicated factors associated with the formation of new identities in independent Zimbabwe and post-apartheid South Africa. I focus on how African women are represented in the texts taking place at particular socio-historical moments,

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Bryant, Regina L. "Speaking the invisible : Africana women, black identity, and alienation in the works of Nella Larsen and Tsitsi Dangarembga." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2003. http://digitalcommons.auctr.edu/dissertations/1.

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This study examines black identity and alienation Nella Larsen's and Tsitsi Dangarembgal’s Passing and Nervous Conditions. The novels demonstrate the authors' interpretation of the conditions within their respective societies of the impact of slavery and colonization on Africana women. As a springboard in the development of these issues, Frantz Fanon's seminal works Black Skin, White Masks and The Wretched of the Earth and the DuBoisian notion of double consciousness were used in analyzing the attitudes and behaviors of the oppressed and oppressor of Africana women. This study was based on the

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4

Marima, Tendai. "Suns of the Mbira : a critical exploration of the multiple figurations of femininity in selected fiction by Tsitsi Dangarembga and Yvonne Vera." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6530/.

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My thesis is that multiple figurations of femininity challenging traditional Zimbabwean values are articulated in the representations of womanhood, motherhood and sexuality in the writing of Tsitsi Dangarembga (1959-) and Yvonne Vera (1964-2005). Critically, I draw centrally upon Rosi Braidotti (1994) and Donna Haraway’s (1992; 2004) work on figurations as feminist metaphors theorizing how women challenge and transform socially constructed roles that confine females to subservient social positions. In addition, Gilles Deleuze and Felix Guattari’s (1987) theorization of multiplicity is deployed

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Ford, Na'Imah Hanan. "A theory of Yere-Wolo coming-of-age narratives in African diaspora literature /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5959.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 12, 2009) Includes bibliographical references.

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Nyoni, Triyono Johan. ""It's the Englishness" : Bildung and Personality Forming as Postcolonial Criticism in Tsitsi Dangarembga’s Nervous Conditions." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95354.

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Through a close reading of Tsitsi Dangarembga’s Nervous Conditions, this essay shows the key links between the novel and Frantz Fanon’s major works. In addition to providing a deeper understanding of Dangarembga’s narrative as a whole, it takes into particular consideration the embedded criticism of colonialism in the text. The psychological conditions implied by the title play a central role: the essay shows how these conditions relate to the colonial situation and how refusing to consent to subjugation can be understood as radical criticism of colonial, Christian, as well as patriarchal sup

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Miller, Elvie. "Reading and Teaching Third World Women's Literature in the First World: Colonialism and Feminism in Crick Crack, Monkey and Nervous Conditions." Oberlin College Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1410165670.

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Rine, Dana. "Small Flowerings of Unhu: the Survival of Community in Tsitsi Dangarembga's Novels." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3312.

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This thesis examines the presence of unhu, a process of becoming and remaining human through community ties, in Nervous Conditions and The Book of Not by Tsitsi Dangarembga. Dangarembga interrogates corrupt versions of community by creating positive examples of unhu that alternatively foster community building. Utilizing ecocritical, utopian, and postcolonial methodologies, this thesis postulates that these novels stress the importance of retaining a traditional concept like unhu while also acknowledging the need to adjust it over time to ensure its vitality. Both novels depict the creativity

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HABONIMANA, MBONYINGINGO CHRISTINE. "La fonction didactique du roman africain sur la condition feminine : le cas de a.a. aidoo, b. head et t. dangaremba." Nice, 1999. http://www.theses.fr/1999NICE2003.

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Le present travail analyse la fonction didactique des romans de a. A. Aidoo du ghana, b. Head d'afrique du sud et t. Dangarembga du zimbabwe. La reception des textes proposee au lecteur se situe a trois niveaux : l'ecoute des differentes voix des personnages, l'interpretation des signes et des symboles emanant des differents contextes ayant servi de toile de fond a la fiction des trois ecrivains,ainsi que les techniques utilisees pour communiquer, partager et eduquer l'auditoire. L'objectif de l'etude est de degager les enseignements que vehicule la fiction ainsi que la reaute historique, soci

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Patchay, Sheenadevi. ""The struggle of memory against forgetting" contemporary fictions and rewriting of histories." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002253.

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This thesis argues that a prominent concern among contemporary writers of fiction is the recuperation of lost or occluded histories. Increasingly, contemporary writers, especially postcolonial writers, are using the medium of fiction to explore those areas of political and cultural history that have been written over or unwritten by the dominant narrative of “official” History. The act of excavating these past histories is simultaneously both traumatic and liberating – which is not to suggest that liberation itself is without pain and trauma. The retelling of traumatic pasts can lead, as is po

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Books on the topic "Dangarembga"

1

Literary identification in women's novels of formation from Charlotte Brontë to Tsitsi Dangarembga. Ohio State University Press, 2012.

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2

Postnational feminisms: Postcolonial identities and cosmopolitanism in the works of Kamala Markandaya, Tsitsi Dangarembga, Ama Ata Aidoo, and Anita Desai. Peter Lang, 2010.

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3

Ahmad, Hena. Postnational feminisms: Postcolonial identities and cosmopolitanism in the works of Kamala Markandaya, Tsitsi Dangarembga, Ama Ata Aidoo, and Anita Desai. Peter Lang, 2010.

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4

(Editor), Ann Elizabeth Willey, and Jeanette Treiber (Editor), eds. Emerging Perspectives on Tstsi Dangarembga: Negotiating the Postcolonial. Africa World Press, 2001.

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5

(Editor), Ann Elizabeth Willey, and Jeanette Treiber (Editor), eds. Negotiating the Postcolonial: Emerging Perspectives on Tstsi Dangarembga. Africa World Press, 2003.

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6

Elizabeth, Willey Ann, and Treiber Jeanette, eds. Negotiating the postcolonial: Emerging perspectives on Tsitsi Dangarembga. Africa World Press, 2001.

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7

Elizabeth, Willey Ann, and Treiber Jeanette, eds. Negotiating the postcolonial: Emerging perspectives on Tstsi Dangarembga. Africa World Press, 2002.

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8

Quansah, Ekua A. Women of African ancestry's contribution to scholarship: Voices through fiction (Edwidge Danticat, Haiti, Tsitsi Dangarembga, Zimbabwe, Dionne Brand). 2005.

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9

Shaw, Carolyn Martin. Women against Government. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039638.003.0004.

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This chapter examines the functioning of the feminist NGO Associated Women of Zimbabwe (AWZ) to highlight varieties of feminism and the influence of a political and economic crisis on a feminist organization in Zimbabwe at the turn of the twenty-first century. After providing a brief history of AWZ, the chapter considers its experiences to demonstrate how women consciously organize to fight sexism in Zimbabwean society. It then explores AWZ's role in the political process as it advocated for women and promoted women's civil rights in the context of increasing political competition, electoral v

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Book chapters on the topic "Dangarembga"

1

Veit-Wild, Flora. "Dangarembga, Tsitsi." In Metzler Autorinnen Lexikon. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_83.

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Matzke, Christine. "Dangarembga, Tsitsi." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1076-1.

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Matzke, Christine. "Dangarembga, Tsitsi: Nervous Conditions." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1077-1.

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Rindt, Josefine. "Dangarembga, Tsitsi: This Mournable Body." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23088-1.

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Rindt, Josefine. "Dangarembga, Tsitsi: The Book of Not." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23087-1.

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6

Holland, Kathryn. "The Troubled Masculinities in Tsitsi Dangarembga’s Nervous Conditions." In African Masculinities. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979605_8.

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7

Oyinsan, Bunmi. "Orature as a Site for Civil Contestation: Film and the Decolonization of Space and Place in Tsisti Dangarembga’s Kare Kare Zvako (Mother’s Day) 2005." In The Handbook of Civil Society in Africa. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8262-8_22.

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8

"TSITSI DANGAREMBGA (1959-)." In Postcolonial African Writers. Routledge, 2012. http://dx.doi.org/10.4324/9780203058558-12.

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"Stories of the Unsaid: Tsitsi Dangarembga and Nozipo Maraire." In The Place of Tears. I.B.Tauris, 2006. http://dx.doi.org/10.5040/9780755619245.ch-005.

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10

"3. Bildung in Formation and Deformation: Dangarembga and Farah." In The Nation Writ Small. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822393740-005.

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