Journal articles: 'Dangerous love'

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Merolla, Daniela. "Dangerous love in mythical narratives and formula tales." Religion 39, no. 3 (September 2009): 283–88. http://dx.doi.org/10.1016/j.religion.2009.05.001.

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Hertz, Deborah. "Dangerous Politics, Dangerous Liaisons: Love and Terror among Jewish Women Radicals in Czarist Russia." Histoire, économie & société 33anné, no. 4 (2014): 94. http://dx.doi.org/10.3917/hes.144.0094.

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Weisstein, Naomi. "The House of Love, or My Dangerous Hospital Adventure." Feminist Studies 32, no. 3 (October 1, 2006): 601. http://dx.doi.org/10.2307/20459107.

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Godfrey, Phoebe Christina, and Charles F. Robinson. "Dangerous Liaisons: Sex and Love in the Segregated South." Arkansas Historical Quarterly 63, no. 4 (2004): 446. http://dx.doi.org/10.2307/40023666.

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Vail, David D. "Pesticides, A Love Story: America's Enduring Embrace of Dangerous Chemicals." Annals of Iowa 76, no. 2 (April 1, 2017): 248–49. http://dx.doi.org/10.17077/0003-4827.12395.

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Naumann, Michel. "BEN OKRI. Dangerous Love, Phoenix, Londres, 1996, 325 p. L15.99." Études littéraires africaines, no. 2 (1996): 59. http://dx.doi.org/10.7202/1042638ar.

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Keiner, Christine. "Pesticides, A Love Story: America's Enduring Embrace of Dangerous Chemicals." Journal of American History 104, no. 1 (June 2017): 261–62. http://dx.doi.org/10.1093/jahist/jax125.

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Sudarsana, I. Ketut. "Ajaran Satya dan Dharma dalam Membentuk Karakter Keluarga Hindu di Desa Peguyangan Kangin Kota Denpasar." JSSH (Jurnal Sains Sosial dan Humaniora) 2, no. 2 (March 8, 2019): 289. http://dx.doi.org/10.30595/jssh.v2i2.2188.

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This research is derived from the background that today is age of kali yuga, which signed by decreasing of moral and ethic from most human beings on earth. On such situation, man will lose its steps, that are, humanity values on its self since born. On this Kali Age, men are controlled passion, lose love, suspect each other, even there are tendencies to do bad things represent today trend. Corruption everywhere, there are no fear or shame to make sin, giving sign that the truth is fade away. Fighting among tribes and kill each other happened in tremendous, love is gone to humans. Progress in science and technology has give great benefits to mankind, because all easier has been given. In other side if the progress of science and technology will be misused, it will be very dangerous not only to mankind but have impact to all creatures.

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Nielsen, Rosemary M., and Robert H. Solomon. "Rescuing Horace, Pyrrha and Aphra Behn: A Directive." Ramus 22, no. 1 (1993): 60–77. http://dx.doi.org/10.1017/s0048671x0000254x.

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The question before us at the turn of both century and millennium is how one determines whether Horace is a dangerous love-poet (unrecognised because we read badly). Or a panderer, playing to our delight in the comedy of manners. Or a serious analyst of communication between the sexes—even a prophet for our time. The choice varies from villain to vates, the extremes reminding us how certainly the past exists, as Robert Frost laments in ‘Directive’: ‘Back in a time made simple by the loss/Of detail, burned, dissolved, and broken off,/Like a graveyard marble sculpture in the weather.’Recently, a Classical scholar, writing about what she termed ‘Horace's detachment as a love poet’, asserted that his readers ‘remain trapped, perhaps by necessity, in male assumptions about desire that they are unable to question.’ She believes that there is a ‘disturbing picture of love and desire’ which critics have missed because we read, almost all of us, with half-closed eyes, ignoring ‘erotic subterfuge’ in the love-odes. We overlook, she insists, ‘the overpowering desire’ of the male ‘poet/lover’ because, in ‘unacknowledged identification’ with Horace, we put on Horatian eyes. This charge raises disquieting questions about distinctions between speaker and poet, persona and historical figure, art and life.

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Faris. "Scenes of Enchantment: Visionary Style in Ben Okri's Dangerous Love." Research in African Literatures 46, no. 1 (2015): 127. http://dx.doi.org/10.2979/reseafrilite.46.1.127.

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Anderson, J. L. "Michelle Mart. Pesticides, a Love Story: America’s Enduring Embrace of Dangerous Chemicals ." American Historical Review 121, no. 5 (December 2016): 1693–94. http://dx.doi.org/10.1093/ahr/121.5.1693.

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Wilkinson, Eleanor. "On love as an (im)properly political concept." Environment and Planning D: Society and Space 35, no. 1 (August 19, 2016): 57–71. http://dx.doi.org/10.1177/0263775816658887.

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Love has been theorized as a way to rebuild fractured communities, and a potential way to overcome differences on the political Left. However, might it be dangerous to invest so much potential in the power of love? In this paper, I reflect upon Michael Hardt’s work on the necessity of love for politics. Hardt emphasizes the radical and transformative potential of love, seeing it as a collective and generative force. Yet, I argue that Hardt’s reading of love, tied to a Spinozist theorization of joy, provides a limited understanding of the affective dimensions of love. Instead, I propose that we need to think about the ambivalence and incoherence of love: how love can be both joyful and painful, enduring and transient, expansive and territorial, revolutionary and conservative. That is, to consider how love, even in its seemingly most benevolent and unconditional form, can still be a source of exclusion, violence, and domination. Ultimately, I seek to challenge this fantasy of coherence and togetherness, asking if there is still space for aspects of politics that are not joyful, that do not feel like love, that anger us, disappoint us, and that make us desire distance rather than togetherness.

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Paderni, Paola. "FIGHTING FOR LOVE: MALE JEALOUSY IN EIGHTEENTH CENTURY CHINA." NAN NÜ 4, no. 1 (2002): 35–69. http://dx.doi.org/10.1163/156852602100402323.

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AbstractThis article considers male jealousy as reflected in judicial sources, thus placing it in historical context. Men who lived in an increasingly difficult and complex world committed acts of violence because of jealousy, driven by a sense of honor, by love and by desire for a woman. Magistrates handling these cases were forced to recognize that jealousy, considered in Chinese literary tradition a typically female and dangerous sentiment, is a powerful force conditioning male behavior.

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Buhs, Joshua Blu. "Pesticides, a Love Story: America’s Enduring Embrace of Dangerous Chemicals by Michelle Mart." Journal of Southern History 83, no. 1 (2017): 233–34. http://dx.doi.org/10.1353/soh.2017.0073.

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Martini, Edwin A. "Pesticides, A Love Story: America’s Enduring Embrace of Dangerous Chemicals. By Michelle Mart." Environmental History 22, no. 1 (October 20, 2016): 156–58. http://dx.doi.org/10.1093/envhis/emw092.

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Swart, Sandra. "‘Dangerous People’ or How I Learned to Stop Worrying and Love being an Historian." South African Historical Journal 68, no. 3 (July 2, 2016): 249–66. http://dx.doi.org/10.1080/02582473.2016.1239966.

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Sikes, Pat. "Scandalous stories and dangerous liaisons: when female pupils and male teachers fall in love." Sex Education 6, no. 3 (August 2006): 265–80. http://dx.doi.org/10.1080/14681810600836471.

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Moraes, Pedro Z., Pedro Diniz, and Regina H. Macedo. "Dangerous love? Predation risk does not affect female mate choice in blue‐black grassquits." Ethology 125, no. 7 (April 3, 2019): 421–29. http://dx.doi.org/10.1111/eth.12866.

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Lopez-Cantero, Pilar, and Alfred Archer. "Lost without you: the Value of Falling out of Love." Ethical Theory and Moral Practice 23, no. 3-4 (February 18, 2020): 515–29. http://dx.doi.org/10.1007/s10677-020-10067-2.

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Abstract In this paper we develop a view about the disorientation attached to the process of falling out of love and explain its prudential and moral value. We start with a brief background on theories of love and situate our argument within the views concerned with the lovers’ identities. Namely, love changes who we are. In the context of our paper, we explain this common tenet in the philosophy of love as a change in the lovers’ self-concepts through a process of mutual shaping. This, however, is potentially dangerous for people involved in what we call ‘subsuming relationships’, who give up too much autonomy in the process of mutual shaping. We then move on to show how, through the relation between love and the self-concept, we can explain why the process of falling out of love with someone is so disorientating: when one is falling out of love, one loses an important point of reference for self-understanding. While this disorientating process is typically taken to be harmful to the person experiencing it, we will explain how it can also have moral and prudential value. By re-evaluating who we were in the relationship and who we are now, we can escape from oppressive practices in subsuming relationships. We finish by arguing that this gives us reason to be wary of seeking to re-orient ourselves -or others- too quickly after falling out of love.

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Hron, Irina. "Dangerous Vicinity: Theorizing the Neighbour in August Strindberg’s “The Roofing Ceremony”." European Journal of Scandinavian Studies 48, no. 2 (October 25, 2018): 189–212. http://dx.doi.org/10.1515/ejss-2018-0016.

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Abstract This article examines the manifold relationship between vicinity, intrusion, and neighbour-love (agape) in August Strindberg’s short novel “The Roofing Ceremony” (“Taklagsöl”) from 1906. It throws new light on a series of topical issues such as the (Kierkegaardian) dichotomy of equality and dissimilarity, as well as various notions of intrusion and parasitism between neighbours and ‘near-dwellers’ (Heidegger). Strindberg’s novel offers a model for understanding the dynamics of spatial and spiritual aspects of vicinity and proves to be a key text as to the ongoing cultural construction of ‘the neighbour’ which, in a period of social and geographical mobility, is more topical than ever. By drawing analogies with other world literary texts (Kafka, Fitzgerald, Tolstoy, Philip Roth), this article seeks to foreground the contemporary force of the Swedish author’s highly timely text by focusing on the notion of ‘being neighbours’.

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Zona, Kirstin Hotelling. "A "Dangerous Game of Change": Images of Desire in the Love Poems of May Swenson." Twentieth Century Literature 44, no. 2 (1998): 219. http://dx.doi.org/10.2307/441872.

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Pratto, Felicia. "The Dangerous Passion: Why Jealousy Is as Necessary as Love and Sex. David M. Buss." Quarterly Review of Biology 76, no. 3 (September 2001): 392–93. http://dx.doi.org/10.1086/394093.

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Haigh, Rex. "Support systems. 2. Staff sensitivity groups." Advances in Psychiatric Treatment 6, no. 4 (July 2000): 312–19. http://dx.doi.org/10.1192/apt.6.4.312.

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It is deeply satisfying to all mankind that many ailments, once dangerous, mysterious and worrying, now offer the therapist of today wonderful opportunities for the exercise of his skill; but with recalcitrant distress, one might almost say recalcitrant patients, treatments tend, as ever, to become desperate and to be used increasingly in the service of hatred as well as love; to deaden, placate and silence, as well as to vivify. (Main, 1957, in The Ailment)

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McFarland, Henry. "Step Back." After Dinner Conversation 2, no. 6 (2021): 11–30. http://dx.doi.org/10.5840/adc20212651.

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Is natural always the best choice? Should humans should step in and usurp nature? Are there uniquely human experiences that should take place, even if it means greater risk? In this work of philosophical short story fiction, Beth and Bob are expecting a baby. However, in this future, womb carried babies have been almost entirely replaced by the far safer “womb farms.” Beth has already decided she wants to have a natural pregnancy and carry the baby to term herself. She is shunned by others who see it as dangerous and selfish. Their neighbor, Sandy is the daughter of a Neo-Shaker family who used science to have their daughter born neuter, that is to say, without sexual organs or gender. Sex, they argue, is no longer necessary and sinful as procreation can now be handled without sex. Sandy self-identifies as female and intends to undergo a dangerous and painful procedure to add female sexual organs to her body. Beth dies during childbirth, but her baby survives. Bob and Sandy continue their friendship, and, overtime, start to fall in love. Sandy is finally scheduled for the operation, but Bob tries to talk her out of it. He has lost too many loved ones already. Sandy insists she must be made the gender to match her mental state and does the procedure.

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Sofia Castro, Teresa, and António José Osório. "“I love my bones!”1 – self-harm and dangerous eating youth behaviours in Portuguese written blogs." Young Consumers 14, no. 4 (November 15, 2013): 321–30. http://dx.doi.org/10.1108/yc-03-2013-00351.

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Wright, Annette C. "Strategy and Structure in the Textile Industry: Spencer Love and Burlington Mills, 1923-1962." Business History Review 69, no. 1 (1995): 42–79. http://dx.doi.org/10.2307/3117120.

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Shrewd product selection allowed Spencer Love to build Burlington Mills into a large profitable firm in what most observers regarded as a declining industry, textiles. Using integration, diversification, and a multidivisional structure, he then attempted to have Burlington dominate its industry just as a few other large corporations controlled steel, automobiles, and chemicals. In textiles, however, powerful forces constrained and sometimes defeated these strategies. After the emergence of artificial and synthetic fibers, textile mills became dependent on large yarn manufacturers in the chemical industry such as Du Pont and Celanese. In addition, large size and diversification did not always protect a company's profits, and forward integration into the volatile women's garment industry proved to be especially dangerous. In the end, Love concluded that Burlington should remain a weaving and knitting company; when he died in 1962, textiles remained an industry in which small, specialized firms survived alongside the corporate giants.

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Gallo, Rubén. "FREUD'S SPANISH: BILINGUALISM AND BISEXUALITY." Psychoanalysis and History 11, no. 1 (January 2009): 5–63. http://dx.doi.org/10.3366/e1460823508000263.

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This article examines Freud's use of the Spanish language during his adolescent years. Based on an analysis of Freud's letters to Eduard Silberstein, Gallo examines the different affective relationship to Spanish and German: one was the language of love, the other the tongue of reason. The article links Freud's Spanish to his reading of Cervantes's Exemplary Novels and shows that a young Freud imitated the Cervantine portrayal of a dangerous female sexuality. Spanish was a secret language for Freud, one that he never used again after his correspondence with Silberstein came to an end.

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MARKS, JONATHAN. "Rousseau's Discriminating Defense of Compassion." American Political Science Review 101, no. 4 (November 2007): 727–39. http://dx.doi.org/10.1017/s0003055407070578.

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Political theorists from Martha Nussbaum to Amitai Etzioni appeal to compassion as a basis that liberalism otherwise lacks for refraining from exploiting and even for helping others. However, critics like Clifford Orwin and Richard Boyd have raised this question: is compassion too weak and undiscriminating to rely on in politics? Jean-Jacques Rousseau's account of compassion helps answer it. Rousseau understands compassion as a useful manifestation of the otherwise dangerous desire to extend the self and show signs of power. Consequently, he considers compassion's relative weakness a strength and explains how it can be supplemented and complemented by other, independent motives for serving others, including gratitude, friendship, and obligation. Compassion's weakness also makes it less likely than self-love, narrowly conceived, to overwhelm reason. Rousseau excels compassion's contemporary defenders in his awareness of the complex relationship between compassion and other social passions and of the dangers that his understanding of compassion addresses.

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JAY, MARTIN. "INTELLECTUALS AND POWER, OR, WHAT'S LOVE GOT TO DO WITH IT?" Modern Intellectual History 2, no. 2 (August 2005): 289–97. http://dx.doi.org/10.1017/s1479244305000442.

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Mark Lilla, The Reckless Mind: Intellectuals in Politics (New York: New York Review of Books, 2001)Eric Hobsbawm, Interesting Times: A Twentieth-Century Life (New York: Pantheon, 2002)“Great writers are either husbands or lovers,” Susan Sontag explained in a 1963 essay on Camus. “Some writers supply the solid virtues of a husband: reliability, intelligibility, generosity, decency. There are other writers in whom one prizes the gifts of a lover, gifts of temperament rather than of moral goodness. Notoriously, women tolerate qualities in a lover—moodiness, selfishness, unreliability, brutality—that they never countenance in a husband, in return for excitement, an infusion of intense feeling. In the same way, readers put up with unintelligibility, obsessiveness, painful truths, lies, bad grammar—if, in compensation, the writer allows them to savor rare emotions, and dangerous sensations.” Camus was “the ideal husband of contemporary letters,” she opined, but “as in life, so in art both are necessary, husband and lovers. It's a great pity when one is forced to choose between them.”

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Groves, Julian M., and Annie Hau-nung Chan. "Love in the time of ‘settling’: Forbidden knowledge and modern singles advice." Journal of Sociology 54, no. 1 (August 1, 2017): 141–55. http://dx.doi.org/10.1177/1440783317721351.

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While there has been much feminist criticism over recent discourses that stigmatize single women, little is known about how women actually consume and respond to the advice prescribed in this discourse. This article addresses this shortcoming by looking at a controversy that emerged in Hong Kong over a popular television show that dispensed dating advice to single women. Based on focus group discussions about the show with 39 unwed women, we examine how women negotiate sexist modern dating advice in relation to their normative views about courtship. Using analogies drawn from the sociology of science, we argue that modern dating advice is constructed by our informants as forbidden knowledge, that is, knowledge that is considered too sensitive, dangerous or taboo to produce. By rendering the laws of attraction mysterious or unknowable, our informants continue to search for romantic partners, while bracketing the sexism that they encounter. The implications for agency and choice in this positioning are discussed.

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Llompart, Auba, and Lydia Brugué. "The Snow Queer? Female Characterization in Walt Disney’s Frozen." Adaptation 13, no. 1 (July 29, 2019): 98–112. http://dx.doi.org/10.1093/adaptation/apz019.

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Abstract Hans Christian Andersen’s fairy tale ‘The Snow Queen’ (1845) and its film adaptations have been examined from multiple perspectives by previous scholarly criticism. Recently, Gender and Queer theories have placed particular emphasis on the presence of non-normative romantic relationships between characters, namely, attraction between a young boy and an older woman (Kay and the Snow Queen), homoeroticism (Gerda and the Robber Girl), and even incestuous desire (Kay and Gerda), among others. In this paper, we will concentrate on how the original fairy-tale female characters and their interrelationships have been reworked in Walt Disney’s Frozen (Chris Buck and Jennifer Lee, 2013), and we will analyse how the film’s representations of love, desire, and femininity simultaneously resemble and differ from its literary source. Firstly, we will explore how Andersen’s alluringly dangerous Snow Queen has been turned into a sympathetic character, Queen Elsa. Secondly, we argue that Gerda and Kay’s friendship has been transformed into sisterly love between the two female protagonists in the film, Elsa and Anna, whereas romantic heterosexual love, on the other hand, seems to have been relegated to a secondary narrative arc or done away with altogether, as the absence of a romantic partner for Elsa shows. Interestingly, having a Disney queen whose quest does not involve finding a husband has led some Frozen fans to speculate that Elsa could be the first lesbian Disney princess. Thus, we will also analyse Elsa’s character in connection with the different definitions of ‘queerness’. In light of all this, we discuss that Frozen is an example of the recent Disney trend to redefine true love and prioritize female bonding and empowerment. However, if we compare it to its literary precedent, the Disney adaptation seems to be less daring when it comes to portraying non-normative manifestations of love and femininity than Andersen’s original.

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Selznick, Brian. "May Hill Arbuthnot Honor Lecture: “Love Is a Dangerous Angel: Thoughts on Queerness and Family in Children’s Books”." Children and Libraries 13, no. 4 (December 7, 2015): 3. http://dx.doi.org/10.5860/cal13n4.3.

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Hedrick, Donald. "Advantage, Affect, History, Henry V." PMLA/Publications of the Modern Language Association of America 118, no. 3 (May 2003): 470–87. http://dx.doi.org/10.1632/003081203x47778.

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Shakespeare's Henry V explores historiographic moments—relations among past, present, and future in memory, writing, and action. Advantage, Shakespeare's early capitalist term for highest return from least outlay, links historiography to war work, theater work, and love, theorized as “affective labor.” The play figures history not so much as fiction but rather in Walter Benjamin's terms as an achievement depending on the epistemic reliability of disadvantaged historians in danger, who rescue or recruit the dead and maximize affect. Falstaff's reported death reveals, through his friends' dispute about his dying words, Elizabethan and contemporary issues of history and shows lowliest characters with an unofficial authority appropriated also by Shakespeare's epilogue. In the controversial final scene, in which Henry woos the defeated French princess, circumstances and subtle conversational play show the labor of potential love—or hate. Henry is less successful, Catherine less victimized than they are usually interpreted to be, as she becomes the underdog Henry was before his victory, her body as mother in potentia constituting a dangerous future counterhistory and means by which domination may be dominated.

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Keim, Benjamin. "Xenophon’s Hipparchikos and the Athenian Embrace of Citizen Philotimia." Polis: The Journal for Ancient Greek Political Thought 35, no. 2 (September 17, 2018): 499–522. http://dx.doi.org/10.1163/20512996-12340177.

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Abstract Although negotiations over the competing claims of honour (timê) and awards of instantiated honours (timai) were central features of Athenian democracy, the dangerous ambiguities of philotimia meant that only from the 340s BC were the Athenians explicitly embracing this love of honour and celebrating its display by citizens and non-citizens alike. Here I argue that a close reading of Xenophon’s treatise on cavalry command, Hipparchikos, advances our understanding of this embrace of public-spirited honour in three ways. First, Xenophon founds the success of the cavalry on the training of knowledgeable officers who are able to harness the Athenians’ extraordinary love of honour, on display and on campaign. Second, he reveals the diverse roles played by timê and philotimia throughout the entire institution of the Athenian cavalry, fostering competitive excellence as well as community amongst cavalry, polis, and gods. Third, Xenophon’s arguments about the nature and negotiation of Athenian honour anticipate the ideological and institutional embrace of citizen honour that, amply attested by epigraphic and literary records, was central to Athenian flourishing during the Lycurgan and Hellenistic eras.

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Persson, Gustav. "Love, Affiliation, and Emotional Recognition in #kämpamalmö:— The Social Role of Emotional Language in Twitter Discourse." Social Media + Society 3, no. 1 (January 2017): 205630511769652. http://dx.doi.org/10.1177/2056305117696522.

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While emotional language and imagery in protest esthetics are nothing new, emotions have been repressed in modern political discourse at large, as being seen as irrational if not dangerous. As new media platforms, such as Twitter and Facebook, are becoming central media spaces for live online broadcasting of political protests, they have become an important site of discursive struggle for researchers to take into account. This article argues that emotional language use is not merely something excessive but a central discursive resource for participants in communicating their political and social relations. The analysis in this article is based on data collected from the Twitter hashtag #kämpamalmö during an anti-fascist demonstration that took place in Malmö, Sweden in 2014. Methodologically, this article is guided by a critical discourse analytical approach, with a focus on how emotional language use allows participants to form collectivities. Empirically, the article identifies how participants make use of emotional language to negotiate and relate to and identify with objects, with the outcome of different forms of socialites. One example of this is how the city itself became a central object of negotiation, as a contested love object as well as a political “empty signifier.” Another object around which participants negotiate themselves is “love” itself, as in love for the movement and as a political object in itself.

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Pierce, Penny F., Margaret M. McNeill, and Susan F. Dukes. "An Occupational Paradox: Why Do We Love Really Tough Jobs?" Critical Care Nurse 38, no. 2 (April 1, 2018): 52–58. http://dx.doi.org/10.4037/ccn2018919.

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BACKGROUND Sometimes we come upon unexpected or counterfactual results during research that make us wonder and lead us into unknown territory. Such was the experience of a team of Air Force researchers exploring aeromedical evacuation crew members’ experiences of safety and patient care concerns throughout the en route care system. OBJECTIVE To explore what it is about the aeromedical evacuation crew members’ occupation that generates a strong motivation to the mission despite the demands it places on its workers. METHODS Eight focus groups were conducted with 69 Air Force aeromedical evacuation and staging facility active duty, Air National Guard, and Air Force Reserve Command nurses and medical technicians between May 2012 and April 2013 at 5 locations in the contiguous and outside the contiguous United States. RESULTS An unexpected finding was that despite the austere nature of the Air Force en route care mission and the acuity of the patients being transported, nurses and medical technicians were passionate about bringing home the wounded, sick, and injured warriors and were committed to providing the best and safest care possible. CONCLUSIONS It is plausible that a high level of commitment and mission focus contributes significantly to the safety and well-being of those transported. Still, we must wonder why nurses and technicians voluntarily serve in such a demanding and sometimes dangerous occupation, and yet find such a high degree of satisfaction and contentment with this type of job.

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Buisman, Jan Wim. "Onweer." De Moderne Tijd 4, no. 3 (January 1, 2020): 259–69. http://dx.doi.org/10.5117/dmt2020.3-4.006.buis.

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Abstract Thunderstorms A disaster, a divine punishment, or a sublime spectacle? Thunderstorms often had disastrous consequences in former times, especially when gun powder magazines were struck. After the invention and implementation of Franklin’s lightning rod, the interpretation of these disasters as divine punishments seemed less obvious. Technology and science changed relations between the concepts of God, nature, and man. Very generally speaking, a religion of fear gave way to a religion of love. Nature was considered less a menace than a friend, a shift subtly foreshadowing the Romantic period. Put in more safe life conditions, man tended to hold more optimistic views of himself and dared to play artistically even with dangerous, sublime subjects such as thunderstorms.

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Barstad, Guri Ellen. "La figure féminine chez Arne Dybfest." Nordlit 15, no. 2 (March 26, 2012): 211. http://dx.doi.org/10.7557/13.2056.

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Arne Dybfest (1862-1892) is a Norwegian author whose female figures seem to have all the usual characteristics of the decadent woman. They are erotic, calculating and dangerous creatures entangling men in their snares and ruining their lives. They are morally, socially and aesthetically transgressive. At the same time, they remind us of the "huldra", a central figure in Scandinavian folklore. This beautiful and dangerous creature lives in the forest; her specialty is to seduce and bewitch young men and - worst-case scenario - bring them with her inside the mountain where she dwells.Dybfest's women are ugly, frightening and yet irresistibly attractive. Torn between aversion and blind admiration the male protagonist seems most of the time detached from reality, becoming a stranger to himself. Gradually he turns into two different persons. In the novel Ira (1891) the young man is liberated thanks to a young woman's rescuing love. Zita, a symbol of exuberant life, frees him from Ira's fatal grip.But is this salvation story entirely unambiguous? This article focuses not only on the differences between the two women but also on their similarities. A more nuanced view might complicate the picture and blur some distinctions.

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Kim, Joohwan. "The Destiny of Young Generation’s Adventure in the Era of Fateful Tragedy: A Dangerous Passionate Love and Perverse Indignation." Korean Journal of Social Theory 57 (May 31, 2020): 151–92. http://dx.doi.org/10.37245/kjst.2020.05.57.151.

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Srikanth, V., Jupalli Sneha Latha, Dinne Ajay Kumar, and Kakarla Uma Maheswari. "A survey on OAUTH protocol for security." International Journal of Engineering & Technology 7, no. 1.1 (December 21, 2017): 692. http://dx.doi.org/10.14419/ijet.v7i1.1.10834.

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Web is a dangerous place. For each administration, each API’s, there are clients who might love simply to get through the different layers of security you've raised. It is one of the most powerful open standard authorization protocols available to all API developers today. Most of the popular social network API’s like Google, Twitter and Facebook uses OAuth 2.0 protocol to intensify user experience while sign-ing-on and social sharing. The code written for authorization may be leaked during transmission which then may lead to misuse. This paper uses an attacker model to study the security vulnerabilities of the OAuth protocol. The experimental results on Google API shows that some common attacks like Phishing, Replay and Impersonation may be possible on this protocol.

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Derkachova, O. S. "LOCUS AMOENUS IN THE WORKS OF MARIJA TKACHIVSKA (ON THE BASE OF THE NOVEL «HOLD ON TO THE AIR»)." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 256–65. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-256-265.

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The article deals to the particularities of locus amoenus in the modern Ukrainian novel on the base of Marija Tkachivska book ‘Hold on to the air’ (2019). The locus is determined as closed physical space and as the set of closed space images. Locus amoenus explained as a place of peace with its peculiarities: trees, flowers, water, cosiness, shade. Such place of well-being was used in the Ancient and Medieval literature. In the modern literary space writers also represent such locus. We determined two the most important locus in the novel ‘Hold on to the air’ – the home and locus amoenus. There are two types of home – native home and alien. The native one is full of memory, disappointment and loses. It almost have been lost, too. The alien home is dangerous, is sutiated on the alien earth (Spain, Italy, Portugal). The main hero Solomiia leaves her native home and appears in the alien house, which is full of contempt and hatred. She is looking for locus amoenus, connected with love. When she can’t find this place, she tries to create it herself, by the way, in the alien house (the wall-drawing in Patrycyia’s room). In the place of well-being, she appeared also in the foreign country. Her beloved showed the way there. This place becomes a symbol of belief and true love, also gives peace and harmony. Tkachivska’s locus amoenus has all typical elements of this locus: water, shadow, spring, flowers, trees, quietness, love, peace. Its connection with alien space is the main peculiarities of it in the novel.

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Jotkowitz, Alan, and Ari Z. Zivotofsky. "“Love Your Neighbor Like Yourself”: A Jewish Ethical Approach to the Use of Pain Medication with Potentially Dangerous Side Effects." Journal of Palliative Medicine 13, no. 1 (January 2010): 67–71. http://dx.doi.org/10.1089/jpm.2009.0182.

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Caputo, John D. "Violence and the Unconditional." Journal for Continental Philosophy of Religion 1, no. 2 (October 4, 2019): 170–90. http://dx.doi.org/10.1163/25889613-00102002.

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Abstract I distinguish between the deep culture and the manifest culture, the relationship between the two constituting a circle, which constitutes the circulation of a radical theology of culture. The deep culture surfaces in the manifest, and the manifest draws upon the depths; neither one without the other. My hypothesis is that religion is an expression of the deep culture and for that reason, religion is not accidentally violent; religion is violent in virtue of something essential to religion. Religion is playing with the fire of the concealed depths, of the unconditional, of the impossible, of the undeconstructible. Religion is the best way to save the world, but it also the best way to burn it down. It is both of these things and in virtue of the same property. This is not to say that religion is structurally violent, always and necessarily violent. It is structurally ambiguous, dangerous, on the verge of violence, whipsawing between radical violence and radical non-violence, between martyrdom and murder. Religious beliefs are not the cause of the violence but often a façade for deeper, visceral nationalism or ethnic hatred, The reaction of Christian right to the contemporary world is naive and simplistic but not superficial; it reflects a visceral fear of the postmodern world. Religion is a matter of being claimed by something unconditional, which means it should have the good sense not to lay claim to it. We should never trust anything that has not passes through that apophasis. Before any claims we make, we are laid claim to in advance by the unconditional, the undeconstructible, which Schelling calls the prius, the “un-pre-thinkable” (das Unvordenkliche). The unconditional in the optimal sense is love, which is an expenditure made without the expectation of a return, like loving one’s enemies, which is impossible, the impossible. But love does not get a pass. What would we not do for love? In that question is concentrated all the ambiguity of love, all the courage of the martyr, but no less the violence of the suicide bomber.

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Dbibih, Fatima-Ezzahraa, Meddy Vanotti, Valerie Soumann, Jean-Marc Cote, Lyes Djoumi, and Virginie Blondeau-Patissier. "Measurement of PM10 and PM2.5 Using SAW Sensors-Based Rayleigh Wave and Love Wave." Engineering Proceedings 6, no. 1 (May 17, 2021): 81. http://dx.doi.org/10.3390/i3s2021dresden-10129.

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Particulate matter (PM) is reported to be dangerous and can cause respiratory and health issues. Regulations, based on PM concentration, have been implemented to limit human exposition to air pollution. An innovative system with surface acoustic wave (SAW) sensors combined with a 3 Lpm cascade impactor was developed by our team for real time mass concentration measurements. In this study, we compare the PM sensitivity of two types of SAW sensors. The first one consists of delay lines based on Rayleigh waves propagating on a Lithium Niobate Y-X 128° substrate. The second one is a based-on Love waves on AT-Quartz. Aerosols were generated from NaCl for PM2.5 and from Silicon carbide for PM10. The sensors’ responses was compared to a reference sensor based on optical measurements. The sensitivity of the Rayleigh wave-based sensor is clearly lower than the Love wave sensor for both PMs. Although less sensitive, Rayleigh wave sensors remain very promising for the development of self-cleaning sensors using RF power due to their high electromechanical factor. To check the performance of our system in real conditions, we tested the sensitivity to PM from cigarette smoke using Rayleigh SAW. The PM2.5 stage showed a phase shift while the PM10 did not respond. This result agrees with previous studies which reported that the size of particles from cigarette smoke varies between 0.1 to 1.5 µm. A good correlation between the reference sensor’s response and the phase variation of SAW sensors was obtained.

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Korzhova, Inessa N. "The formula of love: mythopoetics of K. Simonov’s cycle “With you and without you”." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 75–82. http://dx.doi.org/10.20339/phs.1-21.075.

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The article is devoted to the study of the concept of spiritual and physical love in K. Simonov’s cycle “With you and without you” and reveal the mythopoetic foundations of the images of the cycle. The poet builds a system of binary oppositions formed by two rows: soul — light — visual perception — eyes — sound — written word, on the one hand, and body — darkness — tactile perception — hands and lips — silence — spoken word, on the other. The separate pairs of images based on the Slavic beliefs, but their correlation is the author’s neomyth. A special role belongs to the sacred word, which is understood not as a conventional sign, but as part of the designated entity. The psychophysical dichotomy itself is connected with the duality of the heroine, who either experiences a conflict between the spiritual and the physical, or is endowed with two souls. The latter aspect, as well as the ability of the heroine to incarnate in the vortex elements strengthen her connection with the images of evil spirits. There is a deliberate tension between the subjective assessment of the hero, who sees in the night appearance of the heroine a good essence, and the mythological perception of the night as dangerous, even fatal. In general, fluctuations in the assessment of the image of the heroine and the preference for different faces of love (exalted spiritual, passionate, harmonious “two-component” ones) create the internal dynamics of the cycle.

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Leszczyński, Rafał Marcin, and Agnieszka Teresa Tys. "Patriotyzm według Pawła Hulki-Laskowskiego." Kwartalnik Pedagogiczny 63, no. 4(250) (April 24, 2019): 178–89. http://dx.doi.org/10.5604/01.3001.0013.1778.

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A descendant of the Czech Brethren, Pawel Hulka-Laskowski belonged to a group of thousands of Polish Evangelists with foreign roots who consciously chose Poland as their homeland during the period of partitions. Many became Polish patriots. For this reason, Poland’s welfare was one of the main themes in Hulka-Laskowski’s scientific and literary output. He propagated the concept of open patriotism. In his opinion, an affiliation to the Polish nation was primarily of a cultural, not ethnic nature. The stereotype of a Pole-Catholic was dangerous to the Polish nation, because it repelled people of foreign origin who were not Roman Catholics. In his educational activity among workers, Hulka-Laskowski emphasised the importance of civic education, stressing the significance of education for love as a way of making the Polish nation more attractive to foreigners.

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bundtzen, lynda k. "Lucent Figs and Suave Veal Chops: Sylvia Plath and Food." Gastronomica 10, no. 1 (2010): 79–90. http://dx.doi.org/10.1525/gfc.2010.10.1.79.

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In popular mythology, poet Sylvia Plath is regarded as a tragic suicide and/or a feminist martyr. If you read her journals and letters, though, you learn that she loved to cook, loved to eat, and often devoted as much time to preparing meals for her husband Ted Hughes as she did to her writing. Cooking was, in fact, often a convenient distraction when she had writer's block, or did not want to prepare classes for teaching, or when she was pregnant and longed for no more intellectual challenge than reading recipes from her beloved Joy of Cooking or The Ladies’’ Home Journal. Plath's huge appetite and enjoyment of food and eating are evident in her sensuous descriptions of meals that sometimes resemble Keats's poetry for their voluptuous appreciation of textures, shapes, colors, tastes, and ambiance. Plath's investment in the role of domestic goddess came to an abrupt end with the breakup of her marriage. The final pages of the article explore Plath's underlying skepticism toward the traditional role of women she had outwardly seemed to embrace so enthusiastically. The Bell Jar's heroine, Esther Greenwood, has a jaundiced view of love and marriage and falls ill of food-poisoning at a banquet prepared by Food Testing Kitchens at a magazine that sounds suspiciously like The Ladies’’ Home Journal. Poems in Ariel portray cooking as dangerous and kitchens as either scary or suffocating for women. In conclusion, the article looks at what we know about Plath's final days, where testimony confirming her hearty appetite seems oddly incongruous with evidence about the depth of her despair.

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Alfaro Altamirano, Adriana. "Max Scheler and Adam Smith on Sympathy." Review of Politics 79, no. 3 (2017): 365–87. http://dx.doi.org/10.1017/s0034670517000146.

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AbstractRecent efforts to theorize the role of emotions in political life have stressed the importance of sympathy, and have often recurred to Adam Smith to articulate their claims. In the early twentieth-century, Max Scheler disputed the salutary character of sympathy, dismissing it as an ultimately perverse foundation for human association. Unlike later critics of sympathy as a political principle, Scheler rejected it for being ill equipped to salvage what, in his opinion, should be the proper basis of morality, namely, moral value. Even if Scheler's objections against Smith's project prove to be ultimately mistaken, he had important reasons to call into question its moral purchase in his own time. Where the most dangerous idol is not self-love but illusory self-knowledge, the virtue of self-command will not suffice. Where identification with others threatens the social bond more deeply than faction, “standing alone” in moral matters proves a more urgent task.

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PLASSART, ANNA. "SCOTTISH PERSPECTIVES ON WAR AND PATRIOTISM IN THE 1790s." Historical Journal 57, no. 1 (January 29, 2014): 107–29. http://dx.doi.org/10.1017/s0018246x13000265.

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ABSTRACTThe article examines Scottish discussions surrounding the French revolutionary wars in the early and mid-1790s. It argues that these discussions were not built along the lines of the dispute that set Burke against the English radicals, because arguments about French ‘cosmopolitan’ love for mankind were largely irrelevant in the context of Smithian moral philosophy. The Scottish writers who observed French developments in the period (including the Edinburgh Moderates, James Mackintosh, John Millar, and Lord Lauderdale) were, however, particularly interested in what they interpreted as France's changing notion of patriotism, and built upon the heritage of Smithian moral philosophy in order to offer original and powerful commentaries of French national feeling and warfare. They identified the ‘enthusiastic’ nature of French national sentiment, and the replacement of traditional patriotism with a new form of relationship between the individual and the nation, as the most significant and dangerous element to come out of the French Revolution.

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Urbaniak, Jan. "De roman als wapen tegen Frankrijk: Sara Burgerhart van Wolff en Deken en de strijd tegen de ‘gallofilie’ / The Novel as a Weapon against France: Wolff’s and Deken’s Sara Burgerhart and the Struggle Against the ‘Francophilia’." Werkwinkel 10, no. 2 (November 1, 2015): 89–101. http://dx.doi.org/10.1515/werk-2015-0013.

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Abstract The so-called ‘moral reorientation’ (Dutch: ‘morele heroriëntatie’) was a large-scale Dutch project, aimed at an improvement of ethical standards of society in the 18th century. It was also a reaction to the decay of the Dutch Republic reflected in the literature at the end of the 18th century. Using magazines, drama’s and novels, authors provided example of a right behaviour and criticized all those phenomena, which led to a moral malaise in society. One of these phenomena was a boundless love for France, its culture, fashion, literature and philosophy. In literature it was presented as a grave danger for Dutch identity. The term ‘francophilia’ was invented. Also two Dutch female writers, Betje Wolff and Aagje Deken reacted on the dangerous symptoms of the ‘francophilia’ and warned against it in their novel Sara Burgerhart (1782). In my article I discuss some rhetorical devices, used by the authors to warn against the ‘francophilia.’ I analyse how they defined and further criticized this phenomenon.

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Journal articles on the topic 'Dangerous love'

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