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Books on the topic 'Daniel Deronda (Eliot, George)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Eliot, George. George Eliot's Daniel Deronda notebooks. New York: Cambridge University Press, 1996.

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2

Character and ethical development in three novels of George Eliot-- Middlemarch, Romola, Daniel Deronda. Lewiston, N.Y: Edwin Mellen Press, 2001.

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3

Hofmann, Stefanie. Selbstkonzepte der New Woman in George Eliots Daniel Deronda und Henry James' The Portrait of a lady. Tübingen: Narr, 2000.

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4

Lewis, Reina. Gendering Orientalism: Race, femininity, and representation. New York: Routledge, 1996.

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5

The figure of theater: Shaftesbury, Defoe, Adam Smith, and George Eliot. New York: Columbia University Press, 1986.

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6

Imperialism at home: Race and Victorian women's fiction. Ithaca, N.Y: Cornell University Press, 1996.

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7

Boardman, Michael M. Narrative innovation and incoherence: Ideology in Defoe, Goldsmith, Austen, Eliot, and Hemingway. Durham: Duke University Press, 1992.

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8

Evans, Mary Ann. Daniel Deronda, by George Eliot. Franklin Classics, 2018.

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9

Daniel Deronda, by George Eliot. Creative Media Partners, LLC, 2018.

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10

Evans, Mary Ann. Daniel Deronda, by George Eliot. Franklin Classics Trade Press, 2018.

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11

Daniel Deronda, by George Eliot. Creative Media Partners, LLC, 2022.

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12

Eliot, George George. Daniel Deronda: By George Eliot - Illustrated. Independently Published, 2017.

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13

Eliot, George George. Daniel Deronda: By George Eliot - Illustrated. Independently Published, 2017.

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14

Works of George Eliot ...: Daniel Deronda. Creative Media Partners, LLC, 2022.

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15

Eliot, George. Novels of George Eliot: Daniel Deronda. Creative Media Partners, LLC, 2018.

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16

Eliot, George George. Daniel Deronda: By George Eliot - Illustrated. Independently Published, 2017.

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17

Eliot, George. Works of George Eliot ...: Daniel Deronda. Creative Media Partners, LLC, 2018.

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18

Elliott, George. Daniel Deronda by George Eliot: Novel. Independently Published, 2018.

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19

Works of George Eliot ...: Daniel Deronda. Creative Media Partners, LLC, 2022.

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20

Irwin, Jane, and George Elliott. George Eliot's 'Daniel Deronda' Notebooks. Cambridge University Press, 2011.

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21

Eliot, George. George Eliot's 'Daniel Deronda' Notebooks. Cambridge University Press, 2008.

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22

Irwin, Jane, and George Elliott. George Eliot's 'Daniel Deronda' Notebooks. Cambridge University Press, 2012.

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23

Eliot, George George. Daniel Deronda - Volume 1: By George Eliot - Illustrated. Independently Published, 2017.

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24

Eliot, George George. Daniel Deronda - Volume 1: By George Eliot - Illustrated. Independently Published, 2017.

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25

McAll, Kate. Daniel Deronda: From the novel by George Eliot. LA Theatre Works, 2018.

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26

Eliot, George George. Daniel Deronda - Volume 2: By George Eliot - Illustrated. Independently Published, 2017.

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27

Eliot, George George. Daniel Deronda - Volume 2: By George Eliot - Illustrated. Independently Published, 2017.

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28

Eliot, George George. Daniel Deronda - Volume 2: By George Eliot - Illustrated. Independently Published, 2017.

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29

Eliot, George George. Daniel Deronda - Volume 1: By George Eliot - Illustrated. Independently Published, 2017.

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30

Kaufmann, David. George Eliot And Judaism: An Attempt To Appreciate Daniel Deronda. Kessinger Publishing, LLC, 2007.

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31

Kaufmann, David. George Eliot And Judaism: An Attempt To Appreciate Daniel Deronda. Kessinger Publishing, LLC, 2006.

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32

George Eliot and Judaism: An Attempt to Appreciate Daniel Deronda. Creative Media Partners, LLC, 2022.

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33

Kaufmann, David. George Eliot and Judaism: An Attempt to Appreciate Daniel Deronda. Creative Media Partners, LLC, 2015.

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34

Kaufmann, David. George Eliot And Judaism: An Attempt to Appreciate 'daniel Deronda. University Press of the Pacific, 2005.

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35

Kaufmann, David. George Eliot And Her Judaism: An Attempt To Appreciate 'daniel Deronda'. Nabu Press, 2011.

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36

George Eliot Collection Volume IV: Daniel Deronda, How Lisa Loved the King, Selected Essays. Independently Published, 2020.

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37

Hagberg, David. George Eliot: Middlemarch, Mill on the Floss, Daniel Deronda; Ed by Gill Frith (Icon Critical Guides). Totem Books, 1997.

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38

Lecourt, Sebastian. History’s Second-Hand Bookshop. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812494.003.0004.

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This chapter argues that George Eliot too conflated religion with race as a resource for secular individualism, but also that she thought more deeply about what consequences this move held for a major liberal keyword: reading. Eliot’s The Spanish Gypsy (1868) and Daniel Deronda (1876) both stage a character’s recuperation of ethnic inheritance (Gypsy and Jewish, respectively) but only in Deronda does this recuperation successfully yield a many-sided individuality. This is because, as Eliot sees it, Judaism’s scriptural dimension allows one to fashion an idiosyncratic relationship to its racial history. Yet this valorization of scripture as the site at which one can personalize one’s relationship to tradition also runs up against Eliot’s long-standing wariness toward Protestant private interpretation—a fact that Deronda tries to get around by evaluating characters, not according to how well they interpret texts, but by how they relate to books as material metonyms of the past.

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39

Brown, Catherine. Art of Comparison: How Novels and Critics Compare. Taylor & Francis Group, 2017.

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40

Brown, Catherine. Art of Comparison: How Novels and Critics Compare. Taylor & Francis Group, 2017.

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41

Eliot, George. George Eliot's 'Daniel Deronda' Notebooks. Edited by Jane Irwin. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511519178.

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42

Eliot, George, and K. M. Newton. Daniel Deronda. Edited by Graham Handley. Oxford University Press, 2014. http://dx.doi.org/10.1093/owc/9780199682867.001.0001.

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She felt herself standing at the game of life with many eyes upon her, daring everything to win much.’ Gwendolen Harleth gambles her happiness when she marries a sadistic aristocrat for his money. Beautiful, neurotic, and self-centred, Gwendolen is trapped in an increasingly destructive relationship, and only her chance encounter with the idealistic Deronda seems to offer the hope of a brighter future. Deronda is searching for a vocation, and in embracing the Jewish cause he finds one that is both visionary and life-changing. Damaged by their pasts, and alienated from the society around them, they must both discover the values that will give their lives meaning. George Eliot’s powerful novel is set in a Britain whose ruling class is decadent and materialistic, its power likely to be threatened by a politically emergent Germany. The novel’s exploration of sexuality, guilt, and the will to power anticipates later developments in fiction, and its linking of the personal and the political in a context of social and economic crisis gives it especial relevance to the dominant issues of the twenty-first century.

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