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Relevant bibliographies by topics / Daniel edgar

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Academic literature on the topic 'Daniel edgar'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Daniel edgar"

1

Lehr, Edgar, Alessandro Catenazzi, and Daniel Rodríguez. "A new species of Pristimantis (Anura: Strabomantidae) from the Amazonian lowlands of northern Peru (Region Loreto and San Martín)." Zootaxa 1990 (December 31, 2009): 30–40. https://doi.org/10.5281/zenodo.185534.

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Lehr, Edgar, Catenazzi, Alessandro, Rodríguez, Daniel (2009): A new species of Pristimantis (Anura: Strabomantidae) from the Amazonian lowlands of northern Peru (Region Loreto and San Martín). Zootaxa 1990: 30-40, DOI: 10.5281/zenodo.185534

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Gutiérrez, Harol, Roxana Castañeda, Daniel B. Montesinos-Tubée, et al. "Trichoneura peruviana (Poaceae, Trichoneurinae), a new species from Peru." Phytotaxa 442, no. 3 (2020): 232–38. https://doi.org/10.11646/phytotaxa.442.3.9.

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Gutiérrez, Harol, Castañeda, Roxana, Montesinos-Tubée, Daniel B., López, Jorge, Gonzales, Teresa, Norabuena, Edgar, Sotelo, Alejandrina (2020): Trichoneura peruviana (Poaceae, Trichoneurinae), a new species from Peru. Phytotaxa 442 (3): 232-238, DOI: 10.11646/phytotaxa.442.3.9, URL: http://dx.doi.org/10.11646/phytotaxa.442.3.9

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Chávez, Germán, Roy Santa-Cruz, Daniel Rodriguez, Edgar Lehr Abstract.-We, Peru. One, and La Libertad. "Two new species of frogs of the genus Phrynopus (Anura: Terrarana: Craugastoridae) from the Peruvian Andes." Amphibian & Reptile Conservation 9, no. 1 (2015): 15–25. https://doi.org/10.5281/zenodo.13270172.

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Chávez, Germán, Santa-Cruz, Roy, Rodriguez, Daniel, Abstract.-We, Edgar Lehr, One, Peru., Libertad, La (2015): Two new species of frogs of the genus Phrynopus (Anura: Terrarana: Craugastoridae) from the Peruvian Andes. Amphibian & Reptile Conservation (e105) 9 (1): 15-25, DOI: 10.5281/zenodo.13270172

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Sant´Ana, Léa S., Adriane A. Iwamoto, Daniel V. Crepaldi, et al. "Comparative study of the chemical composition, fatty acid profile, and nutritional quality of Lophiosilurus alexandri (Siluriformes: Pseudopimelodidae), a Brazilian carnivorous freshwater fish, grown in." Neotropical Ichthyology 17, no. 4 (2019): 1–7. https://doi.org/10.1590/1982-0224-20190050.

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Sant´Ana, Léa S., Iwamoto, Adriane A., Crepaldi, Daniel V., Boaventura, Túlio P., Teixeira, Lilian V., Teixeira, Edgar A., Luz, Ronald K. (2019): Comparative study of the chemical composition, fatty acid profile, and nutritional quality of Lophiosilurus alexandri (Siluriformes: Pseudopimelodidae), a Brazilian carnivorous freshwater fish, grown in. Neotropical Ichthyology 17 (4): 1-7, DOI: 10.1590/1982-0224-20190050

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Hassoon, Mohammed Naser. "Epidemic as Metaphor: the Allegorical Significance of Epidemic Accounts in Literature." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (2021): 201–18. http://dx.doi.org/10.24193/subbphilo.2021.3.13.

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"Epidemic as Metaphor: The Allegorical Significance of Epidemic Accounts in Literature. Our paper searches for those common elements in selected literary representations of the plagues that have affected humanity. As a theoretical framework for our research, we have considered the contributions of Peta Michell, who equals pandemic with contagion and sees it as a metaphor; Susan Sontag views illness as a punishment or a sign, the subject of a metaphorization. Christa Jansohn sees the pest as a metaphor for an extreme form of collective calamity. For René Girard, the medical plague is a metaphor

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Residentes, Residentes. "Gastroenterología." Acta Médica Colombiana 43, no. 2S (2018): 85–95. http://dx.doi.org/10.36104/amc.2018.1396.

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 GA-1 MIOSITIS PERIORBITARIA COMO MANIFESTACIÓN EXTRAINTESTINAL DE LA ENFERMEDAD DE CROHN (AGUDELO CARLOS, PEREZ MARÍA, LUNA FREDY, MILLÁN HENRY) GA-2 ASCITIS QUILOSA, RETO DIAGNOSTICO Y TERAPEUTICO (OSWALDO E. AGUILAR MOLINA, CHRISTIAN A. MONTAÑO, JAIME HOLGUIN) GA-3 SPRUE TROPICAL, NUEVA CARA DE UNA VIEJA ENFERMEDAD (OSWALDO E. AGUILAR MOLINA, CHRISTIAN A. MONTAÑO BRANCA, JAIME HOLGUÍN) GA-4 DESPUÉS DE 100 AÑOS DE HISTORIA SÍNDROME DE PLUMMERVINSON (SANDOVAL JENNIFER, GONZÁLEZ ÁLVARO, PINTO NATALIE, RUEDA SANDRA, ARDILA MANUEL) GA-5 ENFISEMA SUBCUTANEO MASIVO UN

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Pereira, Maria Da Luz Alves. "APOSTA COM O DIABO: DIÁLOGO COM A FÁBULA SOB UMA PERSPECTIVA ANTIRROMÂNTICA." Cadernos do IL, no. 49 (January 21, 2015): 176–89. http://dx.doi.org/10.22456/2236-6385.49652.

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Este artigo analisa o conto “Nunca aposte sua cabeça com o diabo — conto moral”, de Edgar Allan Poe, representante do movimento romântico oitocentista americano, norteado por dois objetivos: o primeiro, mais geral, é discutir o romantismo americano, ressaltando a atitude antirromântica de Poe; o segundo, mais específico, é identificar a sátira presente na narrativa e observar e descrever a relação dialógica do conto com o gênero fábula. Constata-se que o texto poeano desconstrói o discurso fabular e cria um novo esquema narrativo no qual o conto se apoia. Elegem-se como principal referencial t

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Malloy, Letícia. "Um Sexta-Feira que se chamava Dos: Adolfo Bioy Casares e a tradição das literaturas de língua inglesa." Aletria: Revista de Estudos de Literatura 28, no. 3 (2018): 103–19. http://dx.doi.org/10.17851/2317-2096.28.3.103-119.

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Este artigo tem o objetivo de examinar diálogos entre a tradição das literaturas de língua inglesa, os romances La invención de Morel e Plan de evasión e, notadamente, o conto “Un perro que se llamaba Dos”, do escritor argentino Adolfo Bioy Casares. Para isso, toma-se como ponto de partida o contexto de ascensão do romance inglês, em que se verificam mudanças socioculturais engendradas pelo puritanismo, pelo individualismo e pelo capitalismo nascente, e as relações entre tal contexto e o fazer literário. Além de levar em conta aspectos constantes de Robinson Crusoé, de Daniel Defoe, o estudo a

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Santana, Vanete Dutra. "A dicotomia tradutor/autor na leitura de "a tarefa do tradutor", de Benjamin, por Derrida." Trabalhos em Linguística Aplicada 47, no. 1 (2008): 251–62. http://dx.doi.org/10.1590/s0103-18132008000100015.

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O presente artigo analisa a dicotomia entre tradutor/tradução (texto de chegada) e autor/original (texto de partida), considerando a postura da crítica tradicional, representada aqui pela apreciação de Maurício Santana Dias à tradução de A Divina Comédia, de Dante Alighieri, empreendida por Italo Eugênio Mauro e de Carlos Heitor Cony e Ivo Barroso a traduções do poema O Corvo, de Edgar Allan Poe; alguns casos exemplares em que tradução e original se confundem, como a tradução que Charles Baudelaire fez dos contos de Edgard Allan Poe e a obra de Daniel Gagnon, Une fille a marie e The daughter t

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Sinche, Bryan. "American Literary History in Pieces." American Literary History 36, no. 1 (2024): 228–37. http://dx.doi.org/10.1093/alh/ajad233.

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Abstract Daniel Diez Couch’s American Fragments offers a scholarly analysis of the fragment, a mainstay of American print culture in the early national period. In American Fragments, Couch argues that fragments were central to both American aesthetics and American political culture. Insisting that the fragment was an inclusive and progressive form that invited readers to consider the relationship between a part and the whole, Couch shows how fragments helped Americans understand themselves and their place in a democratic republic. Couch’s book is deeply researched, and it provides insightful r

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Dissertations / Theses on the topic "Daniel edgar"

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Heck, Daniel W. [Verfasser], and Edgar [Akademischer Betreuer] Erdfelder. "Processing Tree Models for Discrete and Continuous Variables / Daniel W. Heck ; Betreuer: Edgar Erdfelder." Mannheim : Universitätsbibliothek Mannheim, 2017. http://d-nb.info/114105387X/34.

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Ethridge, Benjamin Kane. "Causes of unease: Horror rhetoric in fiction and film." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2766.

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How do artists scare us? Horror filmmakers and novelists alike can accomplish fear, revulsion, and disturbance in their respective audiences. The rhetorical and stylistic strategies employed to evoke these feelings are unique to the genre. Divulging these strategies will be the major focus of this thesis, yet there will also be discussion on the social and cultural background of the Horror genre.

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Steinbach, Daniel [Verfasser], Matthias [Akademischer Betreuer] Dürst, Ferdinand von [Akademischer Betreuer] Eggeling, and Edgar [Akademischer Betreuer] Dahl. "Genomweite Methylierungsanalysen und Identifizierung prognostischer und prädiktiver Marker für das epitheliale Ovarialkarzinom / Daniel Steinbach. Gutachter: Matthias Dürst ; Ferdinand von Eggeling ; Edgar Dahl." Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2015. http://d-nb.info/1064611060/34.

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Dietrich, Sascha Verfasser], Heiko [Akademischer Betreuer] Liesegang, Rolf [Akademischer Betreuer] [Daniel, et al. "Analyse und Charakterisierung regulatorischer Vorgänge in Bacillus licheniformis / Sascha Dietrich. Gutachter: Rolf Daniel ; Edgar Wingender ; Burkhard Morgenstern ; Oliver Valerius ; Kai Heimel ; Wilfried Kramer. Betreuer: Heiko Liesegang." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2015. http://d-nb.info/1070996122/34.

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Müller, Daniela [Verfasser], and Edgar [Akademischer Betreuer] Radtke. "Developments of the lateral in Occitan dialects and their Romance and cross-linguistic context / Daniela Müller ; Betreuer: Edgar Radtke." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/1179783441/34.

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Hill, Whitney LeeAnn. "FROM PRACTICE TO PERFORMANCE: THE IMPORTANCE OF BALLET IN DEGAS’S DANCER PAINTING PROCESS." UKnowledge, 2018. https://uknowledge.uky.edu/art_etds/16.

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The context in which any artist creates an artwork is integral to understanding its significance, and one crucial aspect of context is how a work was created. When first looking at how Edgar Degas created his dancer paintings, his process seems simple- he watched the dancers and then painted what he saw. However, that is only a surface examination of a much more complicated system of observation, practice, repetition, mastery, and reproduction. This thesis investigates how Degas bridged the gap between observation and understanding of balletic technique; how deep his knowledge of balletic tech

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Benartzy, Adee S. "The pastel medium communicating sexuality and promiscuity in late nineteenth-century Paris." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/662.

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Throughout the history of art, the pastel medium has been considered a medium of secondary interest. Despite its pulsating textures, vibrant colors, and unique receptivity to touch, this medium has been recognized above all for its swiftness in stroke and subsequent ability of the artist to record images of fleeting moments and ideas almost instantaneously. The focus on the advantageous rapidity of the pastel, however, hindered the pastel medium's potential as a mere preliminary technique to working with grander mediums, such as oil paint, thus failing to recognize the prominence of pastel in

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Tseti, Angela. "Photo-literature and trauma : from collective history to connective memory." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC004.

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Prenant appui sur l'intérêt contemporain pour les rencontres texte/image et la prolifération récente des oeuvres bi-médiales, cette thèse se propose d'étudier les structures et les qualités du photo-roman, en vue de soutenir que cette forme nouvelle offre un espace privilégié à l'interrogation — et potentiellement à la représentation ¬des événements traumatiques collectifs. L'exploration d'une série de travaux photo-littéraires produits entre la fin du 20ème siècle et le début du 21ème et caractérisés par une thématique historiographique ainsi que la concomitance avec une catastrophe historiqu

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Parent, Marie-Josée. "La Petite danseuse de quatorze ans : une analyse de la fonction subversive de l’œuvre." Thèse, 2009. http://hdl.handle.net/1866/3320.

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La Petite danseuse de quatorze ans (1881) de l’artiste français Edgar Degas (1834-1917) représente et déforme plusieurs catégories sociales et artistiques de son époque. L’œuvre peut ainsi être lue comme une mise en abyme à la fois des changements sociaux et des peurs qu’ils suscitent quant aux redéfinitions du rôle et de la place de la sculpture dans l’art et de l’art, des classes sociales, de la science et de la femme dans la société qui s’opèrent dans la seconde moitié du 19e siècle. D’une mise en contexte de l’œuvre à une analyse de la figure de la ballerine, en passant par une lecture du

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Books on the topic "Daniel edgar"

1

Baldwin, Lewis V. Freedom is never free: A biographical portrait of Edgar Daniel Nixon. Office of Minority Affairs, Tennessee General Assembly, 1992.

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Hessler, James A. Sickles at Gettysburg: The controversial Civil War general who committed murder, abandoned Little Round Top, and declared himself the hero of Gettysburg. Savas Beatie, 2010.

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Schacherl, Lillian. Edgar Degas: Dancers and nudes. Prestel, 1997.

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Keneally, Thomas. American scoundrel: The life of the notorious Civil War General Dan Sickles. Nan A. Talese/Doubleday, 2002.

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Keneally, Thomas. American scoundrel: Murder, love and politics in Civil War America. Vintage Australia, 2003.

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Jill, Devonyar, and Royal Academy of Arts (London), eds. Degas and the ballet: Picturing movement. Royal Academy of Arts, 2011.

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1834-1917, Degas Edgar, Kendall Richard, Detroit Institute of Arts, and Philadelphia Museum of Art, eds. Degas and the dance. Harry N. Abrams, in association with the American Federation of Arts, 2002.

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White, Robb. Deathwatch. Penguin, 1988.

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Swanberg, W. A. Sickles the Incredible: A Biography of Daniel Edgar Sickles. Stan Clark Military Books, 1992.

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Swanberg, W. A. Sickles the Incredible: A Biography of Daniel Edgar Sickles. Stan Clark Military Books, 1991.

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Book chapters on the topic "Daniel edgar"

1

White, John. "Nixon Was the One: Edgar Daniel Nixon, the MIA and the Montgomery Bus Boycott." In The Making of Martin Luther King and the Civil Rights Movement. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24368-6_4.

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"[JOHN MONCURE DANIEL], review in the Southern Literary Messenger, March 1850." In Edgar Allen Poe. Routledge, 2013. http://dx.doi.org/10.4324/9780203195475-105.

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Köhler, Kristina. "In Cannes (nicht) dabei. Daniel Schmids NOTRE DAME DE LA CROISETTE als Festivalstudie, quergelesen mit André Bazin und Edgar Morin." In Daniel Schmid. edition text + kritik im Richard Boorberg Verlag, 2024. http://dx.doi.org/10.5771/9783967079517-41.

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Chard, Daniel S. "The War at Home and the FBI’s Public Image." In Nixon's War at Home. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469664507.003.0007.

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Speaking before a Congressional committee on November 27, 1970, J. Edgar Hoover falsely claimed that a group of Catholic pacifists, including well known priests, brothers Philip and Daniel Berrigan, were planning an imminent attack on Washington, DC that included bombings and the kidnapping of a government official (later identified as Henry Kissinger). This chapter explains how Hoover’s outrageous accusation backfired, leading to a decline in the FBI’s public image. Other events in early 1971 also undermined the FBI’s credibility: the Weather Underground’s bombing of the US Capitol on March 1

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Conway, Joe. "Words Are for the Birds: “Non-reasoning Creatures Capable of Speech” in the Writings of Schreber and Poe." In Mocking Bird Technologies. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823278480.003.0006.

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This chapter explores the role of talking birds in the work of Freud’s famous patient Daniel Paul Schreber and the American poet Edgar Allan Poe. As a way to resist the persecution of talking birds in his Memoirs of My Nervous Illness, Schreber privileged voice over speech, phone over logos, in ways comparable to the principles of poetic composition described by Poe in his choice of the raven as a “non-reasoning creature capable of speech.” An analogous effect is found in the nonhuman voice of the automaton at the center of Poe’s 1839 story “The Man That Was Used Up.” Reading the works of Schr

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Chard, Daniel S. "Deep Throat’s Secret Wars." In Nixon's War at Home. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469664507.003.0009.

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FBI associate director W. Mark Felt had two claims to fame: first, for authorizing illegal break-ins as part of the bureau’s Weather Underground investigation, and second, for his role as the shadowy figure known as “Deep Throat,” whose leaks to the press from the FBI’s investigation of the Watergate burglary helped topple President Nixon. For the first time, this chapter explains why Felt worked to officially reinstitute break-ins for the FBI’s Weather Underground investigation while actively opposing break-ins carried out by the Nixon administration’s team of secret operatives known as the P

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EDUARDO DE ARAÚJO, CARLOS. "SABERES ANCESTRAIS E A EDUCAÇÃO PARA O SENSÍVEL." In Fundamentos da Educação. Editora Realize, 2023. http://dx.doi.org/10.46943/viii.conedu.2022.gt04.018.

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A construção de conhecimentos e a forma de repassá-los pelos xamãs exigem um tempo diferente em que a fala e as ideias seguem um fluxo de observação, escuta, experimentação, criação ampliadas, mais concentrada e menos redutoras. Retomando a necessidade de ampliar essa relação do homem com a natureza, anunciada pelo pajé, o gerador principal dessa ideia são os saberes da tradição indígena, que mantêm a sabedoria da floresta viva, evocando e reverenciando as forças dos elementos, como fizeram os ancestrais mais longínquos e, assim, conectando-se com uma sabedoria e ensinamentos que mantêm viva u

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May, Gary. "No Peace." In Un-American Activities. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195049800.003.0011.

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Abstract To the FBI’s confidential informant in the Commerce Department (an economist named Acree), it must have been a remarkable moment. There, on the corner of 17th Street and Pennsylvania Avenue was William Remington talking to a mysterious woman. After a while, Remington took from his pocket a piece of paper that he gave to the woman, who then hailed a taxi and drove away. On February 6, 1950, Acree informed the FBI, and the next day Inspector Howard B. Fletcher recommended to Assistant Director D. M. Ladd that the Bureau reopen the Remington investigation. “Yes, do so at once,” J. Edgar

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Burney, Fanny. "Chapter IV: The Danger of Disguise." In Camilla. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199555741.003.0048.

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Edgar remained behind, almost petrified: he stood in the little building, looking after them, yet neither descending nor stirring, till one of the workmen advanced to fetch the ladder. He then hastily quitted the spot, mounted his horse, and galloped after the carriage; though...

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"Edgar Degas, Dancer Making Points, 1879-1880." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.616.

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Conference papers on the topic "Daniel edgar"

1

Lemm, Thomas C. "DuPont: Safety Management in a Re-Engineered Corporate Culture." In ASME 1996 Citrus Engineering Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/cec1996-4202.

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Attention to safety and health are of ever-increasing priority to industrial organizations. Good Safety is demanded by stockholders, employees, and the community while increasing injury costs provide additional motivation for safety and health excellence. Safety has always been a strong corporate value of DuPont and a vital part of its culture. As a result, DuPont has become a benchmark in safety and health performance. Since 1990, DuPont has re-engineered itself to meet global competition and address future vision. In the new re-engineered organizational structures, DuPont has also had to re-

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