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Relevant bibliographies by topics / Daniel Libeskind

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Academic literature on the topic 'Daniel Libeskind'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Daniel Libeskind"

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Derrida, Jacques. "Response to Daniel Libeskind." Research in Phenomenology 22, no. 1 (1992): 88–94. http://dx.doi.org/10.1163/156916492x00098.

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Lee, Da-Kyoung, and Ja-Yeon Cho. "Counterbalance applied to the Dynamics of Daniel Libeskind's Architecture - Focused on Libeskind Museums -." Korean Institute of Interior Design Journal 24, no. 1 (February 28, 2015): 64–71. http://dx.doi.org/10.14774/jkiid.2015.24.1.064.

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DERIABINA, О. O. "“THE POETRY OF BREAKING”: THE ARCHITECTURE OF THE MUSEUM IN THE PROJECTS OF DANIEL LIBESKIND." Ukrainian Journal of Civil Engineering and Architecture, no. 1 (June 24, 2021): 52–57. http://dx.doi.org/10.30838/j.bpsacea.2312.230221.52.717.

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Raising of problem. The study of the creativity of masters of architecture of the late XX − early XXI centuries, as a rule, occurs in line with the consideration of the characteristic features inherent in one or another author. Most of the scientific works state that the structure belongs to a certain trend, direction, style. But the choice of artistic means by the architect remains unclear, which is reflected in the discrepancy between the figurative solution and the purpose of the building in the perception of the consumer. Therefore, it is relevant to consider the creativity of architects,

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Jiang, Hao, and Si Jia Jiang. "The Architecture of Daniel Libeskind’s Jewish Museums." Applied Mechanics and Materials 174-177 (May 2012): 1812–19. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1812.

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Memorial architecture faces the special challenge of commemorating the absent; Jewish museums deal with an extra problematic history of high sensitivity. This paper examines and compares Daniel Libeskind’s architectural solutions to the cultural and political challenges in each of the three Jewish museums that he designed in Berlin, San Francisco and Copenhagen. The focus is on how the architecture institutionalizes the web of political relationships attached to the particular museum and delivers the museum’s message. It will be concluded that Libeskind has used space to address visitors bodil

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Brown, Douglas. "Daniel Libeskind: The Space of Encounter2001393Daniel Libeskind. Daniel Libeskind: The Space of Encounter. London: Thames & Hudson 2001. ix+224pp, ISBN: 0 500 28257 9 £22.95." Reference Reviews 15, no. 7 (July 2001): 36–37. http://dx.doi.org/10.1108/rr.2001.15.7.36.393.

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Costa, Korina, Andre Damaceno, Thais Espolador, Joyce Rodrigues, and Yohan Turi. "DANIEL LIBESKIND E O MUSEU JUDAICO DE BERLIM." COLLOQUIUM SOCIALIS 1, Especial (April 20, 2017): 155–60. http://dx.doi.org/10.5747/cs.2017.v01.nesp.s0025.

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Meng, Michael. "Monuments of Ruination in Postwar Berlin and Warsaw: The Architectural Projects of Bohdan Lachert and Daniel Libeskind." Comparative Studies in Society and History 59, no. 3 (June 7, 2017): 550–73. http://dx.doi.org/10.1017/s0010417517000160.

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AbstractThis essay provides an interpretation of parallel attempts to represent ruination in the cities of Warsaw and Berlin after the Holocaust—the architectural projects of Bohdan Lachert and Daniel Libeskind. Lachert strove to represent the ruination of Jewish life in Warsaw through a modernist housing project, whereas Libeskind sought to represent Jewish ruination in a museum. While these two projects might seem different, they come together around a shared aspiration: to represent absence and ruination. Both projects endeavored to create a new kind of memorial that moved away from the con

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Escoda Pastor, Carmen. "La alegoría como lenguaje: narración y representación en Daniel Libeskind." EGA. Revista de expresión gráfica arquitectónica 19, no. 23 (May 14, 2014): 126. http://dx.doi.org/10.4995/ega.2014.2174.

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Song, Dae-Ho. "Study of the Musical Spaces Composition in Daniel Libeskind Architecture." Journal of the Korea Academia-Industrial cooperation Society 16, no. 1 (January 31, 2015): 793–800. http://dx.doi.org/10.5762/kais.2015.16.1.793.

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Lindner, Christoph. "Willa Cather, Daniel Libeskind, and the Creative Destruction of Manhattan." Journal of American Culture 28, no. 1 (March 2005): 114–21. http://dx.doi.org/10.1111/j.1542-734x.2005.00158.x.

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Dissertations / Theses on the topic "Daniel Libeskind"

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Robinson, Joel David. "An architecture of soul, modernity, Daniel Libeskind and the spiritual." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ32503.pdf.

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Koenig, Wendy K. "The art of interruption a comparison of works by Daniel Libeskind, Gerhard Richter, Ilya Kabakov /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1087574405.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains vi, 214 p. Includes bibliographical references (p. 205-214). Available online via OhioLINK's ETD Center

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de, la Cova Jorge Raul. "Looking for Vico between zero and infinity." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22356.

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KLECK, TYLER MATTHEW. "DEFINING THE ZEITGEIST: A SEARCH FOR PROCESS IN ARCHITECTURE." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179419906.

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Dogan, Fehmi. "The role of conceptual diagrams in the architectural design process case studies of the First Unitarian Church by Louis Kahn, the staatsgalerie by Stirling & Wilford Associates, and the Jewish Museum by Daniel Libeskind /." Diss., Georgia Institute of Technology, 2003. http://hdl.handle.net/1853/5398.

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Pingel, Marcus. "Konstruktion städtischer Räume Entfaltungen einer Welt Daniel Libeskinds /." St. Gallen, 2005. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/02607935001/$FILE/02607935001.pdf.

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Mussoni, Taron. "Rimini. Un nuovo fronte mare. Riqualificazione del lungomare e proposta di un centro polifunzionale." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8406/.

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Il progetto di tesi si pone come obiettivo la riqualificazione urbana del fronte mare della città di Rimini e la progettazione di un nuovo centro culturale polifunzionale. La costruzione di nuovi margini urbani, viene qui proposta secondo una reinterpretazione di un carattere tipicamente funzionale delle città di costa del litorale adriatico: la proiezione della funzione urbana oltre la linea di costa, con la costruzione di moli oltre l’edificato. “La città allunga la mano nell’acqua.” La tesi riprende questo aspetto di tipicità e propone una serie di “nuovi moli”, strutture polifunzionali d

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Lavi, Tali, and talilavi@netspace net au. "Tales of Ash: Phantom Bodies as Testimony in Artistic Representations of Terrorism." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080428.114445.

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This paper delves into the realms of tragedy, memory and representation. Drawing upon the phenomenon of the Phantom Limb and extending it towards a theory of Phantom Bodies, various artworks - literary, theatrical and visual - are examined. After the conflagration of the terrorist attack, how are these absences grieved over and remembered through artistic representation? The essay examines this question by positioning itself amongst the scarred landscapes of post-September 11 New York and suicide bombings in Israel (2000-2006). Furthermore, it investigates whether humanity can be restored in

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Gomes, Luís Manuel Gouveia 1980. "Daniel Libeskind e Steven Holl : estudo de duas obras e um projecto." Master's thesis, 2012. http://hdl.handle.net/11067/376.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2012<br>Exame público realizado em 30 de Maio de 2012<br>Este trabalho pretende um entendimento do percurso profissional e características dos arquitectos Daniel Libeskind e Steven Holl. Ambos fazem parte de um grupo de arquitectos que se distingue na actualidade pela originalidade das suas obras, fazendo com que tenham algum destaque e sejam considerados como arquitectos de referência. Cada um destes arquitectos alia de modo estratégico e surpreendente, a forma e o conceito dos seus projectos. Deste modo, o qu

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Costa, Sara Filipa Santos 1995. "Olhos que pensam (desenham) e olhos que sentem (fruem)." Master's thesis, 2019. http://hdl.handle.net/11067/4665.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2019<br>Exame público realizado em 25 de Julho de 2019<br>A presente dissertação teve origem, primeiramente, no meu interesse pelo Holocausto que ocorreu durante a Segunda Guerra Mundial. Desde os meus dez anos, com a apresentação do tema através da história de Anne Frank, que me surgem questões intrigantes sobre a existência e responsabilidade de cada Ser Humano. Com o passar dos anos novas questões se puseram, agora no campo da Arquitetura, sobre o seu real propósito. Assim, unindo-se o interesse sobre tal per

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Books on the topic "Daniel Libeskind"

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1946-, Libeskind Daniel, ed. Daniel Libeskind. Roma: Edilstampa, 2007.

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Paul, Goldberger, ed. Counterpoint: Daniel Libeskind. Basel: Birkhäuser, 2008.

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Daniel Libeskind: Countersign. New York: Rizzoli, 1992.

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Libeskind, Daniel. Daniel Libeskind, 1987-1996. Madrid: El Croquis, 1996.

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Libeskind, Daniel. Daniel Libeskind, 1987-1996. Madrid: El Croquis, 1996.

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Dorner, Elke. Daniel Libeskind: Jüdisches Museum Berlin. Berlin: Gebr. Mann, 1999.

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Sacchi, Livio. Daniel Libeskind: Museo ebraico, Berlino. Torino: Testo & immagine, 1998.

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Terragni, Attilio Alberto. Daniel Libeskind: Oltre i muri. Torino: Testo & immagine, 2001.

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Daniel Libeskind: Oltre i muri. Torino: Testo & immagine, 2001.

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Libeskind, Daniel. Daniel Libeskind & Cecil Balmond, unfolding. Rotterdam: NAi, 1998.

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Book chapters on the topic "Daniel Libeskind"

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Meisenheimer, Wolfgang. "Daniel Libeskind." In Modelle als Denkräume, Beispiele und Ebenbilder, 294–97. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-20115-9_66.

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Tambling, Jeremy. "Daniel Libeskind and Deconstructive Architecture: Osnabrück and Berlin." In The Palgrave Encyclopedia of Urban Literary Studies, 1–4. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_138-1.

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van den Berg, Klaus. "Staging a Vanished Community: Daniel Libeskind’s Scenography in the Berlin Jewish Museum." In Performance and the City, 222–39. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1007/978-0-230-30521-2_13.

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"Interview mit Daniel Libeskind / Interview with Daniel Libeskind." In Unbuilding Walls, 98–113. Birkhäuser, 2018. http://dx.doi.org/10.1515/9783035615944-012.

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"Studio Daniel Libeskind." In Wo Architekten arbeiten / Where Architects Work, 191–93. Birkhäuser, 2013. http://dx.doi.org/10.1515/9783038210542.191.

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"4. Daniel Libeskind." In Dekonstruktivismus in der Architektur?, 156–83. transcript-Verlag, 2015. http://dx.doi.org/10.14361/9783839430293-003.

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"Daniel Libeskind (1946–)." In Key Modern Architects. Bloomsbury visual Arts, 2018. http://dx.doi.org/10.5040/9781474265072.ch-045.

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"Daniel Libeskind: An Act of Faith." In Drawing from Practice, 138–44. Routledge, 2015. http://dx.doi.org/10.4324/9781315856919-18.

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"Daniel Libeskind “Remembrance of Things Past”." In The Living Tradition of Architecture, 33–40. New York : Routledge, 2017.: Routledge, 2016. http://dx.doi.org/10.4324/9781315636573-8.

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Sharr, Adam. "Libeskind in Las Vegas: Reflections on Architecture as a Luxury Commodity." In Critical Luxury Studies. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402613.003.0008.

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This chapter considers a project from renowned architect Daniel Libeskind: a shopping mall opened in Las Vegas in 2009, deploying what have become the architect's trademark crystalline shapes. Named ‘Crystals at CityCenter’, the mall's branding derives its name and its luxury credentials from Libeskind's signature contribution. The chapter examines Crystals at CityCenter as an example of the millennial phenomenon of the ‘starchitect’-designed iconic luxury building. It explores the origins of Libeskind's architectural brand forms in the architecture of trauma in Berlin and, by contrast, the re-use of those forms in service of high-end retail on the Las Vegas Strip. In addition, the chapter argues that Crystals at CityCenter is also an example of architecture as sign — a sign of architecture referring only to itself, of architecture imagined as a luxury commodity.

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Conference papers on the topic "Daniel Libeskind"

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Azulay Tapiero, Marilda. "Arquitectura, dispositivo de experiencia memorial. *** Architecture: a drive of memorial experience ." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7604.

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La arquitectura puede introducirnos en la experiencia de la memoria; memoria como reflexión, y arquitectura como dispositivo para la experiencia memorial a la vez que contenedor de la información. Cada objeto es definido en un proceso en el que considerar diversos actores, sus voluntades, opciones y experiencias. Es el caso de las obras que aborda este trabajo, en las que evidenciar e interrogarnos sobre el gesto arquitectónico, la memoria evocada y su interpretación social. Obras que han alcanzado notoriedad por diferentes motivos: como la Sala del Recuerdo, de Arieh Elhanani, Arieh Sharon y

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