Log in

Relevant bibliographies by topics / Daniele Del Giudice

Contents

Journal articles
Dissertations / Theses
Book chapters

Academic literature on the topic 'Daniele Del Giudice'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Daniele Del Giudice.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Daniele Del Giudice"

1

Grundtvig, Birgitte. "Aviazione: Topologia, topografia e percezione del luogo in Daniele Del Giudice." Revue Romane 42, no. 2 (December 27, 2007): 220–38. http://dx.doi.org/10.1111/j.1600-0811.2007.420203.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Zudini, Claudia. "Scrittura e internet nel racconto «Evil Live» (1997) di Daniele Del Giudice." Cahiers d’études italiennes, no. 11 (June 15, 2010): 137–46. http://dx.doi.org/10.4000/cei.128.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ciminari, Sabina. "Gli “eredi” di Calvino negli anni ottanta: Andrea De Carlo e Daniele Del Giudice." Cahiers d’études italiennes, no. 14 (March 15, 2012): 163–81. http://dx.doi.org/10.4000/cei.463.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Thimonnier, Charlotte. "Entre animalité et probabilité : le personnage de Brahe dans Atlante occidentale de Daniele Del Giudice." Italies, no. 12 (December 1, 2008): 475–93. http://dx.doi.org/10.4000/italies.1381.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Lima, Eleonora. "Between Divinity and Dullness: The Advent of Personal Computers in Italian Literature." Quaderni d'italianistica 41, no. 1 (December 31, 2020): 5–42. http://dx.doi.org/10.33137/q.i..v41i1.35893.

Full text

Abstract:

This article examines the cultural impact of personal computers in Italian literature in the first decade of their mass diffusion (from the mid-1980s to the second half of the 1990s) through the analysis of four texts written by some of the most respected writers of the time: Primo Levi’s article “Personal Golem” (1985), Umberto Eco’s novel Il pendolo di Foucault (1988), Francesco Leonetti’s novel Piedi in cerca di cibo (1995), and Daniele Del Giudice’s story “Evil Live” (1997). More than simply addressing the advent of personal computers, what these texts have in common is the use of religious images and metaphors in order to make sense of the new technology. This study aims at showing how this frame of reference served the four writers in expressing the contradictions inherent to the machine. Bulky and tangible because of its hardware, but animated by an elusive and mysterious software, the personal computer was perceived at the same time as a dull office appliance and a threatening virtual entity. Finally, by showing how timely and well-informed these literary works on the impact of PCs are, this article wants to make the case for considering the role of literature in shaping computer culture.

APA, Harvard, Vancouver, ISO, and other styles

6

Misiarczyk, Leszek. "Judeochrześcijanie w "Dialogu z Żydem Tryfonem" Justyna Męczennika." Vox Patrum 52, no. 1 (June 15, 2008): 661–76. http://dx.doi.org/10.31743/vp.8942.

Full text

Abstract:

L’articolo presenta la descrizione dei giudeocristiani nel Dialogo eon Trifone di Giustino Martire. Come sappiamo, gli studi sul giudeocristianesimo condotti fino ad oggi hanno proposto 4 principali definizioni di ąuesto fenomeno: secondo la prima definizione genetico-etnica i giudeocristiani sarebbero da identificare eon i Giudei converititisi al cristianesimo; poi gli altri hanno proposto la definizione basata sul criterio dell’osservanza dove i giudeicristiani sarebbero tutti coloro che osservano le prescrizioni delle Legge di Mose pur essendo diventati cristiani; la terza definizione fa riferimento al sistema dottrinale, spesso eterodosso ed identificato eon gli Ebioniti e la quarta definizione proposta da J. Danielou definisce il giudeocristinesimo come una specifica forma mentis giudaica nella teologia cristiana antica. Nel 1998 S. Mimouni nel suo studio ha proposto una nuova definizione che, secondo lui, deve essere verificata in modo positive dalia maggiorana delle foni antiche e anche abbracciare i diversi criteri insieme come etnico, dottrinale e di osservanza. Analizando i testi dei Padri ha concluso che i giudeocristiani sono tutti coloro che etnicamente sono Giudei (tutti Padri), osservano la Legge di Mose (Epifanio, Girolamo) acccettano Gesu come il Messia e Figlio di Dio (Eusebio, Epifanio, Girolamo). Applicando questa definiznione al Dialogo di Giustino vediamo che i giudeocristiani per lui sono Giudei che hanno creduto nella messianicita di Gesu e continuano ad osservare alcune prescrizioni della Legge mosaica. L’Apologeta accetta la possibilita della salvezza etema per loro a condizione che non obblighino a questa osservana cosidetti etnocristiani. Per quanto riquarda l’elemento dottrinale distingue tra giudeocristiani ortodossi, come quelli che credeono in Gesu Messia e Figlio di Dio e eterodossi, cioe quelli che rifiutano la sua divinita pur credendo nella sua messianicita intesa pero in senso puramente umano.

APA, Harvard, Vancouver, ISO, and other styles

7

Aubry-Morici, Marine, and Manuel Esposito. "Robert Bazlen et le refus d'écrire.Approches du Stade de Wimbledon de Daniele Del Giudice." TRANS-, no. 20 (September 27, 2016). http://dx.doi.org/10.4000/trans.1250.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Rondinelli, Paolo. "Cornelia Klettke: Attraverso il segno dell’infinito. Il mondo metaforico di Daniele Del Giudice. Firenze: Cesati, 2008. 146 pp." Archiv für das Studium der neueren Sprachen und Literaturen, no. 1 (April 22, 2010). http://dx.doi.org/10.37307/j.1866-5381.2010.01.40.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Thimonnier, Charlotte. "Sur les ruines sacrées de l’image. L’occupation des sols de Jean Echenoz. Nel museo di Reims de Daniele del Giudice." TRANS-, no. 2 (December 31, 2006). http://dx.doi.org/10.4000/trans.147.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Daniele Del Giudice"

1

Brito, Amélie. "Événement et dynamique événementiale chez José Saramago et Daniele Del Giudice." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00864220.

Full text

Abstract:

Les romans de Daniele Del Giudice et la seconde partie de la production romanesque de José Saramago se construisent autour d'un événement neutre, survenant par surprise et en excès des possibles diégétiques. Il peut être considéré comme " événemential " si l'on suit les analyses philosophiques de Claude Romano. Cette thèse met en lumière la place d'un tel événement dans les poétiques des deux auteurs, étudie ses spécificités diégétiques et narratives et les caractéristiques de son utilisation, et analyse ses implications par rapport au monde refiguré par le roman.L'utilisation d'un tel événement participe de la recherche d'une narration possible entreprise par les deux auteurs au début des années 80 ; elle permet de dérouter le schéma romanesque traditionnel en reportant l'attention sur un processus d'avoir-lieu indéterminé et sans cesse dévié qui préserve un élan dans le récit tout en perturbant son organisation logique. Les deux auteurs visent à mettre en relief un mouvement d'advenue, et ainsi, à créer un écho avec le réel extra-diégétique. Celui-ci apparaît tissé d'une multitude d'éléments instables qui forment un ensemble mouvant. Le récit donne à voir les relations qui le composent, la dynamique qui l'anime. Est créée une expérience à la fois sensible et observable, ancrée dans les propriétés du langage et de la narration, mettant en perspective une structuration du sensible.L'utilisation de l'événement rapproche ces deux auteurs et met en exergue une tendance contemporaine du récit : la tentative de mettre en évidence une dynamique d'advenue, indéterminée, incertaine et sans visée, mais imposant dans et par le récit la force d'une présence.

APA, Harvard, Vancouver, ISO, and other styles

2

Thimonnier, Charlotte. "Pratiques et enjeux du détail dans les romans de Juan José Saer, Jean Echenoz et Daniele del Giudice." Paris 7, 2009. http://www.theses.fr/2009PA070076.

Full text

Abstract:

Bien que la notion de détail soit au cœur d'une histoire de l'esthétique, elle reste souvent insaisissable sur le plan théorique. On peut s'étonner de cette négligence ou de cette impuissance théoriques. Notre intuition de départ fut que le roman de la fin du XXeme siècle hérite de cette longue histoire du détail romanesque et y puise ses propres ressources. Les romans de l'Argentin Juan José Saer, du Français Jean Echenoz et de l'Italien Daniele Del Giudice témoignent de cette vitalité des pratiques du détail et de leurs enjeux narratifs, sémiologiques et poétiques. Défini comme ce qui apparaît, alors même que cela aurait pu ou dû rester inaperçu, le détail bouleverse, voire met en crise, l'ordre de la représentation et de la narration, ainsi que la construction du sens. Issu d'un geste de détaille qui peut être le fait de l'auteur, du narrateur ou encore du lecteur, et par lequel ceux-ci s'approprient le texte, il est le lieu minimal mais fondamental où se nouent attention et intention, et où se mesurent les rythmes de l'écriture et de la lecture. Nous nous sommes d'abord intéressée à la détaille perceptive, représentée dans le roman par le regard des personnages, puis à la détaille textuelle, c'est-à-dire à l'œuvre de l'auteur et du narrateur soulignant tel ou tel détail, mais aussi aux investissements personnels du lecteur. Nous posons ensuite la question du sens et de l'insignifiance du détail, à travers l'étude de l'indice et du détail susceptible de produire l'effet de réel, et enfin nous abordons la question de la place, de la mesure et des fonctions du détail dans l'économie narrative romanesque et, plus largement, dans la poétique de ces trois auteurs
Although the concept of detail is at the heart of a history of aesthetics, it generally remains elusive from a theoretical point of view. Such theoretical negligence or powerlessness is startling. Our first intuition was that the end of the XX century novel writing has inherited this great history of detail and draws its own resources from it. The novels of the Argentinean Juan Jose Saer, of the French Jean Echenoz and the Italian Daniele Del Guidice bear witness of the vitality of the uses of detail and their narrative, semiological and poetic stakes. Defined as what appears while it could or should have remained unnoticed, detail upsets, or even brings about a crisis in the order of representation and narration, as well as in the construction of meaning. Derived from an act of detailing (that we called in French détaille) on the part of the novelist, the narrator or the reader, through which they appropriate the text, it is the minimal but fondamental meeting point of attention and intention and the place where the rhythms of writing and reading take shape. We began our analysis by focusing on the perceptive act of detailing depicted through the eyes of the characters of the novel, we then turned to the textual act of detailing, le. The effort of the novelist and narrator to draw attention to such or such detail, but also to the personal involvement of the reader. We then focused on the question of meaning and insignifiance of detail by studying the indication and detail that convey a reality effect. Finally we dealt with the question of the place, measure and functions of detail in the narrative economy and, more generally, in the poetics of these three novelists

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Daniele Del Giudice"

1

Wild, Gerhard. "Del Giudice, Daniele." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3342-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Richter, Steffen. "Daniele Del Giudice." In Trauerarbeit der Moderne, 179–252. Wiesbaden: Deutscher Universitätsverlag, 2003. http://dx.doi.org/10.1007/978-3-322-81290-2_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Di Franco, Marco. "Del Giudice, Daniele: Mania." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3345-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Wagner, Birgit. "Del Giudice, Daniele: Atlante Occidentale." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3343-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Di Franco, Marco. "Del Giudice, Daniele: Staccando l'ombra da terra." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3344-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

"Del Giudice, Daniele." In Encyclopedia of Contemporary Italian Culture, 275. Routledge, 2002. http://dx.doi.org/10.4324/9780203440254-51.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"2 Daniele del Giudice: Atlante occidentale." In Literarische Wissenschaftsgeschichte und Wissenschaftstheorie, 282–363. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110642384-008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Colummi Camerino, Marinella. "Lo spazio e il tempo nella narrativa di Daniele Del Giudice." In «Un viaggio realmente avvenuto». Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-344-1/017.

Full text

Abstract:

Del Giudice’s narrative is now being republished by Einaudi, together with previously uncollected texts and new interpretations. The essay aims to re-read Del Giudice’s work in the light of the present, showing its literary and historical-cultural complexity.

APA, Harvard, Vancouver, ISO, and other styles

9

Pichler, Doris. "Künstlerische trifft naturwissenschaftliche Intuition. Daniele Del Giudices »Atlante Occidentale« als Plädoyer für ein intuitives Sehen." In Intuition und Wissenschaft, 169–86. Velbrück Wissenschaft, 2018. http://dx.doi.org/10.5771/9783845291079-170.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Panizza, Donata. "7. What the Writer Saw (and the Camera Didn’t): Antonio Tabucchi’s Notturno indiano and Daniele Del Giudice’s Lo stadio di Wimbledon." In Enlightening Encounters, edited by Giorgia Alu and Nancy Pedri. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442669895-010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!