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Books on the topic 'Danish Composers'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Rasmussen, Karl Aage. Noteworthy Danes: Portraits of eleven Danish composers. W. Hansen, 1991.

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2

Ketting, Knud. Danish music after Carl Niesen. Edited by Madsen Kjær. Royal Danish Ministry of Foreign Affairs, 1990.

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3

Ravnkilde, Svend. Danish music, 1800-1850: Golden age. Danish Music Information Centre, 1994.

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4

Ravnkilde, Svend. Danish music, 1800-1850: Golden age. Danish Music Information Centre, 1994.

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5

Sørensen, Inger. H.C. Andersen og komponisterne. Gyldendal, 2005.

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6

Sokoli, Ramadan. Antifonari i durrsakut Gjergj Danush Lapacaj: Një përmendore muzikologjike e vitit 1532. Botime Toena, 2000.

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7

Sheinberg, Esti. Irony, satire, parody, and the grotesque in the music of Shostakovich: A theory of musical incongruities. Ashgate, 2000.

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8

Bergamini, Andrea. Beethoven and the classical age. Barron's, 1999.

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9

Ballestracci, Sabrina, Claudia Buffagni, and Carolina Flinz. Das deutsche LBC-Korpus (Lessico dei Beni Culturali). Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0311-1.

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The lemma gathers the essential entries in the field of artistic goods and includes place names and personal names strictly connected to Italian and Florentine art. It is a reference work, of great interest also for researchers of specialized vocabulary and extremely useful for translators and cultural operators. The corpus used contains over a million words and constitutes, along with comparable corpora in French, German, Russian, English, and Spanish, the General LBC Corpus http://corpora.lessicobeniculturali.net. It is composed of texts of different types and genres from the Renaissance to
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10

Natali, Ilaria. The LBC (Lessico dei Beni Culturali) English Corpus. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0307-4.

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The lemma gathers the essential entries in the field of artistic goods and includes place names and personal names strictly connected to Italian and Florentine art. It is a reference work, of great interest also for researchers of specialized vocabulary and extremely useful for translators and cultural operators. The corpus used contains over a million words and constitutes, along with comparable corpora in French, German, Russian, English, and Spanish, the General LBC Corpus http://corpora.lessicobeniculturali.net. It is composed of texts of different types and genres from the Renaissance to
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11

Lanini, Ludovica. Corpus LBC (Lessico dei Beni Culturali) Italiano. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0305-0.

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The lemma gathers the essential entries in the field of artistic goods and includes place names and personal names strictly connected to Italian and Florentine art. It is a reference work, of great interest also for researchers of specialized vocabulary and extremely useful for translators and cultural operators. The corpus used contains over a million words and constitutes, along with comparable corpora in French, German, Russian, English, and Spanish, the General LBC Corpus http://corpora.lessicobeniculturali.net. It is composed of texts of different types and genres from the Renaissance to
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12

Carpi, Elena, and Ana Pano Alamán. Corpus LBC (Lessico dei Beni Culturali) Español. Firenze University Press, 2024. http://dx.doi.org/10.36253/978-88-5518-035-1.

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The lemma gathers the essential entries in the field of artistic goods and includes place names and personal names strictly connected to Italian and Florentine art. It is a reference work, of great interest also for researchers of specialized vocabulary and extremely useful for translators and cultural operators. The corpus used contains over a million words and constitutes, along with comparable corpora in French, German, Russian, English, and Spanish, the General LBC Corpus http://corpora.lessicobeniculturali.net. It is composed of texts of different types and genres from the Renaissance to
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13

Farina, Annick. Corpus LBC (Lessico dei Beni Culturali) Français. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0309-8.

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The lemma gathers the essential entries in the field of artistic goods and includes place names and personal names strictly connected to Italian and Florentine art. It is a reference work, of great interest also for researchers of specialized vocabulary and extremely useful for translators and cultural operators. The corpus used contains over a million words and constitutes, along with comparable corpora in French, German, Russian, English, and Spanish, the General LBC Corpus http://corpora.lessicobeniculturali.net. It is composed of texts of different types and genres from the Renaissance to
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14

Rossi, Valentina, та Natalia Žukova. Русский корпус «Лексика культурного наследия» (LBC). Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0313-5.

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The lemma gathers the essential entries in the field of artistic goods and includes place names and personal names strictly connected to Italian and Florentine art. It is a reference work, of great interest also for researchers of specialized vocabulary and extremely useful for translators and cultural operators. The corpus used contains over a million words and constitutes, along with comparable corpora in French, German, Russian, English, and Spanish, the General LBC Corpus http://corpora.lessicobeniculturali.net. It is composed of texts of different types and genres from the Renaissance to
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15

Little, Meredith. Dance and the music of J.S. Bach. Indiana University, 2001.

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16

Little, Meredith. Dance and the music of J.S. Bach. Indiana University Press, 1991.

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17

R, Watson Ronald, ed. Vegetables, fruits, and herbs in health promotion. CRC Press, 2001.

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18

Knudåge Riisager: Komponist og skribent. Museum Tusculanums Forlag, 2015.

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19

Demeures de l'esprit: Danemark, Norvège. Fayard, 2010.

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20

Barham, Jeremy. The Music of Gustav Mahler in Experimental Film Contexts. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0015.

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The anniversary years of the composer Gustav Mahler (150 years of his birth in 2010, 100 years of his death in 2011) took place in the age of digital media, whose technological possibilities afforded strikingly diverse opportunities to mark the occasion. Various experimental sound and video artists, produced audiovisual translations and interpretations of the composer’s music at this time, including Danish composer Henrik Marstal with VJ Dark Matters, and Austrian experimental composer Fennesz with Berlin-based video artist Lillevan. Building on a tradition which had begun in the 1990s, this r
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21

Das Amt des Hofkapellmeisters um 1800: Bericht des wissenschaftlichen Symposiums zum 250. Geburtstag des dänischen Hofkapellmeisters Friedrich Ludwig Aemilius Kunzen (1761-1817), Det Kongelige Danske Videnskabernes Selskab/Royal Danish Academy of Sciences and Letters, 27. September 2011. Von Bockel Verlag, 2018.

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22

Grapes, K. Dawn. Dowland. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197558881.001.0001.

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Abstract Dowland celebrates the story of one of the most important, most studied, and most performed composers to emerge from early modern England. More than just a biography, this monograph contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563–1626). In doing so, the book provides a window into life as a musician in the Elizabethan-Jacobean era, illuminating the importance of social, courtly, and academic connections. The narrative follows a master lutenist, renowned for his virtuosic skills, on journeys to France, through the G
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23

Richardson, Deborra, and Constanc T. Hobson. Ulysses Kay. Greenwood, 1994. http://dx.doi.org/10.5040/9798216028895.

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In the past five decades, Ulysses Kay has produced more than 135 compositions, representing divergent musical forms. His works include five operas, over 20 large orchestral works, more than 30 choral compositions, over 15 chamber works, a ballet suite, and numerous other compositions for voice, solo instruments, film, and television. His compositions, part of the mainstream concert repertory, have received extensive performances by major orchestras and ensembles throughout the world and have earned for him a prodigious number of awards, fellowships, grants, and commissions. This volume include
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24

Nelson, Peter. Limology. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450283.

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Limology is an original 20 minute work in three sections for percussion ensemble, composed by Peter Nelson between 2017–18 during a fellowship from the Bogliasco Foundation, as part of a theatrical work in five parts, Nómadas conceived by Caribbean-born choreographer Henry Daniel. It was commissioned by Cambridge Music Conference for the Canadian ensemble Fringe Percussion. Nómadas is a collaborative work with composers Nigel Osborne (UK) and Owen Underhill (Canada), on the subject of the contemporary migration crisis. Preliminary discussions based on existing work by Daniel took place between
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25

Demeures de l'esprit: Grande-Bretagne. Fayard, 2008.

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26

Fun with Composers - "Just for Kids" (Ages 7-12). Fun with Composers Inc., 2006.

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27

Schiff, David. Bagatelles. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190259150.003.0011.

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In his final decade, Carter composed with an unprecedented fluency, turning out a stream of compositions, large and small, for a wide variety of ensembles. Many of these works recall the Thurber-esque wit of Carter’s much earlier neo-classical music. Critics who had objected to the complexity they found in Carter’s oeuvre now praised the “newfound” lucidity and humor of the late instrumental works which include a group of concertos, mostly written for either Daniel Barenboim or James Levine (or both). These two eminent pianist/conductors became enthusiastic advocates for Carter’s music at this
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28

Il était une fois... Daniel Balavoine. Editions de la Lagune, 2006.

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29

Schwartz, Daniel R. 1 Maccabees. Yale University Press, 2022. http://dx.doi.org/10.5040/9780300271966.

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A new translation and commentary on I Maccabees that offers a fresh interpretation of the author’s values and purpose First Maccabees, composed in the second century BCE, chronicles four decades of clashes between Hellenistic Syria and Judea, from Antiochus Epiphanes’s ascent to the throne in 175 BCE to the Hasmoneans’ establishment of an independent Judean state, ruled by Simon and his sons. In this volume, Daniel R. Schwartz provides a new translation of the Greek text and analyzes its historical significance. In dialogue with contemporary scholarship, the introduction surveys the work’s the
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30

Fawer Caputo, Christine, and Jacques Cherblanc. Mort et deuils en milieux scolaires. Regards pédagogiques, cliniques et socioculturels. Éditions Alphil-Presses universitaires suisses, 2022. http://dx.doi.org/10.33055/alphil.03207.

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On a souvent du mal à associer la mort à l’école qu’on considère plutôt comme un lieu de vie, avec des jeunes en devenir. Pourtant, les établissements doivent parfois composer avec les drames et le deuil. Les textes rassemblés dans ce volume présentent les différentes situations auxquelles le monde scolaire doit parfois faire face (décès, maladies graves, expérience migratoire) et proposent des pistes d’accompagnement pour les acteurs éducatifs. Ces situations sont abordées en quatre volets. Agir quand un drame frappe l’école se demande comment agissent – ou devraient agir – les institutions e
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31

Letellier, Robert. The English Novel, 1700-1740. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400646324.

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The English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose Robinson Crusoe and Moll Flanders are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage
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32

Boyce-Tillman, June, and Anne-Marie Forbes. Heart's Ease: Spirituality in the Music of John Tavener. Lang AG International Academic Publishers, Peter, 2020.

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33

Heart's Ease: Spirituality in the Music of John Tavener. Lang AG International Academic Publishers, Peter, 2020.

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34

Boyce-Tillman, June, and Anne-Marie Forbes. Heart's Ease: Spirituality in the Music of John Tavener. Lang AG International Academic Publishers, Peter, 2020.

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35

Boyce-Tillman, June, and Anne-Marie Forbes. Heart's Ease: Spirituality in the Music of John Tavener. Lang AG International Academic Publishers, Peter, 2020.

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36

Irony, Satire, Parody and the Grotesque in the Music of Dmitrii SHostakovich. Ashgate Publishing, 2001.

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37

Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A Theory of Musical Incongruities. Taylor & Francis Group, 2017.

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38

Sheinberg, Esti. Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A Theory of Musical Incongruities. Taylor & Francis Group, 2016.

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39

Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A Theory of Musical Incongruities. Taylor & Francis Group, 2017.

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40

Ecoles de Paris en Musique 1920-1950: Identites, Nationalisme, Cosmopolitisme. Vrin, Librairie Philosophique J., 2018.

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41

Jacobi, Claudia. Mythopoétiques dantesques – une étude intermédiale sur la France, l’Espagne et l’Italie (1766-1897). ELiPhi, 2021. http://dx.doi.org/10.46277/eliphi.2021.046.1.

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Dès 1854, le poète et historien Jean-Dominique Fuss s’indigne de la ‘dantomanie’ de ses contemporains et reproche aux ‘dantomanes’ un manque de goût et de génie issu d’un excès d’admiration pour le Moyen-Âge. L’idée que les appropriations dantesques dans la littérature et les beaux-arts des XVIIIe et XIXe siècles soient inférieures à celles de la (post)modernité a persisté jusqu’à nos jours. Le but de la présente étude est de réajuster l’opinion dominante de la critique en montrant la complexité, l’originalité et la valeur artistique des œuvres canonisées et non-canonisées qui composent le cor
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42

Routledge Handbook of Women�s Work in Music. Taylor & Francis Group, 2021.

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43

Lourenço, Emerson Botelho, ed. Avanços científicos em medicina 2. Bookerfield Editora, 2021. http://dx.doi.org/10.53268/bkf21120200.

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Este livro reúne trabalhos científicos relevantes em Ciências Médicas. Decidiu-se pela divisão em três seções: i) área pré-clínica; ii) psiquiatria e neurologia; iii) infectologia. Considerando a ampla aplicação de cimentos ortopédicos e dentários para os mais diversos fins no âmbito das ciências da saúde, os capítulos um e dois se complementam e trazem importante contribuição científica avaliando o cimento PBS®CIMMO no preenchimento de falhas ósseas aplicadas às intervenções bucais. O microRNA-26a é um modulador endógeno do fator de crescimento dos hepatócitos, de papel relevante no reparo te
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44

Women's History of the Beatles. Bloomsbury Publishing Plc, 2021.

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45

Jenne, Natalie, and Meredith Little. Dance and the Music of J. S. Bach: Expanded Edition. Indiana University Press, 2001.

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46

Jenne, Natalie, and Meredith Little. Dance and the Music of J. S. Bach: Expanded Edition. Indiana University Press, 2002.

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47

Ilbon munhŏn sok ŭi Yi Sun-sin p'yosang: The image of Yi Sun-sin in Japanese literature. Minsogwŏn, 2022.

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