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Books on the topic 'Danish Political poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Consult the top 18 books for your research on the topic 'Danish Political poetry.'

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1

The psycho-political muse: American poetry since the fifties. Chicago: University of Chicago Press, 1987.

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2

Olden-Jørgensen, Sebastian. Poesi og politik: Lejlighedsdigtningen ved enevældens indførelse 1660. København: Museum Tusculanum, 1996.

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3

Whitman possessed: Poetry, sexuality, and popular authority. Baltimore: Johns Hopkins University Press, 2001.

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4

The lunar light of Whitman's poetry. Cambridge, Mass: Harvard University Press, 1987.

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5

Shields, David S. Oracles of empire: Poetry, politics, and commerce in British America, 1690-1750. Chicago: University of Chicago Press, 1990.

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6

Geopoetics: The politics of mimesis in poststructuralist French poetry and theory. Stanford, Calif: Stanford University Press, 1997.

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7

The pragmatic Whitman: Reimagining American democracy. Iowa City: University of Iowa Press, 2002.

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8

The polliticke courtier: Spenser's The faerie queene as a rhetoric of justice. Montreal: McGill-Queen's University Press, 1996.

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9

The endless kingdom: Milton's scriptural society. Newark: University of Delaware Press, 2002.

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10

Gallagher, Philip J. Milton, the Bible, and misogyny. Columbia: University of Missouri Press, 1990.

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11

The ordeal of Robert Frost: The poet and his poetics. Urbana: University of Illinois Press, 1997.

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12

Lecky, Katarzyna. Pocket Maps and Public Poetry in the English Renaissance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834694.001.0001.

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If maps are instruments of power, then it matters that in Renaissance Britain they were often found in the pockets of ordinary people. Pocket Maps and Public Poetry in the English Renaissance demonstrates how early modern British poets paid by the state adapted inclusive modes of nationhood charted by inexpensive, small-format maps. It places chapbooks (“cheapbooks”) by Edmund Spenser, Samuel Daniel, Ben Jonson, William Davenant, and John Milton into conversation with the portable cartography circulating in the same retail print industry. Domestic pocket maps were designed for heavy use by a broad readership that included those on the fringes of literacy. The era’s de facto laureates all banked their success as writers appealing to this burgeoning market share by drawing the nation as the property of the commonwealth rather than the Crown. This book investigates the accessible world of small-format cartography as it emerges in the texts of the poets raised in the expansive public sphere in which pocket maps flourished. It works at the intersections of space, place, and national identity to reveal the geographical imaginary shaping the flourishing business of cheap print. Its placement of poetic economies within mainstream systems of trade also demonstrates how cartography and poetry worked together to mobilize average consumers as political agents. This everyday form of geographic poiesis was also a strong platform for poets writing for monarchs and magistrates when their visions of the nation ran counter to the interests of the government.
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13

Leo, Russ. Tragedy as Philosophy in the Reformation World. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834212.001.0001.

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Tragedy as Philosophy in the Reformation World examines how a series of influential poets, theologians, and humanist critics turned to tragedy to understand providence and agencies human and divine across diverse Reformation milieux. Rejecting familiar assumptions about tragedy, crucial figures like Philipp Melanchthon, David Pareus, Lodovico Castelvetro, John Rainolds, and Daniel Heinsius developed distinctly philosophical ideas of tragedy, irreducible to drama or performance, inextricable from rhetoric, dialectic, and metaphysics. In its proximity to philosophy, tragedy afforded careful readers crucial insight into causality, probability, necessity, and the terms of human affect and action. With these resources at hand, Reformed theologians, poets, and critics produced daring and influential theses on tragedy between the 1550s and the 1630s, all directly related to pressing Reformation debates. And while some poets employed tragedy to render sacred history palpable with new energy and urgency, others marshalled a precise philosophical notion of tragedy directly against spectacle and stage-playing, endorsing anti-theatrical theses on tragedy inflected by Aristotle’s Poetics. Uncovering a tradition of Reformation poetics in which tragedy often opposes performance, the work also explores the impact of these scholarly debates on more familiar works of vernacular tragedy, illustrating how William Shakespeare’s Hamlet and John Milton’s 1671 poems take shape in conversation with philosophical and philological investigations of tragedy. Tragedy as Philosophy in the Reformation World demonstrates how Reformation took shape in poetic as well as theological and political terms while simultaneously exposing the importance of tragedy to the history of philosophy.
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14

Meylan, Nicolas. (Mythical) Battles in Medieval Scandinavia. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190911966.003.0002.

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This chapter uses Lincoln’s critical analysis of myth to examine various medieval poetic and historiographical accounts of the battle of Hjørung Bay, fought by Danes and Norwegians off the coast of Norway in the late tenth century.. These accounts, which for the most part postdate the battle by some two hundred years, are compared not to reconstruct the event itself but rather to identify the political subtexts embedded in them. It argues that these battle narratives, like cosmogonic myths in other contexts, have played a key ideological role in the construction of social and political identities from the medieval period to the present.
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15

Kirschner, Martin, ed. Subversiver Messianismus. Academia – ein Verlag in der Nomos Verlagsgesellschaft, 2020. http://dx.doi.org/10.5771/9783896658623.

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The same world - and yet everything is different. This could be a succinct formula for what the Italian philosopher Giorgio Agamben seeks to expose in his studies: categories of a new way of thinking, of a different use and form-of-life, in which natural life cannot be separated from social life and in which the logic of exclusion and the violence of domination are suspended. Starting from the last volume of the Homo-Sacer project, the studies in this volume trace Agamben's search for a "destituent potential" that opens a way out of the state of exception we are living in. Such a "subversive messianism" moves between politics and theology, ontology and poetry; it works archaeologically through the Greek and Roman, Jewish and Christian roots of Western culture in order to open them up to a new use in surprising constellations. With contributions by Daniela Blum, René Dausner, Daniel Kazmaier, Martin Kirschner, Aaron Looney, Edda Mack, Moritz Rudolph, Joost van Loon, Josef Wohlmuth, Peter Zeillinger, Michael Zimmermann
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16

Hone, Joseph. Literature and Party Politics at the Accession of Queen Anne. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198814078.001.0001.

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This book is the first detailed study of the final Stuart succession crisis. It demonstrates for the first time the centrality of debates about royal succession to the literature and political culture of the early eighteenth century. Using previously neglected, misunderstood, and newly discovered material, it shows that arguments about Anne’s right to the throne were crucial to the construction of nascent party political identities. Literary texts were the principal vehicle through which contemporaries debated the new queen’s legitimacy. This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, Nahum Tate, John Dennis, Henry Sacheverell, Charles Leslie, and other anonymous and pseudonymous authors. Through close historical readings, it shows how this new generation of poets, preachers, and pamphleteers transformed older models of succession writing by Milton, Dryden, and others, and imbued conventional genres such as panegyric and satire with their own distinctive poetics. By immersing the major authors in their milieu, and reconstructing the political and material contexts in which those authors wrote, this book demonstrates the vitality of debates about royal succession in early eighteenth-century culture.
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17

Kipling, Rudyard. Stories and Poems. Edited by Daniel Karlin. Oxford University Press, 2015. http://dx.doi.org/10.1093/owc/9780198723431.001.0001.

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‘Hear and attend and listen...’ Rudyard Kipling is a supreme master of the short story in English and a poet of brilliant gifts. His energy and inventiveness poured themselves into every kind of tale, from the bleakest of fables to the richest of comedies, and he illuminated every aspect of human behaviour, of which he was a fascinated (and sometimes appalled) observer. This generous selection of stories and poems, first published in the acclaimed Oxford Authors series, covers the full range of Kipling’s career from the youthful volumes that brought him fame as the chronicler of British India, to the bittersweet fruits of age and bereavement in the aftermath of the First World War. It includes stories such as ‘The Man who would be King’, ‘Mrs Bathurst’, and ‘Mary Postgate’, and poems from Barrack-Room Ballads and other collections. In his introduction and notes Daniel Karlin addresses the controversial political engagement of Kipling’s art, and the sources of its imaginative power.
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18

The Ordeal of Robert Frost: THE POET AND HIS POETICS. University of Illinois Press, 2000.

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