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1

Tangherlini, Timothy R. Interpreting legend: Danish storytellers and their repertoires. Garland Pub., 1994.

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2

Glahn, Henrik. Salmemelodien i Dansk tradition, 1569-1973. Anis, 2000.

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3

Evalueringsinstitut, Danmarks. Transforming tradition: International benchmarking of the Royal Danish Academy of Fine Arts School of Architecture. Danish Evaluation Institute, 2006.

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4

C, Troelsgård, and Danske institut i. Athen, eds. Byzantine chant: Tradition and reform : acts of a meeting held at the Danish Institute at Athens, 1993. Danish Institute at Athens, 1997.

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5

Meyer, Arthur L. Danish cooking and baking traditions. Hippocrene Books, 2011.

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6

Bloch, Hanne. Grandmother's cooking: Traditional Danish dishes. Komma & Clausen, 1992.

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7

Guilcher, Jean Michel. La tradition populaire de danse en Basse-Bretagne. s.n, 1995.

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8

Constantinescu, Muguraş. Poétique de la tradition. Presses universitaires Blaise Pascal, 2006.

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9

Heltoft, Lars. Verb Second-analysen: Et svar fra Diderichsen-traditionen : foredrag holdt på det 9. nordiske lingvistmøde, Stockholm, 9.-11.1. 1986. Roskilde Universitetscenter, Lingvistgruppen, 1986.

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10

Fields, Weston W. Sodom and Gomorrah: Tradition, motif, and message : a traditio-literary study of Genesis 19 and related biblical narratives. s.n., 1992.

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11

Gordon, Gordey, ed. Ukrainian Shumka Dancers: Tradition in motion = [Shumka : tradyt͡s︡ii͡a︡ v Rusi]. Reidmore Books, 1991.

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12

MacHaffie, Barbara J. Readings in her story: Women in Christian tradition. Augsburg, 1992.

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13

John, Parham, ed. The environmental tradition in English literature. Ashgate, 2002.

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14

G, Gentry Francis, ed. The Nibelungen tradition: An encyclopedia. Routledge, 2002.

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15

Rembert, James A. W. Swift and the dialectical tradition. St. Martin's Press, 1988.

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16

Lyle, Emily, ed. Myth and History in Celtic and Scandinavian Traditions. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729055.

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Myth and History in Celtic and Scandinavian Traditions explores the traditions of two fascinating and contiguous cultures in north-western Europe. History regularly brought these two peoples into contact, most prominently with the viking invasion of Ireland. In the famous Second Battle of Mag Tuired, gods such as Lug, Balor, and the Dagda participated in the conflict that distinguished this invasion. Pseudohistory, which consists of both secular and ecclesiastical fictions, arose in this nexus of peoples and myth and spilled over into other contexts such as chronological annals. Scandinavian g
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17

Swann, Charles. Nathaniel Hawthorne, tradition and revolution. Cambridge University Press, 1991.

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18

Pechter, Edward. Othello and interpretive traditions. University of Iowa Press, 1999.

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19

Université de Clermont-Ferrand II. Centre de recherches sur les littératures modernes et contemporaines, ed. Philomèle: Figures du rossignol dans la tradition littéraire et artistique. Presses universitaires Blaise Pascal, 2006.

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20

MacHaffie, Barbara J. Her story: Women in Christian tradition. Fortress Press, 1986.

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21

Tradition & crisis. Archipress M, 2009.

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22

Tangherlini, Timothy R. Interpreting Legend: Danish Storytellers and Their Repertoires. Taylor & Francis Group, 2016.

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23

Hahnemann, Trine, and Columbus Leth. Copenhagen Food: Culture, Tradition and Recipes. Quadrille Publishing, Limited, 2018.

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24

The Danish free school tradition: A lesson in democracy. Curlew Productions, 2001.

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25

Tangherlini, Timothy. Interpreting Legend Pbdirect: Danish Storytellers and Their Repertoires. Taylor & Francis Group, 2015.

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26

Tangherlini, Timothy. Interpreting Legend Pbdirect: Danish Storytellers and Their Repertoires. Taylor & Francis Group, 2015.

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27

Interpreting Legend: Danish Storytellers and Their Repertoires. Taylor & Francis Group, 2015.

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28

Kaurin, Cecilie, and Linn Bryhn Jacobsen. Knit Yourself In: Inventive Patterns To Tell Your Story in the Danish "Hen Knitting" Tradition. Trafalgar Square Books, 2016.

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29

Bragesnak: Nordiske myter og mytefortælling i dansk tradition (indtil 1910). Odense universitetsforlag, 1985.

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30

Merry Carter, Wendy Howe, Nancy Mueller, Tilli Calhoun, Patsy Neely Susie Calhoun. Holm Family Cookbook, A Culinary Tale of Danish Tradition and Western Lore in the Golden State of California. Circle H Cowgirl Press, 2008.

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31

Popular Ballads And Songs From Tradition, Manuscripts And Scarce Editions With Translations Of Similar Pieces From The Ancient Danish Language. Kessinger Publishing, 2004.

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32

Traditionen tro?: Hverdag og fest igennem 200 år. Syddansk universitetsforlag, 2008.

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33

Hansen, Inger. Hygge: Learn the Danish Art Tradition of Happiness and Coziness, That Exists from More Than Two Centuries and Gives You a Well-Being Feel. Independently Published, 2019.

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34

Danish cooking and baking traditions. Hippocrene Books, 2011.

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35

Jamieson, Robert. Popular Ballads and Songs: From Tradition, Manuscripts and Scarce Editions; With Translations of Similar Pieces from the Ancient Danish Language, and a Few Originals by the Editor. Franklin Classics Trade Press, 2018.

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36

Moraro, Flavia M. On the Evolution of Gestural Language in Europe: A Historical Review of the Latin Influence and a Comparative Study relating the Italian and the Danish Gestural Tradition. Createspace Independent Publishing Platform, 2016.

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37

Jamieson, Robert. Popular Ballads and Songs: From Tradition, Manuscripts and Scarce Editions; with Translations of Similar Pieces from the Ancient Danish Language, and a Few Originals by the Editor. Creative Media Partners, LLC, 2018.

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38

Jamieson, Robert. Popular Ballads and Songs: From Tradition, Manuscripts and Scarce Editions; With Translations of Similar Pieces from the Ancient Danish Language, and a Few Originals by the Editor. Franklin Classics Trade Press, 2018.

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39

Popular Ballads and Songs: From Tradition, Manuscripts and Scarce Editions; with Translations of Similar Pieces from the Ancient Danish Language, and a Few Originals by the Editor. Creative Media Partners, LLC, 2018.

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40

Danske Institut I Athen (Corporate Author) and Christian Troelsgard (Editor), eds. Byzantine Chant: Tradition & Reform : Acts of a Meeting Held at the Danish Institute at Athens, November 11-14, 1993 (Monographs of Th Edanish Institute at Athens ; No. 2). Aarhus Univ Pr, 1997.

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41

Hering, Rainer, Steen Ousager, Johan Peter Noack, and Hans Schultz Hansen, eds. Archive zwischen Konflikt und Kooperation / Arkiver mellem konflikt og samarbejde. 75 Jahre deutsch-dänisches Archivabkommen von 1933 / 75 år dansk-tysk arkivoverenskomst af 1933. Hamburg University Press, 2008. http://dx.doi.org/10.15460/hup.lash.95.83.

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With this publication, the Landesarchiv Schleswig-Holstein and the Danish State Archives celebrate the 75th anniversary of the signing of the German-Danish Archives Agreement. As is already a tradition in German-Danish archival cooperation, this is done in German and Danish. All texts of the publication are therefore available in both languages. The former archivist Hans Kargaard Thomsen, Copenhagen, wrote a detailed report in the 1990s entitled "Arkivoverenskomsten med Tyskland 1933 og dens forhistorie" ("The Archives Agreement with Germany of 1933 and its Prehistory"). It forms the core of t
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42

Unknown. Popular Ballads and Songs, from Tradition, Manuscripts, and Scarce Editions: With Translations of Similar Pieces from the Ancient Danish Language, and a Few Originals by Robert Jamieson. Volume 2. Adamant Media Corporation, 2002.

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43

Aebleskiver: A New Take on Traditional Danish Pancakes. Collective Book Studio, The, 2024.

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44

Dern, Judith. Danish Food & Cooking: Traditions Ingredients Tastes Techniques Over 60 Classic Recipes. Aquamarine, 2008.

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45

Hoxbro, Vivian. Traditional Danish Sweaters: 200 Patterns from 200-Year-Old Historic Sweaters. Trafalgar Square Books, 2019.

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46

Traditional Danish Sweaters: 200 Stars and Other Classic Motifs from Historic Sweaters. Trafalger Square, 2019.

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47

Barham, Jeremy. The Music of Gustav Mahler in Experimental Film Contexts. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0015.

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The anniversary years of the composer Gustav Mahler (150 years of his birth in 2010, 100 years of his death in 2011) took place in the age of digital media, whose technological possibilities afforded strikingly diverse opportunities to mark the occasion. Various experimental sound and video artists, produced audiovisual translations and interpretations of the composer’s music at this time, including Danish composer Henrik Marstal with VJ Dark Matters, and Austrian experimental composer Fennesz with Berlin-based video artist Lillevan. Building on a tradition which had begun in the 1990s, this r
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48

Spalding, Susan Eike. Dance at Pine Mountain Settlement School. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038549.003.0006.

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This chapter examines the role played by the Pine Mountain Settlement School in the promotion of dance in Eastern Kentucky beginning in the early twentieth century. It first provides a historical background on Pine Mountain Settlement School and on one of its founders, Katherine Pettit. It then discusses the ways that Pine Mountain utilized recreation and dance to promote good health and good citizenship; settlement workers' fight for dance hall reform in the Eastern Kentucky mountains beginning in 1910; and the establishment of the Conference of Southern Mountain Workers and the Russell Sage
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49

Eel Drifters: Building a traditional fishing boat from the Danish island of Fejø. Viking Ship Museum, 2015.

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50

Newman, Judith H. Confessing in Exile. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190212216.003.0003.

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Chapter 2 contrasts the role of the confessional prayers in Daniel 9 and Baruch 1:15–3:8 in relation to the Jeremiah tradition and textual production. Daniel receives revelatory visions in response to his prayer, but the confession plays no role in ending the exile. The narrative line of Baruch makes him the “first” to institutionalize confession as a practice, five years into the exile. The chapter argues that the ongoing practice of confession and the integration of scripturalized confessions in evolving textual traditions were decisive factors in how the text of what might be called “Jeremi
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