Relevant bibliographies by topics / Danmei

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Danmei'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Danmei"

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Liu, Qi. "Reflection of the Development of Female Subject Consciousness: Based on the Tendency of Gender Role Division in Danmei Literature." Lecture Notes in Education Psychology and Public Media 42, no. 1 (2024): 159–65. http://dx.doi.org/10.54254/2753-7048/42/20240823.

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"Danmei" culture is an important part of contemporary youth subculture, among which "original Danmei literature" is a form of online literature that can reflect the level of female subject consciousness. This article starts from the development history of Danmei literature, takes the tendency of the artificial division of gender roles in Danmei works as the theme, and analyzes the classic seme-uke model that appears in Danmei literary works and the further division of gender roles in the ABO worldview. Under the trend of gender role division in Danmei literature, the two protagonists, who are
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Lowe, JSA. "Danmei and/as Fanfiction: Translations, Variations, and the Digital Semiosphere." Humanities 13, no. 1 (2024): 20. http://dx.doi.org/10.3390/h13010020.

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Since the late 1990s, Chinese internet publishing has seen a surge in literary production in terms of danmei, which are webnovels that share many of the features of Anglophone fanfiction. Thanks in part to recent live-action adaptations, there has been an influx of new Western and Chinese diaspora readers of danmei. Juxtaposing these bodies of literature in English in particular enables us to examine the complexities of how danmei are newly circulating in the Anglophone world and have become available themselves for transformative work, as readers also write fanfiction based on danmei. This pa
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NIM, EVGENIYA G. "Bromance as a Masquerade: Adaptation and Reception of Chinese Danmei Fantasy." Art and Science of Television 18, no. 3 (2022): 105–43. http://dx.doi.org/10.30628/1994-9529-2022-18.3-105-143.

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The article discusses danmei (or boys love, BL), a fiction genre which occupies a special place in Chinese pop culture. Despite the fact that these entertainment stories are characterized by a love line between male characters, the authors and consumers of Chinese BL are primarily heterosexual women. Danmei has become popular not only in China itself, but also in many other countries, which adds relevance to the study of its reception by the Russian audience. First of all, this applies to web series television adaptations of network BL novels available to the world audience. The research focus
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Wang, Aiqing. "Contemporary Danmei Fiction and Its Similitudes with Classical and Yanqing Literature." JENTERA: Jurnal Kajian Sastra 10, no. 1 (2021): 127. http://dx.doi.org/10.26499/jentera.v10i1.3397.

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Danmei, aka Boys Love, is a salient transgressive genre of Chinese Internet literature. Since entering China’s niche market in 1990s, the danmei subculture, predominantly in the form of original fictional creation, has established an enormous fanbase and demonstrated significance via thought-provoking works and social functions. Nonetheless, the danmei genre is not an innovation in the digital age, in that its bipartite dichotomy between seme ‘top’ and uke ‘bottom’ roles bears similarities to the dyad in caizi-jiaren ‘scholar-beauty’ anecdotes featuring masculine and feminine ideals in literar
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Wang, Aiqing. "Cliché-ridden Online Danmei Fiction? A Case Study of Tianguan ci fu." Acta Asiatica Varsoviensia 35 (2022): 281–314. http://dx.doi.org/10.60018/acasva.iray5065.

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Popular literature online is often misconstrued as being cliché-ridden and formulaic, and has thus not attained as much critical attention as ‘serious’ literature. I propound that popular literature published in China’s cyberspace deserves more attention and hermeneutic scrutiny, and I place an emphasis on danmei (耽美) fiction that features male-male romantic and/or erotic relationships and is predominantly published on a female-oriented website called Jinjiang Literature City. In this research, I investigate an online danmei novel entitled Tianguan ci fu (天官赐福) that concerns a homosexual roman
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Ge, Liang. "Problematizing heteronormativity: Performativity, resignification and A/B/O fiction in Chinese danmei literature." East Asian Journal of Popular Culture 7, no. 2 (2021): 241–54. http://dx.doi.org/10.1386/eapc_00051_1.

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The literary form of danmei, in which male–male romance and/or erotica is portrayed, is a flourishing genre in China which has received significant attention from academia in recent years. This article focuses on a notorious subgenre of danmei, A/B/O fiction, which introduces three additional sexes, alpha, beta and omega, into mankind, alongside the male/female binary sex/gender system. By focusing on a popular but atypical example of this subgenre, this study aims to contribute to the understanding of how female danmei writers constantly question the hierarchical and heteronormative system in
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Wang, Aiqing. "Xiazhui: The Real Person Slash Novel that Triggers the Blockage of AO3 in China." Language Circle: Journal of Language and Literature 17, no. 2 (2023): 228–41. http://dx.doi.org/10.15294/lc.v17i2.35356.

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Owing to its dual correlation with homosexuality and eroticism, danmei (Boys Love) in China is subject to state censorship, so in a hit online serial The Untamed adapted from a popular danmei novel, the male-male relationship between protagonists has been expurgated. Obsessed with the romance in the original narrative yet dissatisfied with the officially sanctioned adaptation, fangirls create fanfiction, including real person slash (RPS) based on the leading actor Xiao Zhan and his co-star from the The Untamed. Xiao’s fans reported a piece of RPS titled Xiazhui and Archaic of Our Own (AO3) tha
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Wang, Aiqing. "Xiazhui: The Real Person Slash Novel That Triggers The Blockage of AO3 in China." Journal Communication Spectrum 13, no. 1 (2023): 13–29. http://dx.doi.org/10.36782/jcs.v13i1.2159.

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Owing to its dual correlation with homosexuality and eroticism, danmei (Boys Love) in China is subject to state censorship, so in a hit online serial The Untamed adapted from a popular danmei novel, the male-male relationship between protagonists has been expurgated. Obsessed with the romance in the original narrative yet dissatisfied with the officially sanctioned adaptation, fangirls create fanfiction, including real person slash (RPS) based on the leading actor Xiao Zhan and his co-star from the The Untamed. Xiao’s fans reported a piece of RPS titled Xiazhui and Archaic of Our Own (AO3) tha
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Wang, Aiqing. "‘Rotten’ Boy Readers of Danmei Fiction: Masculinity and Escapism." İSTANBUL AYDIN ÜNİVERSİTESİ INTERNATIONAL JOURNAL OF MEDIA CULTURE AND LITERATURE 8, no. 1 (2015): 1–28. http://dx.doi.org/10.17932/iau.ijmcl.2015.014/ijmcl_v08i1001.

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Madill, Anna, Yao Zhao, and Liheng Fan. "Male‒male marriage in Sinophone and Anglophone Harry Potter danmei and slash." Journal of Graphic Novels and Comics 9, no. 5 (2018): 418–34. http://dx.doi.org/10.1080/21504857.2018.1512507.

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Dissertations / Theses on the topic "Danmei"

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Hu, Francesca Lin Feng <1996&gt. "Word of Honor: il successo del genere danmei in Cina e proposta di sottotitolaggio di un drama con commento traduttologico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20393.

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Negli ultimi decenni la letteratura elettronica ha conquistato un pubblico di lettori sempre maggiore in Cina. Tra questa letteratura spicca il genere danmei, derivante dal genere giapponese tanbi, il quale celebra l’amore omosessuale tra personaggi maschili e da un genere di nicchia è diventato un genere assai apprezzato fra giovani donne cinesi, attraendo di conseguenza gli investimenti per l’adattamento dei romanzi di questo genere in opere audiovisive, i danmei drama. La tesi è composta da tre capitoli, nel primo l’autrice partendo dalle origini della letteratura elettronica in Cina, prese
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Chen, Xin. "Boys' Love (Danmei) fiction on the Chinese internet : Wasabi Kun, the BL forum Young Nobleman Changpei, and the development of an online literary phenomenon." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/62892.

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This study is a brief history of the development of danmei 耽美, or Boys’ Love (BL) fiction on mainland Chinese websites. Focusing on Gongzi Changpei 公子长佩 (Young Nobleman Changpei) – a danmei forum –and writings by the danmei author Wasabi Kun 芥末君, it conducts a case study of danmei as a literary phenomenon, encompassing factors such as industry, aesthetics, and community, including reader response. In sketching the ecology of one type of online literature, this study draws on primary literary texts, online reader responses by so-called fu nü 腐女 (“rotten girls”), industry data, and previous sc
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Danner, Daniel [Verfasser], and Dirk [Akademischer Betreuer] Hagemann. "Cognitive ability beyond IQ / Daniel Danner ; Betreuer: Dirk Hagemann." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/1179230248/34.

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Kownatzki-Danger, Daniel [Verfasser]. "Phospholamban - Identification of novel interaction partners / Daniel Kownatzki-Danger." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1234846853/34.

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Barry, Julia. "Adapting and integrating elements of best practice in dancer wellness in elite adolescent pre-professional dance programmes into private dance studio contexts." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/214099/1/Julia_Barry_Thesis.pdf.

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Awareness of the well-being of adolescent dance students is important for their health, safety, performance ability and longevity of participation in dance. This research project investigated current strategies for supporting adolescent dance student physical, psychological, and social well-being (i.e., dancer wellness) within elite pre-professional dance training programmes and private dance studios in Australia, identifying strengths and challenges in the implementation of dancer wellness programmes. The findings offer considerations for private dance studio teachers on potential strategies
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Fleischle-Braun, Claudia. "Der Moderne Tanz : Geschichte und Vermittlungskonzepte /." Butzbach-Griedel : Afra, 2001. http://catalogue.bnf.fr/ark:/12148/cb389105358.

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Henderson, Bryant. "An Inquiry Into Men's Experiences In Collegiate Dance." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22683.

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This qualitative research study was designed to gain a deeper, more profound understanding of the lived experiences of collegiate male dancers. Through three phases of research, this study uncovered societal and familial obstacles collegiate male dancers often endure during their dance journeys, and describes how males navigate and transcend them. Extensive interviewing offers detailed glimpses into the lives of 9 male students who participate in collegiate dance programs. The study reveals participants’ dance experiences prior to and during college; recognizes and questions common factors tha
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Ducreux, Jessy. "La danse contemporaine à l'épreuve du cinéma et de la vidéo : quels regards pour quelles expériences ?" Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H307.

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Ce travail de recherche a pour objectif de mettre en avant la rencontre cinéma-danse à partir d'une libération des soubassements métaphysiques de l'art, ce faisant un instrument de médiation d'un ordre supérieur à l'artiste dont l'activité se réglait à la lumière d'un idéal éthico-politique, source d'inspiration du thème de l'ailleurs. Le cinéma est ce nouvel espace où la danse s'invente un autre corps en dehors d'une réglementation des pratiques et des usages, d'une pédagogie par le biais de laquelle les affections du corps étaient corrigées en miroir des œuvres de l'esprit. Le fait que le ci
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Goff, Moira. "Art and nature join'd : Hester Santlow and the development of dancing on the London stage, 1700-1737." Thesis, University of Kent, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342135.

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Gouy, Audrey. "La danse étrusque (VIIIe-Ve siècle avant J.-C.) : étude anthropo-iconologique des représentations du corps en mouvement dans l'Italie préromaine." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP044.

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A partir de la seule documentation disponible, à savoir l’iconographie, il a été dressé un corpus de 526 objets, tous supports confondus, à partir de l’Etrurie tyrrhénienne, de l’Etrurie campanienne et de l’Etrurie padane. Cette thèse propose dans un premier temps, en plus de justifier et de délimiter le corpus des scènes de la danse étrusque et de poser les fondements historiographiques, de penser et définir la représentation même de la danse. Quels éléments dans l’image permettent de définir une scène de danse comme telle ? S’agit-il véritablement de danse ? La confusion que l’on note dans l
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Books on the topic "Danmei"

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Xiu, Mo Xiang Tong. Scum Villain's Self-Saving System: Ren Zha Fanpai Zijiu Xitong Vol. 2. Seven Seas Entertainment, LLC, 2022.

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Yang, Ling. Xin shi ji wen xue yan jiu de chong gou: Yi Guo Jingming he dan mei wei qi dian de tan suo = Reconfiguring literary studies in the 21st century : an exploration with Guo Jingming and danmei. Xiamen da xue chu ban she, 2019.

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Miyata, Itsumi. Danhei oshinariki. Iwakuni Chōkokan, 1987.

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Tai, Hikosaka. Dansei shinwa. Komichi Shobō, 1991.

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(Organization), CoupleDanceWorld, ed. 1000 novelty & fad dances: A guide to how these are danced. AuthorHouse, 2009.

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Gladys, Laubin, ed. Indian dances of North America: Their importance to Indian life. University of Oklahoma Press, 1989.

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Qian, Yingqiu. Danmai shi lü. Ha'erbin chu ban she, 1993.

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translator, Wang Minwen, ed. Danmai nü hai. Mai tian chu ban, 2015.

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Lemaire, Claudine. Les basses danses de Marguerite d'Autriche =: Das Tanzbüchlein der Margarete von Österreich : vollständige Faksimile-Ausgabe im Originalformat der Handschrift MS 9085 aus dem Besitz der Bibliothèque royale Albert Ier, Bruxelles. Kommentarband. Akademische Druck- u. Verlagsanstalt, 1988.

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1871-1937, Fukuzawa Yasue, and Hakubunkan, eds. Chōsen shakaishi no danmen. Ryūkei Shosha, 2009.

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Book chapters on the topic "Danmei"

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Ni, Zhange. "Chinese Danmei: Male-Male Romance, Women’s Fantasy, and the Feminization of Labor in the Digital Age." In The Palgrave Handbook of Global Fantasy. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-26397-2_11.

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Dickey, Sara. "Who's Performing When the God Dancer Dances?" In The Routledge Companion to the Anthropology of Performance. Routledge, 2023. http://dx.doi.org/10.4324/b23216-13.

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Marti, Andreas. "333 Danket dem Herrn! Wir danken dem Herrn." In Liederkunde zum Evangelischen Gesangbuch. Heft 31. Vandenhoeck & Ruprecht, 2023. http://dx.doi.org/10.13109/9783666503627.29.

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Biskop, Gunnel. "12. Collecting Minuets among the Swedish-speaking Population in Finland." In The Nordic Minuet. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0314.12.

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The chapter examines the documentation of minuet traditions in Swedish-speaking Finland from the late nineteenth until the end of the twentieth century. A special attention is paid to the significant work of Yngvar Heikel who collected folk dances, minuets among others, from all Finnish-Swedish regions during the 1920s and 30s. Thanks to his documentation, it is known how the minuet was danced in the early twentieth century. His particular merit is that the complicated habits connected to the ceremonial dances at weddings are known today. The later film recordings, in turn, provide an understanding of how the minuets were danced in the late 1900s.
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Zinzius, Birgit. "Die danwei." In Der Schlüssel zum chinesischen Markt. Gabler Verlag, 1996. http://dx.doi.org/10.1007/978-3-322-87109-1_11.

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Andersson, Göran, and Elizabeth Svarstad. "19. New Forms and Contexts of the Minuet in the Nordic Countries." In The Nordic Minuet. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0314.19.

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The chapter examines various revival movements engaged with the minuet in the Nordic countries. The term revival refers here to attempts and efforts to bring back into practice dances that are about to lose their position as regular social dances. They may also have been out of use so long that they can only be reconstructed from descriptions or composed as new dances with references to historical sources. In particular, the chapter discusses the activities of dance groups whose repertoires mainly consist of historical dances of upper classes.
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Yang, Ling, and Yanrui Xu. "Chinese Danmei Fandom and Cultural Globalization from Below." In Boys' Love, Cosplay, and Androgynous Idols. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888390809.003.0002.

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By tracing the trajectory of Chinese danmei fandom in the past two decades, this chapter explores the possibility of danmei as a model of grassroots globalization. The chapter focuses on three key aspects of Chinese danmei fandom: the establishment of online and offline infrastructures, the formation of different danmei circles, and the emergence of a women-dominated online public sphere. The authors seek to use the example of danmei fandom to challenge the masculinized, top-down model of thinking about transnational cultural flows that overemphasizes national origin, the industrial player, the official economy, and the competition for soft power at the expense of other glocalized, noninstitutionalized, nonprofit, noncompetitive ways of cultural exchange.
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Germano, Ana Beatriz Da Silva Baptista. "ARTIFÍCIOS NARRATIVOS DO GÊNERO DANMEI E A SUA POPULARIZAÇÃO." In Educação, Linguagem e Sociedade em Pesquisa - Volume 2. Editora Científica Digital, 2023. http://dx.doi.org/10.37885/221211473.

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Hoje, a China é uma das maiores potências político-econômica no mundo. Mas, além disso, essa nação também se destaca na sua riqueza cultural. Com o avanço da tecnologia, gêneros literários chineses começaram a fazer sucesso, não só na China como no mundo todo. Desse modo, foi realizada uma revisão da literatura com o intuito de apresentar esses gêneros, discorrendo sobre como são vistos na sociedade e quais são seus elementos narrativos. Também foram abordados possíveis motivos para a popularização do gênero na internet ao redor do mundo. Com base no que foi apresentado, observa-se que mesmo sem um evidente soft power, a China é capaz de exercer uma influência cultural no mundo por meio dos gêneros wuxia, xianxia, xuanhuan e danmei. Entretanto, também foi possível notar que apesar de popular, o danmei não é facilmente debatido, podendo ser relacionado com a forma como as relações homoafetivas ainda são vistas no mundo.
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Lin, Xi. "3 Breaking the Structural Silence: The Sociological Function of Danmei Novels in Contemporary China." In Queer Transfigurations. University of Hawaii Press, 2022. http://dx.doi.org/10.1515/9780824892234-006.

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Gennaro, Liza. "Introduction." In Making Broadway Dance. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190631093.003.0001.

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I come to my interest in musical theater dance genetically. My father, Peter Gennaro, was a Tony Award winning choreographer and star dancer/choreographer on Broadway and television variety shows. My mother was a ballerina-turned-Broadway-dancer who danced for Bronislava Nijinska, Agnes de Mille, and Michael Kidd. My father, before becoming a choreographer in his own right, danced for Katherine Dunham, Hanya Holm, Michael Kidd, Bob Fosse, and Jerome Robbins. My parents were voracious dance and theater goers and I spent my childhood and teenage years seeing great dance and theater that included Judith Jamison in the premiere of Alvin Ailey’s “Cry,” Mikhail Baryshnikov’s first performances with The American Ballet Theatre, the premiere performance of Jerome Robbins’ ...
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Conference papers on the topic "Danmei"

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Chandnasaro, Dharakorn. "The Series of Archaeological Dance: A Historical Study and Dance Move Recording with Labanotation | ระบำ􀄕ชุดโบร􀄕ณคดี: ก􀄕รศึกษ􀄕เชิงประวัติศ􀄕สตร์ และก􀄕รบันทึกท่􀄕ร 􀄕ด้วยล􀄕บ􀄕นโนเทชัน". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-26.

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The Series of Archaeological Dances is a creative work of Thai dance inspired by information and evidence of ancient antiquities and sites discovered in Thailand to make the archaeological evidence found to be alive again in the form of Thai theatre and dance. The name of the historical period of art identified by the scholars are used to define the names of five performance of the Archaeological Dances, namely, Dvāravatī Dance, Srīvijaya Dance, Lopburi Dance, Chiang Saen Dance, and Sukhothai Dance. Each performance has its own unique style with no related content to each other. This series of
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Takeda, T., K. Kosuge, and Y. Hirata. "HMM-based dance step estimation for dance partner robot -MS DanceR$." In 2005 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2005. http://dx.doi.org/10.1109/iros.2005.1545207.

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Talpa, Svetlana. "Stage folk dance versus character dance." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.09.

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In the article, the author’s main objective is to argue the need to study and capitalize on folk stage dance and character dance by comparatively assigning their methodological and aspectual features. For this purpose, the analytical method of approaching the problem is used, as well as the pedagogical aspect. Performing folk dance and character dance exploits the capacity of the mind of both a professional dancer (ballet artists) and of an amateur dancer, by educating the body in order to be aware of each movement performed. From a methodological point of view, the stage folk dance and the ch
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Ding, Yuanyuan, and Shuyu Wang. "AIDanceFriend: An Intelligent Mobile Application to Automate the Dance Rating using Artificial Intelligence and Computer Vision." In 13th International Conference on Computer Science, Engineering and Applications (CCSEA 2023). Academy and Industry Research Collaboration Center (AIRCC), 2023. http://dx.doi.org/10.5121/csit.2023.130505.

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In recent years, dance has become a popular entertainment for many people and also an occupation. As a dancer, sometimes it is hard to check how close your cover is vs. the choreographer's because our eyes are not always accurate when we are judging dynamic movement of people, so can artificial intelligence help us to do the work? This paper develops an application which utilizes artificial intelligence, and data analysis skills to develop an application which works on dance scoring [4]. In the application, users can upload two videos, one is their own cover while another one is the original c
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Young, Choi So. "A STUDY ON THE ORIGIN OF CHEOYONG: THE ANCIENT CULTURAL EXCHANGE BETWEEN CENTRAL ASIA AND KOREA." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-18.

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In 879 (or 875), Cheoyong, who appeared with several people wearing unfamiliar appearance and strange clothes, performed singing and dancing in front of the king of Silla. After that, he moved to the capital with the king, and it is believed that he performed there. According to the legend, Cheoyong, who came in late at night after performing, found that the god of smallpox was with his wife, sang and danced without anger. The god, who saw Cheoyong's behavior, said he would not invade the place where his image was painted, so his portrait later served as an amulet to prevent disease and ghosts
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Uspuriene, Aiste Barbora. "COMMUNICATION PECULIARITIES OF ADOLESCENTS ATTENDING IN DANCE ACTIVITIES." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-508527.

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Dance is related to the peculiarities of communication between teenagers, because the essence of these dances is the performance of dance in a couple, During dance classes, adolescents have the opportunity to acquire excellent communication skills, to consciously discover and improve their weak points, to raise their communication level to a higher, more enjoyable level, There is lack of literature on communication between dancers of all ages and skill levels, There is a significant lack of scientific data on the impact of dance on adolescent communication.
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Takeda, Takahiro, Yasuhisa Hirata, Zhidong Wang, and Kazuhiro Kosuge. "HMM-based Error Detection of Dance Step Selection for Dance Partner Robot -MS DanceR-." In 2006 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2006. http://dx.doi.org/10.1109/iros.2006.282285.

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Leick, Eva. "Encircling Transnational Peace through Khaita – Joyful Dances." In 8th Peace and Conflict Resolution Conference [PCRC2021]. Tomorrow People Organization, 2021. http://dx.doi.org/10.52987/pcrc.2021.004.

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Abstract This article investigates how Khaita- Joyful Dances promote an understanding of peace from a transrational and Buddhist perspective. Khaita dances have been created by the Buddhist Dzogchen master Namkhai Norbu as a practice of presence and collaboration, promoting an inner attitude of peace spreading from the individual to the group. Peace is hereby understood as a multi-faceted, intra- as well as interpersonal, dynamic state perceived and experienced not only by the intellectual mind but also through the body and subtle energies. This article is structured in three parts. First, I w
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Kim, Yoonji, Donggi Jung, Sehwi Park, Jumin Chi, Taewoo Kim, and Seny Lee. "The Shadow Dancer: A New Dance Interface with Interactive Shoes." In 2008 International Conference on Cyberworlds (CW). IEEE, 2008. http://dx.doi.org/10.1109/cw.2008.127.

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Wen, Jiqing, Xiaopeng Li, James She, Soochang Park, and Ming Cheung. "Visual Background Recommendation for Dance Performances Using Dancer-Shared Images." In 2016 IEEE International Conference on Internet of Things (iThings) and IEEE Green Computing and Communications (GreenCom) and IEEE Cyber, Physical and Social Computing (CPSCom) and IEEE Smart Data (SmartData). IEEE, 2016. http://dx.doi.org/10.1109/ithings-greencom-cpscom-smartdata.2016.120.

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Reports on the topic "Danmei"

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Enoch, Elizabeth. Mosaic Dance. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-561.

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Burch, Kaitlyn. Dance Lessons. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.256.

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Kadac-Czapska, Kornelia, and Małgorzata Grembecka. The mysterious danger of microplastics. Edited by Reece Hooker. Monash University, 2023. http://dx.doi.org/10.54377/e7c8-7412.

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Creger, Michael. Dance of Dreams. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6775.

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Lemos, Tania, and Meghan Harris. STEM Night at Daniel Butler Elementary. Brandeis University Materials Research Science Engineering Center, 2019. http://dx.doi.org/10.26812/scilinkreports.8.

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Stevens A. J. Estimated induced activity using danger parameters. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/1157482.

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Goldie, James. Interactive: Fire danger days are growing. Monash University, 2023. http://dx.doi.org/10.54377/3a98-8950.

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Mosby, Shea Morgan, and Aaron Joseph Couture. Digital acquisition with DANCE. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1207745.

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Moore, G. M. Radiological Weapons: How Great Is The Danger? Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/15007319.

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Vardoulakis, Sotiris, Veronica Matthews, Linda Payi Ford, et al. Danger of poor housing in remote communities. Edited by Chris Bartlett. Monash University, 2023. http://dx.doi.org/10.54377/0722-8bd8.

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