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Dissertations / Theses on the topic 'Danse salsa'

Author: Grafiati

Published: 22 June 2024

Last updated: 31 July 2025

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Consult the top 26 dissertations / theses for your research on the topic 'Danse salsa.'

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1

Pontal-Sanchez, Marion. "La danse salsa en France : Transmission de techniques et genèse de corporéités interculturelles." Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://www.theses.fr/2022COAZ2041.

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La danse salsa est une pratique musico-chorégraphique hybride qui entremêle les propriétés techniques et esthétiques à la fois d'une danse, d'un univers culturel, d'un art du spectacle mais aussi d'un genre musical. Le nouveau contexte de la scène au sein de laquelle cette danse populaire évolue s'est avéré déterminant pour la reconnaissance et le développement de la création chorégraphique. Les festivals spécialisés de salsa se sont multipliés à partir des années 2000, invitant les danseurs français à s'approprier une danse venant d'une culture éloignée. Affectée par les facteurs historiques,

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2

Person, Elise. "Le langage de la salsa : étude culturelle et lexicologique des musiques populaires dans la Caraïbe hispanique." Brest, 2000. http://www.theses.fr/2000BRES1011.

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Cette thèse propose une approche culturelle et lexicale de la chanson populaire caraïbe dans quatre zones : Cuba, Porto Rico (et New York), la République dominicaine et la Colombie. La première partie est une introduction d'ordre historique, culturel et littéraire qui donne les informations essentielles quant à la naissance et l'évolution des principaux rythmes ruraux et urbains de la caraïbe. Ces musiques donnent naissance ensuite à la salsa urbaine à New York. La salsa se propage ensuite dans les pays de la caraïbe où elle fusionne avec les musiques locales. Une analyse thématique permet de

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3

Baker, Christina. "Salsa's moves and salsa's grooves in Mexico City." Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464670.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 2, 2009). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 112-118).

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4

Marion, Jonathan Saul. "Dance as self, culture, and community the construction of personal and collective meaning and identity in competitive ballroom and salsa dancing /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3213856.

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Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed June 27, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 853-893).

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5

Gainer, Natalie. "Dancing Latinidad: Salsa Practices and Latino/a Identity at Brasil's Nightclub." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/396279.

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Dance<br>M.A.<br>This thesis investigates Brasil’s Nightclub, a Philadelphia salsa club, as a site at which notions of Latino/a identity are produced and performed. Research for the thesis was conducted over the course of five months and was ethnographic in nature. From February 2016 until June 2016, the author attended Brasil’s Nightclub and collected participant observations and interviews. Findings reveal how the club accommodates multiple conflicting narratives of Latino/a identity and how these narratives are embodied through salsa dance practices.<br>Temple University--Theses

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6

González, Smeja Alba Marina. "Salsa Nómada. Escena musical, bailable e itinerante de la salsa brava en Barcelona." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397701.

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Este trabajo de investigación es un aporte etnográfico e histórico sobre la sociedad barcelonesa a través de su cultura, su música y su salsa. Para la realización de esta contribución me he centrado en un sector muy específico de la escena musical salsera identificada con un estilo de salsa que evoca su origen diaspórico, marginado, bravo y el cual ha terminado siendo rememorado, legitimado e identificado como símbolo de alta y heterogénea cultura salsera. Además, un estilo musical que ha adquirido relevancia social en Barcelona a través de diferentes espacios en los que confluyen la sociabili

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7

Enríquez, Arana Eddy Magaliel. "The dynamics of salsiology in contemporary Germany reconstructing German cultural identity through salsa music and dance /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1177697944.

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8

Poole, A. I. "Groove in Cuban dance music : an analysis of son and salsa." Thesis, Open University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680519.

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9

Pietrobruno, Sheenagh. "Salsa and its transnational moves : the commodification of latin dance in Montreal." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38417.

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In Montreal, salsa dancing is both an expression of Latin identity and a cultural commodity. Many Montrealers of Latin descent adopt salsa dance as part of their cultural heritage only after arriving in Canada, connecting, through salsa, to a transnational Latin identity that crosses the Americas. This situation illustrates how cultural affiliations are not necessarily fixed, but can be acquired in response to changing circumstances. Since salsa is not indigenous to the city, residents of Montreal can only access it through cultural institutions and community media outlets. This commodificatio

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10

Escalona, Saúl. "Négritude et chanson dans les Carai͏̈bes : contribution à l'étude de la salsa comme phénomène socioculturel dans le Vénézuela contemporain." Paris 3, 1997. http://www.theses.fr/1997PA030061.

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Cette these essaie d'explorer le developpement de la musique salsa et le phenomene socioculturel qu'elle constitue dans la societe venezuelienne. Partant d'une analyse historique nous avons situe le contexte de l'evolution de la musique afro-cubaine, son expansion dans les caraibes hispaniques jusqu'a sa transformation en musique afro-caraibe, puis, plus recemment jusqu'a l'acquisition du nom de "salsa". En utilisant la technique de l'analyse de contenu que nous avons appliquee a un corpus de deux cents chansons representatives de ce genre musical, nous avons etabli une typologie de chansons d

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11

Enríquez, Arana Eddy M. "THE DYNAMICS OF SALSIOLOGY IN CONTEMPORARY GERMANY: RECONSTRUCTING GERMAN CULTURAL IDENTITY THROUGH SALSA MUSIC AND DANCE." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1177697944.

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12

Ammar, Hakim. "Les monuments des eaux à Sala dans l'Antiquité." Paris 1, 2007. http://www.theses.fr/2007PA010563.

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Intitulée Les Monuments des eaux à Sala dans l'Antiquité, cette recherche s'inscrit dans la continuité des travaux conduits sur l'hydraulique en Maurétanie tingitane. Elle a permis de parvenir à des résultats importants. Notre travail s'articule en trois parties. La première partie donne un aperçu sur les citations de Sala et de Chellah dans les sources classiques et arabes, ainsi qu'un historique concernant les recherches qui ont été faites sur cette cité et sur ses abords immédiats. La seconde jette un éclairage sur les them1es du forum. La troisième porte sur quatre autres monuments à savoi

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13

Hansali, Meriem. "Le quartier à vocation artisanale et commerciale de "Sala" dans l'Antiquité." Paris 1, 2012. http://www.theses.fr/2012PA010629.

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Proche du centre monumental et s'inscrivant dans le schéma urbain du site, le quartier à vocation artisanale et commerciale de « Sala » n'est donc pas isolé ou implanté à la périphérie de la ville. Ce quartier est composé de trois pressoirs, d'éléments de boulangerie, de boutiques ainsi que d'espaces qui semblent avoir servi à l'usage privé des artisans ou des commerçants. Le présent travail a pour bit, d'une part, de présenter de façon détaillée ces diverses composantes du quartier à vocation artisanale et commerciale et de retracer leur histoire à travers une série de sondages que nous y avo

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14

Osborn, Shyla Elizabeth. "Hybrid spectacles: Performance and power in the circulation of Latinidad /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181119.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 264-268). Also available for download via the World Wide Web; free to University of Oregon users.

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15

Figueiredo, Valeska Marlete Guimarães. "Trajetórias desviantes = implicações estéticas e políticas na dança da Cia Borelli e do Núcleo Artístico Vera Sala." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284420.

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Orientador: Marília Vieira Soares<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-20T08:03:41Z (GMT). No. of bitstreams: 1 Figueiredo_ValeskaMarleteGuimaraes_D.pdf: 5415097 bytes, checksum: b6283eedb567edcc445c4eb7d83576a5 (MD5) Previous issue date: 2012<br>Resumo: Esta tese busca entender como que, numa dança, a noção de corpo e a disposição espacial da cena expõem uma postura política, bem como constroem uma concepção de mundo. A dança não está apartada das esferas sociais, econômicas e políticas, pois ela é, por elas, cons

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16

Rocha, Francisco Alberto. "Figurações do ritmo: da sala de cinema ao salão de baile paulista." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06072007-103450/.

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A presente investigação analisa a difusão de determinado repertório e estética musical imbricados ao fenômeno da dança e prática dos bailes, no contexto de modernização de São Paulo. Particularmente, abordamos o momento em que uma nova centralidade redesenhou sua fisionomia urbana grosso modo entre meados de 1930 e 1950. Nesse cenário, tal musicalidade, não apenas se mesclou de maneira singular às representações do moderno, como também fomentou no imaginário da metrópole emergente certo ideal de progresso e modernidade. A análise apreende o sentido desse repertório musical no entrecruzamento

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17

FRANÇA, FERNANDA CRISTINA PUÇA. "Marcadores discursivos em língua francesa: o uso de alors, donc, mais e bien no discurso de sala de aula." Universidade Federal de Pernambuco, 2007. https://repositorio.ufpe.br/handle/123456789/20186.

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Submitted by Rafael Santana (rafael.silvasantana@ufpe.br) on 2017-08-01T18:06:47Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Marcadores Discursivaos em lingua francesa - Fernanda França.pdf: 526617 bytes, checksum: bdb05add25db7ba5b7c4de07f30671ae (MD5)<br>Made available in DSpace on 2017-08-01T18:06:47Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Marcadores Discursivaos em lingua francesa - Fernanda França.pdf: 526617 bytes, checksum: bdb05add25db7ba5b7c4de07f30671ae (MD5) Previous is

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18

de, Souza Maria Aparecida. "Dramaturgia de la polifonía un estudio sobre las prácticas de enseñanza y aprendizaje de las escrituras dramáticas en el obrador internacional de la sala Beckett de Barcelona." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/327308.

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Esta tesis surge de la necesidad de reflexionar sobre los procesos de enseñanza y aprendizaje de escrituras dramáticas relacionada con la evolución del drama contemporáneo, mas específicamente, a partir del regreso del texto teatral que ha despuntado a partir de la década de los ochenta en varios países europeos. En lo que respecta a la perspectiva pedagógica, la dramaturgia producida a partir de este período, se presenta a la práctica docente como un campo de estudio nuevo, exigiendo nuevos planteamientos estéticos y nuevas metodologías de aprendizaje. Dentro de los supuestos teóricos

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19

Garcia, Moratinos Pilar, and de Salas José Pellicer. "Un florilège courtisan dans l'Espagne baroque : étude et édition de l'Anfiteatro de Felipe el Grande de José Pellicer (1631)." Paris 4, 1999. http://www.theses.fr/1999PA040142.

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On trouvera dans cette thèse (en 2 volumes) l'étude et l’édition annotée de l'Anfiteatro de Felipe el Grande, publié à Madrid en 1631 par Jose Pellicer. Il s'agit d'un ouvrage de circonstance, dont la publication est motivée par un "exploit" royal : le tir d'arquebuse par lequel Philippe IV frappa d'une blessure mortelle à la tête un taureau au cours d'un spectacle de cirque (une lutte de bêtes sauvages). Pellicer, chroniqueur de Castille et Léon, réunit et publie immédiatement une centaine de poèmes (de 89 auteurs différents), qu'il fait précéder par de longs préliminaires rédigés de sa propr

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20

Connelly, Christine Diane. "Cross-body lead, counterbody motion : political and poetic notes towards a sociology of globalization, nation-building and transcultural performativity in Toronto salsa /." 2006. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=442492&T=F.

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21

Šafaříková, Klára. "Význam salsy v životě rekreačních tanečníků." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-436666.

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The aim of the diploma thesis is to map the meanings of salsa in the life of recreational dancers. Pair salsa dance was intentionally chosen as a representative of the so-called social dance group, which is characterized by its unique improvisation and self-expression. The theoretical part will be devoted to key topics focused on salsa dance and improvisation, phenomenon of flow, self-transcendence, expression of emotions, dance movement therapy. In the theoretical part, we were interested in other professional research with similar topics. The empirical part of the diploma thesis deals with t

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22

Smutná, Petra. ""Nosotros no bailamos así": Salsa jako globální komercializovaný fenomén v lokálním prostředí." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435551.

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This thesis deals with the musical and dance style known as "Salsa" which roots can be traced to the Caribbean of Latin America. In this work, salsa is investigated as a global phenomenon in the local context of Prague and at the same time as a commercialized product. In terms of salsa as a global phenomenon, the work deals with the characteristics of salsa as a social dance in the local context and tries to trace its social functions. In addition to the effects of the commercialization and tropicalized ideas of salsa and Latin American cultures on its form, the thesis also touches on topics s

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23

Radakovich, Jennifer. "Movement Characteristics Of Three Samoan Dance Types: Ma'ulu'ulu, Sasa And Taualuga." Thesis, 2004. http://hdl.handle.net/10125/10429.

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24

Ozcimder, Hasan Kayhan. "Communicating through motion in dance and animal groups." Thesis, 2015. https://hdl.handle.net/2144/15193.

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This study explores principles of motion based communication in animal and human group behavior. It develops models of cooperative control that involve communication through actions aimed at a shared objective. Moreover, it aims at understanding the collective motion in multi-agent models towards a desired objective which requires interaction with the environment. In conducting a formal study of these problems, first we investigate the leader-follower interaction in a dance performance. Here, the prototype model is salsa. Salsa is of interest because it is a structured interaction between a l

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25

Charon, Cardona Euridice T. "No Little Havana: recreating Cubanness in Sydney Australia." Thesis, 2008. http://hdl.handle.net/1959.13/31742.

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Research Doctorate - Doctor of Philosophy (PhD)<br>This thesis explores the ways in which Cuban identity is expressed, understood, maintained and recreated by Cuban migrants in Sydney and the wider Australian society. Initially, the analysis focuses on some of the most visible ethnic markers used by people outside the Cuban community to recreate Cubanness: politics, through the promotion of Cuba as a ‘socialist paradise’ by leftist Australian organizations and solidarity groups with Cuba; and music and dance, taking as an example the salsa boom in Sydney, and the advertising of Cuba as an exot

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Charon, Cardona Euridice T. "No Little Havana: recreating Cubanness in Sydney Australia." 2008. http://hdl.handle.net/1959.13/31742.

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Research Doctorate - Doctor of Philosophy (PhD)<br>This thesis explores the ways in which Cuban identity is expressed, understood, maintained and recreated by Cuban migrants in Sydney and the wider Australian society. Initially, the analysis focuses on some of the most visible ethnic markers used by people outside the Cuban community to recreate Cubanness: politics, through the promotion of Cuba as a ‘socialist paradise’ by leftist Australian organizations and solidarity groups with Cuba; and music and dance, taking as an example the salsa boom in Sydney, and the advertising of Cuba as an exot

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