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Journal articles on the topic 'Dante'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Nadrchal, Jaroslav, Jiri Rogalewicz, and Jiri Vesely. "DANTE." Zpravodaj Československého sdružení uživatelů TeXu 1, no. 1 (1991): 18–20. http://dx.doi.org/10.5300/1991-1/18.

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2

Földi, András. "Jog és költészet a Dante-fordításokban: tűnődések az Isteni színjáték Babits- és Nádasdy-féle fordítása kapcsán." Állam-és Jogtudomány 65, no. 4 (2024): 6–29. https://doi.org/10.51783/ajt.2024.4.02.

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Nádasdy Ádám 2016-ban tette közzé első kiadásban Dante Isteni színjátékának új magyar fordítását. Dante halálának 700. évfordulója 2021-ben alkalmat adott a jelen tanulmány szerzőjének arra, hogy a 2021. évi „Jog és irodalom” c. konferencián megossza gondolatait a Nádasdy-fordításnak a klasszikusnak számító Babits-fordításhoz való viszonyáról. E téma vizsgálata során a szerző foglalkozott az Isteni színjáték jogtörténeti vonatkozásaival is Néhány reprezentatív szemelvénynek az olasz eredeti szövegből kiinduló összehasonlító elemzése alapján a szerző a következő főbb konklúziókra jut. Babits fo

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3

Largaiolli, Matteo. "Cattolico poeta e padre della nazione: riflessi danteschi nel pensiero politico di Alcide De Gasperi." Deutsches Dante-Jahrbuch 93, no. 1 (2018): 179–92. http://dx.doi.org/10.1515/dante-2018-0009.

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ZusammenfassungIn der Geschichte der italienischen Politik hat Dante Alighieri seit jeher eine maßgebliche Rolle gespielt. Dem Dichter und ›Vater der italienischen Sprache‹ begegnet man auch bei Alcide De Gasperi. In den politischen Schriften und Reden des italienischen Staatsmannes wird auf Dante nicht nur in rhetorischem Gestus wiederholt zurückgegriffen (z. B. als Signal eines gemeinsamen kulturellen Hintergrunds); Dante steht vielmehr im Mittelpunkt von De Gasperis politischem Denken, wenn es um die Definition und Konstruktion von Identität, um die Zugehörigkeit zur christlichen Kultur sow

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4

Bloom (book editor), Harold, and Laurie Detenbeck (review author). "Dante." Quaderni d'italianistica 10, no. 1-2 (1989): 337–38. http://dx.doi.org/10.33137/q.i..v10i1-2.10444.

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5

Polgar, Alfred. "Dante." Zeitschrift für interkulturelle Germanistik 12, no. 2 (2021): 164–68. http://dx.doi.org/10.14361/zig-2021-120213.

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6

Pietropaolo, Domenico. "Dante." New Vico Studies 8 (1990): 149–53. http://dx.doi.org/10.5840/newvico1990836.

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7

E. A. W. "Dante." Journal of Education 52, no. 13 (1990): 212. http://dx.doi.org/10.1177/002205749005201305.

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8

Bhowmick, Sourav S., and Xiaokui Xiaokui Xiao. "DANTE." ACM SIGMOD Record 47, no. 2 (2018): 67–72. http://dx.doi.org/10.1145/3299887.3299900.

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9

Scott (book author), John A., and Mary Watt (review author). "Perché Dante? Translation of Understanding Dante." Quaderni d'italianistica 33, no. 1 (2012): 133–34. http://dx.doi.org/10.33137/q.i..v33i1.17091.

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10

Quaini, Andrea. "Daniele e Dante, Daniele in Dante." Colloquium 9788879169301 (April 2020): 105–16. http://dx.doi.org/10.7359/930-2020-quai.

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11

Hoffmann, Susanne M. "Planetarium Dantis: »’l volger del ciel«." Deutsches Dante-Jahrbuch 98, no. 1 (2023): 1–42. http://dx.doi.org/10.1515/dante-2023-0002.

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Zusammenfassung Diese Niederschrift ist eine Abfolge von reichlich bebilderten Erklärungen der Astronomie in der Göttlichen Komödie von Dante Alighieri. Die Textauswahl wurde von Bodo Zöll und Karl-Philipp Ellerbrock in Vorbereitung der Eröffnung der Tagung der Deutschen Dante-Gesellschaft 2022 getroffen. Bei diesem Anlass haben die Professoren Dieter Blume und Edoardo Costadura der Universität Jena Passagen aus der Comedia und Erläuterungen dazu im Planetarium vorgetragen, während ich selbst als Astronomin die Ehre hatte, die geschilderten Passagen live in der Kuppel zu erklären. Diesen Visua

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12

KILIBARDA, Vesna. "NJEGOŠ AND DANTE." Lingua Montenegrina 12, no. 2 (2013): 89–97. https://doi.org/10.46584/lm.v12i2.356.

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Although the issue of Dante’s influence on The Ray of the Microcosmis considered a resolved one, its decades-long presence in the literature about Njegoš testifies that the possibility of finding traces of the influence of the great Italian poet on Njegoš’s poetry has been inspiring to those dealing with the literary work of the greatest Montenegrin poet. The present paper shows the course of the study of relations between the two poets, mainly based on the findings of Njegoš’s spiritual development and his poetic and philosophical reading.

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13

Cachey, Jr. (book editor), Theodore J., and James Chiampi (review author). "Dante Now: Current Trends in Dante Studies." Quaderni d'italianistica 17, no. 2 (1996): 133–35. http://dx.doi.org/10.33137/q.i..v17i2.10118.

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14

Took, John, and Theodore J. Cachey. "Dante Now: Current Trends in Dante Studies." Modern Language Review 92, no. 1 (1997): 214. http://dx.doi.org/10.2307/3734758.

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15

Colilli, Paul, and Theodore J. Cachey. "Dante Now: Current Trends in Dante Studies." Italica 74, no. 3 (1997): 410. http://dx.doi.org/10.2307/479943.

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16

Ferrilli, Sara. "Traiettorie del primo antidantismo: Dante da Maiano, Cino da Pistoia e Cecco d’Ascoli." Deutsches Dante-Jahrbuch 99, no. 1 (2024): 59–93. http://dx.doi.org/10.1515/dante-2024-0005.

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Riassunto Es ist bekannt, dass Dantes Werk von seinen Zeitgenossen sofort geschätzt und anerkannt wurde. Ebenso bekannt ist freilich, dass vor allem die Vita Nova und die Commedia heftige Kritik und Anfechtung hervorriefen, die in einigen Fällen sogar Auswirkungen auf Alighieris persönliche Beziehungen hatten. Der Beitrag wird einige dieser Fälle analysieren und zeigen, wie das Porträt Dantes, das sich daraus ergibt, und die Kritik an seinem Werk, die oft philosophischer und theologischer Natur war, zu wiederkehrenden Motiven des frühen Antidantismus wurden. Die Aufmerksamkeit gilt dem Zyklus

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17

Casadei, Alberto. "Osservazioni semantiche e cronologiche." Deutsches Dante-Jahrbuch 94, no. 1 (2019): 125–39. http://dx.doi.org/10.1515/dante-2019-0006.

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Zusammenfassung Der vorliegende Beitrag revidiert die bisherige Forschung zu den Bezügen zwischen Dantes Brief an Malaspina und der sogenannten »canzone Montanina«, um zu klären, zu welchem Zeitpunkt Dante sie vom Casentino aus nach Lunigiana hatte schicken können. Die vorgeschlagene Datierungshypothese (im fortgeschrittenen Jahr 1307) führt zu neuen Erkenntnissen bezüglich Dantes Biographie und seinem Abbruch des Convivio-Projekts.

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18

Cecchini, Leonardo. "Dantes kristne universalisme og islam: Dante og den europæiske identitet." K&K - Kultur og Klasse 37, no. 108 (2009): 40–57. http://dx.doi.org/10.7146/kok.v37i108.21995.

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Dante’s Christian Universalism and Islam:During the years 2001-2004, when the establishment of a Constitution for Europe was on the EU’s agenda, the suggestion to include a reference to the ‘Christian roots’ of Europe in the Constitution’s Preamble lead to an animated debate. Some Italian Catholic intellectuals (Anna Maria Chiavacci, Giuseppe Reale) took part in the debate and used Dante to illustrate the essential significance of Christianity in the European culture, thereby involving themselves in this debate. Referring to T.S. Eliot’s famous quote (»the culture of Dante was not of one Europ

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19

Risset (book author), Jacqueline, and Enrico Vicentini (review author). "Dante scrittore." Quaderni d'italianistica 10, no. 1-2 (1989): 350. http://dx.doi.org/10.33137/q.i..v10i1-2.10462.

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20

Carugati, Giuliana. "Dante "Mistico"?" Quaderni d'italianistica 10, no. 1-2 (1989): 237–50. http://dx.doi.org/10.33137/q.i..v10i1-2.10433.

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21

Rossi, Paolo L., Eric Haywood, and Barry Jones. "Dante Comparisons." Modern Language Review 83, no. 2 (1988): 468. http://dx.doi.org/10.2307/3731748.

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22

Cacciari, Massimo. "Schelling’s Dante." Rivista di estetica, no. 74 (August 1, 2020): 12–21. http://dx.doi.org/10.4000/estetica.7046.

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23

Ascoli, Albert Russell. "Starring Dante." Religions 10, no. 5 (2019): 319. http://dx.doi.org/10.3390/rel10050319.

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This essay offers an example of a guiding thread in my own research on and teaching of Dante’s Commedia. Specifically, I will follow a strand that leads us from Dante’s encounter with the “bella scola” of classical poets in Inferno Canto 4, through a key scene in the Purgatorio where Dante and his guide Virgil meet the late classical poet Statius, to the remarkable six-canto suite in the Heaven of the Stars, sign of Gemini, in which Dante-poet has Dante-character undergo a series doctrinal tests on the theological virtues. His successful response to the challenges posed by the apostles Peter,

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24

Williams, Pamela, and Eric Haywood. "Dante Readings." Modern Language Review 84, no. 3 (1989): 747. http://dx.doi.org/10.2307/3732480.

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25

Folliero-Metz, Grazia Dolores. "Dante peregrino." apropos [Perspektiven auf die Romania], no. 8 (July 26, 2022): 196–215. http://dx.doi.org/10.15460/apropos.8.1925.

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Il testo della Divina Commedia abbonda di toponimi italiani, fra cui sono presenti anche molti idronimi. A questi ultimi si aggiungono le idrografie immaginate da Dante nell’Oltretomba (Inferno e Purgatorio). Il presente contributo, partendo da alcuni studi classici dei due secoli passati (di A. Bassermann, A. Sacchetto, G. Fallani), analizza il ruolo e la funzione dei toponimi e in particolare degli idronimi all’interno del testo dantesco. È possibile ravvisare in questo elemento uno fra i motori del successo della Divina Commedia in Italia, nella misura in cui i nomi geografici fanno da cern

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26

Zipser, Tadeusz. "Dante współczujący." Italica Wratislaviensia 5, no. 1 (2014): 475–84. http://dx.doi.org/10.15804/iw.2014.05.30.

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27

Pertile, Lino. "Dante popolare." Arzanà 7, no. 1 (2001): 67–90. http://dx.doi.org/10.3406/arzan.2001.897.

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28

Clarke, K. P., and John A. Scott. "Understanding Dante." Sixteenth Century Journal 37, no. 3 (2006): 912. http://dx.doi.org/10.2307/20478089.

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29

Ducrey, Guy. "Dante mélodramatisé." La Revue de la BNU, no. 23 (May 1, 2021): 76–87. http://dx.doi.org/10.4000/rbnu.4450.

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30

Zöll, Bodo. "Dante übersetzen." Deutsches Dante-Jahrbuch 96, no. 1 (2021): 92–100. http://dx.doi.org/10.1515/dante-2021-0023.

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31

Kasper, Judith. "Dada Dante." Deutsches Dante-Jahrbuch 96, no. 1 (2021): 123–32. http://dx.doi.org/10.1515/dante-2021-0026.

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Riassunto Il contributo indaga le modalità con le quali il poeta russo Ossip Mandelstam, nel suo saggio Conversazione su Dante del 1933, si avvicina alla Commedia di Dante e soprattutto alla materia di essa, cioè alla sua qualità linguistica e sonora. Il suo approccio poetico ed esaltato si rivela uno strumento filologico atipico, ricordando a tratti l’eccitazione filologica del romantico Friedrich Schlegel. Il contributo cerca di mostrare in quale misura tale approccio è particolarmente efficace per analizzare la Commedia da un punto di vista poetico, avvicinandola alla poesia dell’avanguardi

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32

Bresolin, Dante. "Dante Bresolin." Revista Dental Press de Ortodontia e Ortopedia Facial 10, no. 5 (2005): 17–22. http://dx.doi.org/10.1590/s1415-54192005000500003.

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33

Charles S. Singleton. "Why Dante." MLN 124, no. 5S (2009): 39–50. http://dx.doi.org/10.1353/mln.0.0217.

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34

Yesilada, Yeliz, Robert Stevens, Simon Harper, and Carole Goble. "Evaluating DANTE." ACM Transactions on Computer-Human Interaction 14, no. 3 (2007): 14. http://dx.doi.org/10.1145/1279700.1279704.

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35

Cialdini, Francesca. "Dante, l'italiano." Italica 98, no. 3 (2021): 682–84. http://dx.doi.org/10.5406/23256672.98.3.14.

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36

Majia, Jidi. "Visiting Dante." Manoa 30, no. 1 (2018): 85. http://dx.doi.org/10.1353/man.2018.0097.

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37

Docherty, Linda J. "Translating Dante." Religion and the Arts 22, no. 1-2 (2018): 194–217. http://dx.doi.org/10.1163/15685292-02201016.

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Abstract Isabella Stewart Gardner’s museum (Fenway Court) owes its distinctive character to the influence of Dante Alighieri. Gardner’s interest in the Italian poet originated in a context of late nineteenth-century Boston’s enthusiasm for his writing and her personal quest for a meaningful life’s work. As a student of Charles Eliot Norton, a member of the Cambridge Dante Society, and a collector of rare editions of The Divine Comedy, Gardner became apprised of issues surrounding literary translation. When she began to study visual images inspired by Dante’s poetry and to acquire European mast

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38

Föcking, Marc. "Dante pfeifen." Deutsches Dante-Jahrbuch 94, no. 1 (2019): 37–56. http://dx.doi.org/10.1515/dante-2019-0003.

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Riassunto Due testi dell’immediato contesto della congiura dei Pazzi del 1478 dimostrano che la popolarità della Commedia, testimoniata da Franco Sacchetti e Leonardo Bruni, potrebbe essere stata strumentalizzata nella Firenze del Quattrocento, nel momento in cui si trattava di discreditare gli oppositori politici in una situazioni di crisi. Il Coniurationis commentarium di Angelo Poliziano e la poesia in terzine »Questo è il tradimento della morte di Giuliano« utilizzano entrambi il tema del traditore degli ultimi due canti dell’Inferno. Entrambi i testi presentano così i Pazzi come i nuovi B

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39

Hollander, Robert. "Boccaccio's Dante." Italica 63, no. 3 (1986): 278. http://dx.doi.org/10.2307/478626.

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40

Parker, Deborah. "Bronzino’s Dante." Dante Studies 135, no. 1 (2017): 156–68. http://dx.doi.org/10.1353/das.2017.0005.

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41

Meier, Franziska. "Defaming Dante." Dante Studies 137, no. 1 (2019): 187–96. http://dx.doi.org/10.1353/das.2019.0011.

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42

O'Donnell, Angela Alaimo. "Dante, Darling." Italian Americana XL, no. 2 (2022): 160. http://dx.doi.org/10.5406/2327753x.40.2.15.

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43

Branelli, Eneo, Filippo Forlani, Chiara Murru, and Giulio Vaccaro. "Dante 2021." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, no. 1 (2023): 503–43. http://dx.doi.org/10.1515/qufiab-2023-0026.

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Abstract The year 2021 witnessed the commemoration of the seven hundredth anniversary of Dante Alighieri’s passing. Across the globe, particularly in Italy, a plethora of undertakings were orchestrated to honor this significant milestone. This paper undertakes an examination of the primary events that transpired in homage to Dante. In particular, in juxtaposition to prior centenaries, the authors center their analysis on initiatives that highlighted the rekindling of interest in Dante within Italy as the progenitor of the Italian language, his pivotal role in the establishment of an Italian co

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44

Brug, Manuel. "dante project." tanz 14, no. 3 (2023): 58. http://dx.doi.org/10.5771/1869-7720-2023-3-058-2.

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45

Took, John, and Henry Ansgar Kelly. "Tragedy and Comedy from Dante to Pseudo-Dante." Modern Language Review 87, no. 1 (1992): 216. http://dx.doi.org/10.2307/3732378.

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46

Schreiber, Sylvia. "Mein Weg zu Dante – Dante für mich heute." Deutsches Dante-Jahrbuch 96, no. 1 (2021): 83–85. http://dx.doi.org/10.1515/dante-2021-0020.

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47

Del Puppo, Dario. "Review: Dante Now, Current Trends in Dante. Studies." Forum Italicum: A Journal of Italian Studies 31, no. 2 (1997): 543–47. http://dx.doi.org/10.1177/001458589703100215.

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48

Lhotka, Ladislav. "Seznam softwaru spolku DANTE." Zpravodaj Československého sdružení uživatelů TeXu 1, no. 3 (1991): 2–7. http://dx.doi.org/10.5300/1991-3/2.

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49

Corbellari, Alain. "Dante et Rutebeuf." Tenzone, no. 23 (December 7, 2024): 143–58. https://doi.org/10.26034/fr.tenzone.2024.4736.

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Cet article s'intéresse aux liens entre Dante et la littérature française de son temps. Après une rapide synthèse des éléments déjà connus, on se propose de reprendre à nouveaux frais le parallèle entre Dante et Rutebeuf et de suggérer une nouvelle hypothèse sur ce qui a pu inspirer à Dante la terza rima. This article looks at the links between Dante and the French literature of his time. After a brief summary of what is already known, the parallel between Dante and Rutebeuf is revisited and a new hypothesis is put forward as to what might have inspired Dante to write the terza rima.

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50

Nasti (book editor), Paola, Claudia Rossignoli (book editor), and Samia Tawwab (review author). "Interpreting Dante. Essays on the Traditions of Dante Commentary." Quaderni d'italianistica 36, no. 1 (2016): 235–38. http://dx.doi.org/10.33137/q.i..v36i1.26281.

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