Relevant bibliographies by topics / Darboven, Hanne

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  2. Dissertations / Theses
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Academic literature on the topic 'Darboven, Hanne'

Author: Grafiati
Published: 22 February 2023
Last updated: 19 July 2025

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Journal articles on the topic "Darboven, Hanne"

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Stewart, William. "Cycle and Citation: What Hanne Darboven Calls Thinking." October, no. 187 (2024): 27–62. http://dx.doi.org/10.1162/octo_a_00507.

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Abstract This article analyzes the significance of cyclical forms in the art of Hanne Darboven by reexamining the place of Constructivism and capitalism in her work. It tracks the lasting importance of El Lissitzky for her understanding of the relation between art and mathematics, revealing how Darboven borrowed from Lissitzky a particular interest in oscillatory dynamics. Further, it establishes the influence on Darboven's artistic practice of Georg Christoph Lichtenberg, particularly his method of note-taking—derived from accountants' ledgers—called sudeln. While sudeln works exhibit the osc
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Dickel, Hans. "Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke." Zeitschrift für Kunstgeschichte 79, no. 1 (2016): 92–114. http://dx.doi.org/10.1515/zkg-2016-0006.

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Abstract Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke The histories of art in former East and West Germany have been described as evolving synchronously. This article, arguing from another point of view, analyzes two works from the 1980s, both of them outstanding in purpose and size: Werner Tübke’s monumental painting Frühbürgerliche Revolution in Deutschland in the Museum Bad Frankenhausen (formerly GDR) and Hanne Darboven’s Bismarckzeit in the Kunstmuseum Bonn (FRG). The investigation into their subjects, forms, and contents within their historical context
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Lauder, Adam. "‘Alien Qualities’: Hanne Darboven – constructing time." Technoetic Arts 11, no. 2 (2013): 131–47. http://dx.doi.org/10.1386/tear.11.2.131_1.

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Wilson, J. "‘Schreibzeit’ (marking time): an exploration of the permutational art and calendar calculations of Hanne Darboven." Journal of Mathematics and the Arts 15, no. 3-4 (2021): 261–74. http://dx.doi.org/10.1080/17513472.2021.1996677.

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Rocher, Sébastien. "Soll und Haben et Welttheatter ‘79 , Hanne Darboven (1997), Herstellung : Köllen Druck+Verlag, Bonn, 64 pages." ACCRA N° 23, no. 2 (2025): 146–48. https://doi.org/10.3917/accra.023.0146b.

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Salinger, Victoria. "“Writing Calculations, Calculating Writing”: Hanne Darboven's Computer Art." Grey Room 65 (October 2016): 36–61. http://dx.doi.org/10.1162/grey_a_00207.

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Sissia, Julie. "Verena Berger, Hanne Darboven Boundless." Critique d’art, May 20, 2017. http://dx.doi.org/10.4000/critiquedart.21436.

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Dissertations / Theses on the topic "Darboven, Hanne"

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Baldacci, Cristina <1977&gt. "Ripensare l'archivio nell'arte contemporanea : Marcel Broodthaers, Hanne Darboven, Hans Haacke." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1128.

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Questo studio si propone di raccontare in quale particolare momento il tema dell’archivio sia diventato rilevante nell’arte, e quali ruoli, significati e forme abbia assunto nella pratica contemporanea. Lo slancio archivistico-tassonomico che percorre il Novecento non è una prerogativa esclusiva delle prime avanguardie, né delle rinnovate strategie di appropriazione, riadattamento e montaggio tipiche delle ultime tendenze dell’arte. Esso ha radici storico-filosofiche assai più profonde, che dalla modernità conducono a ritroso nel tempo in un incessante e vertiginoso desiderio di controllo e mi
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Stieda, Kalie. "The world is real : writing, counting, and reading in the art of Hanne Darboven." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/62757.

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This thesis seeks to approach the work of German artist Hanne Darboven (1941-2009) through the operations of writing, counting, and reading. In the language of New German Media Theory, these operations are known as elementary cultural techniques. I will trace the thematization of these techniques by analyzing Hanne Darboven’s art through what are known as her text formulations (schreibe, beschreibe nicht, schreibe rechnen/rechne schreiben, and gedankenstrich). These formulations are all inherently tautological, an aspect which links them to the recursivity of cultural techniques. These techniq
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Jespersen, Andrea. "Mind Circles : on conceptual deliberation : Hanne Darboven and the trace of the artist's hand." Thesis, Northumbria University, 2015. http://nrl.northumbria.ac.uk/27631/.

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The phrase ‘de-materialisation of the art object’ has frequently assumed the mistaken role of a universal definition for original conceptual art. My art practice has prompted me to reconsider the history of the term dematerialisation to research another type of conceptual art, one that embraces materiality and incorporates cerebral handmade methods, as evidenced in the practice of the German artist Hanne Darboven. This thesis will establish that materiality and the handmade – the subjective – was embraced by certain original conceptual artists. Furthermore, it argues that within art practices
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Woithe, Gabriele. "Das Kunstwerk als Lebensgeschichte zur autobiographischen Dimension bildender Kunst." Berlin Logos-Verl, 2007. http://d-nb.info/991379152/04.

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Klaus, Agata [Verfasser], and Monika [Akademischer Betreuer] Wagner. "Transferprozesse in der Conceptual Art : Hanne Darboven, Hans Haacke und Franz Erhard Walther in New York / Agata Klaus ; Betreuer: Monika Wagner." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1156462177/34.

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Wear, AP. "Concept & form : post-philosophical studies in contemporary art." Thesis, 2010. https://eprints.utas.edu.au/22259/1/whole_WearAndrewPeter2010_thesis.pdf.

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This thesis identifies a problem within current philosophical perspectives concerning contemporary visual art, namely, the underestimation of the unique qualities of a concept in visual form. There is a related deficit in the literature about both the practice of contemporary art making as a cognitive manipulation of concept and form, and the ways in which the viewer might dissect the relationship between concept and form in philosophical inquiry. This thesis explores two central claims. First, that visual art allows for a spatial and temporal conflation of concept that manufactures a unique
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Books on the topic "Darboven, Hanne"

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Darboven, Hanne. Hanne Darboven. Institut für Auslandsbeziehungen, 2000.

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Darboven, Hanne. Hanne Darboven. Kyoto Shoin, 1990.

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Bernhard, Jussen, Oexle Otto Gerhard, and Busche Ernst A, eds. Hanne Darboven: Schreibzeit. W. König, 2000.

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Miriam, Schoofs, and P420 arte contemporanea (Gallery), eds. Hanne Darboven: Index. P420, 2012.

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Darboven, Hanne. Hanne Darboven: Ansichten '85. Christians, 1989.

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Darboven, Hanne. Hanne Darboven: Hommage à Picasso. Hatje Cantz Verlag, 2006.

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Darboven, Hanne. Hanne Darboven: Evolution Leibniz, 1986. Cantz, 1996.

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8

Adler, Dan. Hanne Darboven: Cultural History, 1880-1983. Afterall Books, 2009.

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Adler, Dan. Hanne Darboven: Cultural History, 1880-1983. Afterall Books, 2009.

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Adler, Dan. Hanne Darboven: Cultural History, 1880-1983. Afterall Books, 2009.

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Reports on the topic "Darboven, Hanne"

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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t
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