Relevant bibliographies by topics / Darc, Daniel

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Darc, Daniel'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Darc, Daniel"

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Liotard, Philippe. "« Darc Tattoo » Un corps marqué du rock : dialogue-s avec Daniel Darc." Corps N° 13, no. 1 (2015): 57. http://dx.doi.org/10.3917/corp1.013.0057.

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Medina Miranda, Daniela. "The Dark Moon." Enletawa Journal 14, no. 1 (July 1, 2021): 147–73. http://dx.doi.org/10.19053/2011835x.13093.

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KALAMPUNG, YAN OKHTAVIANUS. "“KETIKA MEMORI PENDERITAAN DIPERJUMPAKAN” Sebuah Kajian Dialogis Kitab Daniel dan Sejarah Penjajahan Jepang di Indonesia dalam Perspektif Poskolonial." KENOSIS: Jurnal Kajian Teologi 4, no. 2 (June 18, 2019): 170–85. http://dx.doi.org/10.37196/kenosis.v4i2.66.

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Pengalaman menjadi bangsa jajahan tentu menjadi sebuah luka yang sulit untuk dilupakan oleh yang pernah mengalaminya. Apalagi kalau pengalaman itu diwariskan secara turun-temurun dari generasi ke generasi. Tulisan ini kemudian akan mencoba untuk mengungkap sebagian dari itu melalui pendekatan Poskolonial dengan cara menggali pengalaman bangsa Yahudi sebagai bangsa jajahan yang digambarkan dengan “Tanduk Kecil” dalam Daniel 8. Kitab Daniel yang menyimpan pengalaman Daniel sebagai jajahan bangsa Babel tapi juga sebenarnya ditujukan untuk pembaca Yahudi yang sementara dalam penjajahan itu kemudian didialogkan dengan pengalaman bangsa Indonesia yang pernah menjadi bangsa jajahan Jepang. Dialog kedua konteks ini akan memperlihatkan bahwa memori penjajahan bisa diartikan sebagai memori penderitaan.
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Hutahaean, Hasahatan. "SIMBOL-SIMBOL DALAM DANIEL:." Phronesis: Jurnal Teologi dan Misi 1, no. 1 (July 14, 2020): 110–20. http://dx.doi.org/10.47457/phr.v1i1.9.

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Tabuni, Yosua. "Kajian Biblika berdasarkan Daniel 12 terhadap Tanda-tanda tentang Akhir zaman." Jurnal Teologi (JUTEOLOG) 2, no. 1 (June 17, 2021): 118–26. http://dx.doi.org/10.52489/juteolog.v2i1.20.

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Penulisan ini bertujuan untuk mengetahui tanda-tanda akhir zaman berdasarkan Daniel 12, menggunakan pendekatan hermeneutic dan library research, penulisan ini menemukan bahwa tanda-tanda dalam Daniel 12 merupakan tanda menekankan bahwa pada hari-hari yang terakhir akan terjadi kesengsaraan yang luarbiasa dan yang belum pernah dan tidak akan pernah terjadi sejak adanya dunia. Mikhael akan muncul sebagai pangeran bagi orang-orang benar dan setiap orang percaya akan luput dari kesengsaraan itu.
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Pyper, Hugh S. "Reading in the Dark: Zechariah, Daniel and the Difficulty of Scripture." Journal for the Study of the Old Testament 29, no. 4 (June 2005): 485–504. http://dx.doi.org/10.1177/0309089205054758.

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Arieska, Ovi, Fatrica Syafri, and Zubaedi Zubaedi. "PENGEMBANGAN KECERDASAN EMOSIONAL (EMOTIONAL QUOTIENT) DANIEL GOLEMAN PADA ANAK USIA DINI DALAM TINJAUAN PENDIDIKAN ISLAM." Al Fitrah: Journal Of Early Childhood Islamic Education 1, no. 2 (January 1, 2018): 103. http://dx.doi.org/10.29300/alfitrah.v1i2.1337.

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Penelitian ini bertujuan untuk mendeskripsikan pengembangan kecerdasan emosional (EQ) Daniel Goleman pada anak usia dini dalam tinjauan pendidikan islam, perkembangan kecerdasan emosional anak dari masa pranatal hingga masa remaja awal, kecerdasan emosional sangat berperan dalam kehidupan anak, yang juga berperan besar dalam menentukan keberhasilan anak di masa yang akan datang. Kecerdasan emosional merupakan bentuk pengendalian diri dan cara berinteraksi dengan orang lain yang harus dimiliki oleh anak sejak dini. Daniel Goleman merupakan pakar kecerdasan emosional yang telah banyak melakukan penelitian, dengan hasil anak yang memiliki kecerdasan emosional lebih sukses dibandingkan anak yang tidak memiliki kecerdasan emosional, kontrol diri dalam kecerdasan emosional sangat diperlukan, kontrol diri merupakan suatu bentuk kesabaran, sikap sabar, peduli terhadap sesama (empati), dan tidak mudah menyerah (motivasi ) sangatlah penting dalam pendidikan islam, oleh karena itu agar penelitian ini mendapatkan hasil yang maksimal diperlukan adanya landasan agama dalam mendidik anak. Sehingga anak mempunyai pondasi yang kokoh untuk mengahadapi kehidupan yang akan dihadapinya. Kata kunci : kecerdasan emosional, daniel goleman, anak usia dini, pendidikan islam
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Gardner, Sally. "The Dancer, the Choreographer and Modern Dance Scholarship: A Critical Reading." Dance Research 25, no. 1 (April 2007): 35–53. http://dx.doi.org/10.3366/dar.2007.0018.

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This paper undertakes a critical re-examination of the ways in which dance-making relationships between the dancer and the choreographer in American modern dance have been conceptualised in dance discourses. The essay proposes that a defining aspect of modern dance practices (from the moment that, after Duncan and Fuller, it became a group as well as a solo form) was the dancing together of the choreographer and the dancer(s) as the central mode of dance creation and transmission. In dance discourses, however, this dancing relationship is frequently not acknowledged. Texts by dance scholars Susan Leigh Foster, Amy Koritz and Randy Martin which draw on theoretical frameworks from outside dance are analysed in terms of the ways the theoretical frameworks that underpin them both make it possible to raise the question of the nature of the dance-making relationship while at the same time can also make the dancer's and the choreographer's dancing together invisible or unrepresentable. The analysis shows how scholarly discourses and the theoretical frameworks upon which they are built are already invested in regimes of intelligibility and visibility which have consequences for the representation of modern dance. This analysis forms the basis for proposing the need for a non-individualised, inter-subjective and intercorporeal understanding of the dancer and the choreographer and their relationship in modern dance.
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Rahmatullah, Lutfi. "Eksistensi Sunnah Pada Era Modern Ditengah Pergulatan “Otoritas ReReligius” Di Wilayah Mesir Pakistan (Studi Atas Pemikiran Daniel W Brown)." Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis 18, no. 1 (May 28, 2018): 71. http://dx.doi.org/10.14421/qh.2017.1801-05.

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Tulisan ini bertujuan untuk mengelaborasi dinamika eksistensi sunnah yang berakar pada problem utama yang dihadapi ummat Islam pada abad modern yakni “pergulatan otoritas religius”, kondisi yang merupakan implikasi dari proses kebangkitan Islam sebagai buah dari tuntutan modernitas. Konsekuensi dari situsasi ini menggiring kaum Muslim untuk “memikirkan kembali” (rethinking) bahkan menuntut diadakannya reformasi terhadap “fondasi fondasi esensial/sunnah” yang selalu menjadi otoritas referensial bagi mereka. Trending topic dalam pergulatan yang terus berlangsung ini adalah mengenai hakikat, status dan otoritas sunnah. Kondisi ini menempatkan “sunnah/hadis” menjadi isue sentral serta perdebatan kontroversial dalam krisis dunia Islam modern. Daniel W. Brown melalui penelitiannya dengan tema: Rethinking Tradition In Modern Islamic Thought, New York USA: Cambridge University Press, pada tahun 1996. Mengulas secara gamblang perdebatan seputar sunnah dikaitkan dengan serbuan modernitas. Brown melihat secara tajam pengaruh modernitas terhadap persepsi kaum muslim tentang sunnah Nabi, yang kemudian membentuk tipologi sikap mereka yang tetap berakar pada tradisi mereka sendiri. Melalui paper/makalah ini penulis mencoba untuk memaparkan lebih lanjut perdebatan tersebut. Pertanyaan mendasar yang hendak dijawab melalui tulisan ini adalah, apa pokok-pokok fikiran Daniel W Brown yang berkaitan dengan discourses mengenai sunnah pada abad modern khususnya di wilayah Pakistan danMesir, bagaimana relevansi kajian tersebut dari perspektif historisitas sunnah pada masa klasik ?Kata Kunci: Sunnah, Hadis, Otoritas, Modernitas
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Javid, Ahmad, and Nauman Raza. "Singular and dark optical solitons to the well posed Lakshmanan–Porsezian–Daniel model." Optik 171 (October 2018): 120–29. http://dx.doi.org/10.1016/j.ijleo.2018.06.021.

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Dissertations / Theses on the topic "Darc, Daniel"

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Cunnama, Daniel. "Galaxy Evolution and Cosmology using Supercomputer Simulations by Daniel Cunnama." University of the Western Cape, 2013. http://hdl.handle.net/11394/4042.

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Philosophiae Doctor - PhD
Numerical simulations play a crucial role in testing current cosmological models of the formation and evolution of the cosmic structure observed in the modern Universe. Simulations of the collapse of both baryonic and non-baryonic matter under the influence of gravity have yielded important results in our understanding of the large scale structure of the Universe. In addition to the underlying large scale structure, simulations which include gas dynamics can give us valuable insight into, and allow us to make testable predictions on, the nature and distribution of baryonic matter on a wide range of scales. In this work we give an overview of cosmological simulations and the methods employed in the solution of many body problems. We then present three projects focusing on scales ranging from individual galaxies to the cosmic web connecting clusters of galaxies thereby demonstrating the potential and diversity of numerical simulations in the fields of cosmology and astrophysics. We firstly investigate the environmental dependance of neutral hydrogen in the intergalactic medium by utilising high resolution cosmological hydrodynamic simulations in Chapter 3. We find that the extent of the neutral hydrogen radial profile is dependant on both the environment of the galaxy and its classification within the group ie. whether it is a central or satellite galaxy. We investigate whether this effect could arise from ram pressure forces exerted on the galaxies and find good agreement between galaxies experiencing high ram pressure forces and those with a low neutral hydrogen content. In Chapter 4 we investigate the velocity–shape alignment of clusters in a dark matter only simulation and the effect of such an alignment on measurements of the kinetic Sunyaev–Zeldovich (kSZ) effect. We find an alignment not only exists but can lead to an enhancement in the kSZ signal of up to 60% when the cluster is orientated along the line-of-sight. Finally we attempt to identify shocked gas in clusters and filaments using intermediate resolution cosmological hydrodynamic simulations in Chapter 5 with a view to predicting the synchrotron emission from these areas, something that may be detectable with the Square Kilometer Array.
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Smith, Sue. "Dancing in the dark : described dances and unseen choreographies." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/13358/.

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This thesis enquires how a rethinking of sight as the primary sense for experiencing dance performance can instigate new choreographies that embody the interplay between seen and unseen, described and not described, inside and outside, subject and object. By ‘unseen’ I mean invisible to the eye but potentially available to other senses or imaginative capacities. Choreography is a methodological and critical lens through which to explore relationships between description, translation and sensory perception in a range of performance engagements that invite multi-sensory attention. The research is launched with implications arising from a consideration of audiodescription: the supposed neutrality of the speaker, the potential for cultural mismatches or power tensions in translation and the challenge of making spoken language more fully represent the body in performance. The thesis argues that rethinking ideas of description, from the beginning of a devising process, can lead to the production of choreographic work that does not privilege vision. The research for this thesis has involved choreographic practice combined with writing. In this writing, the on-going narrative of my choreographic studio work has been deliberately interwoven with analysis and contextualisation of this practice. The different elements enacted in the studio and at the writing desk have continually interacted, back and forth, identifying in the process, appropriate objectives for successive phases. For example, the reflections stimulated at each phase of concurrent theoretical research and studio work have deepened my choreographic enquiries, while also identifying other points requiring further exploration. This exploration has been carried out during further practical choreographic experiments in the studio, triggering still further theoretical analysis, and so on. In this way, the dancer writing becomes, and interacts with, the writer dancing. Sensory and kinaesthetic knowledge can build a more integrated and immersive sensual experience of dance as something to be not just observed but also engaged in. The intention is that insights from the research will inform strategies for original choreography expressed in performance.
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Tirsch, Daniela [Verfasser]. "Dark Dunes on Mars : Analyses on origin, morphology, and mineralogical composition of the dark material in Martian craters / Daniela Tirsch." Berlin : Freie Universität Berlin, 2009. http://d-nb.info/102349843X/34.

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Awofodu, Daniel Dare [Verfasser], L. [Akademischer Betreuer] Ganzer, and Mohammed [Akademischer Betreuer] Amro. "Improving reservoir characterization using the adjoint method in history matching / Daniel Dare Awofodu ; L. Ganzer, Mohammed Amro." Clausthal-Zellerfeld : Technische Universität Clausthal, 2020. http://d-nb.info/1231362618/34.

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Lemos, Helena Maria Roennau. "The dark side is the bright side, in Robinson Crusoe : a transdisciplinary reading of Daniel Defoe's novel." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/7922.

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Este estudo propõe uma leitura do século 21 de Robinson Crusoe, do escritor inglês Daniel Defoe, buscando identificar as razões que fazem a história do náufrago que vive numa ilha deserta por 28 anos permanecer excepcionalmente popular no mundo ocidental por três séculos. A leitura é um exercício prático do pensamento complexo, que constitui um dos três pilares da transdisciplinaridade, definido pelo pensador francês Edgar Morin. Esse enfoque consiste na identificação de padrões e inter-relações entre elementos internos do texto e externos a ele. O pensamento complexo conecta o conhecimento empírico/lógico/racional à sabedoria simbólica/mitológica/mágica. O estudo tem início com um retrospecto da carreira de Robinson Crusoe, considerando os textos fundadores que podem ter influenciado sua criação, e os inúmeros textos imitativos que se seguiram à sua publicação, originando um subgênero literário, das Robinsonadas. Uma síntese da biografia de Defoe ilustra o cenário de um mundo europeu de mudanças científicas, políticas e sociais radicais. O contexto e a fortuna crítica do autor são colocados lado a lado com a contribuição de estudos de filosofia da ciência, psicologia analítica, mitologia, antropologia e religião, na investigação do imaginário inscrito no romance. O capítulo quatro apresenta minha leitura transdisciplinar de Robinson Crusoe, destinada a demonstrar que a popularidade duradoura do romance é devida a seu poder de transmitir significados velados, conectados com elementos constitutivos do imaginário do mundo ocidental.
This study proposes a twenty-first-century reading of Robinson Crusoe, by British writer Daniel Defoe, aiming to identify the reasons why the story of the castaway who lives on an uninhabited island for 28 years has remained remarkably popular in the Western world for almost three centuries. The reading is a drill on Complex Thinking, as defined by French epistemologist Edgar Morin, one of the pillars of Transdisciplinarity. This approach consists of the identification of patterns and interrelationships among elements inside the text and elements external to it, in the light of a number of disciplines involved in the study. Complex Thinking connects empirical/logical/rational knowledge to symbolic/mythological/magical wisdom. The study starts with a review of the career of the book, considering the founding texts which might have influenced the creation of Robinson Crusoe, and the myriad of mimetic texts that followed its publication, giving birth to a literary subgenre, the Robinsonade. A glance at the life of Defoe is also offered, so as to illustrate the context of a European world of radical scientific, political and social changes. Contexts and the critical heritage of the work are put together with symbolic data that prove relevant for the research on the imaginary inscribed in the novel. Chapter three acknowledges the aid of a number of studies in the fields of philosophy of science, analytical psychology, mythology, anthropology and religion, which enabled me to interrelate diverse levels of reading. Chapter four offers my transdisciplinary reading of Robinson Crusoe, in which I endeavor to demonstrate that the continued popularity of the novel derives from its capacity to convey concealed meanings connected with elements constitutive of the Imaginary of the Western world.
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Pettersson, Björn. "Brist på själslig insikt? : Utomjordingar och deras forskning kring människan i Dark City." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13020.

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The paper examines how human inner properties and the interpretation of the external worldare explained and presented in Dark City (Alex Proyas, 1998). Aspects as the relationship between the body and soul/consciousness, body snatching, memory transferences and dystopian cities are analyzed. The field of study is compared to a general science-fiction film perspective regarding the aspects. Dark City contains an alien race with a common mind, but who lacks soul and individuality. They represent what humanity can become if the scientific development goes too far. They conduct research about the human soul to save their own race. They fail to reach the soul trough scientific experiments, which include memory transferences. The only remaining explanation is that the soul has an immaterial origin. This is against the common materialistic view in the current science-fiction genre; the inner aspects are to a large extent explained from a cognitive/neural perspective. This means that Dark City implicit criticize movies and theories which states that we may be able to understand and create copies of the human consciousness.
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Haaheim, Kip. "Histories I. light and dark potentials II. bones under the weeping willow III. passacaglia." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/565585.

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Ifter, Mylen. "It's all showbiz." Thesis, Halmstad University, School of Humanities (HUM), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-1234.

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Syftet med denna uppsats är att undersöka på vilket sätt musik och filmrum interagerar med varandra i filmmusikalerna ”Dancer in the Dark” och ”Chicago”. Detta görs huvudsakligen med utgångspunkt från Richard Dyers teorier kring rumsgestaltning inom filmmusikaler, men också utifrån deras roll som förmedlare av utopiska värden, samt Michel Chions teorier kring ljudets olika effekter på film. Vilka värderingar och budskap filmerna har och hur de kommer fram diskuteras också.

Resultatet av analyserna visar att de två filmernas sätt att arbeta med rum och musik skiljer sig markant, men att de båda för fram ett samhällskritiskt budskap.

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CARVALHO, JULIA MACHADO DE. "DANCER IN THE DARK: TRADITION AND RUPTURE IN THE CINEMA OF LARS VON TRIER." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16600@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
A indústria cinematográfica tem na acentuada tipificação da linguagem uma estratégia para a produção e comercialização dos filmes, o que promove numa proliferação de clichês, determinando os lugares das imagens e de suas leituras. Parte de uma cultura de massa presente em escala global, essas representações valem-se das convenções e do ilusionismo dos efeitos técnicos para seduzir o olhar do espectador e manter afastados os aspectos obscuros e misteriosos da existência. Analisamos neste trabalho como o cineasta contemporâneo Lars von Trier realiza uma leitura crítica dos clichês da cultura contemporânea em sua própria cinematografia. No filme Dançando no Escuro (Dancer in the Dark, 2000), von Trier recorre à tradição da tragédia, do melodrama e do musical não apenas como mero efeito estilístico, mas como estratégia para realizar um jogo reflexivo. Promovendo, a cada filme, o movimento duplo de continuidade e ruptura com as convenções, observamos como o cineasta herda a tradição do cinema moderno e apresenta em seu estilo cinematográfico profundas afinidades com o também dinamarquês Carl Th. Dreyer, em sua busca por criar vida na tela.
The movie industry has evolved a standardised visual strategy for film production and marketing, which promotes a proliferation of clichés, determining the use of the known images and their respective readings. Part of a mass culture that is present in a global scale, these representations are attached to the conventions and illusionism of cinema through technical effects to seduce the viewer s gaze and keep out the dark and mysterious aspects of life. We analyze in this work how the contemporary filmmaker Lars von Trier performs his critical reading of the clichés of contemporary culture in his own films. In the film Dancer in the Dark (2000), von Trier uses the tradition of tragedy, melodrama and musical not as a mere stylistic effect, but as a strategy to make a reflexive game. Promoting in each movie the double movement of continuity and breaking of conventions, we notice how von Trier s film style inherits a tradition of modern cinema and how it demonstrates so many affinities with his fellow Dane Carl Dreyer, in his quest to create life on the screen.
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Ehebrecht, Daniel [Verfasser]. "Urbane Mobilität und Informalität in Subsahara-Afrika – Eine Studie zur Marktintegration der Motorrad-Taxis in Dar es Salaam / Daniel Ehebrecht." Berlin : Humboldt-Universität zu Berlin, 2020. http://d-nb.info/1222973316/34.

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Books on the topic "Darc, Daniel"

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Bertrand, Dicale, ed. Tout est permis, mais tout n'est pas utile: Entretiens avec Bertrand Dicale. [Paris]: Fayard, 2013.

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Dare to be a Daniel: Then and now. London: Hutchinson, 2004.

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Kussudiardjo, Bagong. Dari klasik hingga kontemorer. Yogyakarta: Padepokan Press, 1992.

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Writing in the dark, dancing in The New Yorker. New York: Farrar, Straus and Giroux, 2000.

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Writing in the dark, dancing in The New Yorker. Gainesville: University Press of Florida, 2005.

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Mille, Agnes De. Leaps in the dark: Art and the world. Gainesville: University Press of Florida, 2011.

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Sunaryadi. Dwi naga rasa tunggal: Dari sengkalan memet ke seni pertunjukan. [Yogyakarta]: Pondok Edukasi, 2007.

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Narawati, Tati. Wajah tari Sunda dari masa ke masa. Bandung, Indonesia: P4ST UPI, 2003.

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Layton, Edith. His Dark and Dangerous Ways. New York: HarperCollins, 2008.

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Dark wood to white rose: Journey and transformation in Dante's Divine comedy. New York: Parabola Books, 1989.

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Book chapters on the topic "Darc, Daniel"

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von Trier, Lars. "Dancer in the Dark." In 100 Film Musicals, 51–52. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-568-8_18.

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Ward, Andrew H. "Dancing in the Dark." In Dance, Gender and Culture, 16–33. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23842-2_2.

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Sellers-Young, Barbara. "Fusion, Dark Fusion and Raqs Gothique." In Belly Dance, Pilgrimage and Identity, 91–107. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-349-94954-0_5.

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Verma, K. D. "Balachandra Rajan’s The Dark Dancer: A Critical Reading." In The Indian Imagination, 125–48. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-61823-1_7.

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Ward, Andrew H. "Dancing in the Dark: Rationalism and the Neglect of Social Dance." In Dance, Gender and Culture, 16–33. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22747-1_2.

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Elbeshlawy, Ahmed. "Dancer in the Dark: Deploying the Siren, Impairing the Sight." In Woman in Lars von Trier’s Cinema, 1996–2014, 68–83. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40639-8_4.

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Müller, Marion. "Lars von Trier nach DOGMA 95: Dancer in the Dark." In DOGMA 95 im Kontext, 209–17. Wiesbaden: Deutscher Universitätsverlag, 2003. http://dx.doi.org/10.1007/978-3-663-07874-6_11.

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Hillier, Jim. "Dancer in the Dark." In 100 Film Musicals. British Film Institute, 2011. http://dx.doi.org/10.5040/9781838710644.0021.

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Sanford, Terry. "Bosses and Dark Horses." In A Danger of Democracy, 37–47. Routledge, 2019. http://dx.doi.org/10.4324/9780429048210-4.

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"Armenia, I: Into the Danger Zone." In The Dark Side of Democracy, 111–39. Cambridge University Press, 2004. http://dx.doi.org/10.1017/cbo9780511817274.006.

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Conference papers on the topic "Darc, Daniel"

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Mayer, Robert R., Detlev Maurer, and Curd Bottcher. "Application of Topological Optimization Program to the Danner Test Simulation." In ASME 2000 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/detc2000/dac-14292.

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Abstract This study used a topological optimization program, TOPOPT, to optimize the crashworthiness performance of a small vehicle in a Danner test simulation. The Danner test is a low-speed test used by insurance companies to help set insurance premiums. New designs with added holes were developed using TOPOPT, and a procedure for applying the program to future vehicle programs was established.
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Bruna, Rodrigo. "El museo y el régimen in situ de la instalación (arte)." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8952.

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El surgimiento de la instalación (arte) a mediados de los sesenta puso en crisis la institución museal a partir de una apropiación consiente del espacio. Esta apropiación se escapaba de las lógicas museográficas imperantes al incorporar a la obra las dimensiones arquitectónicas, históricas y simbólicas del lugar. Dos instalaciones emblemáticas del periodo evidencian esta crisis, nos referimos a Cuerpos Blandos(1969) del artista chileno Juan Pablo Langlois realizada en el Museo Nacional de Bellas Artes de Santiago y Peinture-Sculpture (1971) del artista francés Daniel Buren exhibida en el Salomon R. Guggenheim Museum de Nueva York. Ambas obras, desde sus contextos particulares de producción, respondieron a un régimen in situ que tensionó el espacio y el discurso museal. La presente comunicación explorará a partir de estos dos casos de estudio ¿cómo el discurso/espacio museal se actualiza a partir de la instalación (arte) de régimen in situ? De igual modo se buscará evidenciar ¿cómo la instalación (arte) se legitima como práctica artística al interior del espacio museal? Mediante una metodología centrada en el análisis crítico de documentos e imágenes se describirán y analizarán las nociones expuestas y las obras selecionadas con el fin de dar respuesta a las preguntas enunciadas.
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Shi, Hexi, Alexander Baehr, Holger Kluck, Jelena Ninkovic, Jochen Schieck, and Johannes Treis. "DANAE - a new experiment for direct dark matter detection with DEPFET silicon detectors." In The 39th International Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2019. http://dx.doi.org/10.22323/1.340.0589.

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Liu, Mingye, and Hong Xia. "Awareness of Danger: A Factor May Improve Public Acceptance to Nuclear if Included in Education." In 2014 22nd International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/icone22-30856.

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In this paper, facts are traditionally considered as negative in nuclear related education, e.g. the invisible nuclear radiation, harmful release, even nuclear accidents, are discussed. This paper puts that the factors may let the public be against to nuclear are possible to be converted and improve public acceptance to nuclear industry. The premise is: awareness of those factors are included in nuclear education as a highlighted part, unlike the way they were treated before: never be mentioned or even be hidden on purpose. Nuclear education used to merely show the “perfection” of nuclear power, such as it is clear, green and effective, which is absolutely correct. However, people know that there is no silver bullet. The disadvantages of nuclear are almost never included in nuclear education, not mention the accidents or solutions to nuclear emergency. This type of education helps little to improve public acceptance to nuclear, what is worse, it prevents the public from seeing a whole picture of nuclear and nuclear industry; the public may be puzzled and tend to reject nuclear, because that they don’t have proper awareness of danger, and tend to magnify it indefinitely. This paper focuses on how the information and knowledge of nuclear radiation, NPP accident, and other “dark” facts may affect the impression of nuclear to the public. This paper also discusses the parts are necessary to be included in nuclear education, such as radiation protection, contingency plan and factors mentioned above. Additionally, this paper proves that if dealt correctly, the facts to be treated negative are turned to have a miraculous effect on improving public acceptance to nuclear.
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Shin, Koichi, Haruka Kodama, and Masahiro Nishi. "Development of Local Landslide Danger-Related Information Notification System on TV Set for Early Evacuation." In 2019 IEEE Intl Conf on Dependable, Autonomic and Secure Computing, Intl Conf on Pervasive Intelligence and Computing, Intl Conf on Cloud and Big Data Computing, Intl Conf on Cyber Science and Technology Congress (DASC/PiCom/CBDCom/CyberSciTech). IEEE, 2019. http://dx.doi.org/10.1109/dasc/picom/cbdcom/cyberscitech.2019.00127.

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Bakalos, Nikoloas, Eftychios Protopapadakis, Anastasios Doulamis, and Nikolaos Doulamis. "Dance Posture/Steps Classification Using 3D Joints from the Kinect Sensors." In 2018 IEEE 16th Intl Conf on Dependable, Autonomic and Secure Computing, 16th Intl Conf on Pervasive Intelligence and Computing, 4th Intl Conf on Big Data Intelligence and Computing and Cyber Science and Technology Congress(DASC/PiCom/DataCom/CyberSciTech). IEEE, 2018. http://dx.doi.org/10.1109/dasc/picom/datacom/cyberscitec.2018.00-16.

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Urbanietz, Christoph, Gerald Enzner, Alexander Orth, Patrick Kwiatkowski, and Nils Pohl. "A Radar-based Navigation Assistance Device With Binaural Sound Interface for Vision-impaired People." In ICAD 2019: The 25th International Conference on Auditory Display. Newcastle upon Tyne, United Kingdom: Department of Computer and Information Sciences, Northumbria University, 2019. http://dx.doi.org/10.21785/icad2019.023.

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Sound is extremely important to our daily navigation, while sometimes slightly underestimated relative to the simultaneous presence of the visual sense. Indeed, the spatial sense of sound can immediately identify the direction of danger far beyond the restricted sense of vision. The sound is then rapidly and unconsciously interpreted by assigning a meaning to it. In this paper, we therefore propose an assisted-living device that deliberately stimulates the sense of hearing in order to assist vision-impaired people in navigation and orientation tasks. The sense of vision in this framework is replaced with a sensing capability based on radar, and a comprehensive radar profile of the environment is translated into a dedicated sound representation, for instance, to indicate the distances and directions of obstacles. The concept thus resembles a bionic adaptation of the echolocation system of bats, which can provide successful navigation entirely in the dark. The process of translating radar data into sound in this context is termed “sonification”. An advantage of radar sensing over optical cameras is the independence from environmental lighting conditions. Thus, the envisioned system can operate as a range extender of the conventional white cane. The paper technically reports the radar and binaural sound engine of our system and, specifically, describes the link between otherwise asynchronous radar circuitry and the binaural audio output to headphones.
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Sempere i Soler, Josep Francesc. ""Memorial National de Gurs. 1994"." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5879.

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El propósito del trabajo es dar a conocer la existencia de este campo denominado de internamiento en el Béarn, desde los años 1939 a 1945. En concreto en la población de Gurs, un pequeño pueblo, en el Pirineo Atlántico francés. Y del Memorial obra de Dani Karavan. Tras la derrota militar del ejército republicano se produce un exilio masivo - se cifra en medio millón de personas tras la caída de Barcelona el 26 de enero de 1939-, del ejército y población de la IIª República. El gobierno francés crea esta suerte de campos de internamiento. El de Gurs fue el más grande y encerró a los que consideraban indeseables: republicanos procedentes de España, brigadistas internacionales, aviadores republicanos. Refugiados de la Europa Central y sin papeles, comunistas y resistentes franceses, gitanos y judíos extranjeros. En esta landa inhóspita permanecieron encerrados 60.550 hombres, mujeres y niños. Muchos descansan en los dos cementerios adjuntos al antiguo campo (en uno los republicanos, brigadistas, otros presos y el otro es el cementerio judío). Decidí realizar esta investigación en el terreno y hablando con supervivientes del campo, residentes en pueblos cercanos, para que los jóvenes europeos puedan tener conocimiento de que la Segunda Guerra Mundial comenzó en 1936, aunque no aparezca en ningún libro de historia. El gobierno francés tras años de intentar hacer desaparecer cualquier vestigio del mismo y ante la presión de los ciudadanos del Béarn, de la “Amicale du camp de Gurs”, asociaciones judías y otras muchas organizaciones y personalidades, paralizaron la destrucción completa de los restos del antiguo campo y encargaron al artista israelí Dani Karavan - uno de los artistas de “Land Art” vivos más reconocidos -, la construcción de este Memorial (existen tres en toda Francia), se inaugura el 14 de octubre de 1994. Al estar realizando la tesis sobre la obra y persona de Dani Karavan, acudí - en octubre de 2011- , al igual que a otros países y lugares donde tiene emplazadas obras ( Alemania, España, Francia, Italia, Israel,..), para realizar fotografías, filmaciones, dibujos, apuntes, obtener información de los ayuntamientos e ir recabando información para la tesis. Descubrí el lugar y recordé las palabras del artista: “Cuando trabajo en un nuevo emplazamiento trato con aspectos visibles e invisibles, con materiales sensibles, con memorias y con mi propio estado de conciencia y conocimiento histórico” . Tal fue el impacto, que pasé unos días consternado y más conforme oía relatos de supervivientes y leía sobre el campo y el trabajo de Dani Karavan, ante el ofrecimiento de realizar la obra y descubrir la realidad de lo sucedido. En enero acudí al “atelier” de Dani en París (ahora reside en Tel Aviv, pero venía a Europa unos días por compromisos ), hablé con el maestro el día 21/01/2017 y realicé unas fotografías tipo retrato, tras la entrevista. Detrás de él , en la pared, había unos fotos de este “Memorial National de Gurs".http://dx.doi.org/10.4995/ANIAV.2017.5879
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Miao, Qing, Jinghua Liang, and Baoliang Jiang. "Optimizing the Pigging Frequency Through Prediction of Wax Deposition of Pipeline." In 2006 International Pipeline Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/ipc2006-10265.

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When hot waxy crude oil is pumped into the cold pipeline, the oil temperature will decrease with time and along the pipeline. As soon as the oil temperature near the pipe wall is below the WAP (wax appearance point), the wax contained in the crude will precipitate from the crude and deposit on the inner pipe wall with liquid part entrapped in it. This phenomenon is called wax deposition of the crude oil pipeline. The formation of the wax deposition reduces the throughput of the pipeline but enhances the operation pressure of the pipeline, which brings about more consumption of the power and reduces the safety of the pipeline. More seriously, when the wax deposition layer in the pipeline grows enough thickly, the pipeline would face the danger of shutdown and the enormous loss of economy would occur. So the removal of the wax deposition layer periodically, that is, pigging is strongly needed. Periodic pigging could reduce the operation pressure of the pipeline and keep the throughput of the pipeline, which makes the pipeline avoid hidden trouble of shutdown. Although pigging could solve the problem of the wax deposition of crude oil pipeline successfully, another problem of how to determine the pigging frequency must be faced. Relative to a suitable pigging frequency (though it is difficult to determine), more often pigging could increase the operation cost and wear and tear the inner wall of the pipe but a prolonged interval of pigging may make trouble. Usual means of determining the pigging frequency of a pipeline is mainly based on the pressure drop calculation between two pump stations. From Darcy formula for calculating the pressure loss of the pipeline, the average equivalent inside diameter (say hydraulic inside diameter) of the pipeline could be obtained. Then the average wax deposition thickness in the means of hydraulics could be calculated being based on the original inside diameter of pipeline. According to the average wax deposition thickness and operation experiences, the pigging frequency could be determined. This is true if the wax deposition along the pipeline is almost identical. But in most cases, i.e. to most crude oils and pipelines, the wax deposition profile along the pipeline is not unchanged but a complex curve. In later cases, the average wax deposition thickness calculated from the pressure drop between two pump stations hydraulically exaggerates the average extent of wax deposition but ignores the severity of wax deposition at some local position of pipeline. Thus the pigging frequency determined from the pressure drop might result in more errors, that is, a more frequent pigging or one with more safety troubles. From all the above, a prediction of wax deposition in the pipeline is very necessary and important to the decision of a safe and economic pigging frequency. But due to the complexity of the problem of wax deposition, it is very difficult to predict the wax deposition of one crude oil in a pipeline theoretically. A semi-experience method based on molecular diffusion principle for predicting the wax deposition of Daqing crude oil in the Northeast Pipelines in China is developed and introduced in this paper. Using this method, the wax depositions in the Northeast Pipelines in different seasons are calculated numerically on computers. Based on the calculation results, a more rational pigging scheme aimed at the Northeast Pipelines, which considers the variation of wax deposition along the pipeline, are given.
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