Relevant bibliographies by topics / Darden

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Darden'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Darden"

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Alvarez, Sharon A., and Jay B. Barney. "Lally, Darden, Fisher retreat 2005." Journal of Business Venturing 22, no. 3 (2007): 337–39. http://dx.doi.org/10.1016/j.jbusvent.2006.04.001.

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Petit, Daniel. "[review of:] Bill J. Darden: Studies in Phonological Theory and Historical Linguistics." Baltic Linguistics 9 (December 31, 2018): 275–78. http://dx.doi.org/10.32798/bl.374.

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Harvey, Campbell R., Marc L. Lipson, and Francis E. Warnock. "Darden conference issue: Capital raising in emerging economies." Journal of Financial Economics 88, no. 3 (2008): 425–29. http://dx.doi.org/10.1016/j.jfineco.2008.04.001.

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Morlan, Richard E. "Radiocarbon Updates." Radiocarbon 42, no. 1 (2000): 179–80. http://dx.doi.org/10.1017/s0033822200053133.

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New LaboratoryA new laboratory has opened in Miami, Florida. Ronald Hatfield and Darden Hood are the Directors of BIOCAMS International, which provides “AMS dating designed exclusively for art, antiques, and materials of potential commercial value”. See http:/www.biocams.com/ for details.
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Gerson, Elihu M. "Theory Change in Science: Strategies from Mendelian Genetics.Lindley Darden." Quarterly Review of Biology 68, no. 1 (1993): 86–87. http://dx.doi.org/10.1086/417919.

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Remington, Thomas F. "Henry E. Hale. Patronal Politics: Eurasian Regime Dynamics in Comparative Perspective." East/West: Journal of Ukrainian Studies 3, no. 2 (2016): 209. http://dx.doi.org/10.21226/t20p4r.

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<p><strong>Henry E. Hale. <em>Patronal Politics: Eurasian Regime Dynamics in Comparative Perspective. </em></strong>Problems of International Politics. Eds. Keith Darden and Ian Shapiro. New York: Cambridge University Press, 2015. xviii, 542 pp. References. Index. US$39.99, paper.</p>
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Skipper, Robert Alan. "The causal crux of selection." Behavioral and Brain Sciences 24, no. 3 (2001): 556. http://dx.doi.org/10.1017/s0140525x01514168.

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Hull et al. make a direct connection between selection and replication. My view is that selection, at its causal crux, is not inherently connected to replication. I make plain the causal crux of selection, distinguishing it from replication. I discuss implications of my results for Hull et al.'s critique of Darden and Cain (1989).
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Wilson, Bradley E. "Theory Change in Science: Strategies from Mendelian Genetics. Lindley Darden." Philosophy of Science 61, no. 1 (1994): 153–55. http://dx.doi.org/10.1086/289792.

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Derksen, Rick. "Studies in phonological theory and historical linguistics by Bill J. Darden." Journal of Slavic Linguistics 27, no. 2 (2019): 213–20. http://dx.doi.org/10.1353/jsl.2019.0010.

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Green, Elna C. "From Antisuffragism to Anti-Communism: The Conservative Career of Ida M. Darden." Journal of Southern History 65, no. 2 (1999): 287. http://dx.doi.org/10.2307/2587365.

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Dissertations / Theses on the topic "Darden"

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Lee, Joo-Heon. "Three essays in entrepreneurship." Full text, Acrobat Reader required, 2001. http://viva.lib.virginia.edu/etd/diss/Darden/Management/2002/lee/Thesis.pdf.

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Gréau, Valia. "Georges Darien et l'anarchisme littéraire /." Tusson : Du Lérot, 2002. http://catalogue.bnf.fr/ark:/12148/cb38879655d.

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Texte remanié de: Th. doct.--Litt. française--Paris 4, 1998.<br>Titre de dos : "Georges Darien & l'anarchisme littéraire" Bibliogr. des oeuvres de G. Darien p. 416-428. Bibliogr. p. 429-438. Index.
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Lorig, Aurélien. "Un destin littéraire. Georges Darien." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA032/document.

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Les discours tenus aujourd’hui sur Georges Darien restent, pour une large part, associés à l’anarchisme. Pour en saisir les limites, la thèse remonte aux sources biographiques. La lecture de son œuvre− aussi riche que méconnue− prendra acte d’un moment fondateur : l’expérience des camps disciplinaires, en 1883. A partir de là, les fictions s’inscrivent dans une démarche contestataire. Le destin littéraire devient spéculaire, véritable miroir d’une âme entrée en résistance. Tenant à la fois de Balzac, Vallès ou encore Mirbeau, l’écrivain dénonce et engage sa responsabilité d’auteur. Combinant avec originalité des personnages et des situations, Darien revisite les problématiques de son époque : rapport à la bourgeoisie, à l’argent, aux institutions, à l’individu. A ce titre, sa littérature est un vaste territoire à explorer. Les pratiques d’écriture et les stéréotypies particulières de la « fin de siècle » font l’objet d’une analyse très critique. L’homme de lettres écrit sa contestation sous toutes les formes : roman, poésie, théâtre, pamphlet, journal, discours. Enfant perdu de la bourgeoisie, livré à la Grande Muette, assiégé par des visions cauchemardesques ; Darien a de quoi nourrir sa résistance scripturaire. Rien ne manquera à la parole libertaire qu’il exerce. Bagnes et armées connaîtront une satire des plus violentes. Famille et instances tutélaires délivreront des idéologies souvent ridicules. Nations et littérateurs donneront l’occasion de discuter la place de l’artiste et de forger un individualisme féroce. Sous le couvert de récits détonants, l’écrivain donne ainsi à voir matière, mais aussi manière. Surenchère, image, caricature, raisonnement par l’absurde, fondent une esthétique originale. La fiction ne fait jamais allégeance à un système de pensée, quel qu’il soit. Le continent littéraire sur lequel nous posons notre regard impose de revoir nos certitudes. Aller à la rencontre de Darien, c’est repenser la question de l’adhésion à l’anarchisme, au naturalisme ou encore au symbolisme. La littérature devient le laboratoire d’une pensée qui n’est jamais partisane, mais toujours soucieuse de décrypter. La démarche comparatiste comme la sociologie permettent d’engager ce décryptage. Finalement, lire ou relire Darien, c’est passer du singulier d’un destin littéraire au pluriel de nos destinées. Le texte retrouve son étymologie de « textus », ce fil qui se fait et défait au gré des écritures et des heurts de l’Histoire collective comme personnelle<br>The speeches today Georges Darien remain largely associated with anarchism. To grasp the limits, the thesis goes back to biographical sources. Reading his œuvre− as rich as méconnue− take note of a founding moment: the experience of disciplinary camps, in 1883. From there, fictions are part of a protest action. The literary destiny becomes specular true reflection of a resistor input soul.Holding both Balzac Vallès or Mirbeau, the writer denounces and engages its copyright liability. Combining with original characters and situations, Darien revisits the issues of his time compared to the bourgeoisie, to money, to institutions, to the individual. As such, its literature is a vast territory to explore. Writing practices and specific stereotypes of the “end of century” are the subject of a highly critical analysis. The man of letters wrote his challenge in all forms: novel, poetry, theater, pamphlet, newspaper, speech. Lost child of the bourgeoisie, comes to the Great Muette, besieged by nightmarish visions; Darien has enough to feed his scriptural resistance. Nothing missed libertarian speech he exercises. Bagnes and armies will experience more violent satire. Family and guardianship bodies shall issue often ridiculous ideologies. Nations and writers will provide an opportunity to discuss the place of the artist and forge a fierce individualism. Under the cover of detonating stories, the writer gives to see and matter but also fashion. Increment, picture, cartoon, reductio ad absurdum, founded an original aesthetic. Fiction never pledged allegiance to a system of thought, whatever it is. The literary continent on which we lay our eyes means reviewing our certainties. Go to the meeting of Darien, is rethinking the issue of accession to anarchism, naturalism or symbolism. Literature becomes the laboratory of a thought that is never partisan, anxious to decrypt. The comparative approach such as sociology allow it to engage decryption. Finally, read or reread Darien is spend a singular literary destiny plural of our destinies. The text finds its etymology of “textus” this thread is done and undone at the discretion of the scriptures and clashes of collective history as personal
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Gréau, Valia. "Georges Darien et l'anarchisme littéraire." Paris 4, 1998. http://www.theses.fr/1998PA040179.

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L'étude de l'engagement anarchiste de Georges Darien (1862-1921) repose sur une analyse précise de l'œuvre littéraire et journalistique de l'auteur, de la réception de celle-ci, de sa correspondance en partie inédite, de sa vie, et du contexte historique et culturel contemporain. Entre 1886 et 1890, Darien, qui fréquente la jeune génération littéraire, fait ses débuts sur la scène littéraire avec « Bas les cœurs! » et « Biribi », et sa pièce « Les chapons » fait scandale. Il est perçu comme un écrivain subversif, un antimilitariste, un naturaliste ; mais par les thèmes qu'il aborde, le nationalisme, la défaite de 1870, la critique du conformisme bourgeois, et par la façon si personnelle dont il les traite, avant tout parce qu'il s'inspire de sa propre expérience, Darien est d'abord un écrivain contestataire, un anarchiste qui s'ignore, car il n'utilise pas ce terme avant 1890. La période qui va de 1890 à 1897 est celle de l'engagement. Tout en continuant à critiquer le nationalisme revanchard, Darien se détourne, par haine du parlementarisme, des possibilités d'action légale, que présente notamment le socialisme. Apres avoir défendu les actes terroristes dans « L'en dehors » et publie sa revue « L'escarmouche », il fuit la France en juillet 1894. Cependant ce militantisme va de pair au fil des ans avec une revendication accrue de liberté individuelle : Darien finit par prendre ses distances avec l'anarchisme dans « Le voleur », au nom de l'individualisme. A partir de 1898, il poursuit cette évolution qui l'amène à tenir des propos toujours plus extrémistes. Il reste cependant fidèle à l'idéal libertaire, et relève de la catégorie des anarchistes individualistes, de ceux qui par mépris de la soumission populaire, s'en remettent à l'action individuelle violente. De même, la voie réformiste qu'il choisit dans ses dernières années ne constitue pas un reniement de son passé mais une manifestation peu commune de l'idéal libertaire<br>The anarchistic commitment of Georges Darien (1862-1921) can be studied through an accurate analysis of his literary and journalistic work and of its reception. The study of his correspondence - mainly unpublished -, of his life and of the historical and cultural context will add to this approach. Between 1886 and 1890, Darien moves in the young literary generation, makes his first appearance on the literary stage with “Bas les coeurs!” and “Biribi”, and his play “Les chapons” is found scandalizing. He is seen as a subversive, antimilitarist and naturalistic writer. As long as the literary themes are concerned - nationalism, the defeat of 1870, the criticism of the bourgeois conformism, all these subjects based on very personal approach - Darien is an antiestablishment writer, a real anarchist, and between 1890 and 1897, he actually commits himself in this way. If Darien criticizes the revanchards nationalists he also denounces socialism because of his hatred of parliamentary government and legal political action. After his defense of terrorism in “L'endehors” and the publishing of his review “L'escarmouche”, he leaves France in July 1894. With the passing years, Darien stands aloof from anarchism as he takes sides in personal freedom: “Le voleur” is actually a good example of his new aspiration. Since 1898, Darien has become more and more extremist in his political opinions. However, he remains faithful to his ideals of freedom and can be considered as an individualistic anarchist, preferring personal and violent action to the submission of the common people. In that respect, at the end of his life, he makes the choice of reformism to express clearly his ideals of freedom
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Terrone, Patrice. "L'individu dans l'œuvre romanesque de Georges Darien." Université Stendhal (Grenoble ; 1970-2015), 1992. http://www.theses.fr/1992GRE39036.

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Georges darien, "l'auteur de biriti" et du voleur, longtemps oublie avant d'etre enfin redecouvert par les surrealistes, est un ecrivain insaisissable et inclassable. En marge de la litterature, il a toujours refuse de s'inscrire dans un mouvement litteraire ou politique au nom de la necessaire liberte de l'individu. Il s'est affronte a toute les institutions et son passage a l'ecriture romanesque s'explique par sa revolte face a l'armee, la guerre de 1870 et la corruption de la societe bourgeoise "fin de siecle". Les traumatismes de l'enfance figurent de maniere recurrente dans ses six romans. Son ideologie et son imaginaire sont tres marques par la pensee anarchiste de max stirner et de joseph proudhon : il affirme la primaute de l'individu, de l'unique et pousse l'homme a recouvrer les instincts dont la societe l'a depouille. Il demarque toutefois de l'anarchisme par ses positions bellicistes et antisemites. Volontaire ment en marge ou en-dehors, il affiche son originalite par le renversement des lieux communs qui conduit au rire cruel. L'art est l'ultime recours de l'unique<br>Georges darien, "the author of biriti" and of the thief, who fell onto oblovion for some time before being rediscovered by the surrealists, is difficult both to define and classify as a writer. Working on the fringe of literature, he refused to join any literary or political movement, in the name of the necessary freedom of the individual. The stood against all institutions and his shift to novel writing can best be explained by his revolt against the army, the 1870 war with germany and the corruption of "fin de siecle" bourgeois society. The traumas of childhood are recurrent in his six novels. His ideology and imagination were very much marked by the anarchist thinking of max stirner and joseph proudhon : he insists on the primacy of the individual, ot the unique, and encourages his fellow human beings to recover those instincts of which society has robbed them. However, his bellicist and antisemitic positions mark him off from the anarchist tradition. Voluntarily on the fringe or an outsider, his originality resides in his ability to subvert the common-place and invite cruel laughter. Art is the umtimate recourse of the unique
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Simmons, Andrew Martin. "Darker Now." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1302806445.

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Hogstrom, Mark M. "Barthian Bliss in the Films of Darren Aronofsky." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/130.

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In this essay I argue that the films of director Darren Aronofsky correspond to the Text of Bliss defined in Roland Barthes' The Pleasure of the Text. Using several aspects of audience reception to dissect Aronofsky’s films justifies identifying his oeuvre as texts of bliss: works that disquiet viewers by unsettling their assumptions of the world around them and their own relationships with it. This Barthes-based appropriation of literary theory to audience reception theory in Film Studies serves as an example of how personally-developed classification systems can be used to circumvent relying on popular opinion and corporate aims for guidance in film classification.
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Mauméjean, Xavier. "L'invention d'Henry Darger." Thesis, Valenciennes, 2019. http://www.theses.fr/2019VALE0011/document.

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L’objet de ce travail est de rendre compte d’une triple invention. La première, au sens de « trouver », tient à la découverte fortuite des œuvres d’Henry Darger (1892-1973). La deuxième, qui est le fait de la réception institutionnelle, consiste à faire de l’écrivain et illustrateur un artiste d’Art Brut, créateur pour ainsi dire par accident. Qui plus est, cette approche privilégie sa production picturale, alors qu’il se considérait lui-même avant tout comme romancier. Ces deux inventions seront avant tout l’occasion d’exposer l’objet central de cette étude : l’invention de l’artiste par lui-même, rétabli en écrivain. Dans ses écrits, autobiographiques et fictionnels, Darger déploie une inquiétude volontaire qui lui permet de remettre en cause le primat de l’identité personnelle, en multipliant les Moi potentiels. L’état d’inquiétude interroge la relation au monde, bouleverse les rapports conventionnels entre réel et vrai, vrai et faux, et met au jour l’irréel, ce pan de la réalité que la fiction rend accessible. Enfin, Darger déploie une pratique littéraire en rapports à des œuvres préexistantes, véritable écriture-lectrice qui repose toutefois sur une mythologie personnelle, un ensemble de thèmes structuré en architecture de symboles<br>The purpose of this study is to account for a triple invention. The first resultsfrom the incidental finding of Henry Darger’s works (1892-1973). The secondone, which is the result of institutional reception, consists in turning both writerand illustrator into an Outsider Artist, creator by accident, so to speak.Moreover, this approach favour his pictorial work, whereas he consideredhimself to be a novelist above all. These two inventions will give us theopportunity to present the main issue of this study : the artist’ self-creation,reclaiming the status of writer. In his writings, be they autobiographical or fiction, Darger displays a purposeful anxiety enabling him to question theprimacy of personal identity, hence multiplying potential selves. This purposefulanxiety questions his relation to the world and upsets the traditional structuresbetween what is real and what is true, right and wrong. It also unveils the unreal,this aspect of reality made available by fiction. Finally, Darger displays aliterally craft associated with pre-existing works, a fully-fledged writing-in-thereadingexperience still based upon a personal mythology: a set of themeswoven into an architecture of symbols
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Prinz, Kristin Taylor. "Changing the Vampire Tradition: The Vampires of Darren Shan." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579332.

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This paper will explore the ways in which the Cirque du Freak series by Darren Shan both follows and deviates from the older vampire tradition that is seen in books such as The Vampyre, Dracula, Varney the Vampire, Carmilla, and Interview the Vampire. It will also look at the way the changes he made to the vampire tradition reflect the deep conflicts in modern western culture, especially the social interactions and relationships most relevant to his teenage readers, such as problems that involve gender roles, family relationships, and finding one's place in society. Finally, this paper will examine the way other modern day young-adult vampire novels reflect conflicts differently than Shan's novels.
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Vins, Wesley J. "Residential Septic Tank Effluent Treatment by Disturbed Darien Soil." Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1266610669.

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Books on the topic "Darden"

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Darden, Rashid. Lazurus / Rashid Darden. Old Gold Soul, 2005.

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Darden, Jim. Guests of the emperor: The story of Dick Darden. Greenhouse Press, 1990.

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Reisler, Mark. Da rden, a pictorial history of the University of Virginia's Darden Graduate School of Business Administration. Darden Business Pub., 2005.

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Näslund, Erik. Dardel. Författarförlaget, 1988.

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Përzhita, Luan. Qyteza dardane në kodrën e Pecës = le site dardan de Kodra e Pecës. Akademia e Shkencave dhe e Arteve e Kosovës, 2009.

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Bosc, David. Georges Darien. Editions Sulliver, 1996.

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Darren Criss. Gareth Stevens Pub., 2013.

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Hughes, Simon J. S. Darren Mines. Northern Mine Research Society, 1990.

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Waterston, Darren. Darren Waterston. Charles Cowles Gallery, 1997.

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Darien dogs. Jonathan Cape, 2004.

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Book chapters on the topic "Darden"

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Chen, Ruey-Lin. "Mechanisms, Capacities, and Nomological Machines: Integrating Cartwright’s Account of Nomological Machines and Machamer, Darden and Craver’s Account of Mechanisms." In Philosophy of Science in Practice. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-45532-7_8.

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Dickey, James. "Near Darien." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-069.

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Pickett, Linda. "Antonia Darder." In A Critical Pedagogy of Resistance. SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-374-4_7.

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Faistenberger, Christoph, Heinz Barta, and Bernhard Eccher. "Darlehn." In Springers Kurzlehrbücher der Rechtswissenschaft. Springer Vienna, 1988. http://dx.doi.org/10.1007/978-3-7091-6959-9_2.

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Westfall, John, and William Sheehan. "To Darken the Earth." In Celestial Shadows. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1535-4_5.

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Claudino-Sales, Vanda. "Darien National Park, Panama." In Coastal World Heritage Sites. Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1528-5_10.

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Marlin, Demelza, Nicholas Apoifis, and Andrew Bennie. "Darren Allie—Basketball/AFL." In Aboriginal Sports Coaches, Community, and Culture. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-8481-7_11.

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Beighton, Peter, and Greta Beighton. "DARIER, Jean." In The Person Behind the Syndrome. Springer London, 1997. http://dx.doi.org/10.1007/978-1-4471-0925-9_25.

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Gauch, Suzanne. "Darker Vision." In A Companion to African Cinema. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119100577.ch15.

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Weyers, Wolfgang. "Jean Darier." In Pantheon of Dermatology. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33224-1_37.

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Conference papers on the topic "Darden"

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Lurie, Darren. "Darren Lurie." In ACM SIGGRAPH 2006 Courses. ACM Press, 2006. http://dx.doi.org/10.1145/1185657.1185710.

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Qi, Dawei, Abhik Roychoudhury, Zhenkai Liang, and Kapil Vaswani. "Darwin." In the 7th joint meeting of the European software engineering conference and the ACM SIGSOFT symposium on The foundations of software engineering. ACM Press, 2009. http://dx.doi.org/10.1145/1595696.1595704.

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Haslgrübler, Michael, and Clemens Holzmann. "DarSens." In the Fifth International Conference. ACM Press, 2010. http://dx.doi.org/10.1145/2221924.2221969.

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Jaramillo, Juan Jose, and R. Srikant. "DARWIN." In the 13th annual ACM international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1287853.1287865.

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Streiffer, Christopher, Ramya Raghavendra, Theophilus Benson, and Mudhakar Srivatsa. "Darnet." In the 18th ACM/IFIP/USENIX Middleware Conference. ACM Press, 2017. http://dx.doi.org/10.1145/3154448.3154452.

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Kruiskamp, Wim, and Domine Leenaerts. "DARWIN." In the 32nd ACM/IEEE conference. ACM Press, 1995. http://dx.doi.org/10.1145/217474.217566.

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Chen, Eric Y., Lin-Shung Huang, Ole J. Mengshoel, and Jason D. Lohn. "Darwin." In GECCO '14: Genetic and Evolutionary Computation Conference. ACM, 2014. http://dx.doi.org/10.1145/2598394.2598413.

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Turakhia, Yatish, Gill Bejerano, and William J. Dally. "Darwin." In ASPLOS '18: Architectural Support for Programming Languages and Operating Systems. ACM, 2018. http://dx.doi.org/10.1145/3173162.3173193.

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Penny, Alan J., Alain M. Leger, Jean-Marie Mariotti, et al. "Darwin interferometer." In Astronomical Telescopes & Instrumentation, edited by Robert D. Reasenberg. SPIE, 1998. http://dx.doi.org/10.1117/12.317130.

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Miluzzo, Emiliano, Cory T. Cornelius, Ashwin Ramaswamy, Tanzeem Choudhury, Zhigang Liu, and Andrew T. Campbell. "Darwin phones." In the 8th international conference. ACM Press, 2010. http://dx.doi.org/10.1145/1814433.1814437.

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Reports on the topic "Darden"

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Garrett, Charles Kristopher. The Darwin Cluster. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1441285.

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Leeper, Eric. Fiscal Analysis is Darned Hard. National Bureau of Economic Research, 2015. http://dx.doi.org/10.3386/w21822.

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Siwabessy, Justy, Maggie Tran, Zhi Huang, Scott Nichol, and Ian Atkinson. Mapping and Classification of Darwin Harbour Seabed. Geoscience Australia, 2015. http://dx.doi.org/10.11636/record.2015.018.

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Lorig, Aurélien. Le Voleur de Georges Darien : une figure romanesque et idéologique de la marge. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.03.

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Bleuel, D. L. FY2018 Annual report on Darren Bleuel's research activities for neutron imaging facility development. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1557396.

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Bleuel, D. L. FY2017 Annual report on Darren Bleuel's research activities for neutron imaging facility development. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1562801.

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Boyd, J. K., E. P. Lee, and S. S. Yu. Aspects of three field approximations: Darwin, frozen, EMPULSE. Office of Scientific and Technical Information (OSTI), 1985. http://dx.doi.org/10.2172/5673870.

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Haggart, J. W. Geology, Ramsay Island, Darwin Sound, and Tasu Head, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/213670.

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Siwabessy, Justy, Neil Smit, Ian Atkinson, et al. Outer Darwin Harbour Marine Survey 2015: GA0351/SOL6187 – Post-survey report. Geoscience Australia, 2016. http://dx.doi.org/10.11636/record.2016.008.

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Branstetter, Jeffrey. Darleen Druyun: An Evolving Case Study in Corruption, Power, and Procurement. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada436580.

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