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Relevant bibliographies by topics / Dardennes Brothers

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Journal articles

Academic literature on the topic 'Dardennes Brothers'

Author: Grafiati

Published: 22 June 2024

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Journal articles on the topic "Dardennes Brothers"

1

Wheatley, Catherine. "The Third City: The Post Secular Space of the Dardenne Brothers' Seraing." Film-Philosophy 23, no. 3 (2019): 264–81. http://dx.doi.org/10.3366/film.2019.0116.

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Set principally in or around Seraing, an industrial region in decline just outside of Liège, in Belgium, the films of Jean-Luc and Pierre Dardenne marry geographical and historical-social realism with a series of ethical inquiries into such topics as immigration, unemployment, black market trading and petty crime. To date, critical commentary on the films has tended mainly to read the work of the Dardennes along two lines. The dominant approach uses the work of Emmanuel Levinas as a philosophical touchpoint in order to illuminate the ethical dimension of the Dardenne brothers' films. The secon

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2

Yang, Hyunjin. "Moral Imagination through Dilemma Narrative of Forgiveness: Centering on Dardenne Brothers’ “Le fils”." Korean Association for Literacy 14, no. 1 (2023): 473–89. http://dx.doi.org/10.37736/kjlr.2023.02.14.1.473.

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Normally, in many situations, life demands pardon and being forgiven. But, in some situation forgiveness is impossible and is considered as being contrary to justice. Forgiveness is moral dilemma. Many questions why immoral and brutal victimizer should be forgiven, how to forgive and when to forgive etc. follow forgiveness. Arguments in favor of and against forgiveness conflict sharply. There is no one exact meaning of forgiveness. Whenever forgiveness is needed there should be different thinking and action accordingly. The major stem of the way Dardenne Brothers understand problems of forgive

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3

Cho, Chang-Yeol. "Film Acting Method of Dardenne Brothers." Journal of the Korea Entertainment Industry Association 16, no. 3 (2022): 77–90. http://dx.doi.org/10.21184/jkeia.2022.4.16.3.77.

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4

Jungbum Shin. "A Study of the Dardenne Brothers’ Cinema Space." journal of the moving image technology associon of korea 1, no. 21 (2014): 153–67. http://dx.doi.org/10.34269/mitak.2014.1.21.008.

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5

Cooper, Sarah. "Mortal Ethics: Reading Levinas with the Dardenne Brothers." Film-Philosophy 11, no. 2 (2007): 66–87. http://dx.doi.org/10.3366/film.2007.0011.

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6

Ahn, Soong-Beum. "Meaning of 'Labor' and Aesthetic in Dardenne Brothers' Films." Journal of the Korea Contents Association 12, no. 9 (2012): 93–105. http://dx.doi.org/10.5392/jkca.2012.12.09.093.

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7

Dillet, Benoit, and Tara Puri. "Left-over Spaces: The Cinema of the Dardenne Brothers." Film-Philosophy 17, no. 1 (2013): 367–82. http://dx.doi.org/10.3366/film.2013.0021.

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8

Rushton, R. "Empathic projection in the films of the Dardenne brothers." Screen 55, no. 3 (2014): 303–16. http://dx.doi.org/10.1093/screen/hju027.

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9

Oh, Bobae. "The Language-Image of the Dardenne Brothers Representing Solidarity: Focusing on Their Film, Deux jours, une nuit." Hankuk University of Foreign Studies Literature Studies 90 (May 31, 2023): 85–104. http://dx.doi.org/10.22344/fls.2023.90.85.

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The film by Jean-Pierre et Luc Dardenne, Deux jours, une nuit (2014), shows the dilemma experienced by workers and their solidarity within an inhuman game based on the logic of capitalism. This film is characterized by the active use of language-image as well as words, language-text, which concretely describe the marginalization of the weak in contemporary society, the isolation of workers, and the hostility to each other reinforced by the capitalist system. The frames partitioned by the lines, colors or materials aroud the characters describe also the solidaristic landscapes, quietly deployed

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10

Park, Eun-Jee. "The politics of friendship and paternity: The Dardenne brothers’ Rosetta." Studies in French Cinema 12, no. 2 (2012): 137–49. http://dx.doi.org/10.1386/sfc.12.2.137_1.

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