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Dissertations / Theses on the topic 'Dario'

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Published: 4 June 2021
Last updated: 31 July 2024

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1

Quartesan, Eleonora <1987&gt. "Dario Varotari." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5100.

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2

Giusti, Giulio. "Artistic imagery in Dario Argento's cinema." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/artistic-imagery-in-dario-argentos-cinema(b9f36b01-cc00-4461-9dbd-1da744abbfae).html.

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This thesis focuses on the work of Dario Argento, a filmmaker whose cinematic style and use of technology have helped popularise Italian Horror both domestically and internationally. Specifically, this analysis engages with Argento’s use of an art-historical repertoire within his cinema, namely the appropriation of architectural, pictorial, and sculptural references, and argues for their importance in terms of reading the main films that constitute my primary corpus. Existing research has only sporadically and superficially treated this area and no systematic survey has been undertaken. The purpose of my analysis is twofold. Firstly, I discuss how art-historical references are integrated into Argento’s oeuvre via copying and quotation, and how they function in the film texts in terms of colour, framing, and lighting. Secondly, I explore whether the iconographic and symbolic processes through which this art-historical repertoire is enacted form a strict bond with the film’s narrative texture. In doing so, my research delivers a broad range of analysis, from narrative to stylistic detail, through an intra-artistic methodological approach. My corpus comprises four different films spanning across Argento’s career: Profondo rosso (1975), Suspiria (1977), La sindrome di Stendhal (1996), and Il fantasma dell’Opera (1998). These films have been selected for two specific reasons. On the one hand, they are the ones containing the greatest number of artistic references. On the other hand, they take into consideration a variety of aesthetic qualities and narrative solutions that, combined together, provide an exhaustive overview of the director’s artistic imagination. Other films from Argento’s forty-year-long career are cited in relation to the aesthetic and thematic affinities with the primary corpus. Because of my intra-artistic approach, which takes in both Argento’s attention to aesthetic detail and to the synergy of the aesthetic and the narrative within a film through the art historical repertoire, I highlight a new aspect of the semantic, stylistic, and technical complexity of the director’s cinema in terms of influence, referentiality, and intertextuality.
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3

Ramos, Bruno Cesar Ribeiro. "Fototransdução em células embrionárias ZEM-2S do peixe teleósteo Danio rerio." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/41/41135/tde-16012015-151748/.

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A melanopsina foi descoberta em 1998 por Ignacio Provencio e colaboradores em melanóforos de Xenopus leavis. Desde sua descoberta, esse fotopigmento surgiu como um possível candidato a intermediar os fenômenos de sincronização nos vertebrados. Nos mamíferos, a melanopsina é encontrada num pequeno subgrupo de células ganglionares da retina, conhecido como células ganglionares retinianas intrinsecamente fotossensíveis (ipRGCs) e o seu papel como fotopigmento responsável pela percepção luminosa, que leva à sincronização das espécies dessa classe aos ciclos de claro e escuro, já foi estabelecido. A melanopsina está presente na retina de todas as classes de vertebrados estudadas até o momento, mas, em contraposição a essa afirmação, a sua estrutura tem maior semelhança com opsina de invertebrados do que com opsina de vertebrados, sugerindo que sua fototransdução ocorra através da via dos fosfoinositídeos. Essa hipótese foi confirmada por diversos trabalhos na literatura e estudos posteriores demonstraram que, em vertebrados não mamíferos, a melanopsina é codificada por dois genes: um ortólogo ao de mamíferos, Opn4m, e um ortólogo ao de X. leavis, Opn4x, levantando diversas questões a respeito da funcionalidade dessa opsina. Nosso grupo vem estudando esse fotopigmento nos tecidos periféricos de vertebrados desde 2001, sendo que foi pioneiro em demonstrar, em melanóforos de Xenopus laevis, que a dispersão dos grânulos de melanina se dá através da fotoativação da melanopsina que desencadeia a cascata de fosfoinositídeos. E estudos mais recentes vêm colocando a melanopsina como um dos possíveis fotopigmentos responsáveis pela sincronização de relógios periféricos em organismos como peixes e anfíbios. Nesse sentido, a linhagem de células ZEM-2S do peixe teleósteo Danio rerio é um ótimo modelo para o estudo das vias de fototransdução em relógios periféricos. Já foi demonstrado que essa linhagem de células é responsiva a estímulos luminosos, exibindo uma proliferação diferencial frente a diferentes regimes de claro e escuro, e ativando a expressão de genes de relógio como clock, per1 e cry1b, que conhecidamente são responsáveis por sincronizar os ritmos biológicos ao fotoperíodo ambiental. Nossos experimentos de imunocitoquímica detectaram a presença das duas proteínas codificadas pelos genes opn4m-1 e opn4m-2 da melanopsina, e mostraram uma significativa diferença na distribuição das proteínas Opn4m-1 e Opn4m-2. Análises de PCR quantitativo mostraram que um pulso de luz azul de 10 min é capaz de alterar a expressão dos genes de relógio per1b, per2, cry1a e cry1b, e que essa alteração ocorre através da via dos fosfoinositídeos em células embrionárias ZEM-2S de Danio rerio. Em adição mostramos que para promover a alteração dos genes de relógio, a via dos fosfoinositídeos interage com outras vias de sinalização como a via do óxido nítrico (NO) e a via das proteína quinases ativadas por mitógenos (MAPKs). Esses dados sugerem que a melanopsina seja um dos principais candidatos a intermediar os processos de sincronização nessas células, pois a somatória dos resultados de detecção da melanopsina, estimulação dentro de seu espectro de absorção e ativação da via dos fosfoinositídeos, a coloca a frente de outras opsinas como vertebrate ancient opsin (Va-opsin) e teleost multiple tissue opsin (Tmt-opsin) e de outros candidatos como Crys fotossensíveis e mecanismos de estresse oxidativo. No curso deste trabalho também conseguimos definir metodologias eficientes de transfecção de RNA de interferência e de DNA plasmidial em células ZEM-2S de D. rerio, que são ferramentas fundamentais nos estudos de expressão gênica nesse modelo
Melanopsin was discovered in 1998 by Ignacio Provencio and colleagues in Xenopus leavis melanophores. Since its discovery, this photopigment has emerged as a possible candidate to mediate synchronization in vertebrates. In mammals the melanopsin is found in a subset of retinal ganglion cells, known as intrinsically photosensitive retinal ganglion cells (ipRGCs) and their role as the photopigment responsible for photoentrainment in mammals has already been established. Melanopsin is present in the retina of all vertebrate classes studied to date, nevertheless, its structure is more similar to invertebrate than to vertebrates opsins, suggesting that their phototransduction pathway occurs through the phosphoinositide pathway. This hypothesis has been confirmed by several studies in the literature. Later studies showed that melanopsin is encoded by two genes in non-mammalian vertebrates, Opn4m orthologous to mammalian and Opn4x orthologous to X. leavis, raising new questions about the functionality of this opsin. Our group has studied this photopigment in vertebrate peripheral tissues since 2001 and, in Xenopus laevis melanophores, we demonstrated that pigment granule dispersion occurs through photoactivation of melanopsin and triggering of phosphoinositide pathway. More recent studies have put melanopsin as a possible photoreceptor responsible for peripheral clocks entrainment in organisms like fish and amphibians. In this context, the ZEM-2S cell line of the teleost fish Danio rerio is a good model to study the mechanism of phototransduction in peripheral clocks. It has been previously demonstrated that this cell line is responsive to light stimuli, exhibiting a differential proliferation when submitted to different light/dark regimes and activating the expression of clock genes such as clock, per1 and cry1b, known to synchronize the biological rhythms to environmental photoperiod. Our immunocytochemistry experiments detected the presence of two proteins encoded by the melanopsin genes opn4m-1 and opn4m-2, and showed a significant difference in the distribution of proteins Opn4m-1 Opn4m-2. Quantitative PCR analyses showed that a 10-min blue light pulse is able to change the expression of the clock genes per1b, per2, cry1b and cry1a, and that this change occurred through the phosphoinositide cascade in embryonic ZEM-2S cells of D. rerio. In addition we showed that, to promote the change in clock gene expression, the phosphoinositide pathway interacts with other signaling pathways such as the nitric oxide (NO) and the mitogen-activated protein kinase (MAPK) pathways. These data suggest that melanopsin is a major candidate to mediate the photoentrainment in these cells, because taken together, the detection of melanopsin, stimulation within its absorption spectrum and activation of the phosphoinositide cascade, puts it ahead of other opsins, as the vertebrate ancient opsin (Va-opsin) and teleost multiple tissue opsin (Tmt-opsin), and other candidates, as photosensitive Crys and mechanisms of oxidative stress. In the course of this work, we could also define efficient methods for transfection of interference RNA and plasmidial DNA in ZEM-2S cells of D. rerio, which are fundamental tools in studies of gene expression in this model
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4

Rehbaum, Hubertus [Verfasser], Dario [Akademischer Betreuer] Farina, Otto [Akademischer Betreuer] Rienhoff, and Roberto [Akademischer Betreuer] Merletti. "Intuitive Myoelectric Control of Upper Limb Prostheses / Hubertus Rehbaum. Gutachter: Dario Farina ; Otto Rienhoff ; Roberto Merletti. Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1050873106/34.

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5

Diedrichs, Robin [Verfasser], Dario [Akademischer Betreuer] Farina, Ralf [Gutachter] Heinrich, and Dario [Gutachter] Farina. "Neuromuscular adaptations induced by long-term motor skill training / Robin Diedrichs ; Gutachter: Ralf Heinrich, Dario Farina ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1169396623/34.

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6

Hartmann, Cornelia [Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, and Florentin [Gutachter] Wörgötter. "Electrocutaneous stimulation to close the loop in myoelectric prosthesis control / Cornelia Hartmann ; Gutachter: Dario Farina, Florentin Wörgötter ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1138115061/34.

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7

Xu, Ren [Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, and Xiaoming [Gutachter] Fu. "Short-Latency Brain-Computer Interface Using Movement-Related Cortical Potentials / Ren Xu. Betreuer: Dario Farina. Gutachter: Dario Farina ; Xiaoming Fu." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1111100896/34.

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8

Escobedo, Dario. "Analysis and overview of selected original compositions by Dario Escobedo." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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9

Wetterling, Dario [Verfasser]. "Leiterpolymere und Stufenleiterpolymere vom Azacenium-Typ / Dario Wetterling." Wuppertal : Universitätsbibliothek Wuppertal, 2021. http://d-nb.info/1236278356/34.

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10

Patel, Gauravkumar K. [Verfasser], Dario [Akademischer Betreuer] Farina, Dario [Gutachter] Farina, and Marcus [Gutachter] Baum. "Context- and Physiology-aware Machine Learning for Upper-Limb Myocontrol / Gauravkumar K. Patel ; Gutachter: Dario Farina, Marcus Baum ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1185168508/34.

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11

Kapelner, Tamás [Verfasser], Dario [Akademischer Betreuer] Farina, Dario [Gutachter] Farina, and David [Gutachter] Liebetanz. "Decoding motor neuron behavior for advanced control of upper limb prostheses / Tamás Kapelner ; Gutachter: Dario Farina, David Liebetanz ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1149958413/34.

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12

Morrow, John Andrew. "The indigenous presence in Ruben Dario and Ernesto Cardenal." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ53872.pdf.

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13

Holland, Dario [Verfasser]. "Das Verhältnis von Selbstbestimmungsaufklärung und therapeutischer Aufklärung / Dario Holland." Göttingen : Universitätsverlag Göttingen, 2017. http://d-nb.info/1154944980/34.

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14

Dieding, Mareike Verfasser], and Dario [Akademischer Betreuer] [Anselmetti. "Funktionale Charakterisierung herzmuskelspezifischer Proteinvarianten / Mareike Dieding ; Betreuer: Dario Anselmetti." Bielefeld : Universitätsbibliothek Bielefeld, 2016. http://d-nb.info/1122599781/34.

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15

Dieding, Mareike [Verfasser], and Dario [Akademischer Betreuer] Anselmetti. "Funktionale Charakterisierung herzmuskelspezifischer Proteinvarianten / Mareike Dieding ; Betreuer: Dario Anselmetti." Bielefeld : Universitätsbibliothek Bielefeld, 2016. http://d-nb.info/1122599781/34.

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16

Russo, Anna. "Bertolt Brecht und Dario Fo : Wege des epischen Theaters /." Stuttgart ; Weimar : J. B. Metzler, 1998. http://catalogue.bnf.fr/ark:/12148/cb38814203m.

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17

Balmain, Colette Jane. "Genre, gender, giallo : the disturbed dreams of Dario Argento." Thesis, University of Greenwich, 2004. http://gala.gre.ac.uk/5795/.

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This thesis presents an examination of the giallo films of Dario Argento from his directorial debut The Bird with the Crystal Plumage (1970) to The Stendhal Syndrome' (1996). In opposition to the dominant psychoanalytical approaches to the horror film generally and Argento's giallo specifically, this thesis argues that the giallo, both textually and meta-textually, actively resists oedipalisation. Taking up from Deleuze's contention in Cinema 1: The Movement Image that the cinematic-image can be consider the equivalent to a philosophical concept, I suggest that Argento's giallo are examples of what Deleuze calls cinema of the "time-image": provoked and extended "philosophical" acts of imagining the world which opens up a theoretical space of thinking differently about questions of gender and genre in horror film, which takes us beyond the fixed images of thought offered by traditional psychoanalytical and feminist paradigms of horror. In the opening chapters of this thesis, I argue that the cinematic-image has to be thought "historically", and that it is only be understanding the emergence of the "giallo" in the 1960s within the wider picture of Italian national cinema, that we can understand Argento's films as specific cultural expressions of thought, which are not reducible to paradigms based upon analyses of the more puritan and fixed American horror film (via Mulvey et all). In my subsequent discussion of Argento's "Diva" trilogy, I consider an assemblage of Deleuzian becoming and poststructuralist feminist thought (Kristeva I Cixous I Irigaray) as a mechanism through which to explore the increasingly feminised and feminist spaces of his later work. This thesis concludes by assessing Argento's critical and creative legacy in films such as Toshiharu Ikeda's Evil Dead Trap (1988) and Cindy Sherman's Office Killer (1997). In these terms, a Deleuzian "approach", enables a set of readings, which open up the texts to a more productive consideration of their appeal, in a way which other more traditional approaches do not, and cannot, account for. The close textual and historical analysis demanded by Deleuze is both a reconsideration of the [feminist] politics of Argento's work, and a response to criticisms of misogynism.
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18

Cebic, Dario [Verfasser]. "Die Entwicklung des Tamburizzaspiels in Kroatien und Österreich / Dario Cebic." Aachen : Shaker, 2014. http://d-nb.info/106619629X/34.

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19

Stango, Antonietta Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, Xiaoming [Gutachter] Fu, Jens [Gutachter] Grabowski, Russell [Gutachter] [Luke, Stephan [Gutachter] Waack, and Florentin [Gutachter] Wörgötter. "Increasing the robustness of active upper limb prostheses / Antonietta Stango ; Gutachter: Dario Farina, Xiaoming Fu, Jens Grabowski, Russell Luke, Stephan Waack, Florentin Wörgötter ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1124680411/34.

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20

Stango, Antonietta [Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, Xiaoming [Gutachter] Fu, Jens [Gutachter] Grabowski, Russell [Gutachter] Luke, Stephan [Gutachter] Waack, and Florentin [Gutachter] Wörgötter. "Increasing the robustness of active upper limb prostheses / Antonietta Stango ; Gutachter: Dario Farina, Xiaoming Fu, Jens Grabowski, Russell Luke, Stephan Waack, Florentin Wörgötter ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1124680411/34.

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21

d'Arcangeli, Luciana. "I personaggi femminili nel teatro di Dario Fo e Franca Rame." Thesis, University of Strathclyde, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488828.

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This study looks at the female characters that have appeared in Dario Fo and Franca Rame's theatre in the totality of their production, which spans over more than 50 years of personal and professional partnership. During this time the characters' evolution was conditioned by social and political changes in Italy, but also by personal changes in Franca Rame herself and this is tracked, as far as possible, in their oeuvre.
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22

Steinberger, Iris Verfasser], and Dario Michael [Akademischer Betreuer] [Leister. "Charakterisierung von PAM71 in Arabidopsis thaliana / Iris Steinberger. Betreuer: Dario Leister." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1104698005/34.

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23

Steinberger, Iris [Verfasser], and Dario Michael [Akademischer Betreuer] Leister. "Charakterisierung von PAM71 in Arabidopsis thaliana / Iris Steinberger. Betreuer: Dario Leister." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1104698005/34.

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24

Telese, Dario <1994&gt. "Novel hydroxystearoyl-, heterocyclic and carbocyclic derivatives: synthesis and applications in biological field." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/9488/1/Dario%20Telese%20PhD%20thesis.pdf.

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This PhD project has been mainly focused on the synthesis of novel organic compounds containing heterocyclic and/or carbocyclic scaffold and on the study of stearic acid derivatives and their applications in biological field. The synthesis of novel derivatives of 9-hydroxystearic acid (9-HSA) evidenced how the presence of substituents on C9, able to make hydrogen bonds is of crucial importance for the biological activity. Also the position of the hydroxy group along the chain of hydroxystearic acids was investigated: regioisomers with the hydroxy group bound to odd carbons resulted more active than those bearing the hydroxy group on even carbons. Further, the insertion of (R)-9-HSA in magnetic nanoparticles gave a novel material which characterization remarked its suitability for drug delivery. Structural hybrids between amino aza-heterocycles and azelaic acid have been synthesized and some of them showed a selective activity towards osteosarcoma cell line U2OS. Several Apcin analogues bearing indole, benzothiazole, benzofurazan moieties connected to tryptaminyl-, amino pyridinyl-, pyrimidinyl- and pyrazinyl ring through a 1,1,1-trichloroethyl group were synthesized. Biological tests showed the importance of both the tryptaminyl and the pyrimidinyl moieties, confirming the effectiveness against acute leukemia models. The SNAr between 2-aminothiazole derivatives and 7-chlorodinitrobenzofuroxan revealed different behaviour depending from amino substituent of the thiazole. The reaction with 2-N-piperidinyl-, 2-N-morpholinyl-, or 2-N-pyrrolidinyl thiazole gave two isomeric species derived from the attack on C-5 of thiazole ring. Thiazoles substituted with primary- or not-cyclic secondary amines reacted with the exocyclic amino nitrogen atom giving a series of compounds whose biological activity have highlighted as they might be promising candidates for further development of antitumor agents. A series of 9-fluorenylidene derivatives, of interest in medical and optoelectronic field as organic scintillators, was synthesized through Wittig or Suzuky reaction and will be analyzed to test their potential scintillatory properties.
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25

Schiavon, Dario [Verfasser]. "Analysis of the green gap problem in III-nitride LEDs / Dario Schiavon." Ulm : Universität Ulm. Fakultät für Ingenieurwissenschaften und Informatik, 2015. http://d-nb.info/1067924442/34.

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26

Dunnett, Jane Deborah. "Sociocultural pertinence in translation: Dario Fo's "Mistero buffo" and its Quebecois transfiguration." Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10357.

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The aim of this thesis is to illustrate, through a case-study, the sociohistorical and ideological constraints to which the activity of translation is subject. Underlying the source text that was chosen--Dario Fo's Mistero buffo--there is one particular ideologeme which can be summed up as follows: 'the people have always been exploited'. In Michel Tremblay's 1973 translation, this ideologeme is converted into a different ideologeme: 'the Quebecois have always been exploited'. In order to shed light on this radical transformation, both plays are first situated in their sociocultural contexts and then analysed in terms of the social discourse that prevailed at the time of their reception in Italian and Quebecois society respectively. In this descriptive study the concept of 'pertinence'--as opposed to the translation's aesthetic merit per se--is employed as the chief criterion for interpreting translational shifts; the pattern of these shifts indicates that they are motivated principally by Tremblay's desire to make Mistero buffo correspond to the target audience's horizon of expectations.
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27

PEREA, FERREYRA SOAJE VIVIANA INES. "Ruben dario et sa creation journalistique en france : mundial magazine et elegancias." Paris 4, 1987. http://www.theses.fr/1987PA040368.

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La nature des chroniques et portraits de ruben dario, parus dans mundial magazine et elegancias pendant sa derniere periode journalistique, est etudiee tres en detail. Les annees 1911 a 1914 sont particulierement analysees afin d'etablir le lien entre ces publications et celles parues simultanement dans le journal argentin la nacion. Cette etude permet d'eclaircir la derniere phase de la contribution litteraire de ruben dario a travers l'analyse de plusieurs documents et de textes pas encore compiles dans ses oeuvres completes
The nature of ruben dario's chronicles and portraits for mundial magazine and elegancias during his late journalistic period is explored and studied in detail. The years 1911 to 1914 are carefully analyzed in order to establish the relationship between these publications and those contributed to the argentine newspaper la nacion during the same period. The study shares light on the late phase of dario's literary contribution through the analysis of many texts and documents not yet compiled in his complete works
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28

Hausback, Jason M. "Dario Castello's Music for Sackbut: the Sonate Concertate in Stil Moderno (1629)." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc271830/.

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Dario Castello's Sonate concertate in stil moderno is a collection of 29 trio sonatas in two volumes, with 10 of them employing the sackbut. These works represent a significant repertoire for the sackbut in an era where specific instrumentation was only starting to become a convention. While these pieces are often studied, performed and recorded in Europe, most American trombonists are not aware of their existence. This study seeks to acquaint the American trombonist with the sonatas of Castello and to provide performance suggestions for those less familiar with this genre. Chapter 1 presents a survey of the current literature on Castello. Chapter 2 provides an historical background for music in Venice in the early 17th century, while Chpater 3 focuses on the composer and his music for sackbut. Chapter 4 investigages the sonata in early 17th century Venice. Chapter 5 provides an insight into early baroque performance practice by discussing principles such as affect, tempo, ornamentation, diminution and articulation. Examples from the ten sonatas are used to illustrate these principles, providing the modern trombonist with a framework in which to study Castello's music. The final chapter discusses the implications of this study on the American trombone curriculum.
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29

List, Jared Paul. "(De)colonial Narratives: Ruben Dario, V. S. Naipaul and Simone Schwarz-Bart." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1370266680.

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30

Forsberg, Rose-Marie. "To Be True to Audience or Author - A Brief Literature Review and Comparison of Linguistic Humour in Two Translations of Dario Fo’s Accidental Death of an Anarchist." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-17797.

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In this essay, research is conducted on two different translations of the same comic play by Dario Fo: Accidental Death of an Anarchist. (Original title in Italian: Morte accidentale di un anarchico). The first translation is by Gillian Hanna – adapted by Gavin Richards, and the other by Simon Nye. As the original text is both satirical and comedic, one of the things investigated is how these satirical and comical features of the original text are translated. Questions asked include whether these comical and satirical features are sometimes omitted or altered for any linguistic reason, or if the “jester-like” satire of the original text is preserved. In order to answer these questions, the context of the text will first be explored, as this context may present linguistic obstacles for a translator. These possible linguistic obstacles will mainly be established through Fitzpatrick & Sawczak’s Cultural Translation Model. Chapter 2 of this essay consists of an explanation of the methodology of gathering data through primary and secondary literature sources, and, eventually a comparison of the two translations to the original text. In Chapter 3, a review of the relevant theories is presented, and the theoretical literature which may offer explanations about the linguistic properties of humour and the “comedic process”. Further, Dario Fo’s particular style of political satire is presented in Chapter 4, together with an investigation of the particular use of satire in theatre performances, and Commedia dell’arte - as background for his particular comedic style. In Chapter 5, linguistic obstacles for translating humour and satire for stage are investigated. In addition, various adaptation strategies of translation are briefly displayed, as well as a short account for Accidental Death of an Anarchist in adaptation. Finally, in Chapter 6, a comparison between some short segments of the two translations and the original text is conducted, in order to establish whether some satirical and comical features have been preserved or altered in the translations. The research will show that there exists a lack of linguistic humour theories which goes beyond linguistic puns. At the same time, various techniques are available to translate and adapt the humorous source text into the target language and culture. Even if there is no linguistic reason for altering the implications and symbolic approach of the original text, the translator may adapt the stage performance into the cultural realm of the native public. Thus, the translator can either exclude the humorous parts in the original text, or adapt the satire into domestically accepted jokes, or add new humorous events into the play. However, due to linguistic obstacles in translating humour, it is not always a matter of choice for the translator to either be true to audience or author.
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Götz, Dario [Verfasser]. "Three topics in fluid dynamics: Viscoelastic, generalized Newtonian, and compressible fluids / Dario Götz." München : Verlag Dr. Hut, 2012. http://d-nb.info/1029400113/34.

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32

Dominik, Brunner [Verfasser]. "Der „DARIO“ - Artikelentwurf über die Verantwortlichkeit Internationaler Organisationen : Eine kritische Analyse / Brunner Dominik." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1161047190/34.

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33

Dumont-Lewi, Laetitia. "Portraits de l’histrion en auteur : Dario Fo ou les représentations d’un homme-théâtre." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100114.

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Homme-théâtre, Dario Fo s’inscrit dans un continuel processus de définition de l’auteur comme acteur et de l’acteur comme auteur, qui passe par une affirmation de sa double place en scène et dans la vie publique. Il se fait ainsi le créateur d’une façon de faire du théâtre non pas radicalement neuve mais singulière et qui se distingue dans le panorama théâtral de son temps en envahissant d’autres domaines d’activité et de compétence, ce qui lui permet de conquérir une reconnaissance globale à la fois comme histrion et comme intellectuel. La première partie de la thèse analyse les processus de création pour voir comment Dario Fo se montre auteur en tant qu’écrivain, en tant que comédien et en tant que metteur en scène ou plutôt chef de troupe. La deuxième partie prend en considération la façon dont la figure d’auteur est présentée au public : dans la construction d’un réseau de sens qui donne une cohérence à l’ensemble de l’œuvre, dans la fixation de cette œuvre par des processus d’édition, de captation et d’archivage, et par la diffusion des spectacles en Italie et dans le monde, en présence de l’acteur-auteur ou non. La troisième partie, enfin, revient sur la construction d’une autorité intellectuelle, dans l’élévation de Fo au statut de porte-parole politique et de maître à penser
Dario Fo is a theatre-man whose work ceaselessly redefines the author as an actor and the actor as an author, in a process that claims his dual position on stage and in public life. He thus creates an approach to theatre that, though not radically new, distinguishes itself in the theatrical landscape of his time, by encroaching on other fields of activity and competency, earning him a global recognition as an actor and intellectual. The first part of this study analyzes the creative process and shows how Dario Fo stages himself as an author through writing, acting and directing. The second part considers how the authorial figure is presented to the public : as part of a larger network of references that lends coherence to his work as a whole, in the fixation of this work through publishing, audio and video-recording and archiving, and through the circulation of his productions in Italy and the world, with or without his presence. The third part analyzes the construction of his intellectual authority, his promotion to the status of political spokesman and mentor
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Calamai, Francesca <1996&gt. "L'Europa letteraria a través de cartas inéditas de Dario Puccini y Giancarlo Vigorelli." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20859.

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Il presente elaborato si concentra sulla rivista culturale L'Europa letteraria e, in particolare sui carteggi (inediti e non) del direttore della testata, Giancarlo Vigorelli, e l'ispanista Dario Puccini, tra il 1960 e il 1965 (anni di pubblicazione della rivista ) con gli autori spagnoli che, al suo interno pubblicarono articoli o testi. I personaggi presi in analisi sono: Rafael Alberti, Vicente Aleixandre, Max Aub, Jaime Gil de Biedma, José Agustín, Juan e Luis Goytisolo, Jorge Guillén e Jesús López Pacheco. Da questo studio, emergeranno gli scambi culturali tra Italia e Spagna in questa epoca.
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35

Wagner, Stefanie. "Dario Fos "Morte accidentale di un anarchico" und seine Adaptationen in Frankreich und Deutschland." Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/6027/.

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Dario Fo (Nobelpreis 1997) ist einer der herausragendsten Erneuerer des italienischen Theaters des 20. Jahrhunderts. Ein Überblick über die wichtigsten Stationen seines künstlerischen Schaffens zeugt zunächst von Fos stetem Bemühen um innovative Ansätze in Bezug auf Theaterkonzeption und –praxis: immer gilt es, sich von den Konventionen des literarischen, bürgerlichen, subventionierten, weitgehend passiv rezipierten Theaters abzugrenzen und das Theater für das Publikum wieder ganzheitlich erfahrbar zu machen. Doch nicht selten geraten er und seine Truppe dabei in Konflikt mit den herrschenden politischen und gesellschaftlichen Umständen. Dies trifft auch auf sein Stück "Morte accidentale di un anarchico" (1970) zu, dessen Analyse im Zentrum dieser Arbeit steht. Ein realhistorischer Fall, der "Fall Pinelli" (bzw. "la strage di Piazza Fontana") 1969, diente Fo als Grundlage seiner sehr zeitnah entstandenen grotesken Farce, die aufgrund ihrer politischen Brisanz für Aufruhr sorgte und die auch im Ausland bis heute immer wieder auf den Spielplänen zu finden ist. Die Arbeit geht daher nicht nur auf die Produktion, Inszenierung und Rezeption des Stücks in Italien ein, sondern nimmt auch die Adaptationen und deren Rezeption in Frankreich und Deutschland in den Blick, wobei die italienspezifische Ausrichtung von Fos Theater (Rekurs auf Traditionen des italienischen Volkstheaters, Verarbeitung (tages)politischen Geschehens etc.) eine besondere Herausforderung für die fremdsprachige Bearbeitung des Stückes und seine Inszenierung darstellt. Neben den produktions- und rezeptionsästhetischen Grundbedingungen des Textes von Dario Fo werden in diesem Zusammenhang auch Spezifika der Bühnenübersetzung beleuchtet und Alternativen hierzu aufgezeigt, die auch bereits von Fos Truppe genutzt werden.
Dario Fo (Premio Nobel 1997) è uno dei drammaturghi e capocomici più innovatori del teatro italiano del ‘900. Verranno mostrate le tappe più importanti del suo percorso artistico che attestano una ricerca incessante di approcci innovativi per la concezione e la prassi teatrali: una lotta acerrima contro le convenzioni del teatro letterario, borghese, sovvenzionato e fruito in modo passivo. Comunque, cercando di ristabilire l’evento teatrale come esperienza olistica, Fo e la sua compagnia si ritrovano spesso in pieno conflitto con la realtà socio-politica e i suoi rappresentanti. Era anche questo il caso del pezzo "Morte accidentale di un anarchico" (1970) di cui questo lavoro presenta un’analisi. Scritta poco dopo la strage di Piazza Fontana (dicembre 1969) e quindi a quell’epoca di scottante attualità politica, questa farsa grottesca fece sorgere grandi tumulti e rimane finora uno dei pezzi più rappresentati, anche all’estero. Pertanto, questo lavoro contempla non solo la produzione, l’allestimento e la ricezione del pezzo in Italia, ma tiene anche conto degli adattamenti e della loro ricezione in Francia e in Germania. Verrà mostrata la sfida per gli adattamenti stranieri che risulta dall’italianità del teatro di Fo (ricorso alla tradizione del teatro popolare italiano, trattamento di fatti socio-politici quotidiani etc.). In questo contesto verranno spiegati anche elementi specifici della traduzione per la scena e indicata qualche alternativa che anche la compagnia di Fo già utilizza.
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36

Montero, Dario [Verfasser]. "A taylorian approach to social imiginaries : the origins of Chiles democratic culture / Dario Montero." Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2015. http://d-nb.info/107262172X/34.

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Massa, Dario [Verfasser], and Roland [Akademischer Betreuer] Gerhards. "Investigations on herbicide resistance in Apera spica-venti populations / Dario Massa. Betreuer: Roland Gerhards." Hohenheim : Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim, 2012. http://d-nb.info/1027352812/34.

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Schmidt, Daniel Dario [Verfasser], and Meinhard [Akademischer Betreuer] Schilling. "Evaluation of imaging parameters in Magnetic Particle Imaging / Daniel Dario Schmidt ; Betreuer: Meinhard Schilling." Braunschweig : Technische Universität Braunschweig, 2018. http://d-nb.info/1175815977/34.

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Wang, Ying Verfasser], and Dario [Akademischer Betreuer] [Anselmetti. "Nanomechanics of DNA-ligand interaction investigated with magnetic tweezers / Ying Wang ; Betreuer: Dario Anselmetti." Bielefeld : Universitätsbibliothek Bielefeld, 2017. http://d-nb.info/1134865597/34.

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40

Mankowski, Olaf Alberto Dario von [Verfasser], and Bettina [Akademischer Betreuer] Lotsch. "Post-synthetic modifcation of MOF nanoparticles / Olaf Alberto Dario von Mankowski ; Betreuer: Bettina Lotsch." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1203544901/34.

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41

Maera, Claudia. "Carnivalesque disruptions and political theatre : plays by Dario Fo, Franca Rame, and Caryl Churchill." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299610.

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42

Valleriani, Marco. "Religious themes, storytelling in Christian art and anticlerical strands in Dario Fo's Mistero Buffo." Thesis, Royal Holloway, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531313.

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43

Wang, Jing [Verfasser], and Dario Michael [Akademischer Betreuer] Leister. "Functional analysis of the role of chloroplasts in senescence / Jing Wang. Betreuer: Dario Leister." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://d-nb.info/1075456967/34.

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Wang, Jing Verfasser], and Dario Michael [Akademischer Betreuer] [Leister. "Functional analysis of the role of chloroplasts in senescence / Jing Wang. Betreuer: Dario Leister." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2013. http://d-nb.info/1075456967/34.

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Zühllke, Jessica [Verfasser], and Dario Michael [Akademischer Betreuer] Leister. "PAM68 : A new component of the PSII biogenesis machinery / Jessica Zühlke. Betreuer: Dario Leister." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2009. http://d-nb.info/1018163891/34.

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Willemsen, David [Verfasser], Dario R. [Gutachter] Valenzano, and Thomas [Gutachter] Wiehe. "Life history evolution in turquoise killifish / David Willemsen ; Gutachter: Dario R. Valenzano, Thomas Wiehe." Köln : Universitäts- und Stadtbibliothek Köln, 2019. http://d-nb.info/1205878572/34.

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Moreira, Caio Ricardo Bona. "Ruínas de um tempo/templo, ou sobrevivências de Dario Vellozo na literatura do presente." Florianópolis, SC, 2011. http://repositorio.ufsc.br/xmlui/handle/123456789/95405.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2011
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Este trabalho teve por objetivo desenvolver uma leitura da sobrevivência da poética simbolista na poesia do presente, tendo como base o poeta Dario Vellozo. Pretendemos ler a sua poesia colocando-a em rede, tirando-a da província, e demonstrando que a performance literária de Dario na belle époque curitibana não está distante de movimentos como o dos patafísicos e acephálicos. Os gestos de Dario, ao fomentar uma poesia simbolista mística, ao construir o Templo das Musas e ao criar festividades pagãs em que se travestia de grego e desfilava com seus seguidores pela cidade, não são meramente provincianos, já que estão atravessados pela leitura de simbolistas e decadentistas franceses e pelo surto do misticismo que invade a Europa no século XIX. A partir do cruzamento de tempos e textos do final do século XIX, do início do século XX, e de poemas contemporâneos, bem como da leitura de teóricos como Walter Benjamin, Aby Warburg e Didi-Huberman, observamos como alguns poetas do presente desenvolvem um diálogo inteligente com o simbolismo, revitalizando-o, e dele extraindo uma força capaz de potencializar a sua própria produção.
This work aims to develop an interpretation of the symbolist poetry survival in the contemporary poetry, having as basis the poet Dario Vellozo. We intend to read his poetry putting it in relation, taking it out from the province, and showing that the literary performance of Dario in the belle époque of Curitiba it is not so distant from the movements such as the pataphysics and acephalics. The gestures of Dario, feeding a mystic symbolist poetry, building the Muse Temple (#Templo das Musas#) and creating pagan festivities in which he dressed up like a Greek and marched with his followers through the city, are not provincial acts, since these acts are marked by the reading of French symbolists and decadents and by the outbreak of mysticism that invaded Europe in the nineteenth century. From the correlation of times and texts of late nineteenth century, earlier twentieth century with contemporary poems, as well as the reading of scholars such as Walter Benjamin, Aby Warburg and Didi-Huberman, I intend to investigate how poets like Paulo Leminski, Ricardo Corona, among others, develop a clever dialog with the symbolism, reviving it, and extracting from it a strength capable of leverage its own creation.
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Cozzi, Dario [Verfasser], and Ulrich [Akademischer Betreuer] Rückert. "Run-time reconfigurable, fault-tolerant FPGA systems for space applications / Dario Cozzi ; Betreuer: Ulrich Rückert." Bielefeld : Universitätsbibliothek Bielefeld, 2016. http://d-nb.info/1123729107/34.

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Loock, Clemens Dario [Verfasser]. "Automatisierte Bestimmung von Autoantikörpern mit indirekter Immunfluoreszenztechnik : eine komparative Analyse zweier Automaten / Clemens Dario Loock." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2016. http://d-nb.info/1119803209/34.

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Armbruster, Ute [Verfasser], and Dario Michael [Akademischer Betreuer] Leister. "Molecular characterisation of three novel photosynthetic proteins in arabidopsis thaliana / Ute Armbruster. Betreuer: Dario Leister." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2008. http://nbn-resolving.de/urn:nbn:de:bvb:19-163720.

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