Relevant bibliographies by topics / Dark poems

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dark poems'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Dark poems"

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Su, Yujie. "Dark Energy in Robert Frost’s Poems." Theory and Practice in Language Studies 6, no. 7 (2016): 1372. http://dx.doi.org/10.17507/tpls.0607.06.

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Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems, and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. The present study starts with the survey of the lexical representations of
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Hall, Derek. "Dark Matter: Poems of Space." Space Policy 26, no. 3 (2010): 198–200. http://dx.doi.org/10.1016/j.spacepol.2010.06.005.

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Bomfim, Monalisa Medrado. "Galáxia dark no fio da navalha de Walter Benjamin / Galáxia dark on Walter Benjamin’s razor edge." O Eixo e a Roda: Revista de Literatura Brasileira 30, no. 3 (2021): 317. http://dx.doi.org/10.17851/2358-9787.30.3.317-337.

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Resumo: Galáxias (1984) é um livro de Haroldo de Campos que transita entre linguagens e suportes. Entre as experimentações de Galáxias (1984), destaco a transcriação cinematográfica, operada por Julio Bressane e Haroldo de Campos. A dupla produziu dois vídeos-poemas: Galáxia albina (1992) e Infernalário: logodédalo – Galáxia dark (1993). O objetivo desse trabalho foi pensar a transcriação do poema Galáxias (1984) para o vídeo-poema Infernalário: logodédalo – Galáxia dark (1993) por meio da navalha benjaminiana que compõe a teoria poética de Haroldo de Campos. Teceu-se a análise a partir dos fr
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Wilson, Stephen. "In the Illuminated Dark: Selected Poems." Jewish Quarterly 63, no. 4 (2016): 74. http://dx.doi.org/10.1080/0449010x.2016.1270516.

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Ismail, Norlela, and Aishah Humaira' Shamsul Bahrain. "Aesthetic Objectivism : Instapoetry ‘Dark Love’ through Lang Leav’s Poetry (2013-2016)." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 83–87. http://dx.doi.org/10.21834/ebpj.v7isi9.4250.

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The themes of Lang Leav's poems are mostly about love, loss and loneliness. Her poetry is very well received by many and is also said to promote a toxic view of love. This paper aims to examine the themes of love which we argue contain the elements of dark love. Dark love is divided into 'love as a sad notion' and 'love as a hopeless infatuation'. A textual analysis is done on selected poems using Frank Sibley's aesthetic theory of objectivism (1959). The analysis reveals that the poems promote 'dark love' that is grim, disappointing and pessimistic.
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Dhungel, Nabaraj, and Kalpana Thapa. "Ecoconsciousness Versus Egoconsciousness: An Ecocritical Reading of GM Hopkins’ “God’s Grandeur” and William Stafford’s “Travelling through the Dark”." Humanities and Social Sciences Journal 13, no. 1 (2021): 87–98. http://dx.doi.org/10.3126/hssj.v13i1.44554.

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This article explores how the poets G M Hopkins and William Stafford attempt to present the conflict between egoconsciousness and ecoconsciousness in their poems “God’s Grandeur” and “Travelling through the Dark” respectively. It also endeavours to find out their strategy and mission of exposing the superiority complex of the humans guided by anthropocentrism and highlighting the significance of ecocentrism necessary for creating balance in ecosystem and human lives. This paper assertively justifies that the poets, through their poems, depict the humans as problems and nature as solution of al
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Thompson, Tulia. "Dark Sparring: Poems by Selina Tusitala Marsh." Contemporary Pacific 27, no. 1 (2015): 298–300. http://dx.doi.org/10.1353/cp.2015.0028.

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O'Heare, Tric. "Poems: Dark halls of faith, Tender hammers." Journal of Australian Studies 27, no. 79 (2003): 175–76. http://dx.doi.org/10.1080/14443050309387900.

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Graham, Jean E. "“Black Lord Herbert” and the Construction of Race." Studies in Philology 122, no. 1 (2025): 81–98. https://doi.org/10.1353/sip.2025.a951887.

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Abstract: In the early modern poetics of “dark lady” poems, “Sonnet of Black Beauty” and “Another Sonnet to Black it self,” by Edward Lord Herbert of Cherbury, seem more abstract. While these sonnets may indeed be read as philosophical poems concerning “blackness per se” or blackness personified, they may also be seen as part of a sequence of Herbert’s poems that participate in the conversation that includes the “dark lady” poems of William Shakespeare and Philip Sidney. More conjecturally, the poems may refer to the “swarthiness” of Welsh men, men like “Black Lord Herbert” himself, thus parti
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Luo, Jun, and Guijun Li. "A Culturalist Interpretation of the Dark Brothers’ Sound Bitterness in Hughes’s I, Too, Sing America." Studies in Linguistics and Literature 2, no. 1 (2018): 27. http://dx.doi.org/10.22158/sll.v2n1p27.

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<em>Langston Hughes is an important poet over the Harlem Renaissance who has contributed to the enhancement of the thematic profundity of his poetry in the association of African-American culture rooted in its literature, music, theater, art, and politics with his poetic production. Inspired by the original newness of his great poems, many foreign and Chinese scholars and critics have not only discussed much about his indispensable role in promoting dark brothers’ folk culture on the basis of their valuable explorations among his works but also made a mention of dark brothers’ lower soci
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Dissertations / Theses on the topic "Dark poems"

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Halovanic, Maria. "Dark Matter poems /." College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/110.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2003.<br>Thesis research directed by: Creative Writing. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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O'Brien, Steven Louis. "Dark hill dreams : a collection of poems with a critical preface." Thesis, University of Sussex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444365.

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Boast, Rachael. "Dark saying : a study of the Jobian dilemma in relation to contemporary ars poetica : Bedrock : poems." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/906.

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Part I of this thesis has been written with a view to exploring the relevance a text over 2500 years old has for contemporary ars poetica. From a detailed study of ‘The Book of Job’ I highlight three main tropes, ‘cognitive dissonance’, ‘tĕšuvah’, and ‘dark saying’, and demonstrate how these might inform the working methods of the contemporary poet. In the introduction I define these tropes in their theological and historical context. Chapter one provides a detailed examination of ‘Job’, its antecedents and its influence on literature. In chapters two and three I examine in detail techniques
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Reiter, Geoffrey. ""A dark poem" : Lovecraft and his Puritans /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Cabrera, Honatan Fajardo. "Dar la mano sobre algunos trazos y trances del poema en el pensamiento de la alteridad : Levinas, Celan y Derrida." Pontifícia Universidade Católica do Rio Grande do Sul, 2013. http://hdl.handle.net/10923/3469.

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Made available in DSpace on 2013-08-07T18:55:49Z (GMT). No. of bitstreams: 1 000447353-Texto+Completo-0.pdf: 1245058 bytes, checksum: f42c2947915207a6fd4fea1079a4061c (MD5) Previous issue date: 2013<br>Según Paul Celan el poema está de camino quizás al otro totalmente otro, experiencia imposible en la exposición a las alteridades que imanta las lecturas de Emmanuel Levinas en Paul Celan De l’être à l’autre(1972) y de Jacques Derrida en Schibboleth pour Paul Celan (1986) y Béliers le dialogue ininterrompu: entre deux infinis, le poème (2003). Sin ignorar las rupturas, la distancia, la pasión
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Books on the topic "Dark poems"

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Smarandache, Florentin. Dark snow: Poems. Erhus University Press, 1992.

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Bullock, Michael. Dark water: Poems. Third Eye Publications, 1987.

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Karanja, Sekou J. Dark crucifixion: Poems. Black Tie Press, 1990.

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John, Jenkins. Dark river: Poems. Five Islands Press, 2003.

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Guinzio, Carolyn. Spoke & dark: Poems. Red Hen Press, 2012.

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Katz, Joy, and Kevin Prufer, eds. Dark Horses: Poets on Overlooked Poems. University of Illinois Press, 2007.

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Baigent, Beryl. Absorbing the dark: Poems. Moonstone Press, 1990.

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Foley, Kitty. Forgiving the dark: Poems. Chapel Hill Press, 2009.

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Kennedy, X. J. Dark horses: New poems. Johns Hopkins University Press, 1992.

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Holzapfel, Rudi. Dark harvest: Poems & satires. Sunburst Press, 1997.

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Book chapters on the topic "Dark poems"

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Seward, Anna. "[Dark as the silent stream beneath the night,]." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-87.

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Seaman, Myra. "Disconsolate Art." In Dark Chaucer. punctum books, 2012. https://doi.org/10.21983/p3.0018.1.13.

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Art without consolation would, it seems, be fatally deficient. Art’s distinctive identity, central to a humanist aesthetic, emanates from its supposedly singular capacity to transcend: where humanists are menaced by meaninglessness, art offers significance; where humanists lament loss, art reveals timeless truth and enduring beauty; where humanists sense absence, art promises presence. Humanist art consoles the living about the dead and the losses they signify. It affirms the extension of (human) life into the realms of the lifeless. Read (as it customarily is) with such expectations, Chaucer’
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Harrison, Leigh. "Black Gold." In Dark Chaucer. punctum books, 2012. https://doi.org/10.21983/p3.0018.1.07.

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Despite their pretense of explaining beginnings, creation myths often if not always have ends in mind — a fact that certainly holds true for Chaucer’s “Former Age.” On the face of it, the poem is onlya creation myth: its verse tells the story of human community at its origins, of a freer life (with only “good feith the empeirice” [55])1 before complex estate hierarchies and the State. Its few stanzas have all the look and feel of a sad song whose melody the centuries have worn away, with all the misty revelation of prehistoric “folk” impulse that the “ballad” label still inevitably implies. Th
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Evans, Ruth. "A Dark Stain and a Non-Encounter." In Dark Chaucer. punctum books, 2012. https://doi.org/10.21983/p3.0018.1.05.

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I want to write about Alcyone’s dream because it’s fascinated me for so long, but the pages of my Riverside Chaucer won’t stay open at The Book of the Duchess, so I bend back the spine and put my left palm down firmly on the gutter, but it’s as if the book is resisting my desire to read, which annoys me because I’m excited to work out why I find her dream so dark. I know that the trigger will be certain enigmatic words that tease me or some other text that swims into my head as I’m reading. I don’t know exactly what that will be, though I remember that the word “derk” is there in the poem some
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Neel, Travis, and Andrew Richmond. "Black as the Crow." In Dark Chaucer. punctum books, 2012. https://doi.org/10.21983/p3.0018.1.10.

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Perched among the many birds in the Parliament of Foules sits “the crowe with vois of care” (364).1 The crow receives no space to speak in Geoffrey Chaucer’s Valentine’s Day poem —a grim reminder perhaps of the circumstances under which he received his sad voice and scorched appearance. In Chaucer’s hands it is a different, perhaps darker, story than the one told by Ted Hughes. The crow does not launch himself into blackness through a jealousy contest; rather he becomes but one victim at the hands of a jealous and wrathful master. As Chaucer’s Manciple tells the story, the crow had once been a
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Dutton, Paul Edward. "A World Grown Old with Poets and Kings." In Charlemagne’s Mustache and other Cultural Clusters of a Dark Age. Palgrave Macmillan US, 2004. http://dx.doi.org/10.1007/978-1-137-06228-4_6.

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"Dark Fields." In Collected Poems of Bronwen Wallace. McGill-Queen's University Press, 2020. http://dx.doi.org/10.1515/9780228003212-009.

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"THAT KISS IN THE DARK." In Selected Poems. Yale University Press, 2023. http://dx.doi.org/10.2307/jj.6505274.323.

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"The Self, that Dark Star." In Selected Poems. Duke University Press, 2005. http://dx.doi.org/10.1215/9780822387008-083.

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"The Self, that Dark Star." In Selected Poems. Duke University Press, 2005. http://dx.doi.org/10.2307/j.ctv12100w6.86.

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Conference papers on the topic "Dark poems"

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Goede, A. P. H., J. P. Burrows, C. Smorenburg, H. Visser, and J. de Vries. "Sciamachy Instrument Development." In Optical Remote Sensing of the Atmosphere. Optica Publishing Group, 1991. http://dx.doi.org/10.1364/orsa.1991.oma3.

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SCIAMACHY (Scanning Imaging Absorption Spectrometer for Atmospheric Chartography) is an optical imaging spectrometer for atmospheric chemistry research [1.2]. The instrument is selected by ESA to fly on POEM-1 (Polar Orbiting Earth observation Mission) scheduled for launch in 1997/8. Also it has been selected by DARA to fly on ATMOS scheduled for 1996. The instrument is presently in its phase B development stage.
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Yu, Laiwen, Jingshu Guo, Xuezhi Zhao, Hengtai Xiang, Liang Gao, and Daoxin Dai. "Graphene-Quantum-Dots-Graphene Heterojunction Waveguide Photodetector with Low Dark Current and High Speed." In 2023 Asia Communications and Photonics Conference/2023 International Photonics and Optoelectronics Meetings (ACP/POEM). IEEE, 2023. http://dx.doi.org/10.1109/acp/poem59049.2023.10369757.

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