Relevant bibliographies by topics / Darlings

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Darlings'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Darlings"

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McArdle, J. Ardle, Philip Davison, Val Mulkerns, and Robert McLiam Wilson. "Killing Your Darlings." Books Ireland, no. 133 (1989): 112. http://dx.doi.org/10.2307/20626189.

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Ezell, Jason. "“Returning Forest Darlings”." Radical History Review 2019, no. 135 (October 1, 2019): 71–94. http://dx.doi.org/10.1215/01636545-7607833.

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Abstract This essay describes how, in the late 1970s, gay liberationists in the Southeast developed a rural sanctuary practice out of their intersections with back-to-the-land movements, leading to the formation of Short Mountain Sanctuary in 1980. It draws on writings in the gay serial RFD, as well as on oral histories and event documentation, to trace how members mobilized regional collectivism, rustic print practices, and spiritual affect to imagine a rural underground at the edges of the state’s reach. This account serves as an alternate case study to US sanctuary movement histories, which heavily feature city and church.
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Eekhof, Just. "Kill your darlings." Huisarts en wetenschap 58, no. 6 (June 2015): 282. http://dx.doi.org/10.1007/s12445-015-0151-0.

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Bhatnagar, Gitanjali. "Kids:The Darlings of Marketers." Review of Professional Management- A Journal of New Delhi Institute of Management 9, no. 1 (June 1, 2011): 81. http://dx.doi.org/10.20968/rpm/2011/v9/i1/100388.

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Pulford, Mary. "The Darlings of Anthropology." Teaching Anthropology: Society for Anthropology in Community Colleges Notes 8, no. 1 (September 2001): 28–29. http://dx.doi.org/10.1525/tea.2001.8.1.28.

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Stevenson, Deborah. "The Candy Darlings (review)." Bulletin of the Center for Children's Books 60, no. 2 (2006): 99. http://dx.doi.org/10.1353/bcc.2006.0721.

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Redding, Arthur. "Darlings of the Weather Underground." Minnesota review 2018, no. 90 (2018): 70–88. http://dx.doi.org/10.1215/00265667-4391524.

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Waltz, Emily. "It's official: biologics are pharma's darlings." Nature Biotechnology 32, no. 2 (February 2014): 117. http://dx.doi.org/10.1038/nbt0214-117.

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Coats, Karen. "Vicious Little Darlings (review)." Bulletin of the Center for Children's Books 64, no. 10 (2011): 466. http://dx.doi.org/10.1353/bcc.2011.0466.

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Harvey, Alan. "From demons to darlings: drugs from venoms." Drug Discovery Today 3, no. 12 (December 1998): 531–32. http://dx.doi.org/10.1016/s1359-6446(98)01269-0.

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Dissertations / Theses on the topic "Darlings"

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Seifert, Amanda J. "Your Darlings." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami147938022131948.

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Burnell, Aaron C. "Nobody's Darlings: Reading White Trash in Supernatural." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305054871.

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Delage-Toriel, Lara. "Ultraviolet darlings : representations of women in Nabokov's prose fiction." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444091.

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Rouse, Elizabeth. "Kill your darlings? Experiencing, maintaining, and changing psychological ownership in creative work." Thesis, Boston College, 2013. http://hdl.handle.net/2345/3239.

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Thesis advisor: Michael G. Pratt
The psychology of ownership literature suggests that creation is one of the most powerful processes through which people may come to feel a sense of possession over ideas. Yet, because the task of making a new product is often too large for one individual, ideas are often transferred between, as well as discussed and shaped by, many different people across a range of departments during creative work. Thus, in organizations, shifts in responsibility over ideas are inevitable and the ability for ideas to be shaped by multiple people and successfully move from person to person is critical for organizations. However, we know relatively little about how people, particularly creative workers, respond to changes in responsibility over their ideas. To understand this phenomenon, I conducted an inductive, qualitative study of two teams at a video game design studio, using interviews, weekly diaries, and observations as my data sources. Through grounded theory analysis, I developed theory around how creative workers experience psychological ownership and how this experience is impacted when ideas are handed off between creative workers. Specifically, I describe task characteristics and individuals differences that impact ownership scope (exclusive or shared ownership) and strength. I also delimit outcomes associated with adopting a particular ownership scope for individual creative workers and the collective product. Then, I describe the key psychological conditions that impact how handoffs occur by describing 4 handoff scenarios and the ownership outcomes for both creative workers involved in each scenario. Together these scenarios demonstrate how ownership can be formed, maintained, and changed through social interactions via handoffs. I build on these findings to develop a relational model of ownership which highlights how psychological ownership impacts and is impacted by social interactions and interpersonal relationships. Practically, this research provides insights on how creative workers can experience and manage ownership over ideas in ways that facilitates engagement in creative work, as well as an organization's ability to benefit from the results of creative workers' labor
Thesis (PhD) — Boston College, 2013
Submitted to: Boston College. Carroll School of Management
Discipline: Management and Organization
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Sardinas, Allison E. "Kill Your Darlings: The Afterlives of Pepe The Frog, Sherlock Holmes, and Jim Crow." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3660.

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This thesis works to establish a literary theory and cultural studies as a theoretical lens with which we can view harmful emerging pop culture phenomena like the so-called alt right. The premise is supposed in three parts, with the first being a simple introduction to the Pepe character and how he is grounded in literary studies through a comparison of Sherlock Holmes and his early fandom. The second part is a survey of the legacy of Jim Crow and I present the evidence that Pepe is very much Crow’s spiritual successor in their shared preoccupation with white anxiety. The third is a discussion of language in which I bridge the use of memes as language with how that language effectively communicates. Ultimately, Pepe the Frog is able to tap into the pop culture collective through a democratizing of language facilitated by digital spaces on the internet, and his proliferation is made readily viral by the racist language he speaks through ala Jim Crow era anxieties.
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Curtis, Matthew K. "America's Heroes and Darlings: The Media Portrayal of Male and Female Athletes During the 2014 Sochi Games." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4078.

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It has been well documented that female athletes receive much less media attention than male athletes, with estimates placing coverage of male athletes at 95% of all sport-related media (Coakley, 1986). While not to that extent, studies focusing on media portrayals of Olympic athletes also confirm that the media dedicates the majority of coverage to male athletes (Duncan, 1990; Duncan & Hasbrook, 1988; Hambrick, Simmons, Greenhalgh, & Greenwell, 2010; Higgs, Weiller, & Martin, 2003; Lee, 1992; Kinnick, 1998; Pfister, 1978). Some evidence suggests that media coverage of female athletes and the recognition of their achievements are slowly increasing (Higgs et al., 2003; Kinnick, 1998). While the aforementioned studies show many of the same results, no recent research on the subject was found. The majority of past research has focused on summer Olympians specifically, and no studies were found looking at the past five Olympic Games. This study will add to the literature by providing new data to compare to that of previous studies. The author conducted a content analysis, looking at six online media outlets, and selecting 100 athlete profiles. The profiles were coded for any reference to the physical/emotional or strength/weakness characteristics of the athlete. The author analyzed the data using SPSS. Findings show no statistically significant relationships between gender and athlete characteristics, suggesting noticeable improvements in the quality and quantity of media coverage for female athletes when compared to previous studies.
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Haworth, Catherine Margaret. "Dames, darlings and detectives : women, agency and the soundtrack in RKO Radio Pictures crime films, 1939-1950." Thesis, University of Leeds, 2010. http://etheses.whiterose.ac.uk/21113/.

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1940s crime and noir films are noted for their frequently subversive portrayal of gendered and sexual identities, and therefore offer a challenge to the most common theorisation of female characters in classical Hollywood cinema as lacking in the agency that is typically granted to male protagonists. This thesis investigates the role of the soundtrack in the construction and containment of female agency in the crime films produced by RKO Radio Pictures between 1939 and 1950. Case studies are grouped thematically around three of the significant and recurring characterisations of women that occur in the crime film: the victim; the investigator, and the femme fatale. The consideration of women in the role of love interest runs throughout the thesis. Music and sound are shown to be crucial elements of the way in which classical Hollywood cinema positions women, the strategies used within these films to create and contain female agency, and the potential for female characters to resist these positionings. The soundtrack facilitates and reinforces shifts between various roles occupied by female characters in relation to issues of crime, criminality, and romance, as well as aiding the creation of tension and Suspense. The contribution of music and sound to the heightened subjectivity and ambiguity that frequently characterises the 1940s crime film is discussed, and examination of this relationship demonstrates a need to extend the dominant critical theorisation of the classical Hollywood score as an authoritative and reliable guide through the narrative. The following films are examined in detail: Stranger on the Third Floor (d. Ingster; c. Webb, 1940) Suspicion (d. Hitchcock; c. Waxman, 1941) The Leopard Man (d. Tourneur; t. Webb, 1943) Experiment Perilous (d. Tourneur; c. Webb, 1944) Two O'Clock Courage (d. Mann; c. Webb, 1945) Deadline at Dawn (d. Clurman; c. Eisler, 1946) Notorious (d. Hitchcock; c. Webb, 1946) The Locket (d. Brahm; c. Webb, 1946) The Spiral Staircase(d. Siodmak; c. Webb, 1946) Out of the Past (d. Tourneur; c. Webb, 1947) A Woman's Secret (d. Ray; c. Hollaender, 1949).
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Leven, Zachary. "The Death of Daniel Darling." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492685045416311.

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Price, Gilbert J. "Pleistocene palaeoecology of the eastern Darling Downs." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16271/.

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Several late Pleistocene fossil localities in the Kings Creek catchment, Darling Downs, southeastern Queensland, Australia, were examined in detail to establish an accurate, dated palaeoecological record for the region, and to test human versus climate change megafauna extinction hypotheses. Accelerator Mass Spectrometry (AMS 14C) and U/Th dating confirm that the deposits are late Pleistocene in age, but the dates obtained from the two methods are not in agreement. Fluvial depositional accumulation processes in the catchment reflect both high-energy channel and low-energy episodic overbank deposition. The most striking taphonomic observations for vertebrates in the deposits include: 1) low representation of post-cranial elements; 2) high degree of bone breakage; 3) variable abrasion but most identifiable bone elements with low to moderate degree of abrasion; 4) low rates of bone weathering; 5) low degree of carnivore bone modification; and 6) low degree of articulated or associated specimens. Collectively, those data suggest that the material was transported into the deposit from the surrounding proximal floodplain and that the assemblages reflect hydraulic sorting. A multifaceted palaeoecological investigation revealed significant habitat change between superposed assemblages of site QML796. The basal fossiliferous unit contained species that indicate the presence of a mosaic of habitats including riparian vegetation, vine thickets, scrubland, open and closed woodlands, and open grasslands during the late Pleistocene. Those woody and scrubby habitats contracted over the period of deposition so that by the time of deposition of the youngest horizon, the creek sampled a more open type environment. Sequential faunal horizons show a step-wise decrease in taxonomic diversity that cannot be explained by sampling or taphonomic bias. The decreasing diversity includes loss of some, but not all, megafauna and is consistent with a progressive local loss of megafauna in the catchment over an extended interval of time. Collectively, those data are consistent with a climatic cause of megafauna extinction, and no specific evidence was found to support human involvement in the local extinctions. Better dating of the deposits is critically important, as a secure chronology would have significant implications regarding the continent-wide extinction of the Australian megafauna.
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Schmutz, Christina. "La dimensión crítica del teatro de Roger Bernat, René Pollesch y Christina Schmutz/ Frithwin Wagner-Lippok. Uso de texto y reflexión crítica en la conjunción de teoría y práctica. Una aproximación fenomenológica a Numax-Fagor-Plus, Kill Your Darlings! Streets of Berladelphia y els suplicants//conviure a bcn." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/650283.

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La dimensión crítica del teatro puede verse, de acuerdo con el concepto de lo crítico de Foucault, en su enfrentamiento a los nuevos retos sociales desde una postura de insumisión. Dicho teatro trata de emanciparse de las expectativas externas y hallar autocríticamente normas propias. Puede describírsele a partir de los aspectos de crisis, crítica y diferenciación (de interpretaciones), inherentes al concepto de lo crítico, y opera con la ampliación de espacios de posibilidades. Ante el panorama teórico e histórico de lo crítico en las estéticas teatrales postdramática (Hans-Thies Lehmann) y postespectacular (André Eiermann), el presente trabajo estudia la función escénica del texto. Dicha función se funde dentro del estudio fenomenológico en el concepto de uso de texto, que contiene a partes iguales la generación y la aparición de texto verbal en la realización escénica, y se reconstruye a partir de la experiencia propia de la realización. Al mismo tiempo, el estudio pretende extraer conclusiones de cómo un uso de texto específico despliega una capacidad crítica. Como recurso adicional se empleará la dimensión de distancia/inmersión, cuyo extremo de distancia está conceptualmente relacionado con un postulado básico de la estética postespectacular: la recuperación de una distancia poéticamente eficaz entre escenario y público; en cambio, su extremo de inmersión se sitúa cercano a un postulado central de la estética postdramática: la fusión y desintegración de límites y la comunicación inmediata entre escenario y público. Así pues, cabe preguntarse en qué medida los fenómenos inmersivos y distanciadores estimulan u obstaculizan lo crítico de una realización escénica o si resultan indiferentes o ambiguos en relación a lo crítico. El trabajo estudia sobre la base de tres paradigmas teatrales seleccionados cómo aparece el texto verbal experimentable en la realización escénica y qué relaciones se generan entre dichos fenómenos y la dimensión crítica de la realización escénica. Las cualidades semánticas de los textos no juegan sino un papel indirecto para el concepto de uso de texto usado aquí. Si bien pueden guardar relación con la aparición del texto, como tal dejan de ser objeto del planteamiento. La definición de uso de texto se limita al texto verbal, entendido como texto formado lingüísticamente en sentido estricto. En cambio, no incluye los signos de lenguaje corporal o el «texto» en el sentido de un concepto semiótico ampliado, en calidad de «textura», de una realización escénica (como en el concepto de «realización escénica como texto»). Como material de estudio de los planteamientos mencionados sirven los siguientes tres paradigmas: Kill your Darlings! Streets of Berladelphia (2012 René Pollesch), Numax-Fagor-Plus (2013 Roger Bernat) y els suplicants//conviure a bcn (2015 Christina Schmutz y Frithwin Wagner-Lippok). Dado que la aparición de texto se sitúa en primer plano, la orientación fenomenológica del estudio parece adecuada para poder extraer conclusiones acerca de cómo se experimenta el texto en una realización escénica de teatro. El método fenomenológico trata de prescindir de todo apriorismo y conocimiento previo («reducción fenomenológica»), tal y como se expresa o se supone en contenidos de texto. Bajo uso de texto se entienden los fenómenos de texto verbal experimentables sensorialmente, tal y como aparecen en el momento de la realización escénica y el recuerdo posterior. Las experiencias procedentes de la perspectiva subjetiva se abstraen en el análisis fenomenológico hacia un contexto comunicable que permite unas respuestas supraindividuales al planteamiento.
The aesthetical and critical dimension of theatre performance consists in getting involved in a challenge with the surrounding world by not only reproducing its features but developing a critical attitude towards it. Under this assumption, the present study examines the function and use of text in theatrical performances, trying to explore possibilities and implications of the use of text with respect to its critical dimension and against the historical background of criticism in postdramatic (Hans-Thies Lehmann) and postspectacular (André Eiermann) aethetics. The study aims to recognize what kinds of usage or appearance of verbal text may display a critical potential. As an additional investigation device, the dimension distance-immersion will be applied as a sort of investigation tool providing a heuristically promising sensor in analyzing paradigmatic performances, the distance pole of which has a conceptual affinity with one core postulate of postspectacular aesthetics while its immersive pole shows some inclination towards a core feature of postdramatic aesthetics. The question then is if and how immersive and distancing fenomena might promote or inhibit critical aspects of the performance, or if they prove to be indifferent or ambivalent in this respect. The project evaluates three selected performance examples with regard to how verbal text in the performance is used, or comes to the fore, and by which contexts these appearances may be connected to the critical aspect of the performance. Internal text qualities such as its semantic substance, even though bound to the appearance of text, anyway, play but an indirect role in the present concept, being not as such an objective of the research question. The concept of text use is in fact limited to verbal text, that is, to text structures in a narrow linguistic sense. Text concepts in the sense of non-verbal signals, as in body language, or of texture, as in the context of performance as text, are not taken into consideration. René Pollesch’s Kill your Darlings. Streets of Berladelphia, premiered 2012 in Berlin, Roger Bernat’s Numax Fagor Plus, Barcelona 2013, and Christina Schmutz’ and Frithwin Wagner-Lippok’s els suplicants//conviure a bcn, Barcelona 2015, will serve as paradigms. As in this investigation, instead of semantic qualities, the appearance of text in the performance is at stake, a phenomenological approach is taken, which seems particularly suitable for the investigation of the „thing itself“, that is, the experience – not the content – of text in performances, which is naturally connected with its appearance. Trying to refrain from any preceding meaning and knowledge („phenomenological reduction“) that might appear or be inferred from the text’s content, the phenomenological method addresses itself to the text’s immediate experience, that is, to its sensual and physical appearance. Phenomena hereby are all emergences of verbal text, manifesting in one’s own experience in the presence of a performance or reminiscence. Arising from the subjective perspective, this experience is phenomenologically analyzed by help of other contexts and correspondences structurally entangled with it.
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Books on the topic "Darlings"

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Little Darlings. New York: Razorbill/Penguin Young Readers Group, 2004.

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Alger, Cristina. The darlings. Waterville, Maine: Thorndike Press, 2012.

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Easer, Katherine. Vicious little darlings. New York: Bloomsbury, 2011.

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Kill your darlings. London: Hale, 1986.

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Kill your darlings. London: Weidenfeld & Nicolson, 2000.

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Kill your darlings. New York: St. Martin's Press, 2001.

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Kill your darlings. New York: St. Martin's Press, 2003.

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Kelman, Judith. Hush little darlings. London: GraftonBooks, 1991.

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Hush little darlings. New York: Berkley Books, 1989.

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Huntington, Kate. Lady Diana's darlings. New York: Kensington Pub. Corp., 2000.

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Book chapters on the topic "Darlings"

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Kymäläinen, Tiina. "Kill Your Darlings (a Holonovel)." In EAI International Conference on Technology, Innovation, Entrepreneurship and Education, 291–308. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02242-6_22.

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Christiansen, Peter Munk. "Still the corporatist darlings? 1." In The Routledge Handbook of Scandinavian Politics, 36–48. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315695716-4.

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Detken, Anke. "Pollesch, René: Kill Your Darlings!" In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23096-1.

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Bennett, Judith A. "Introduction: A New Net Goes Fishing." In Mothers' Darlings of the South Pacific, edited by Judith A. Bennett and Angela Wanhalla, 1–30. Philadelphia: University of Pennsylvania Press, 2016. http://dx.doi.org/10.9783/9780824858292-004.

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Dobelli, Rolf. "The Confirmation Bias (Teil 2): Murder your darlings." In Die Kunst des Klaren Denkens, 32–35. München: Carl Hanser Verlag GmbH & Co. KG, 2011. http://dx.doi.org/10.3139/9783446430402.008.

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Caldararo, Niccolo. "Media Darlings, Art Scene and Money: Saving the Goodman Building." In An Ethnography of the Goodman Building, 237–63. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12285-0_12.

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Okholm, Henrik Ballebye, Mindaugas Cerpickis, Anna Möller Boivie, and Bruno Basalisco. "Kill Your Darlings: When Does Sacrificing Next-Day Delivery Help USO Sustainability?" In The Contribution of the Postal and Delivery Sector, 207–21. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70672-6_15.

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Crawford, Thomas. "The View from the North: Region and Nation in The Silver Darlings and A Scots Quair." In The Literature of Region and Nation, 108–24. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19721-7_9.

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Ahmed, Hesham M., Christopher T. Aquina, Vicente H. Gracias, J. Javier Provencio, Mariano Alberto Pennisi, Giuseppe Bello, Massimo Antonelli, et al. "Darling’s Disease." In Encyclopedia of Intensive Care Medicine, 661. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-00418-6_1446.

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Francis, Mark. "Darling and Bourke." In Governors and Settlers, 83–97. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230375703_5.

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Conference papers on the topic "Darlings"

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Juan, Ma, and Shen Jian-fei. "The New Darling of Electric Commerce." In 2010 International Conference on E-Business and E-Government (ICEE). IEEE, 2010. http://dx.doi.org/10.1109/icee.2010.652.

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Zhang, Wei, Gong Zhang, and Guoming Qian. "Anderson-Darling Test based CFAR Detection." In 2009 First International Conference on Information Science and Engineering. IEEE, 2009. http://dx.doi.org/10.1109/icise.2009.318.

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"Governance and drought in the murray darling basin." In 2011 GEOSS Workshop XL - Managing Drought Through Earth Observation. IEEE, 2011. http://dx.doi.org/10.1109/geoss.2011.5948943.

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Han, Dongjuan, Xiaomin Tan, and Pingyan Shi. "Clutter distribution identification based on anderson-darling test." In 2017 3rd IEEE International Conference on Computer and Communications (ICCC). IEEE, 2017. http://dx.doi.org/10.1109/compcomm.2017.8322660.

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Li, L., N. Okello, M. Pham, S. K. Saleem, W. Qiu, R. Evans, and I. Mareels. "Model predictive control of Murray-darling basin networks." In 2011 23rd Chinese Control and Decision Conference (CCDC). IEEE, 2011. http://dx.doi.org/10.1109/ccdc.2011.5968277.

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"A sediment budget for the Queensland Murray Darling Basin." In 22nd International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand (MSSANZ), Inc., 2017. http://dx.doi.org/10.36334/modsim.2017.l23.davidson.

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Dixon, Sophie. "Grace: A virtual recreation of the Grace Darling story." In Proceedings of EVA London 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/eva2021.10.

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"Exploring post 2011–12 drought in the Murray–Darling Basin." In 23rd International Congress on Modelling and Simulation (MODSIM2019). Modelling and Simulation Society of Australia and New Zealand, 2019. http://dx.doi.org/10.36334/modsim.2019.k22.nahar.

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Marohasy, J., and J. Abbot. "Deconstructing the native fish strategy for Australia’s Murray Darling catchment." In RIVER BASIN MANAGEMENT 2013. Southampton, UK: WIT Press, 2013. http://dx.doi.org/10.2495/rbm130281.

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Ottesen, Torfinn, and Jon A. Aarstein. "The Statistical Boundary Polygon of a Two Parameter Stochastic Process." In 25th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2006. http://dx.doi.org/10.1115/omae2006-92179.

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The simultaneous values of tension and bending are of primary interest when checking the structural integrity of dynamic risers and umbilicals. Considering extreme checks, it is generally sufficient to check the simultaneous values along the convex hull of the extreme contour. A method for obtaining a boundary polygon that approximates the statistical extreme convex hull from time series data is described. The procedure for obtaining the extreme values from the most suitable extreme value distribution as determined by the Anderson-Darling Goodness-of-Fit test is outlined.
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Reports on the topic "Darlings"

1

Avila, Tara, and Dong-Eung Kim. Darling Darling. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-675.

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Perry, Mary J. Optical Oceanography at the Darling Marine Center. Fort Belvoir, VA: Defense Technical Information Center, August 2001. http://dx.doi.org/10.21236/ada624948.

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3

Chote, Robert, and Carl Emmerson. Alistair Darling's mini-Budget: can he afford it? Institute for Fiscal Studies, May 2008. http://dx.doi.org/10.1920/bn.ifs.2008.0078.

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4

Grafton, R. Quentin, Clay Landry, Gary Libecap, and Robert O'Brien. Water Markets: Australia's Murray-Darling Basin and the US Southwest. Cambridge, MA: National Bureau of Economic Research, March 2010. http://dx.doi.org/10.3386/w15797.

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Melrose, Rachel, Jeff Kingwell, Leo Lymburner, and Rohan Coghlan. Murray-Darling Basin vegetation monitoring project : using time series Landsat Satellite data for the assessment of vegetation control. Geoscience Australia, 2013. http://dx.doi.org/10.11636/record.2013.037.

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Moss, Linda L., Malcolm S. Taylor, and Henry B. Tingey. A Small Sample Power Study of the Anderson-Darling Statistic and a Comparison with the Kolmogorov and the Cramer-Von Mises Statistics. Fort Belvoir, VA: Defense Technical Information Center, December 1989. http://dx.doi.org/10.21236/ada215168.

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7

Sachs, Paige. Comparative Vector Bionomics and Morphometrics of Two Genetically Distinct Field Populations of Anopheles darlingi Root from Belize, Central America and Zungarococha, Peru, South America. Fort Belvoir, VA: Defense Technical Information Center, January 2014. http://dx.doi.org/10.21236/ad1012860.

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8

Low-flow traveltime, longitudinal-dispersion, and reaeration characteristics of the Souris River from Lake Darling Dam to J Clark Salyer National Wildlife Refuge, North Dakota. US Geological Survey, 1987. http://dx.doi.org/10.3133/wri874241.

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