Relevant bibliographies by topics / Darwish

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  2. Dissertations / Theses
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Academic literature on the topic 'Darwish'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Darwish"

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Nofal, Khalil Hasan. "National Identity in Mahmoud Darwish’s Poetry." English Language and Literature Studies 7, no. 3 (August 29, 2017): 66. http://dx.doi.org/10.5539/ells.v7n3p66.

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This paper is intended to examine the concept of national identity and how it is quested and portrayed in Mahmoud Darwish’s poetry. The paper explores Darwish’s quest for identity through different phases: language, homeland, roots and ancerstors, belonging, nature, culture, traditions, and exile. Palestine for Darwish is not only an origin or homeland, but it is an identity. Darwish adds some themes connected with the concept of homeland illustrated by references or images of mother, geography, history, farming, and folkloric heritage. Besides, identity for Darwish is three- dimensional: Palestinian, national, and human.
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Furani, Khaled. "After Criticism." boundary 2 47, no. 1 (February 1, 2020): 145–72. http://dx.doi.org/10.1215/01903659-7999544.

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A question drives my reading of Mahmoud Darwish’s Mural, chronicling a poet’s quest for his own becoming while facing death: What rhythms of freedom—or what forms of enlightenment—may a person inhabit when facing life’s end? I argue that to this question Mural responds with an ethical striving, guided by a principle Darwish calls “evanescence.” I contingently identify evanescence as an “ethics of oneness” oriented to composite unity, which Darwish practices on a series of dualities inhabiting his life in death’s company. In contrast to enacting sovereignty, this ethos solders opposites together. In digging under the separation required by any act of criticism, Darwish’s Mural reaches beyond criticism to attain the courage required for living with death.
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Dyer, Rebecca. "Poetry of Politics and Mourning: Mahmoud Darwish's Genre-Transforming Tribute to Edward W. Said." PMLA/Publications of the Modern Language Association of America 122, no. 5 (October 2007): 1447–62. http://dx.doi.org/10.1632/pmla.2007.122.5.1447.

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This essay provides an analysis of “Tibaq,” an elegy written in Edward W. Said's honor by the acclaimed Palestinian poet Mahmoud Darwish. Noting that the poem exhibits aspects of a number of genres and demonstrates Darwish's generally innovative approach to traditional literary forms, I consider how he has transformed the marthiya, the elegiac genre that has been part of the Arabic literary tradition since the pre-Islamic era. I argue that Darwish used the elegy-writing occasion to comment on Said's politics and to make respectful use of his critical methods, particularly his interdisciplinary borrowing of counterpoint, a concept typically used in music analysis. By reworking the conventional marthiya to represent Said's life in exile and his diverse body of work and by putting his contrapuntal method into practice in the conversation depicted in the poem, Darwish elegizes a long-lasting friendship and shores up a shared political cause.
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Ahmed, Hamoud Yahya, and Ruzy Suliza Hashim. "Resisting Colonialism through Nature: An Ecopostcolonial Reading of Mahmoud Darwish's Selected Poems." Holy Land Studies 13, no. 1 (May 2014): 89–107. http://dx.doi.org/10.3366/hls.2014.0079.

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Resisting colonialism remains the main theme of the poetry of the Arab Palestinian poet Mahmoud Darwish. This paper explores how Darwish employs nature as a new way for resisting the occupation of his homeland. His poems, throughout his writing life that spans fifty years, can be used to demonstrate how an ecopostcolonial perspective might contribute to an understanding of the poet's resistance through nature to the colonisers in his homeland. The theoretical framework used in this study is derived from both the ecocritical and postcolonial theories of reading literature. It is termed as ecoresistance as a new perspective of analysing resistance in the Arab literary studies, a non-western viewpoint and an original analytical lens for reading Darwish's work. The analysis reveals that Darwish uses the various forms of nature that range from the forms of the pure nature to the forms that have been cultivated. Through the ecopostcolonial perspective of the study, the employment of nature for resistance and the indication of Darwish as an ecopostcolonial poet of the Arab world are played out. The paper further proposes new insights into man's connection to land and is a step towards opening up the field of ecocriticism as a way of reading Arab poetry of resistance.
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Al-Sheikh, Nawal. "Metaphors Stemming from Nature in the Poetry of Mahmoud Darwish." Indonesian Journal of English Language Studies (IJELS) 7, no. 2 (October 14, 2021): 80–91. http://dx.doi.org/10.24071/ijels.v7i2.3448.

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This is a critical paper inspecting metaphors, the most artistic device, in Mahmoud Darwish's poetry. This research classified metaphors into three basic categories: metaphors of trees and plants such as wheat, metaphors of animals and birds such as butterfly, hoopoe, and dove, and metaphors of concrete and abstract natural elements. This study reports the fact that Darwish was brought up in a rural community. His father was a villager who grew crops for being food secure. Consequently, that rural environment affected the poetry of Darwish through metaphors and symbolism. Thus, it can be concluded that these poetic metaphors are a logic outcome of that rural atmosphere.
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Firmansyah, Fahmi. "ANALISIS STILISTIKA DALAM PUISI ما أنا إلّا هو KARYA MAHMŪD DARWῙSY." Tafhim Al-'Ilmi 10, no. 2 (May 1, 2019): 57–71. http://dx.doi.org/10.37459/tafhim.v10i2.3424.

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Mahmūd Darwīsy is a famous Palestinian poet. He is known as a humanist poet, most of whose poems are resistance themes. The style of poetry writing is more like the classical Arabic writing style with simple and beautiful words but rich in meaning. One of his poems that has a beautiful classic writing style is ما أنا إلّا هو (mā anā illā huwa). So, the stylistic study was seen as more appropriate to dissect the beauty of Mahmoud Darwish's poetry writing style. In accordance with the stylistic theory initiated by Syihabuddin Qalyubi, this analysis examines the style of poetic language ما أنا إلّا هو by Mahmūd Darwīsy from the domain of phonology, morphology, syntax, semantics and imaginary of the poet. It aims to find out how beautiful the poem is and what message the poet wants to convey to the listener and or poet reader ABSTRAK Mahmūd Darwīsy merupakan penyair kenamaan Palestina. Ia dikenal sebagai penyair humanis yang kebanyakan dari puisinya bertema perlawanan. Gaya penulisan puisinya lebih mirip gaya penulisan arab klasik dengan kata-kata yang sederhana dan indah namun kaya akan makna. Salah satu puisinya yang memiliki gaya penulisan klasik nan indah adalah ما أنا إلّا هو (mā anā illā huwa). Maka, kajian stilistika dipandang lebih tepat untuk membedah keindahan gaya penulisan puisi karya Mahmūd Darwīsy ini. Sesuai dengan teori stilistika yang digagas oleh Syihabuddin Qalyubi, analisis ini membedah gaya bahasa puisi ما أنا إلّا هو karya Mahmoud Darwish dari ranah fonologi, morfologi, sintaksis, semantik hingga imageri-nya. Ini bertujuan untuk mengetahui seberapa indah puisi tersebut dan pesan apa yang hendak disampaikan penyair bagi pendengar dan atau pembaca puisinya. Kata Kunci: Stilistika Puisi, Mahmoud Darwish, mā anā illā huwa.
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Al-Sakkaf, Ahmed Abdullah Ahmed, and Yahya Ameen Tayeb. "Consistency of Resistance and Nature in Mahmoud Darwish’s Poetry in Exile: Critical Reading in Selected Poems." Malaysian Journal of Social Sciences and Humanities (MJSSH) 7, no. 11 (November 30, 2022): e001879. http://dx.doi.org/10.47405/mjssh.v7i11.1879.

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The aim of this paper is to explore Mahmoud Darwish’s consistency of resistance and nature to the aggression of homeland occupation of Palestine as depicted in selected poems during his exile. In spite of Darwish exile from Palestine, the sense of resistance and opposition can be elicited from his poetic voice momentum regardless of the wide distance between him and his own homeland. In this research paper, the discussion will mainly focus on how Darwish metaphorically develops Palestinian nature creating a unique world full with righteous and justifiable opposition to the hatred colonizers of his homeland in his selected poems of exile. Theoretically, the framework of this study mainly relied on the postcolonial and the ecocritical theories of reading literature which is defined as an ecoresistance framework. Critically, the implications beyond the various notions of ecoresistance in the exile selected poems by an intellectual giant as Mahmoud Darwish, the researchers expect to provide new insights into man’s interrelation with land as an approach to resist the aggression of colonialism.
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SAZZAD. "Mahmoud Darwish:." Interdisciplinary Literary Studies 17, no. 1 (2015): 1. http://dx.doi.org/10.5325/intelitestud.17.1.0001.

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Hamzah, Hussain. "Resistance, Martyrdom and Death in Mahmoud Darwish's Poetry." Holy Land Studies 13, no. 2 (November 2014): 159–86. http://dx.doi.org/10.3366/hls.2014.0088.

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Struggle, personal sacrifice and death play significant roles in Palestinian poetry – a poetry of national struggle whose poets are driven to defend the existence of people and land by way of a fighting poetry which serves as a resistance to occupation. This article traces the evolution of the motifs of resistance and death in the poetry of Palestinian Mahmoud Darwish. It distinguishes between two main types of death in Darwish's poetry; these are collective death, which the author expresses by way of his people's experiences with death, and individual death, as reflected in the poet's own experience with death. The articleexplores each of these types and analyses their conceptual evolution. It shows how the changes which occurred in this motif are reflected in the poetic forms used by Darwish. In this paper we aim to show that Darwish's view of death is multi-faceted and takes into account chronological and geographical, as well as personal aspects. His attitude towards death is complex and is not limited to the ideological aspect. The paper provides a comprehensive investigation into this multiplicity in Darwish's poetry
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Mahfoodh, Hajar. "The Poetry of Darwish in the 1960s: Homeland and Exile." Arab World English Journal For Translation and Literary Studies 5, no. 3 (August 15, 2021): 70–81. http://dx.doi.org/10.24093/awejtls/vol5no3.6.

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The early poetry of Mahmoud Darwish (1941-2008) is characterised by its overt resistance and confrontational tone against the Israeli forces. This research paper explores the themes of homeland and exile in Darwish’s poetry during the 1960s, tracing how the 1967 defeat has changed his poetic tone from the highly confrontational to the articulate conversational. It, therefore, contributes to the fields of literary criticism and Arab literary studies focusing on modern poetry of resistance. Although Darwish was still living on Palestinian lands during this period, he never felt at home, expressing his feelings of strangeness and suffering in a usurped land by force. The theoretical framework of Edward Said (1935-2003) is employed in this paper to question whether the themes of exile and homeland shape and reshape the Darwish’s understanding of resistance. Based on the analyses of this paper, Darwish’s poetry of resistance has dramatically changed due to his severe disappointment by the 1967 defeat, marking the collapse of Arab nationalism and its propaganda of the Arab homeland. Still, this shift does not affect Darwish’s rejection of the Israeli existence in Palestine. Instead, his poetry by the end of this decade still questions the violent and aggressive nature of the Israeli soldier despite Darwish’s intimate and human conversational style of his poems, thereby adding to the controversial analyses of Darwish’s poetics.
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Dissertations / Theses on the topic "Darwish"

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Oliveira, Clovis Gomes de. "Tradução do livro Bodas de Mahmud Darwich." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-30042015-185203/.

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Este estudo consiste em apresentar aspectos da poesia de Mahmud Darwich e também em propor uma tradução, do árabe ao português brasileiro, de seu livro Ars (Bodas). Para tal, descrevemos a vida do autor, seu contexto histórico-cultural, sua linguagem e seu fazer poético, coletando as imagens e metáforas mais recorrentes na sua obra.
This study aims at presenting aspects of the poetry of Mahmoud Darwish. It also proposes a translation, from Arabic to Brazilian Portuguese, of his book Aras (Weddings). We describe the author\'s life, his historical and cultural context, his language and his poetry making, collecting images and recurring metaphors in his work.
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Darwish, Kinda Adnan [Verfasser]. "Different approaches of drugs interactions studied using affinity capillary electrophoresis / Kinda Adnan Darwish." Halle, 2018. http://d-nb.info/1160235600/34.

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Sazzad, R. "Edward Said's 'exile' reflected in the works of Naguib Mahfouz, Mahmoud Darwish, Leila Ahmed, Nawal El Saadawi and Youssef Chahine." Thesis, Nottingham Trent University, 2013. http://irep.ntu.ac.uk/id/eprint/293/.

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Following Edward Said, my argument is that spatial exile, despite its distress and deprivations, generates a different way of looking at the world. Since intellectuals should look at the world differently, Said insists on their transcending the existential sufferings of losing home and urges them to cultivate what George Lamming famously calls ‘the pleasures of exile’. Thus, Said turns exile into a metaphorical concept and a model of intellectual practice in order to question the familiar and the known. In effect, Saidian intellectuals do not necessarily have to be dispossessed of their homeland. Rather, they have to be figuratively exiled from it by placing themselves at a certain distance from the familiar cultural system(s), and viewing them through the lens of the ‘other’ in order to broaden their perspective on them. To establish this, I first demonstrated that exilic conditions could be intellectually empowering, and outlined the properties of Saidian intellectual practice by showing how Mahfouz, Darwish, Saadawi, Ahmed, and Chahine also uphold its principles. I analysed how the convergences and divergences of their thoughts create diverse resistances, and discussed if writing is the abode where their pluralistic minds reside. I then ascertained the discursive intersections among Said’s ‘exile’ and postcolonialism and postmodernism by exhibiting the ‘exilic’ transcendence of some of the limitations existing there. Thus, my writing formed an in-depth analysis of Said’s ‘exile’ in order to project this as a significant intellectual vocation. At the same time, I presented some of the most prominent Middle Eastern and Arab-American intellectual(s) in a new light by highlighting the humanistic strength of their writings and creations. Thus, I formulate an enhanced understanding of freedom and identity contained in the ‘exile’ through cultural, political and theoretical arguments.
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Al, Salem Mohd Nour. "The translation of metaphor from Arabic to English in selected poems of Mahmoud Darwish with a focus on linguistic issues." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7703/.

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The translation of Arabic literature into English is a wide field of study. The present study focuses only on one aspect - the translation of metaphor in selected poems of Mahmoud Darwish. Arabic is widely known as a strongly metaphorical language, and Darwish’s poems as part of Arabic literature hold many embedded meanings and metaphors that play a major role in building up their artistic flavour. In many translations of Arabic poems, metaphors and other figures of speech are mistranslated and, consequently, misunderstood by target text (TT) readers. This affects the meaning, form, imagery and moral/theme and leads to a distorted and inferior copy of the original poem. The present study aims to analyse the Arabic-to-English translation approaches adopted in rendering metaphors in poetic discourse, with specific reference to ten of Mahmoud Darwish’s poems. Six of the poems chosen have been translated more than once. This approach to selection will provide a platform for a comparative/contrastive analysis between different translations. The other four poems are translated only once. In fact, Darwish is a poet of universal significance whose message transcends the personal to the public, and he is well known for using many types of metaphors in his poems to relay certain messages and images to express his themes in an indirect way. The researcher will analyse each metaphor in the source text (ST) and its translation(s) to investigate whether or not the translators have succeeded in conveying the metaphor and message accurately, the type of resemblance embedded in the original poems, as well as the effect of the new metaphor on the reader of English. The study makes use of the fields of text linguistics, lexical semantics, and contrastive linguistics.
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Meryan, Dania. "Sites of (post)colonial becomings : body, land and text in the writings of Wilson Harris, Derek Walcott, Mahmoud Darwish and Ghassan Kanafani." Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/28181.

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This thesis explores the reflexive relationship between sites of body, land and text and the potential of becoming in each one of them, in the literary works of four postcolonial writers: Wilson Harris, Derek Walcott, Mahmoud Darwish and Ghassan Kanafani. The study suggests a cross-cultural literary alliance between the Caribbean and Palestinian literatures by means of utilising theories of nomadic writing and ‘necropolitics’ in order to investigate the three physical territories of body, land, and text as ‘sites of becoming’. Engaging with a diverse range of theorists including, Gilles Deleuze, Achille Mbembe, Frantz Fanon, Emmanuel Levinas, Michel Agier, Edward Said, Zygmunt Bauman, Judith Butler and Edouard Glissant among others, this thesis investigates the possibility of representing violent pasts inscribed on lands and bodies in texts, and contends that the very impossibility of representation of bruised memory is what opens a literary space for the postcolonial writer to write on the wounds of history and give voice to the dispossessed. In the introduction to this thesis, the rationale and theoretical framework of the study is offered. The chapter on Wilson Harris’s Palace of the Peacock and Jonestown focuses on literary postcolonies used by Harris to suggest chaos theory as an alternative to linear narratives and a formula for transcending historical traumas. The study then moves to investigate Derek Walcott’s Omeros and the author’s attempt at crossing the literary parallels with the Homeric literary tradition. The chapter on Mahmoud Darwish explores the poet’s threatened longings for his Beloved/Land and how he encrypts desire in his literary writing. The politicized subject as an emblem of becoming is discussed in Ghassan Kanafani’s Men In The Sun and All That’s Left To You. In the conclusion, a crystallization of the main argument is given.
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Darwish, Mohamed Eslam [Verfasser], Sebastian [Gutachter] Jander, and Martina [Gutachter] Krüger. "High-tone external muscle stimulation (HTEMS) for radicular leg pain compared to transcutaneous electrical nerve stimulation (TENS) / Eslam Darwish Mohamed ; Gutachter: Sebastian Jander, Martina Krüger." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2017. http://d-nb.info/1126641588/34.

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ALKAFRI, ISMAIL. "La poetique arabe contemporaine : reflexions sur la metrique et l'image." Paris 3, 1987. http://www.theses.fr/1987PA030240.

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Recherche sur la poesie arabe contemporaine, et surtout sur le poeme en vers libres qui rompt sensiblement avec le poeme arabe traditionnel sur le plan de la structure formelle et des modes de l'expression. Il s'agit donc d'une etude sur la structure metrique et l'image dans cette poesie. Les exemples poetiques analyses sont systematiquement empruntes a la production poetique ecrit par les pionniers du mouvement poetique moderniste : b. S. Al-sayyab, adonis, m. Darwis
Research on the contemporary arabic poetry, and especially on the free verse poema which lonstitutes a significant break with the traditionnal arabic poetry as well as on the formal structure as on the expression mode. This is, therfore, a study on the metric structure and the imagery in this poetry. The poetic examples analysed are borrowed from the poetic production of the pionneers of the modernist poetic movement : b. S. Al-sayyab, adonis, m. Darwis
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Darwish, Mohammed Ahmed Fouad Ibrahim [Verfasser], Alessio [Akademischer Betreuer] Gagliardi, Alessio [Gutachter] Gagliardi, and Carlo Aldo [Gutachter] Di. "Charge Transport in Organic Field-Effect Transistors: A Multi-dimensional Theoretical Study / Mohammed Ahmed Fouad Ibrahim Darwish ; Gutachter: Alessio Gagliardi, Aldo Di Carlo ; Betreuer: Alessio Gagliardi." München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1199537705/34.

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Alenzi, Suad A. H. S. M. "'I am neither there, nor here' : an analysis of formulations of post-colonial identity in the work of Edward W. Said and Mahmoud Darwish : a thematic and stylistic analytical approach." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/i-am-neither-there-nor-herean-analysis-of-formulations-of-postcolonial-identity-in-the-work-of-edward-w-said-and-mahmoud-darwisha-thematic-and-stylistic-analytical-approach(da190801-ecd1-4a38-a121-c688ed6c1da8).html.

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This thesis examines the work of two of the twentieth century’s foremost cultural figures, the Palestinian-American literary critic Edward Said (1935-2003) and the Palestinian poet Mahmoud Darwish (1941-2008), and focuses specifically on the formulation and representation in their respective work of the theme of identity. It explores the depictions of this concept in their writing; comparing and contrasting their personal viewpoints on the various facets of their own identity as Palestinian Arabs and cosmopolitan global citizens expressed through their chosen literary medium, prose for Said and poetry for Darwish. At the same time, this analysis of the creative writing of these two authors will serve to shed light on the complex and ongoing process which is involved in identity formation and maintenance, and conceptualization of the self. Said and Darwish’s multi-conceptualisations of self-identity take place in Chapter Three, which is divided into seven zones of self-identity. Their understanding of self-identity is observed through the spaces of their names, language, family relationships, friendships, ethnicities, nationalism, hybrid identities, and cosmopolitanism. The concept of post-Nakba and Naksa literature maps the critical developments in evaluations of Arabic literature and, more particularly, Palestinian literature. The understanding of Palestinian cultural context requires an adequate assimilation regarding the impact of Nakba and Naksa in Palestinian literature, linked strongly with the general impact of Nakba in all Arab literature. The thesis begins by establishing the major socio-political, cultural and historical contexts which shaped the lives and work of Said and Darwish. Then using an innovative theoretical framework which draws on elements of post-colonial theory Said’s own contrapuntal technique and close textual analysis, the thesis explores a number of key facets pertaining to identity construction which it can be argued are of particular relevance to the Palestinian case. These include trauma, collective cultural memories, displacement, the Diasporic experience and the dream of return. At the same time, the thesis reveals how whilst both Said and Darwish remained dedicated to the Palestinian cause they adopted a cosmopolitan identity which was reflected in their respective work and its identification with diverse groups of oppressed peoples.
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Steinmacher, Edle. "Der Klang Ägyptens: Die Musik Alexandrias." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-161989.

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Die Studie widmet sich dem heutigen Musikleben in Ägypten und legt den Schwerpunkt auf die Stadt Alexandria. Obwohl alle großen Einzelereignisse, die im 20. Jahrhundert zur Entwicklung der ägyptischen Musik beigetragen haben, in Kairo stattfanden, besteht auch in Alexandria ein breitgefächertes Musikleben, das alle musikalischen Entwicklungen dieses Jahrhunderts aufgesogen und trotzdem eine individuelle Prägung entfaltet hat. Auf einen historischen Abriss zur Geschichte der ägyptischen Musik im 20. Jahrhundert folgt eine Bestandsaufnahme der Musikszenen in Alexandria, wie die Verfasserin sie ihm Jahre 2013 selbst erlebt hat
The study deals with music in Egypt today with particular emphasis on the city of Alexandria. Even if the major events that contributed to the development of Egyptian music in the 20th century took place in Cairo, there is a wide range of musical life in Alexandria that has absorbed all the musical developments of the last century while retaining its individual character. A historical overview of Egyptian music in the 20th century is followed by a survey of the music scene in Alexandria as experienced by the author in 2013
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Books on the topic "Darwish"

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Cohen-Mor, Dalya. Mahmoud Darwish. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24162-9.

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Breyten, Breytenbach. Voice over: A nomadic conversation with Mahmoud Darwish. New York: Archipelago Books, 2009.

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Eid, Muna Abu. Mahmoud Darwish: Literature and the politics of Palestinian identity. London: I.B. Tauris & Co. Ltd, 2016.

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Breytenbach, Breyten. Oorblyfsel: Op reis in gesprek met Magmoed Darwiesj = Voice over : the nomadic conversation with Mahmoud Darwish. Kaapstad: Human & Rousseau, 2009.

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Breyten, Breytenbach. Oorblyfsel: Op reis in gesprek met Magmoed Darwiesj = Voice over : the nomadic conversation with Mahmoud Darwish. Kaapstad: Human & Rousseau, 2009.

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Breyten, Breytenbach. Oorblyfsel: Op reis in gesprek met Magmoed Darwiesj = Voice over : the nomadic conversation with Mahmoud Darwish. Kaapstad: Human & Rousseau, 2009.

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Darwīsh, Ḥasan al-Baḥr. Sayyid Darwish bayna al-ʻabqariyah wa-al-muʾāmarāt al-fannīyah. al-Qahirah: Dar al-Ahmadi lil-Nashr, 2000.

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Krishna, Anand. Bila perempuan bersuara: Delapan penjuru bergema : suara Mona Darwish, Maya Safira Muchtar, dan "Nia". Jakarta: National Integration Movement bekerjasama dengan One Earth Media, 2005.

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Eid, Muna Abu. Meshorer ha-Iliʼadah ha-Falasṭinit Maḥmud Darṿish = Mahmoud Darwish: Poet of the Palestinian Iliad. Ramat-Aviv: Merkaz Mosheh Dayan le-limude ha-Mizraḥ ha-Tikhon ṿe-Afriḳah, 2013.

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Rahman, Najat. Literary disinheritance: The writing of home in the work of Mahmoud Darwish and Assia Djebar. Lanham, MD: Lexington Books, 2008.

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Book chapters on the topic "Darwish"

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Nashef, Hania A. M. "Mahmoud Darwish." In Palestinian Culture and the Nakba, 89–125. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315143835-4.

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Cohen-Mor, Dalya. "The Poet’s Public Persona: A Lover from Palestine." In Mahmoud Darwish, 1–12. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24162-9_1.

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Cohen-Mor, Dalya. "Dangerous Liaisons: Arab-Jewish Romantic Relationships." In Mahmoud Darwish, 13–43. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24162-9_2.

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Cohen-Mor, Dalya. "Self-Defining Memories: When Mahmoud Met “Rita”." In Mahmoud Darwish, 45–64. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24162-9_3.

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Cohen-Mor, Dalya. "The Rita Love Poems and Prose Passages." In Mahmoud Darwish, 65–82. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24162-9_4.

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Cohen-Mor, Dalya. "Unbeliever in the Impossible." In Mahmoud Darwish, 83–93. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24162-9_5.

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Sacks, Jeffrey. "Teaching Mahmoud Darwish." In Arabic Literature for the Classroom, 171–88. Abingdon, Oxon; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315451657-12.

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Hamid, Wafa. "Specters of Home in Agha Shahid Ali's Translations of Faiz Ahmed Faiz and Mahmoud Darwish." In Translating Home in the Global South, 163–85. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003378150-12.

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Päßler, Ulrich. "Darwin." In Alexander von Humboldt-Handbuch, 247–50. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04522-5_32.

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Päßler, Ulrich. "Darwin." In Alexander von Humboldt-Handbuch, 247–50. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62825-6_32.

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Conference papers on the topic "Darwish"

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Abdulkareem SABRI, Noor. "The Style of Calling in Mahmoud Darwish's Poetry, A Grammatical Study." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-11.

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Research Summary (The Appeal Style in Mahmoud Darwish's Poetry, A Grammatical Study). This research aims to study an important style in the Arabic language, which is the style of calling in the poetry of the great poet Mahmoud Darwish. Its precise significance, for the poet did not use a tool of the appeal unless it was in its appropriate position for the context of the text and its artistic image, such as his use of (yeah) for emphasis, exaggeration and glorification in a manner consistent with the manifestations of strength in the text, or his use of the appeal with the word homeland, which was the focus of his case, so we find it - for example Example - Sometimes he omits the article (ya) because he feels close to his homeland, or he may use the call because he feels relaxed and far from his homeland or from the caller in general, as the grammarians indicated in their books to the purpose of the call letters, which is the extension of the voice and alerting the caller if he is lax about the caller. , and other than what I stood on the indications in his poetry. In this research, I tried to link between the poet Mahmoud Darwish's use of the style of the call and its tools, and what the grammarians indicated of the indications of this style, which makes us certain that the poet was well versed in the Arabic language and its grammar and its implications
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MEHMETALI, Bekir. "THE IMAGE OF THE MARTYR IN THE PALESTINIAN RESISTANCE POETRY." In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-2.

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All nations and societies need someone to defend them, protect them, and repel aggression and injustice, so that these sacrifices become the torch of freedom, the beacon of pride, and the throne of pride. And this testimony adds to him a human, patriotic and sanctity value, thus elevating his position among his people and his people. He who sees himself as part of his society, his issues are his cause, and his pain is his pain. With the catastrophe of Palestine in 1948, and the setback of June 1967, the Palestinian resistance appeared carrying weapons, believing in the principle of liberation by force, and alongside this resistance, Palestinian resistance poetry appeared, which supported the armed resistance with the literary poetic word, and gave a great space, and great attention to the cause of the Palestinian martyr who sacrificed the cause of the Palestinian martyr. The research aims to clarify the poetic image of the martyr in the Palestinian resistance poetry, and the motive for this is the status of the martyr in Arab thought on the one hand, and the status of the Palestinian cause, and its specificity among the Palestinians, Arabs, and Muslims on the one hand, and the international community on the other. The importance of the research lies in its goal and motive. The researcher will follow the descriptive and analytical approaches, and will clarify the concept of the martyr, and the testimony, and will address the image of the martyr with description and analysis of some poets of the Palestinian resistance, such as Mahmoud Darwish, Samih Al-Qasim, and others
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Malik, Gurshaant Singh, Lucian Petrica, Nachiket Kapre, and Michaela Blott. "DarwiNN." In GECCO '20: Genetic and Evolutionary Computation Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3377929.3390007.

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Kruiskamp, Wim, and Domine Leenaerts. "DARWIN." In the 32nd ACM/IEEE conference. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/217474.217566.

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Chen, Eric Y., Lin-Shung Huang, Ole J. Mengshoel, and Jason D. Lohn. "Darwin." In GECCO '14: Genetic and Evolutionary Computation Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2598394.2598413.

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Jaramillo, Juan Jose, and R. Srikant. "DARWIN." In the 13th annual ACM international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1287853.1287865.

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Qi, Dawei, Abhik Roychoudhury, Zhenkai Liang, and Kapil Vaswani. "Darwin." In the 7th joint meeting of the European software engineering conference and the ACM SIGSOFT symposium on The foundations of software engineering. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1595696.1595704.

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Turakhia, Yatish, Gill Bejerano, and William J. Dally. "Darwin." In ASPLOS '18: Architectural Support for Programming Languages and Operating Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173162.3173193.

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Fridlund, C. V. Malcolm, and Philippe Gondoin. "Darwin mission." In Astronomical Telescopes and Instrumentation. SPIE, 2003. http://dx.doi.org/10.1117/12.460943.

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Penny, Alan J., Alain M. Leger, Jean-Marie Mariotti, Cornelius Schalinski, C. Eiroa, Robin J. Laurance, and C. V. Malcolm Fridlund. "Darwin interferometer." In Astronomical Telescopes & Instrumentation, edited by Robert D. Reasenberg. SPIE, 1998. http://dx.doi.org/10.1117/12.317130.

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Reports on the topic "Darwish"

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Garrett, Charles Kristopher. The Darwin Cluster. Office of Scientific and Technical Information (OSTI), June 2018. http://dx.doi.org/10.2172/1441285.

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Siwabessy, Justy, Maggie Tran, Zhi Huang, Scott Nichol, and Ian Atkinson. Mapping and Classification of Darwin Harbour Seabed. Geoscience Australia, 2015. http://dx.doi.org/10.11636/record.2015.018.

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Boyd, J. K., E. P. Lee, and S. S. Yu. Aspects of three field approximations: Darwin, frozen, EMPULSE. Office of Scientific and Technical Information (OSTI), May 1985. http://dx.doi.org/10.2172/5673870.

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Stark, Jon. Testing a report. Crossref, May 2020. http://dx.doi.org/10.5555/kjafioakljhj098u89.

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Dum mia juneco mi vivis en la komunisma Orienta Eŭropo kaj tie oni instruis, ke estas du mondrigardoj: la religia kaj la scienca darvinisma. Oni instruis, ke la darvinisma koncepto estas materiisma kaj pro tio oni kutime pensas, ke Darwin estis ateisto. Sed tio tute ne estas vera. Li skribis la venontajn frazojn en sia verko „La Origino de Specioj per Natura Selektado, aŭ konservado de la plej vivkapablaj rasoj en la batalo por vivo”:
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Haggart, J. W. Geology, Ramsay Island, Darwin Sound, and Tasu Head, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/213670.

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Siwabessy, Justy, Neil Smit, Ian Atkinson, Nicholas Dando, Simon Harries, Floyd Howard, Jin Li, et al. Outer Darwin Harbour Marine Survey 2015: GA0351/SOL6187 – Post-survey report. Geoscience Australia, 2016. http://dx.doi.org/10.11636/record.2016.008.

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Sanborn-Barrie, M. Geology of the Darwin Sound area, Queen Charlotte Islands, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/194074.

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Sanborn-barrie, M. Geology of the Darwin Sound area, Queen Charlotte Islands, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1992. http://dx.doi.org/10.4095/132825.

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Radke, L., N. Smit, J. Li, T. Nicholas, and K. Picard. Outer Darwin Harbour shallow water sediment survey 2016: GA0356-post-survey report. Geoscience Australia, 2017. http://dx.doi.org/10.11636/record.2017.006.

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Josenhans, H., and J. Zevenhuizen. Logan Inlet and northern Darwin Sound: surficial geology, Quaternary stratigraphy and paleo-sea levels. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/207603.

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