Relevant bibliographies by topics / David (1930-2003)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'David (1930-2003)'

Author: Grafiati
Published: 22 June 2024
Last updated: 31 July 2025

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Journal articles on the topic "David (1930-2003)"

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Werner, Jayne. "The Vietnamese War: Revolution and Social Change in the Mekong Delta, 1930–1975. By David W. P. Elliott. 2 vols. Armonk, N.Y.: M. E. Sharpe, 2003. xxii, 1,547 pp. $140.99 (cloth)." Journal of Asian Studies 63, no. 4 (2004): 1196–98. http://dx.doi.org/10.1017/s0021911804003146.

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Lockhart, Bruce M. "Vietnam The Vietnamese war: Revolution and social change in the Mekong Delta 1930–1975 By David W. P. Elliott Armonk, NY and London: M.E. Sharpe, 2003. 2 v. Pp. 1547. Bibliography, Appendices, Maps, Notes, Index." Journal of Southeast Asian Studies 39, no. 2 (2008): 325–27. http://dx.doi.org/10.1017/s002246340800026x.

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Athanassoglou‐Kallmyer, Nina. "Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930. By Roger Benjamin. Berkeley: University of California Press, 2003. Pp. xxii+352. $49.95.Renoir and Algeria. By Roger Benjamin, with an essay by, David Prochaska. New Haven, CT: Yale University Press; Williamstown, MA: Sterling and Francine Clark Art Institute, 2003. Pp. xi+163. $45.00." Journal of Modern History 77, no. 2 (2005): 439–41. http://dx.doi.org/10.1086/431846.

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Cicovacki, Borislav. "Zora D. by Isidora Zebeljan: Towards the new opera." Muzikologija, no. 4 (2004): 223–45. http://dx.doi.org/10.2298/muz0404223c.

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Opera Zora D., composed by Isidora Zebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has been staged outside Serbia since 1935, after being acclaimed at a competition organized by the Genesis Foundation from London. Isidora Zebeljan was commissioned (granted financial backing) to compose a complete opera with a secured stage realization. The Dutch Chamber Opera (Opera studio Nederland) and the Viennese Chamber Opera (Wiener Kammeroper) were the co-producers of th
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Salvaro, Cesar Bresolin, Denise Macedo Ziliotto, and Daiane Pinheiro. "Práticas e recursos pedagógicos na educação profissional de alunos com deficiência (Pedagogical practices and resources in the professional education of students with disabilities)." Revista Eletrônica de Educação 15 (November 30, 2021): e4913062. http://dx.doi.org/10.14244/198271994913.

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e4913062Professional education, initially called industrial education, was instituted in the country in 1909 and according to the Law of Guidelines and Bases, it aims to prepare for the exercise of professions.Professional education of students with disabilities would seek the development of their potentials on the citizenship exercise;describedNational Policy on Special Education in the Inclusive Education Perspective, needs to offer and ensure services related to special education for its public. The research focuses on the pedagogical practices and resources analysis present in students wit
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Germani, Ian. "Rising to the Challenge: Historians and the “Impossible” History of ParisParis: Deux mille ans d’histoire, by Jean Favier. Paris, Fayard, 1997. 1007 pp. 32.00€ (paper).Seven Ages of Paris, by Alistair Home. New York, Alfred A. Knopf, 2002. 480 pp. $35.00 US (cloth), $16.00 US (paper).Paris: Biography of a City, by Colin Jones. London, Allen Lane, 2004. 592 pp. $29.95 US (cloth), $18.00 US (paper).Paris, Capital of Modernity, by David Harvey. New York, Routledge, 2003. 384 pp. $25.00 US (cloth).Planning Paris Before Haussmann, by Nicholas Papayanis. Baltimore, Johns Hopkins University Press, 2004. 352 pp. $55.00 US (cloth).We’ll Always Have Paris: American Tourists in France since 1930, by Harvey Levenstein. Chicago, University of Chicago Press, 2004. 368 pp. $35.00 US (cloth)." Canadian Journal of History 40, no. 3 (2005): 479–90. http://dx.doi.org/10.3138/cjh.40.3.479.

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Lima Saraiva, Raisa Christina. "Imagens ausentes e rememoração nos diários de David Perlov." Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 13, no. 2 (2024). https://doi.org/10.22475/rebeca.v13n2.1045.

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O filme Diário 1973-1983 (1983), obra documental de David Perlov (1930-2003), apresenta momentos da vida do cineasta ao longo de uma década, residindo com a família em Tel Aviv, onde trabalhou como realizador de cinema e professor universitário, e também viajando eventualmente para outras cidades em Israel e arredores, bem como para a Europa e o Brasil. O filme consiste em seis partes de 55 minutos cada, nas quais se imbricam o cotidiano particular do artista, na intimidade do lar, e a dinâmica pública das cidades e seus contextos sócio-políticos. Neste ensaio, investiga-se as imagens ausentes
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BARCALA, Débora Ballielo. "UMA ANÁLISE COMPARADA DE FLANNERY O’CONNOR E LYA LUFT." Trama 15, no. 36 (2019). http://dx.doi.org/10.48075/rt.v15i36.22350.

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O presente trabalho tem por objetivo apresentar uma análise comparada das personagens femininas Hulga/Joy do conto “Good Country People” (1955), de Flannery O’Connor, e Dolores/Dôda do romance O tigre na sombra (2012), de Lya Luft, em uma aproximação inédita. As semelhanças entre as personagens vão desde a deformidade física e a complicada relação mãe-filha, até a duplicidade de nomes e a percepção de si mesmas como seres ambivalentes. Apesar de viverem conflitos e experiências diferentes, ambas as personagens retratam experiências vividas por muitas mulheres em sociedades patriarcais. Assim,
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Nijhawan, Amita. "Damning the Flow." M/C Journal 9, no. 4 (2006). http://dx.doi.org/10.5204/mcj.2646.

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 Deepa Mehta first attempted to shoot her film Water in the year 2000, in Varanasi, a holy city hanging on the edge of the Ganges in East-Central India. A film about the anguish of widows in 1930’s India, where widowhood was in many parts of the country taken to be a curse, an affliction that the widow paid penance for by living in renunciation of laughter and pleasure, Water points not only to the suffering of widows in colonial India but to the widow-house that still exists in Varanasi and houses poor widows in seclusion and disgrace, away from the community. The film ope
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Raney, Vanessa. "Where Ordinary Activities Lead to War." M/C Journal 9, no. 3 (2006). http://dx.doi.org/10.5204/mcj.2626.

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 “The cop in our head represses us better than any police force. Through generations of conditioning, the system has created people who have a very hard time coming together to create resistance.” – Seth Tobocman, War in the Neighborhood (1999)
 
 
 Even when creators of autobiographically-based comics claim to depict real events, their works nonetheless inspire confrontations as a result of ideological contestations which position them, on the one hand, as popular culture, and, on the other hand, as potentially subversive material for adults. In Seth Tobocma
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Dissertations / Theses on the topic "David (1930-2003)"

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Rèbre, Isabelle. "Figures du deuil et du photographique. Formes du film-essai chez Naomi Kawase, Alain Cavalier et David Perlov." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080044.

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Cette recherche développe une réflexion autour du photographique dans son lien à la mémoire et au deuil, qu’il soit intime ou d’ordre historique. Elle montre que la photographie est une figure de deuil, autrement dit, elle fait à la fois coupe et lien. A travers un corpus restreint de trois films-essais, elle analyse des figures de deuil et des gestes filmiques singuliers. Dans La Danse des souvenirs (2002), Naomi Kawase est confrontée à une mort intime. L’imbrication de clichés photographiques dans le film produit une suspension qui provoque un renversement dans cette trajectoire dont l’issue
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Books on the topic "David (1930-2003)"

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Biographie de David Dacko: Premier président de la République centrafricaine, 1930-2003 : documents pour servir à l'histoire de la République centrafricaine. L'Harmattan, 2007.

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Book chapters on the topic "David (1930-2003)"

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Feldman, Ilana. "Between Autobiography, Personal Archive and Mourning: David Perlov’s Diary 1973–1983 in Tel Aviv." In World Cinema and the Essay Film. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474429245.003.0013.

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In her essay Ilana Feldman investigates the relations between the private and the political in the autobiographical work of Israeli-born Brazilian filmmaker David Perlov (1930–2003). Problematizing her position as researcher, she points out that she was also affectively and intellectually deeply implicated in this research. In questioning self-reflexively her supposed neutrality as researcher, she is following, among others, Georges Devereux in De l’angoisse à la méthode (2012) where he argues for a dialectics between the subject and the object of the investigation in a prolonged process ‘of b
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