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1

David, Hockney. David Hockney, faces, 1966-1984. [Los Angeles, Calif.]: Laband Art Gallery, Loyola Marymount University in cooperation with Thames and Hudson, 1987.

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2

Robertson, Roy Kenneth. Descendants of David Robertson, 1814-1966: Genealogy. Bend, OR (P.O. Box 488, Bend 97709): L. Pero, 1986.

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3

Decker, Christof. Black Natchez (1966), Panola (1970), One Step Away (1968): Das gesellschaftskritische Direct Cinema von Ed Pincus und David Neuman. Trier: WVT, Wiss. Vlg., 1996.

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4

Francis, Bacon. An introduction for senior school students: Francis Bacon in conversation with David Sylvester, May 1966. London: Tate Gallery, 1985.

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5

Arthur, Davis, ed. 1960: David Sandison, Arthur Davis. Avonmouth: Parragon, 1996.

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6

Gene, Davis. Gene Davis: Focus: 1960-1966. New York, NY: Charles Cowles Gallery, 1986.

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7

Rabinowitch, David. David Rabinowitch: Werke 1967-1976. Stuttgart-Bad Cannstatt: Edition Cantz, 1992.

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8

Livingstone, Marco. David Hockney: Etchings and lithographs, 1961-1986. London: Thames and Hudson (and) Waddington Graphics, 1988.

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9

Davis, Gene. Gene Davis, focus 1960-1966: September 20-October 25, 1986, Charles Cowles Gallery. New York, NY: The Gallery, 1986.

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10

David Smith. London: Phaidon Press, 2013.

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11

Peter, Allison, Enwezor Okwui, and Whitechapel Art Gallery, eds. David Adjaye: Making public buildings : specificity, customization, imbrication. London: Thames & Hudson, 2006.

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12

Lynch, David. David Lynch. Valencia: Sala Parpalló, 1992.

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13

1957-, Young John W., and Roy Raj, eds. Ambassador to sixties London: The diaries of David Bruce, 1961-1969. Dordrecht: Republic of Letters Publishing, 2009.

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14

Mole, Stuart. The decadeof realignment: The leadership speeches of David Steel (1976-1986). Hebden Bridge: Hebden Royd, 1986.

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15

von, Folsach Kjeld, ed. Davids samling gennem 24 år, 1962-1985 =: The David Collection : a 24-year period, 1962-1985. København: Samlingen, 1985.

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16

Salle, David. David Salle: Arbeiten auf Papier1974-1986 = David Salle : arbejder på papir 1974-1986 = David Salle : works on paper 1974-1986. Dortmund: Museum am Ostwall, 1986.

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17

1938-, Steel David, ed. The decade of realignment: The leadership speeches of David Steel (1976-1986). Hebden Bridge, West Yorkshire: Hebden Royd Publications, 1986.

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18

Grenoble, Musée de, and Centro per l'arte contemporanea Luigi Pecci., eds. David Tremlett, rétrospective, 1969-2006. Arles: Actes sud, 2006.

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19

1937-, Crone David, Sverakova Slavka, and Anglesea Martyn 1947-, eds. David Crone: Paintings, 1963-1999. Dublin: Four Courts Press, 1999.

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20

David, Smith. David Smith: Photographs 1931-1965. New York: Matthew Marks Gallery, 1998.

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21

Blackwood, David. David Blackwood: Prints 1962-1984. St. John's, Newfoundland: Art Gallery, Memorial University of Newfoundland, 1985.

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22

Correa, David. David Correa: Pinturas recientes (1965). México: [s.n., 2003.

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23

Michael, Corris, ed. David Diao: Works 1969-2005. [Hong Kong?]: Timezone 8, 2005.

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24

David Lynch. Urbana: University of Illinois Press, 2012.

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25

David Wright. New York: PowerKids Press, 2012.

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26

1946-, Baker Kenneth, Murch Anna Valentina, and Blunt Nicole, eds. David Maxim: Unseen pictures, 1988-1996. San Francisco, Calif: [David Maxim Studio], 1999.

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27

Rimmer, David. David Rimmer: Films & tapes, 1967-1993. Toronto: Art Gallery of Ontario, 1993.

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28

Rabinowitch, David. David Rabinowitch: Carved woodblock monotypes 1962. New York. N.Y: Peter Blum, 2003.

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29

Childs, David M. David M. Childs--SOM: 1976-1993. Edited by Nakamura Toshio 1929-. Tokyo: a + u Publishing Co., 1993.

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30

David Lynch. Paris: Cahiers du cinéma Sarl, 2010.

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31

Hurley, Mark J. Vatican star, Star of David: The untold story of Jewish/Catholic relations and the 2nd Vatican Council. Kansas City, MO: Sheed & Ward, 1997.

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32

Bomberg, David. David Bomberg: Works on paper 1912-1956. London: Gillian Jason Gallery, 1988.

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33

David, Smith. David Smith: Works on paper, 1953-1961. New York, N.Y: Salander-O'Reilly Galleries, 1991.

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34

David, Hockney. David Hockney: Paintings and prints from 1960. London: Tate Gallery Publications, 1993.

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35

David, Evans. David Evans: An exhibition of watercolours 1986. London: Redfern Gallery, 1986.

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36

Myroslava, Mudrak, Holubizky Ihor, and Winnipeg Art Gallery, eds. Futurism and after: David Burliuk, 1882-1967. Winnipeg: Winnipeg Art Gallery, 2008.

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37

David, Nash. David Nash: Sculpture and projects 1986-1989. London: Annely Juda Fine Art, 1989.

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38

Stein, R. Conrad. David Robinson: The admiral. Chicago: Childrens Press, 1994.

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39

David Lynch: The air is on fire. New York, NY: Thames & Hudson, 2007.

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40

1911-1956, Seymour David, ed. David Seymour (Chim). London: Phaidon, 2005.

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41

Peter, Allison, ed. David Adjaye: Houses. London: Thames & Hudson, 2005.

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42

Rabinowitch, David. David Rabinowitch: Werke 1967-1976. Hatje Cantz Publishers, 1992.

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43

Alexander Calder / David Smith. Hauser & Wirth, 2018.

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44

Allison, Peter, and David Adjaye. David Adjaye: Houses; Recycling, Reconfiguring, Rebuilding. Thames & Hudson, 2005.

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45

Smith, David. David Smith: Collected Writings, Lectures, and Interviews. University of California Press, 2018.

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46

David Smith: Collected Writings, Lectures, and Interviews. University of California Press, 2018.

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47

Earnshaw, Alan. David Brown Tractors, 1936-1964 (Nostalgia Road). Atlantic Transport Publishers, 1997.

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48

Adjaye, David. David Adjaye: Constructed Narratives. Essays and Projects. Lars Muller Publishers, 2017.

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49

Harris, Margaret. Major Authors: Christina Stead, Patrick White, David Malouf. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0019.

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This chapter examines the work of three Australian novelists who are read in the context of modernism, introducing a new dimension for the exploration of individual and national identity. David Malouf defines his Old and New World cultural heritage in a significant body of non-fiction prose, encompassing memoir and cultural commentary, along with reviews and interviews, that runs in tandem with his fiction. His intense literary self-consciousness is manifest in an extended mythology of place and history that emerges in his writing, such as Johnno (1975) and Remembering Babylon (1993). Patrick White's spiritual evocation of Australian landscape is evident from his first novel Happy Valley (1934) through The Tree of Man (1956) and Voss (1957), while issues of the construction of gender and identity are explicit in his memoir Flaws in the Glass: A Self-Portrait (1981) and the posthumously published The Hanging Garden (2012). Christina Stead's later international career, initiated by the republication in 1965 of The Man Who Loved Children (1940) followed by For Love Alone (1944), reveals her radical modernist techniques, her radical politics, and her focus on gender issues, particularly her concern with women artists, ending with the posthumous publication of I'm Dying Laughing: the Humourist (1986).
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50

Anglesea, Martyn, S. B. Kennedy, David Crone, and Slavka Sverakova. David Crone, Paintings 1964-1991: Paintings, 1963-1999. Four Courts Press, 2000.

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