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Books on the topic 'David Baker'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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1

1973-, Davis Nathan, ed. David Baker: A legacy in music. Indiana University Press, 2011.

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2

Herzig, Monika. David Baker: A legacy in music. Indiana University Press, 2011.

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3

United States. Congress. House. Committee on Transportation and Infrastructure. David J. Wheeler Federal Building: Report (to accompany). U.S. G.P.O., 1995.

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4

US GOVERNMENT. An Act to Designate the Federal Building Located at 1550 Dewey Avenue, Baker City, Oregon, as the "David J. Wheeler Federal Building.". U.S. G.P.O., 1996.

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5

Hickman, Martin Berkeley. David Matthew Kennedy: Banker, statesman, churchman. Deseret Book Co., in cooperation with the David M. Kennedy Center for International Studies, 1987.

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6

Sousa, José de. 30 dias na vida de David Backer. Prelo, 2014.

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7

Gascoyne, David. 'The fire of vision': David Gascoyne's 'Farewell Chorus' to George Barker. Privately printed, 1996.

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8

Scott, Roger. The fire of vision: David Gascoyne's 'Farewell chorus' to George Barker. Privately printed, 1996.

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9

F, Robertson Charles. The Robertson family: Related families, Allen, Barker, Bowmaker, Davis, Drummond, Ganaway, Lucas, Malcom, Middlebrooks, Montgomery, Patterson, Phillips, Simpson, Wheeler, Woodward. C.F. and J.Y. Robertson, 1997.

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10

Library of Congress. Music Division. USDA Forest Service, Region 6 format, Zone 1 National Forests, Davis-Bacon area 2, Cost estimating guide for road construction: October 1993, Mt. Baker-Snoqualmie, Gifford Pinchot & Olympic National Forests. U.S. Forest Service, Pacific Northwest Region, 1993.

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11

Matsubara, Naoko. The woodcuts of Naoko Matsubara: An exhibition jointly curated by John Ruffle of the Oriental Museum University of Durham and David Barker of the Faculty of Art and Design University of Ulster for Japan Festival 1991. Japan Festival 1991 (Northern Ireland), 1991.

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12

Saltz, Jerry, and Usf Art Museum. David Baker: Avatars of the Tortoise. Contemporary Arts Museum, 1990.

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13

Baker Street Boys. Walker Books Ltd, 2005.

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14

The Baker Street Boys. Walker Books Ltd, 2006.

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15

Read, Anthony. The Baker Street Boys. Walker Books Ltd, 2007.

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16

The Baker Street Boys. Walker Books Ltd, 2006.

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17

Deadpool Max Nut Job Writer David Lapham Artist Kyle Baker Letterer Vcs Clayton Cowles. Marvel Comics, 2011.

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18

Courtenay, Smith, and David and Alfred Smart Museum of Art., eds. Blunt object: 11 September-25 October 1998 : Aaron Baker, John Beech ... [et al] : David and Alfred Smart Museum of Art, The University of Chicago. David and Alfred Smart Museum of Art, 1998.

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19

William Martin Davis in Baker Woods. Xlibris, 2013.

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20

William Martin Davis in Baker Woods. Xlibris, 2013.

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21

Hegland, Frode, ed. The Future of Text. Future Text Publishing, 2020. http://dx.doi.org/10.48197/fot2020a.

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This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and technology. We hope you will be as inspired as we are as to the potential power of text truly unleashed. Contributions by Adam Cheyer • Adam Kampff • Alan Kay • Alessio Antonini • Alex Holcombe • Amaranth Borsuk • Amira Hanafi • Amos Paul Kennedy Jr. • Anastasia Salter • Andy Matuschak & Michael Nielsen • Ann Bessemans & María Pérez Mena • Andries Van Dam • Anne-Laure Le Cunff • Anthon Botha • Azlen Ezla • Barbara Beeton • Belinda Barnet • Ben Shneiderman • Bernard Vatant • Bob Frankston • Bob Horn • Bob Stein • Catherine C. Marshall • Charles Bernstein • Chris Gebhardt • Chris Messina • Christian Bök • Christopher Gutteridge • Claus Atzenbeck • Daniel Russel • Danila Medvedev • Danny Snelson • Daveed Benjamin • Dave King • Dave Winer • David De Roure • David Jablonowski • David Johnson • David Lebow • David M. Durant • David Millard • David Owen Norris • David Price • David Weinberger • Dene Grigar • Denise Schmandt-Besserat • Derek Beaulieu • Doc Searls • Don Norman • Douglas Crockford • Duke Crawford • Ed Leahy • Elaine Treharne • Élika Ortega • Esther Dyson • Esther Wojcicki • Ewan Clayton • Fiona Ross • Fred Benenson & Tyler Shoemaker • Galfromdownunder, aka Lynette Chiang • Garrett Stewart • Gyuri Lajos • Harold Thimbleby • Howard Oakley • Howard Rheingold • Ian Cooke • Iian Neil • Jack Park • Jakob Voß • James Baker • James O’Sullivan • Jamie Blustein • Jane Yellowlees Douglas • Jay David Bolter • Jeremy Helm • Jesse Grosjean • Jessica Rubart • Joe Corneli • Joel Swanson • Johanna Drucker • Johannah Rodgers • John Armstrong • John Cayle • John-Paul Davidson • Joris J. van Zundert • Judy Malloy • Kari Kraus & Matthew Kirschenbaum • Katie Baynes • Keith Houston • Keith Martin • Kenny Hemphill • Ken Perlin • Leigh Nash • Leslie Carr • Lesia Tkacz • Leslie Lamport • Livia Polanyi • Lori Emerson • Luc Beaudoin & Daniel Jomphe • Lynette Chiang • Manuela González • Marc-Antoine Parent • Marc Canter • Mark Anderson • Mark Baker • Mark Bernstein • Martin Kemp • Martin Tiefenthaler • Maryanne Wolf • Matt Mullenweg • Michael Joyce • Mike Zender • Naomi S. Baron • Nasser Hussain • Neil Jefferies • Niels Ole Finnemann • Nick Montfort • Panda Mery • Patrick Lichty • Paul Smart • Peter Cho • Peter Flynn • Peter Jenson & Melissa Morocco • Peter J. Wasilko • Phil Gooch • Pip Willcox • Rafael Nepô • Raine Revere • Richard A. Carter • Richard Price • Richard Saul Wurman • Rollo Carpenter • Sage Jenson & Kit Kuksenok • Shane Gibson • Simon J. Buckingham Shum • Sam Brooker • Sarah Walton • Scott Rettberg • Sofie Beier • Sonja Knecht • Stephan Kreutzer • Stephanie Strickland • Stephen Lekson • Stevan Harnad • Steve Newcomb • Stuart Moulthrop • Ted Nelson • Teodora Petkova • Tiago Forte • Timothy Donaldson • Tim Ingold • Timur Schukin & Irina Antonova • Todd A. Carpenter • Tom Butler-Bowdon • Tom Standage • Tor Nørretranders • Valentina Moressa • Ward Cunningham • Dame Wendy Hall • Zuzana Husárová. Student Competition Winner Niko A. Grupen, and competition runner ups Catherine Brislane, Corrie Kim, Mesut Yilmaz, Elizabeth Train-Brown, Thomas John Moore, Zakaria Aden, Yahye Aden, Ibrahim Yahie, Arushi Jain, Shuby Deshpande, Aishwarya Mudaliar, Finbarr Condon-English, Charlotte Gray, Aditeya Das, Wesley Finck, Jordan Morrison, Duncan Reid, Emma Brodey, Gage Nott, Aditeya Das and Kamil Przespolewski. Edited by Frode Hegland.
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22

Rivett, Rohan. David Rivett. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9780643109964.

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Sir David Rivett was an Australian chemist and Chief Executive Officer of CSIR between 1927 and 1945. He became Chairman from 1945 to 1949, retiring when CSIR was reorganised and became CSIRO.
 Because of Sir David's unique contributions to many fields of science and his efforts directed towards CSIR's early development, CSIR became Australia's major research agency. In April 1961 the Prime Minister of Australia, Sir Robert Menzies, commenting on the death of Rivett, said: 'David Rivett was one of the greatest Australians of our time. He combined an absolute first class mind and great scientific attainments with a generous outlook and a quiet, but pervading, enthusiasm. Scientific research in Australia owes a great deal to him'.
 The international scientific journal Nature in its issue of June 10, 1961, said that Rivett was 'a man who had contributed perhaps more than any other to the present healthy state of Australian science. ... Rivett and his colleagues contrived, in a country woefully weak in research, to create an atmosphere in which it could flourish... Once one had gained his confidence he was a magnificent friend and backer; he believed in delegating responsibility and with it any credit that accrued, but in times of adversity he it was who wished to shoulder the blame'.
 This is an eBook version of the hardback originally published in 1972.
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23

Gallery, Ruskin, ed. Fragments of time: The landscape paintings of David Walker Barker. The Ruskin Gallery, 1987.

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24

Davis, Lindsey. Ode to a Banker (Davis, Lindsey. Falco Series.). Mysterious Press, 2002.

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25

Peacock, Martin Henry. Five approaches to political theatre: Howard Brenton, David Hare, David Edgar, Roger Howard, Caryl Churchill and Howard Barker. 1990.

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26

Witches in Dreamland: A Novel by David Barker and W. H. Pugmire. Hippocampus Press, 2018.

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27

Series, Michigan Historical Reprint. Poems by David Barker, with historical sketch by Hon. John E. Godfrey. Scholarly Publishing Office, University of Michigan Library, 2005.

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28

David Bakers Modern Concepts in Jazz Improvisation: A Comprehensive Methods for All Musicians. Alfred Pub Co, 1990.

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29

Fojas, Camilla. Migrant Domestics and the Fictions of Imperial Capitalism. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040924.003.0003.

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Filipino domestic labor occupies the visible geographies of global popular culture and capitalism in ways that demand reckoning. They work in the homes of major figures who represent significant coordinates of the economic crisis of 2008: David Siegel, the time-share king, and Alexandre de Lesseps, the global investment banker specializing in microfinance. The Filipina domestics enable the everyday lives of the Siegels and the de Lesseps, cooking and cleaning, acculturating and nurturing their children. They are moral counterpoints to the profligacy and vacuity of the affluent classes; each has a worldview that is potentially disruptive to the overarching narrative of capitalist accumulation. They are ambivalent figures, representing many things at once, and they are also protagonists in their own alternate story of global capitalism.
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30

Barker, Jacob. Trial of Jacob Barker, Thomas Vermilya, and Matthew L. Davis, for Alleged Conspiracy. HardPress, 2020.

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31

Masters, Ben. Twenty-First-Century Excess. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.003.0005.

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This chapter evaluates the legacy of Burgess, Carter, and Amis by examining the work of a new generation of excessive English stylists, including Zadie Smith, Nicola Barker, and David Mitchell. It begins by showing how arguments similar to those made against stylistic prolixity in the aftermath of World War Two have resurfaced post-9/11. It goes on, through close readings of three novels (NW, Darkmans, Cloud Atlas), to show how this newer generation of writers has adapted and expanded the methods of the earlier stylists of excess by staging a return to ideas of character, interiority, and empathy in a way that still prioritizes authorial style and amplitude. With reference to Dorothy Hale’s notion of the aesthetics of alterity, it shows how these authors have made innovative use of free indirect style and polyphony to create a critical empathy that self-reflexively trains us to apprehend its own limitations.
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32

Sobel, David, Peter Vallentyne, and Steven Wall, eds. Oxford Studies in Political Philosophy, Volume 3. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198801221.001.0001.

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This volume features ten papers in political philosophy, addressing a range of central topics and represent cutting-edge work in the field. Papers in the first part look at equality and justice: Keith Hyams examines the contribution of ex ante equality to ex post fairness; Elizabeth Anderson looks at equality from a political economy perspective; Serena Olsaretti’s paper studies liberal equality and the moral status of parent–child relationships; and George Sher investigates doing justice to desert. In the second part, papers address questions of state legitimacy: Ralf Bader explores counterfactual justifications of the state; David Enoch examines political philosophy and epistemology; and Seth Lazar and Laura Valentini look at proxy battles in just war theory. The final three papers cover social issues that are not easily understood in terms of personal morality, yet which need not centrally involve the state: the moral neglect of negligence (Seana Valentine Shiffrin), the case for collective pensions (Michael Otsuka); and authority and harm (Jonathan Parry).
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33

Masters, Ben. Novel Style. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766148.001.0001.

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Re-examining elaborate English stylists from the post-war period to the present day (including Anthony Burgess, Angela Carter, Martin Amis, Zadie Smith, Nicola Barker, and David Mitchell) through a fresh style of ethical criticism that does not over-rely on notions of character and interiority (the terrain of the ‘humanist revival’), and that returns the author to centre-stage (contra the approach of the ‘new ethics’, with its indebtedness to poststructuralism), Novel Style defends the stylistic excesses of writers who were conscious of both writing out of excessive times and of the need for new kinds of artistic response to contemporary ethical pressures. Through its methodology, Novel Style calls for a return to close reading and aesthetic evaluation and recovers its subjects from theoretical quagmires by repositioning them as stylists and ethicists, arguing that the two positions are inextricable. For example, it considers how forms of stylistic excess—ranging from puns and wordplay to long sentences, proliferating imagery, repetitions, idiosyncratic rhythms, multiple levels of narration, and variable points of view—might enact ethically-charged dynamics like curiosity, particularity, complexity, and empathy. As well as being an impassioned defence of literary excess, flamboyance, and close reading, Novel Style asks fundamental questions about how novels think, see, and feel, and how they might change us.
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34

MODERN JAZZ TRUMPET - improvisation solos transribed note by note: Trumpet solos by Harry James, Chet Baker, Miles Davis, Clifford Brown, Dizzy Gillespie, Art Farmer,. BRAZILATAFRO PUBLICATIONS, 2000.

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35

Beck, Susanne, Carsten Kusche, and Brian Valerius, eds. Digitalisierung, Automatisierung, KI und Recht. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748920984.

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This anthology contains contributions by scholars from the fields of philosophy, engineering and law. It is being published to mark the ten year anniversary of the founding of the Robotics Law Research Centre at the University of Würzburg, which now has a proven track record of research and policy proposals in response to challenges posed by advances in the field of autonomous systems and digitization. This work includes interdisciplinary reflections on major technological developments of our time. It also focuses on the social and ethical foundations of the right to access technological innovation and civil, criminal and procedural law issu-es raised by recent progress in this fast-paced area. With contributions by Nikolaus Bauer, Prof. Dr. Susanne Beck, Prof. Dr. Dr. h.c. Dieter Birnbacher, Kristine Böhm, Alfons Botthof, Prof. Dr. Jörg Eisele, Sven Elter, Dr. Jochen Feldle, Orlandino Gleizer, Prof. Dr. Armin Grunwald, Christian Haagen, Berthold Haustein, Prof. Dr. Dirk Heckmann, Prof. Dr. Joachim Hertzberg, Prof. Dr. Su Jiang, Prof. Dr. Jan Joerden, Prof. Dr. Maria Kaiafa-Gbandi, Dr. Clemens Kessler, Dr. Carsten Kusche, Prof. Dr. Genlin Liang, Dr. Severin Löffler, Anna Lohmann, Annika Schömig, Pia Mesenberg, Prof. Dr. Wolfgang Mitsch, Prof. Dr. Julian Nida-Rümelin, Dr. Christoph Peylo, Prof. Dr. Frank Puppe, Prof. Dr. Tobias Reinbacher, Dr. David Roth-Isigkeit, Prof. Dr. Ronny Thomale, Prof. Dr. Frank Schuster, Prof. Dr. Gerald Spindler, Klaus Staudacher, Prof. Dr. Brian Valerius, Paul Vogel, Nicolas Woltmann, Prof. Dr. Feridun Yenisey and Dr. John Zuluaga.
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36

Barker, Jacob. Trial of Jacob Barker, Thomas Vermilya, and Matthew L. Davis, for Alleged Conspiracy: Testimony As Reported by Hugh Maxwell, Esq. , District Attorney, and Certified for the Use of the Supreme Court, by Ogden Edwards, Esq. , the Judge Before Whom the Cause W. HardPress, 2020.

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