Academic literature on the topic 'David Copperfield'

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Journal articles on the topic "David Copperfield"

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Wilkes, David M. "Dickens's David Copperfield." Explicator 51, no. 3 (1993): 157–59. http://dx.doi.org/10.1080/00144940.1993.9938008.

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Al Manaseer, Farah Abdul-Jabbar, and Aysar Basheer Hasan Radhi. "Mother Figures in Charles Dickens’ Novel “David Copperfield”: A Pragma-Discoursal Analysis of Social Deixis." European Journal of English Language and Literature Studies 10, no. 5 (2022): 24–35. http://dx.doi.org/10.37745/ejells.2013/vo10.n5pp2435.

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The theme of motherhood and mother figures constitutes a core pillar in the novel “David Copperfield”. Relying on the context in which the different deictic expressions of person, social, time and place construct the language used to portray mother figures, a pragma-discoursal study can best fit in the interpretation of literary texts. This article aims at identifying specifically the social deixis mostly used by the mother figures Clara Copperfield, Clara Peggotty and Miss Betsey in Charles Dickens’ novel “David Copperfield” and how they determine mothers’ roles in relation to David’s life fr
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Keumhee Park. "Clowns in David Copperfield." English & American Cultural Studies 9, no. 1 (2009): 185–219. http://dx.doi.org/10.15839/eacs.9.1.200904.185.

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SIMON, IRÈNE. "DAVID COPPERFIELD: A KÜNSTLERROMAN?" Review of English Studies XLIII, no. 169 (1992): 40–56. http://dx.doi.org/10.1093/res/xliii.169.40.

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Cheadle, Brian. "What Is David Copperfield?" Essays in Criticism 69, no. 1 (2019): 51–73. http://dx.doi.org/10.1093/escrit/cgy026.

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Bottum, Joseph. "The Gentleman's True Name: David Copperfield and the Philosophy of Naming." Nineteenth-Century Literature 49, no. 4 (1995): 435–55. http://dx.doi.org/10.2307/2933728.

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No one has ever accused Dickens of being a philosopher. But David Copperfield offers an opportunity for thinking philosophically about naming. Unlike the characters unconscious of their satirical names in Dickens's earlier novels, the characters in David Copperfield feel the tension of naming and explore with the author what their names are for. They find, of course, that the order of names-the hierarchy of terms by which they refer to and address one another-betrays rank and sentiment, power and desire. But they find more than that a name expresses and enforces the will of the namer. Names in
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Egorova, Anastasiia. "CHILDREN’S ADAPTATIONS OF THE CHARLES DICKENS NOVEL “DAVID COPPERFIELD” IN RUSSIAN." Children's Readings: Studies in Children's Literature 23 (2023): 299–331. http://dx.doi.org/10.31860/2304-5817-2023-23-1-299-331.

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The article describes Russian children’s adaptations of the Charles Dickens novel “David Copperfield”. The purpose of this paper is to find out whether the approach to its translation changed at different historical periods — during the Czarist-era, under the Soviet government and in contemporary Russia. In order to achieve this goal, we have analyzed those “David Copperfield” translations into Russian addressed to the younger audience that are accessible nowadays. The text has been envisaged from the translation studies, as well as philological and culture studies point of view. The study has
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Cordery, Gareth. "Foucault, Dickens, and David Copperfield." Victorian Literature and Culture 26, no. 1 (1998): 71–85. http://dx.doi.org/10.1017/s106015030000228x.

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Margaret atwood's narrator in Bodily Harm, reminiscing about her childhood, says: “I learned to listen for what wasn't being said, because it was usually more important than what was” (55). Making a similar point, in The History of Sexuality Foucault writes that “There is not one but many silences, and they are an integral part of the strategies that underlie and permeate discourses” (1: 27). If we read David Copperfield in this way — listening to the silences, as well as attending closely to what is being said — the narrative which emerges from the surface bildungsroman is very different from
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Pettersson, Torsten. "The maturity of David Copperfield." English Studies 70, no. 1 (1989): 63–73. http://dx.doi.org/10.1080/00138388908598615.

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Parrott, Jeremy. "Electrical Undercurrents in David Copperfield." Dickens Quarterly 40, no. 1 (2023): 83–107. http://dx.doi.org/10.1353/dqt.2023.0004.

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Dissertations / Theses on the topic "David Copperfield"

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Eskins, Stephanie Alane. "The Role of Alter Egos Within "David Copperfield"." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539626990.

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Bengochéa, Anne. "Le réalisme dickensien dans quatre traductions en français de David Copperfield." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030005.

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A la lumière de la notion de mimêsis, principe antique qui a donné naissance aux arts et se situe au fondement de la pratique de la traduction, cette étude se propose d’analyser la traduction de certains traits signifiants du réalisme dickensien, dont l’hybridité esthétique se manifeste dans l’œuvre David Copperfield. Huitième roman de Dickens, cet ouvrage de transition initie la seconde période de la carrière du romancier, orientée vers un style plus conforme à l’esthétique réaliste édictée par le mouvement artistique français de ce temps. Cependant, une originalité distinctive s’y révèle tou
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Viirola, Sari-Leena. "In Search of Firmness-Parenting and Education in Charles Dickens's David Copperfield." Thesis, Stockholms universitet, Engelska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-87554.

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Charles Dickens’s David Copperfield abounds with fatherless and motherless children, whose development into adolescence and adulthood is strongly affected by the parenting skills of the remaining parent. This essay studies different parenting and educational practices in the novel to see their impact on the behaviour and personality of the children. In Victorian England, two opposing views of childhood flourished: the Puritan one believing in childhood depravity, and the Romantic view based on childhood innocence. In addition, there were gender differences in upbringing stemming from the middl
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Kim, Soong Hee. "A resistance to growing-up: a comparative study of The Prelude and David Copperfield." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332515/.

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The Prelude and David Copperfield reveal strikingly similar patterns of their heroes' development from boyhood to manhood; the idiosyncrasy of their growth can be found in its retrogressive rather than progressive aspect.
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Chang, Caroline. "David Copperfield e O apanhador no campo de centeio na perspectiva do romance de formação." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2002. http://hdl.handle.net/10183/3007.

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O romance de formação é emblemático do Século das Luzes. Surgido na Europa do século XVIII, o subgênero teve seu apogeu neste e no século XIX, confundindo seu período de maturidade com boa parte da vida do romance moderno antes que o gênero começasse a ser desconstruído. Com o foco centrado no desenvolvimento da vida do protagonista e sua consciente adaptação ao mundo burguês, o Bildungsroman tomou formas semelhantes em vários países — inclusive na poderosa Inglaterra de então. Com seu legado de otimismo humanista, influencia (positiva ou negativamente) toda a literatura posterior. David Coppe
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Howlett, Bai Yun. "Cultural transfer in translation, with particular reference to Russian and Chinese translation of Dickens' 'David Copperfield'." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400020.

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Bozzato, Laura <1977&gt. "Romanticism and the enlightened logic of the compromise: a comparative reading of 'Waverley' and 'David Copperfield'." Doctoral thesis, Università Ca' Foscari Venezia, 2006. http://hdl.handle.net/10579/289.

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Fayemi-Wiesebron, Anne-Gaëlle Adetôla. "L'objet dickensien, entre profusion et vide : étude de l'objet dans David Copperfield, Bleak House et Great Expectations." Phd thesis, Université Rennes 2, 2012. http://tel.archives-ouvertes.fr/tel-00753707.

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Pris dans les rouages de la révolution industrielle, l'objet dickensien est synonyme d'abondance. Cette profusion d'objets - qu'ils soient concrets ou diégétiques - permet au texte ses plus beaux excès et se prête à merveille au jeu de la collection et des listes, chères à Dickens. Les objets brillent de possibilités inouïes, bousculent l'ordre préétabli et en viennent à supplanter les personnages, souvent relégués au second plan. Le récit, réaliste, est incrusté de surnaturel et fait aussi bien allégeance à l'excès qu'à l'ordre qui en découlera. Les deux extrêmes oeuvrent donc à la réconcilia
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Fayemi-Wiesebron, Anne-Gaëlle. "L'objet dickensien, entre profusion et vide : étude de l'objet dans David Copperfield, Bleak House et Great Expectations." Thesis, Rennes 2, 2012. http://www.theses.fr/2012REN20039/document.

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Pris dans les rouages de la révolution industrielle, l'objet dickensien est synonyme d'abondance. Cette profusion d'objets – qu'ils soient concrets ou diégétiques – permet au texte ses plus beaux excès et se prête à merveille au jeu de la collection et des listes, chères à Dickens. Les objets brillent de possibilités inouïes, bousculent l'ordre préétabli et en viennent à supplanter les personnages, souvent relégués au second plan. Le récit, réaliste, est incrusté de surnaturel et fait aussi bien allégeance à l'excès qu'à l'ordre qui en découlera. Les deux extrêmes oeuvrent donc à la réconcilia
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RAZANANTSOA, GAYET LALAO FARA. "La question du sujet dans la fiction de charles dickens : oliver twist, david copperfield et great expectations." Lyon 2, 1999. http://www.theses.fr/1999LYO20020.

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La fiction dickensienne met en scene ce qui permet l'avenement d'un sujet a l'ordre symbolique de la parole. La diegese des trois romans choisis illustre comment le desir vient s'articuler a la loi de l'interdit, lorsqu'un processus de substitution permet a l'innommable de se faire entendre a travers les rets du discours, regulant ainsi le rapport du sujet a l'objet du desir. Notre tache, en tantque lecteur, a consiste a etre a l'ecoute de cette parole venue d'ailleurs, d'etudier le travail d'un texte qui voile et devoile a la fois le desir qu'il tait et l'impuissance a le dire, tout en disant
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Books on the topic "David Copperfield"

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Francis, Pauline. David Copperfield. Skyview Books, 2010.

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Dickens, Charles. David Copperfield. Townsend Press, 2009.

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Francis, Pauline. David Copperfield. Windmill Books, 2010.

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Dickens, Charles. David Copperfield. Barnes & Noble Classics, 2003.

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Holder, Nancy. David Copperfield. Fictionwise, Inc., 2004.

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Dickens, Ch. David Copperfield. Penguin books, 1994.

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Holder, Nancy. David Copperfield. Vintage Books, 2012.

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Dickens, Charles. David Copperfield. Penguin Group UK, 2008.

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Dickens, Charles. David Copperfield. Oxford University Press, 2008.

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Dickens, Charles. David Copperfield. 2nd ed. Modern Library, 2000.

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Book chapters on the topic "David Copperfield"

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Cordery, Gareth. "David Copperfield." In A Companion to Charles Dickens. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470691908.ch26.

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Burke, Tristan Donal. "David Copperfield." In Byronism, Napoleonism, and Nineteenth-Century Realism. Routledge, 2021. http://dx.doi.org/10.4324/9781003160168-3.

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Parrott, Jeremy. "Britannia, that unfortunate female." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-14.

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Parrott, Jeremy. "The most secret current of my mind." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-13.

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Parrott, Jeremy. "My mind is so divided." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-10.

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Parrott, Jeremy. "Don't be galvanic, sir!" In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-5.

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Parrott, Jeremy. "Mr. Dick and I." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-8.

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Parrott, Jeremy. "I have forgotten this gentleman's name." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-4.

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Parrott, Jeremy. "Introduction." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-1.

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Parrott, Jeremy. "King Charles and other Charleys." In David Copperfield Unbound. Routledge, 2025. https://doi.org/10.4324/9781003539469-7.

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Conference papers on the topic "David Copperfield"

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Huang, Xiaohui. "Charles Dickens' Critical Realism in David Copperfield." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.267.

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Zhou, Bingbing. "An Analysis of the Critical Realism in David Copperfield." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.286.

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Shen, Chenyu. "The Impact of Emotion of Shu Lin’s Translation of David Copperfield." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.235.

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Lizhou, Zhang. "A Pragmatic-Functional Model for Assessment of Translation Quality-A case Study of Two Chinese Versions of David Copperfield." In 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.10.

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