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1

The rise of David Duke. University Press of Mississippi, 1994.

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2

Stern, Kenneth S. David Duke: A Nazi in politics. American Jewish Committee, Institute of Human Relations, 1991.

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3

Zatarain, Michael. David Duke, evolution of a Klansman. Pelican Pub. Co., 1990.

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4

Marable, Manning. Black America: Multicultural democracy in the age of Clarence Thomas and David Duke. Open Magazine Pamphlet Series, 1992.

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5

Marable, Manning. Black America: Multicultural democracy in the age of Clarence Thomas, David Duke and the LA uprisings. Open Media, 1992.

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6

Duse, Phillip M. Phil Duse versus the tyranny of DOD (intelligence and investigative agencies): A David vs Goliath story. P.M. Duse, 1998.

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7

Thomas, Davis George. George T. Davis: San Francisco trial lawyer : in defense of due process, 1930's to 1990's. Regional Oral History Office, Bancroft Library, University of California, 1993.

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8

Prima. Official Sega Genesis: Power Tips Book. Prima Publishing, 1992.

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9

Mcdermott, Leeanne. GamePro Presents: Sega Genesis Games Secrets: Greatest Tips. Prima Publishing, 1992.

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10

Tom, Badgett, ed. Official Sega Genesis and Game Gear strategies, 2ND Edition. Bantam Books, 1991.

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11

Sandler, Corey. Official Sega Genesis and Game Gear strategies, 3RD Edition. Bantam Books, 1992.

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12

David Dickinson - The Duke: What a Bobby Dazzler. BBC Worldwide, 2004.

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13

1964-, Kuzenski John C., Bullock Charles S. 1942-, and Gaddie Ronald Keith, eds. David Duke and the politics of race in the South. Vanderbilt University Press, 1995.

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14

D, Rose Douglas, ed. The Emergence of David Duke and the politics of race. University of North Carolina Press, 1992.

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15

1958-, Joshi S. T., ed. Documents of American prejudice: An anthology of writings on race from Thomas Jefferson to David Duke. Basic Books, 1999.

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16

Joshi, S. T. Documents of American Prejudice: An Anthology of Writings on Race from Thomas Jefferson to David Duke. Basic Books, 1999.

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17

McCrea, Christian. Dune. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.001.0001.

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David Lynch's Dune (1984) is the film that science fiction — and the director's most ardent fans — can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending “spice.” After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him o
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18

Davis, Duke. Cowboy Poetry Contemporary Verse by Duke Davis. Cowboy Miner Productions, 2007.

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19

Valadier: Three generations of Roman goldsmiths : an exhibition of drawings and works of art : 15th May to 12th June 1991, Monday to Friday, 10am to 5pm at David Carritt Limited, 15 Duke Street, St James's, London, SW1Y 6DB. David Carritt Limited, 1991.

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England), Artemis Group (London, and David Carritt Limited, eds. Valadier: Three generations of Roman goldsmiths : an exhibition of drawings and works of art : 15th May to 12th June 1991, Monday to Friday, 10am to 5pm at David Carritt Limited, 15 Duke Street, St James's, London, SW1Y 6DB. David Carritt Limited, 1991.

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21

Louis Armstrong, Duke Ellington, and Miles Davis: A Twentieth-Century Transnational Biography. Lexington Books, 2018.

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22

Hegland, Frode, ed. The Future of Text. Future Text Publishing, 2020. http://dx.doi.org/10.48197/fot2020a.

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This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and
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23

Hetmank, Sven, and Constantin Rechenberg, eds. Kommunikation, Kreation und Innovation - Recht im Umbruch? Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783748901099.

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The conference transcript deals with current challenges facing the legal fields of intellectual property, media, competition and data protection law, primarily due to technical developments and the resulting changes in legislation. Examples of this are artificial intelligence systems that call into question essential principles of current patent and copyright law. However, it also deals with questions concerning the legal classification of search engines, social bots and other internet intermediaries, as well as questions of the data protection requirements for bloggers, street photographers a
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24

Kuschel, Linda, Sven Asmussen, and Sebastian Golla, eds. Intelligente Systeme – Intelligentes Recht. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748925705.

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The relationship between law and technology is becoming increasingly complex due to the rapid advance of digitization and the development of new and "smart" technologies. Traditional anthropocentric concepts of law seem to be in question. Moreover, the ways in which law is made and applied are changing. In the face of new and adaptive technologies, must law and its enforcement themselves become more adaptive, and how can this be done? In their contributions to the 6th GRUR Young Science conference, young scientists will address these questions from the perspective of intellectual property, med
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25

Tahko, Tuomas E. The Epistemology of Essence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796299.003.0007.

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The epistemology of essence is a topic that has received relatively little attention, although there are signs that this is changing. The lack of literature engaging directly with the topic is probably partly due to the mystery surrounding the notion of essence itself, and partly due to the sheer difficulty of developing a plausible epistemology. The need for such an account is clear especially for those, like E. J. Lowe, who are committed to a broadly Aristotelian conception of essence, whereby essence plays an important theoretical role. In this chapter, our epistemic access to essence is ex
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26

Penrose, Angela. An academic Indian summer. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198753940.003.0015.

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After her husband’s death in 1984 and retirement from INSEAD Edith enjoyed the resurgence of interest in her work and its increasing influence on aspects of economic, business, and management theory and on a younger generation of economists, many of whom visited her at her home near Cambridge. The chapter examines the influence of her seminal ideas on some key protagonists of the ‘resource-based view of the firm’, e.g. David Teece, Birger Wernerfelt, J. C. Spender, and Jay Barney. Due to her understanding of the international firm, in particular the oil industry, she undertook consultancies pe
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27

Stoljar, Daniel. Two Arguments from Disagreement. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802099.003.0007.

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This chapter criticizes two disagreement arguments for pessimism. The first, due to David Chalmers, asserts on empirical grounds that there is no large collective convergence to, or agreement on, the truth on the big questions of philosophy. The second, inspired by Peter van Inwagen, asserts that disagreement in philosophy is of a certain special epistemological kind, viz., it rationally requires suspension of judgement, at least in many cases; hence progress is impossible. The existence of ‘epistemic peers’ as a condition of suspension of judgement is discussed. It is suggested that neither a
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28

Wasserman, Ryan. Paradoxes of Freedom II. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198793335.003.0004.

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Chapter 4 examines David Lewis’s contextualist solution to the grandfather paradox. Section 1 introduces the basic elements of Lewis’s view and explains how they are supposed to help solve the various paradoxes of freedom. Section 2 examines a famous objection to Lewis’s view that is put forward by Kadri Vihvelin. Section 3 addresses a very different kind of worry, due to Paul Horwich. (According to Horwich, grandfather-style paradoxes do not show that time travel is impossible, but they do give us reason to think it is unlikely.) Section 4 then concludes by surveying various “mechanical” para
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29

Smyth, J. E. The Cellophane Wall. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0009.

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Between 1924 and 1954, Hollywood was, more than any other American business enterprise, enriched by women: women’s pictures, women audiences and fans, and women filmmakers. McLean, Head, McCall, Davis, Harrison, Hopper, and many other Hollywood women offered collaborative models of the studio system. These are difficult concepts for film historians to face. Recognizing that the Hollywood studio system enabled women’s careers between 1924 and 1954 forces a reconsideration of two ideologies that have held sway over American film and cultural history: the “great man” theory of film authorship, an
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30

Stoljar, Daniel. The Extension Defended. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802099.003.0006.

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This chapter defends the argument in favour of optimism set out in Chapter 5 (OA2) by focusing on whether it operates with too low a standard for explanation. Three proposals for higher standards are considered in turn: 1) an explanation should provide what will be called ‘total information’; 2) an explanation should provide what will be called ‘reductive information’; 3) an explanation should provide what will be called ‘highly naturalistic information’. The latter concept arises from ideas about natural properties due to David Lewis. A discussion of Lewis on natural properties and their defi
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31

Kozlova, Ekaterina E. The Woman of Tekoa. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198796879.003.0004.

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This chapter focuses on the woman of Tekoa (2 Sam. 14) and argues that her speech points out a pattern of David’s previous misconducts (profiled in ANE literature as the royal deviance principle) that endangered his family and YHWH’s people. Using the ominous phraseology in v. 14 (we are like water spilled on the ground), and reinforcing its tie to ancient maledictions, the woman parades before David a horrid demise of a nation due to its monarch’s failure to rectify inner-dynastic feuds. By placing her curse-related imagery into a lament-based petition, the woman protests its fulfilment in th
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32

1948-, Lerner Loren R., and Leonard and Bina Ellen Art Gallery., eds. Memories and testimonies =: Memoires et témoignages : Liliana Berezowsky, Marcel Braitstein, Eva Brandl, Caroline Dukes, Georges Dyens, Werner David Feist, Angela Grossmann, Sadko Hadzihasanović, Natalka Husar, Gershon Iskowitz, Graham Metson. Leonard & Bina Ellen Art Gallery, 2002.

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33

Gioia, Ted. The History of Jazz. 3rd ed. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190087210.001.0001.

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The History of Jazz, 3rd edition, is a comprehensive survey of jazz music from its origins until the current day. The book is designed for general readers and students, as well as those with more specialized interest in jazz and music history. It provides detailed biographical information and an overview of the musical contributions of the key innovators in development of jazz, including Louis Armstrong, Duke Ellington, Billie Holiday, Coleman Hawkins, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Ella Fitzgerald, Miles Davis, John Coltrane, Ornette Coleman, and others. The book also trace
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34

Chapman, Con. Rabbit's Blues. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653903.001.0001.

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The book explores the career of Johnny Hodges, at one time one of the most famous saxophone players in the world. He was closely identified with Duke Ellington’s orchestra, playing with that seminal jazz group for nearly four decades, with only a four-year break in the early 1950s, when he led a band of his own. Just a few years after his death, however, he would be largely forgotten and his style considered passé. The book details why Hodges deserves reconsideration: he helped codify the vocabulary and syntax of his instrument in a jazz context, drawing inspiration from Sidney Bechet and Loui
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35

Stoddard, Frederick J., David M. Benedek, Mohammed R. Milad, and Robert J. Ursano, eds. Trauma- and Stressor-Related Disorders. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190457136.001.0001.

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The Primer on Trauma- and Stressor-Related Disorders provides new practitioners and trainees, as well as experienced clinicians and researchers, with the needed translational and evidence-based information for prevention, diagnosis, and treatment of PTSD and closely related disorders. The translational and evidence-based approach presented in the Primer is the state-of-the-art for clinicians and basic scientists, linking empirically supported practices with their theoretical, neurobiological, and epidemiological bases. The international experts in the field bring outstanding depth and breadth
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36

Smith, Steven C. Music by Max Steiner. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.001.0001.

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During a seven-decade career that spanned from 19th-century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to establish and codify the language of film music. Composers today like John Williams use the same techniques perfected by the classically trained Steiner, in his scores for such motion pictures as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and more than two hundred other titles. Steiner’s private life was as tumultuous as the films he scored. B
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37

Orr, David W. Down to the Wire. Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780195393538.001.0001.

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The real fault line in American politics is not between liberals and conservatives.... It is, rather, in how we orient ourselves to the generations to come who will bear the consequences, for better and for worse, of our actions. So writes David Orr in Down to the Wire, a sober and eloquent assessment of climate destabilization and an urgent call to action. Orr describes how political negligence, an economy based on the insatiable consumption of trivial goods, and a disdain for the well-being of future generations have brought us to the tipping point that biologist Edward O. Wilson calls "the
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38

Official Sega Genesis and Game Gear Strategies, '94 Edition. Random House, Electronic Publishing, 1993.

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