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Relevant bibliographies by topics / David Dunn

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Academic literature on the topic 'David Dunn'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "David Dunn"

1

dumbrell, john. "american isolationism: a response to david hastings dunn." Review of International Studies 31, no. 4 (October 2005): 699–700. http://dx.doi.org/10.1017/s0260210505006704.

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in an excellent and thoughtful piece in the april 2005 issue of review of international studies, david dunn draws our attention to seven myths about american isolationism. his points are well made and generally unexceptionable. however, since david dunn takes an article i wrote in 1999 as the starting point for several of his criticisms, i thought i would take the opportunity to offer a response. i have three main points to make.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 65, no. 3-4 (January 1, 1991): 193–202. http://dx.doi.org/10.1163/13822373-90002013.

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-Robert B. Potter, Graham Dunn, The Barbadian male: sexual attitudes and practice. London and Basingstoke: Macmillan Publishers, 1987. x + 228 pp.-Robert B. Potter, Graham Dunn, The quality of life in Barbados. London and Basingstoke: Macmillan Publishers, 1984. xiv + 290 pp.-Sidney W. Mintz, David Watts, The West Indies: patterns of development, culture and environmental change since 1942. Cambridge: Cambridge University Press, 1987. xxii + 609 pp.

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Dunn, David, and Michael R. Lampert. "Environment, Consciousness, and Magic: An Interview with David Dunn." Perspectives of New Music 27, no. 1 (1989): 94. http://dx.doi.org/10.2307/833258.

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SHEPARD, KRIS. "CONSERVATISM AND ITS COUSINS IN TWENTIETH-CENTURY AMERICA." Historical Journal 41, no. 3 (September 1998): 901–8. http://dx.doi.org/10.1017/s0018246x9800805x.

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The conservative tradition in America. By Charles W. Dunn and J. David Woodard. Lanham, MD: Rowan & Littlefield Publishers, Inc., 1996. Pp. ix+199. ISBN 0-8476-8167-X. $14.95.Hoods and shirts: the extreme right in Pennsylvania, 1925–1950. By Philip Jenkins. Chapel Hill, NC: University of North Carolina Press, 1997. Pp. 343. ISBN 0-8078-2316-3. $29.95.From demagogue to Dixiecrat: Horace Wilkinson and the politics of race. By Glenn Feldman. Lanham, MD: University Press of America, Inc., 1995. Pp. xviii+311. ISBN 0-8191-9783-1. $32.50.From George Wallace to Newt Gingrich: race in the conservative counterrevolution, 1963–1994. By Dan T. Carter. Baton Rouge, LA: Louisiana State University Press, 1997. Pp. xv+134. ISBN 0-8071-2118-5. £21.95.According to political scientists Charles W. Dunn and David Woodward in The conservative tradition in America, the dramatic Republican gains in the 1994 elections exemplified the eclilse of New Deal liberalism by a resurgent conservatism, a politcal shift that began in the late 1960s and which Ronald Reagan's victory in the 1980 fortified. In their short survey the authors investigate the intellectual roots of modern conservatism and attempt to define and explain the recent manifestation of this heritage. The three other recent works reviewed here provide a larger historical context, which Dunn and Woodward ignore, for understanding conservatism and right extremism in America.

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Andersen, Peder. "Fisheries Economics: An Introduction. Stephen Cunningham , Michael R. Dunn , David Whitmarsh." Marine Resource Economics 4, no. 1 (January 1987): 75–78. http://dx.doi.org/10.1086/mre.4.1.42628978.

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van Parijs, Philippe. "Reciprocity and the Justification of an Unconditional Basic Income. Reply to Stuart White." Political Studies 45, no. 2 (June 1997): 327–30. http://dx.doi.org/10.1111/1467-9248.00084.

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1 Earlier versions of this reply were incorporated in talks I gave at Nuffield College, Oxford (3 November 1995) and at the Political Thought Seminar, University of Cambridge (21 January 1996). Many thanks to Tony Atkinson, Jerry Cohen, John Dunn, Cécile Fabre, Sue James, David Miller, Adam Swift, Stuart White, Andrew Williams and others (whose names I have forgotten or never knew) for stimulating discussions on these two occasions.

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Bittiner, B., J. Boyd, R. Boyd, S. Boyd, a. R. Boyd, M. Lindop, S. J. Shribman, and J. Lister. "John Bruce Bittiner Amelie Boyd David Christy Dunn Judith Anne Hardy Leonard Shenfield." BMJ 317, no. 7165 (October 17, 1998): 1085. http://dx.doi.org/10.1136/bmj.317.7165.1085.

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Maxwell, Jaclyn. "A Mirror for the Church: Preaching in the First Five Centuries – David Dunn-Wilson." Religious Studies Review 32, no. 2 (April 2006): 127. http://dx.doi.org/10.1111/j.1748-0922.2006.00065_10.x.

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Dunn, David, and René van Peer. "Music, Language and Environment." Leonardo Music Journal 9 (December 1999): 63–67. http://dx.doi.org/10.1162/096112199750316820.

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Interviewed by music journalist René van Peer, the composer and sound recordist David Dunn discusses the sound work he has done in natural environments, his motivations for doing this work, and the thoughts and theories he has developed from it. Most of these works are unique events created for a specific time and location or for specific circumstances. In these events, the sounds generated by the players set up interactions with their immediate surroundings. Soundscape recordings are another aspect of Dunn's work. His work in different natural and cultural environments has enabled him to research areas where music and language intersect.

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Chatfield, Charles. "The First Fifty Years of Peace Research: A Survey and Interpretation - by David J. Dunn." Peace & Change 32, no. 3 (July 2007): 435–38. http://dx.doi.org/10.1111/j.1468-0130.2007.00448.x.

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Dissertations / Theses on the topic "David Dunn"

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Dung, David [Verfasser]. "Variable Potentiale für thermisches Licht und gekoppelte Photonenkondensate / David Dung." Bonn : Universitäts- und Landesbibliothek Bonn, 2018. http://d-nb.info/1153467232/34.

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Borinsky, Michael [Verfasser], Kreimer [Gutachter] Dirk, Broadhurst [Gutachter] David, and Dunne [Gutachter] Gerald. "Graphs in perturbation theory / Michael Borinsky ; Gutachter: Kreimer Dirk, Broadhurst David, Dunne Gerald." Berlin : Humboldt-Universität zu Berlin, 2018. http://d-nb.info/1185667849/34.

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Jaramillo, Maria Jose [Verfasser], Andreas [Gutachter] Speer, Hannes [Gutachter] Möhle, and David [Gutachter] Wirmer. "Species intelligibilis: Die Intentionalität der menschlichen Erkenntnis nach Johannes Duns Scotus / Maria Jose Jaramillo ; Gutachter: Andreas Speer, Hannes Möhle, David Wirmer." Köln : Universitäts- und Stadtbibliothek Köln, 2018. http://d-nb.info/1219652377/34.

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Pontén, Joon. "The final final final cut : Fan edits och hur de samverkar med filmindustrin." Thesis, Stockholms universitet, Institutionen för mediestudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200.

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Begreppet ”fan edits” betecknar filmer som klipps om av fans, vilka är missnöjda med hur en adaption för vita duken som gjorts. I min uppsats vill jag påvisa dels hur samspelet mellan fans och filmmakare/filmbolag sett och ser ut, dels försöka klargöra varför copyright/fair use är så knepigt att applicera på området.

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Books on the topic "David Dunn"

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Duhig, Lee. Warrior Nun: Lazarus / story, Lee Duhig; art, Lee Duhig, Ben Dunn & David Hutchison. San Antonio, Texas: Antarctic Press, 2006.

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2

United States. Congress. Senate. Committee on Agriculture, Nutrition, and Forestry. Nomination of Michael Vincent Dunn and John David Carlin: Hearing before the Committee on Agriculture, Nutrition, and Forestry, United States Senate, One Hundred Fourth Congress, first session, on the nomination of Michael Vincent Dunn to be Assistant Secretary of Marketing and Regulatory Programs ... and John David Carlin, to be Assistant Secretary for Congressional Affairs, U.S. Department of Agriculture, October 19, 1995. Washington: U.S. G.P.O., 1996.

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Robertson, Walter L. Four trails to Texas: Our direct descendants from Lawson Robertson (1774-1848), David Russell I (1745-1797), Wilhelm Heinrich Pellman (1827-1901), Cornelius Comegys I (1630-1708) : with glances at some of the in-law families; Carson, Dixon, Dunn, Gore, and Stevens. [Malakoff, Tex] (105 Agate Trail, Malakoff 75148): W.L. Robertson, 1996.

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Borchert, Jeani. Southwest pipeline phase II cultural resources inventory of selected segments, Stark and Dunn counties, North Dakota: New Hradec, Taylor, and Davis Buttes service areas (construction segment 7-1B) : final revised report. Belfield, ND: University of North Dakota, Dept. of Anthropology, UNDAR-West Research Station, 1995.

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5

Day, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records; Second Edition, Arcade Volume. Edited by Walter Day and Mr Kelly R. Flewin. Fairfield, IA: 1st World Publishing, 2007.

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6

Sanford, Pinsker, ed. Conversations with contemporary American writers: Saul Bellow, I.B. Singer, Joyce Carol Oates, David Madden, Barry Beckham, Josephine Miles, Gerald Stern, Stephen Dunn, Etheridge Knight, Marilynne Robinson, William Stafford. Amsterdam: Rodopi, 1985.

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US GOVERNMENT. Nomination of Michael Vincent Dunn and John David Carlin: Hearing before the Committee on Agriculture, Nutrition, and Forestry, United States Senate, One ... of Agriculture, October 19, 1995 (S. hrg). For sale by the U.S. G.P.O., Supt. of Docs., Congressional Sales Office, 1996.

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8

McCrea, Christian. Dune. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.001.0001.

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David Lynch's Dune (1984) is the film that science fiction — and the director's most ardent fans — can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending “spice.” After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch's film was “steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it,” as Village Voice critic J. Hoberman put it — only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him.

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Pinsker, Sanford. Conversations With Contemporary American Writers: Saul Bellow, I.b. Singer, Joyce Carol Oates, David Madden, Barry Beckham, Josephine Miles, Gerald Stern, Stephen Dunn, Etheridge Knight, Marilynne Robinson And William Stafford.(Costerus NS 50). Editions Rodopi, 1985.

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10

Maniates, Belle Kanaris. David Dunne: A Romance of the Middle West. CreateSpace Independent Publishing Platform, 2016.

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Book chapters on the topic "David Dunn"

1

Dunn, Cheryl L., Gregory J. Gerard, and Severin V. Grabski. "Semantically Modeled Databases in Integrated Enterprise Information Systems." In Handbook of Research on Innovations in Database Technologies and Applications, 221–39. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-242-8.ch026.

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Semantically modeled databases require their component objects to correspond closely to real world phenomena and preclude the use of artifacts as system primitives (Dunn and McCarthy, 1997). Enterprise information systems (also known as enterprise resource planning systems) based on semantically modeled databases allow for full integration of all system components and facilitate the flexible use of information by decision-makers. Researchers have advocated semantically designed information systems because they provide benefits to individual decision-makers (Dunn and Grabski, 1998, 2000), they facilitate organizational productivity and inter-organizational communication (Cherrington et al., 1996; David, 1995; Geerts and McCarthy, 2002), and they allow the database to evolve as the enterprise does through time (Abrial, 1974).

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Dunn, Cheryl L., Gregory J. Gerard, and Severin V. Grabski. "Semantically Modeled Databases in Integrated Enterprise Information Systems." In Enterprise Information Systems, 189–206. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-61692-852-0.ch114.

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Semantically modeled databases require their component objects to correspond closely to real world phenomena and preclude the use of artifacts as system primitives (Dunn and McCarthy, 1997). Enterprise information systems (also known as enterprise resource planning systems) based on semantically modeled databases allow for full integration of all system components and facilitate the flexible use of information by decision-makers. Researchers have advocated semantically designed information systems because they provide benefits to individual decision-makers (Dunn and Grabski, 1998, 2000), they facilitate organizational productivity and inter-organizational communication (Cherrington et al., 1996; David, 1995; Geerts and McCarthy, 2002), and they allow the database to evolve as the enterprise does through time (Abrial, 1974).

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3

Cheng, William. "Jordan Russell Davis." In Loving Music Till It Hurts, 173–226. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190620134.003.0008.

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Chapter 6 closes the book with an extended investigation into how musical judgments can kill—how someone can be killed while listening to music he loves, and for refusing to turn it down when asked. In 2012, a forty-seven-year-old white man named Michael Dunn heard loud rap music coming from a nearby red car containing four black youths. He approached. Words were exchanged. A couple of minutes later, Dunn fired ten bullets at the car and killed one of its passengers, seventeen-year-old high school student Jordan Davis. Dunn claimed Davis had threatened him with a shotgun. No such gun was ever found. During the murder trial, Dunn’s lawyer, Cory Strolla, leveraged racist stereotypes of rap to paint dehumanizing (uncivilized, savage, criminal) and superhumanizing (formidable, fearsome, brawny) portraits of these youths. By contrast, Strolla depicted Dunn as someone who himself loved music, including “any type of hip-hop,” the stuff “that the kids listen to.” The chapter taps into various materials that were either purposely excluded from or inadvertently overlooked by media coverage: Michael Dunn’s jailhouse letters and phone calls, transcriptions of courtroom sidebars, pretrial documents, evidence technicians’ reports, and 911 records.

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McCrea, Christian. "Mind in Motion: Watching Dune." In Dune, 63–100. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0004.

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This chapter explores David Lynch's Dune as one of science fiction's strangest outliers. It examines Dune's impressive cast, the lurid set designs, and the spiralling dialogue exchanges. It also charts the film's internal logic through key shots and scenes with reference to Frank Herbert's notes, Lynch's scripts, and the much discussed and controversial 'Alan Smithee' television edit of the film. The chapter describes Dune's final form that is acute with montages, voice-overs, interludes, inter-cuts, and fades in. It provides a close analysis of the film's unusual structure, summarizing how the material is loosely arranged and paying strict attention where the film demands it.

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McCrea, Christian. "The Sleeper Has Awakened: After Dune." In Dune, 101–14. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0005.

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This chapter explores the cultural impact of David Lynch's Dune. It considers the actual box office numbers to assess the damage of the so-called bomb. It also revisits some of the strange collection of the merchandise and examine the series of videogames which significantly contributed to the film's enduring cultural legacy, but which all too often fall under the radar of screen media scholars. The chapter reviews Dune with the benefit of hindsight and considers its legacy and meaning for contemporary audiences. It mentions Dr. Dean Brandum, a film historian and film exhibition scholar, who analyzed the conditions by which Dune failed with audiences that seemed obscure and abstract.

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McCrea, Christian. "A Dream Unfolds: Before Dune." In Dune, 13–32. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0002.

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This chapter maps the science fiction milieu, which includes David Lynch's Dune. It explains how science-fiction cinema had been bursting into new life throughout the late 1970s and early 1980s. It also mentions the influence of Frank Herbert's original novel of Dune on stories of interstellar science fiction, such as the first Star Wars trilogy. The chapter discusses Herbert's approach to fiction and personal biography that provide some of the seeds of what the film version of Dune would become. Since Dune occurs in the shadow of Star Wars, it also provides context for the production and consumption of science-fiction film in the years between the releases of the two movies.

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McCrea, Christian. "Introduction." In Dune, 7–12. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0001.

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This chapter focuses on David Lynch's 1984 film version of Dune. It analyses Dune's narrative structure, characterisations, its approach to science fiction, and audiovisual language that are all highly idiosyncratic. It also illustrates Dune as an audacious science-fiction film that refuses to be futuristic, as a political narrative that is undone by the power of prophecy and dream, and as an adventure story structured like a poem. The chapter talks about the feeling of watching Dune, which is described as being unmoored from cinema itself and free-floating in the form's infinite, unexplored possibilities. It explores the core elements of Frank Herbert's novel version of Dune, which is heavily reliant on its own internal logic.

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McCrea, Christian. "The Weirding Way: The Makers of Dune." In Dune, 33–62. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0003.

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This chapter talks about the production of David Lynch's Dune through the lens of the film's reputation, histories, and key players. It discusses the collaboration with El Topo director Alejandro Jodorowsky and famed French comic artist Jean 'Moebius' Giraud for the filming of Dune. It also recounts how the project for Dune sparked to life with the arrival of Lynch, who was fresh off the success of the Academy Award-nominated film The Elephant Man. The chapter mentions Lynch's reputation before and since Dune, which became part of its story, especially how the film sits both inside and outside a canonical view of his work. It outlines the events of the energetic phase that brought the Dune project to fruition.

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McCrea, Christian. "The Golden Path." In Dune, 115–17. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0006.

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This chapter examines the unexpected longevity of David Lynch's Dune, a film that was for many deemed dead on arrival. It assesses Dune's lasting legacy from absurd tie-in merchandise to incredible comic translations to the videogames that changed game history in significant ways. It also emphasizes how Lynch's Dune demands the attention like no other film as it unfolds ceremonially into a dream already in motion. The chapter discusses how Dune remains a focused, singular vision that startles and delights in its difference in the history of science-fiction cinema. It reviews every dashed hope and upraised hand of anguish that believed Dune's literary universe could be adapted if given the right conditions. It talks about how Dune represents so much to so many in search of parables of failure, promise, corrupt systems and ineffable creative possibility.

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"Meanings and Authorships in Dune." In Authorship and the Films of David Lynch. I.B.Tauris & Co. Ltd, 2012. http://dx.doi.org/10.5040/9780755698332.ch-003.

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