Relevant bibliographies by topics / David Grossman

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'David Grossman'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "David Grossman"

1

Krausz, Luis Sérgio. "Guerra e Paz, por David Grossman." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 6 (2010): 85–90. http://dx.doi.org/10.17851/1982-3053.4.6.85-90.

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 Na Bíblia Hebraica, a guerra é um assunto diretamente vinculado à esfera do sagrado. A proteção de Deus ao povo de Israel em suas batalhas é, assim, um dos fundamentos da teologia bíblica. No romance, A mulher foge, de David Grossman, como em Homero, a realidade da guerra contrapõe-­se à realidade das pessoas comuns e, assim, separa, em um vasto abismo, as experiências deste e daquele lado. Ao contrário do que acontece na Bíblia, e também na Ilíada, não há, nas guerras do romance, qualquer tipo de crença divina, seja ela de molde pagão, seja ela de caráter retributivo, conforme a teolog
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Borges, Julio Daio. "Alguém para correr comigo, de David Grossman." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 6 (2010): 142–43. http://dx.doi.org/10.17851/1982-3053.4.6.142-143.

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Santos, Matheus Philippe Faria. "Enciclopédia e Shoah: fragmento e verbete em Ver: Amor, de David Grossman." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 9, no. 16 (2015): 150–61. http://dx.doi.org/10.17851/1982-3053.9.16.150-161.

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O romance Ver: Amor, 2007, de David Grossman evidencia uma forma contemporânea de ficção sobre a Shoah, marcada pela fragmentação narrativa e escrita lacunar, que no romance de Grossman evidenciam, paradoxalmente, uma escrita enciclopédica, a partir da configuração do texto como verbete.
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Paraizo, Mariângela de Andrade. "Duelo, uma história de enigmas e ladrões." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 6 (2010): 150–51. http://dx.doi.org/10.17851/1982-3053.4.6.150-151.

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Silva, Vívien Gonzaga e. "As mil e uma vozes de Ver: amor, de David Grossman." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 6 (2010): 153–57. http://dx.doi.org/10.17851/1982-3053.4.6.153-157.

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Nascimento, Lyslei. "A cidade dos enlutados." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 6, no. 11 (2012): 135–36. http://dx.doi.org/10.17851/1982-3053.6.11.135-136.

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Krausz, Luis Sérgio. "Desvario: a depravação nossa de cada dia." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 6 (2010): 144–45. http://dx.doi.org/10.17851/1982-3053.4.6.144-145.

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Scliar, Moacyr. "Para viver numa região conflagrada." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 6 (2010): 152. http://dx.doi.org/10.17851/1982-3053.4.6.152-152.

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Yudkin, Leon I. "The Holocaust in the Fiction of David Grossman." World Literature Today 76, no. 3/4 (2002): 62. http://dx.doi.org/10.2307/40157593.

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Kirschbaum, Saul. "Na trilha ou o inferno de David Grossman." Cadernos de Língua e Literatura Hebraica, no. 10 (July 1, 2021): 51–64. http://dx.doi.org/10.11606/issn.2317-8051.cllh.2012.53646.

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Através do relacionamento de Orah com os israelenses Avram, Ilan, Adam e Ofer – amigo íntimo, marido e filhos –, e também com o palestino Sammy, motorista de táxi e amigo, David Grossman analisa, em A mulher foge, as diversas faces do intrincado relacionamento entre israelenses e palestinos. À primeira vista, a trama concerne à preocupação de Orah com a segurança de seu filho Ofer, engajado em uma ação de represália a terroristas palestinos, da qual poderá ser vítima. Porém, no desenvolvimento do romance, deliberadamente lento, à medida que a narrativa mergulha na mente de Orah, com ampla util
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Dissertations / Theses on the topic "David Grossman"

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Levine, Tamara Lynn. "Genre and identity in the work of David Grossman." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444934/.

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David Grossman is a central figure in Israeli literature. Widely translated, his work has achieved international acclaim for its bold and innovative engagement in the events and mood of the day. In this study, the first monograph on his work in English, I focus on his process of constructing identity through storytelling. Key themes of identity---adolescence and parent-child relationships, sexuality and the body-soul dichotomy---are interwoven into diverse literary genres. My method is to examine the paradigms and significance of Grossman's literary genres, placing them in the context of Israe
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2

Dallapiazza, Michael. "David Grossman: Eine Frau flieht vor einer Nachricht / [rezensiert von] Michael Dallapiazza." Universität Potsdam, 2010. http://opus.kobv.de/ubp/volltexte/2010/4374/.

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Lecoutre, Catherine. "Palestine et écriture." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100079/document.

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Cinq auteurs nous permettent d’avoir une vision plurilatérale du conflit israélo-palestinien, aussi notre travail porte-t-il sur l’étude comparative de textes de Mahmoud Darwich, d’Edward Saïd, David Grossman, Jean Genet, et Philip Roth. Pour chacun, nous avons choisi un texte qui traduit leur rapport avec ce conflit, et au-delà leur lien avec un territoire et un peuple. C’est de ce lien dont il est question : soit l’écriture reflète, chez certains auteurs, les liens familiaux, ancestraux, originaires qui lient l’écrivain à sa communauté. Soit l’écriture étend ses marges vers d’autres nouages
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White, Breanne. "Gender and Resistance in the Israeli-Palestinian Conflict: The Woman's Voice in theLiterary Works of Sahar Khalifeh and David Grossman." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373636550.

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Kuhn, Roze-Fleur. "Les métamorphoses romanesques de la mémoire juive : entre imitation et subversion : Dans les forêts de Pologne de Joseph Opatoshu, Satan à Goray d’Isaac Bashevis Singer, Le Dernier des Justes d’André Schwarz-Bart, Voir ci-dessous : Amour de David Grossman." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030035.

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À partir de la comparaison de quatre romans écrits à différentes périodes du XXesiècle, dans des langues et des lieux différents, mais tous marqués par un commun héritagejuif polonais – Dans les forêts de Pologne de Joseph Opatoshu, Satan à Goray d’IsaacBashevis Singer, Le Dernier des Justes d’André Schwarz-Bart et Voir ci-dessous : Amour deDavid Grossman – l’objet de cette étude est d’observer les transformations et lesdéplacements de la mémoire juive dès lors que celle-ci passe de l’univers sacré de la traditionà la littérature. L’attention portée aux questions d’imitation et de subversion p
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Books on the topic "David Grossman"

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Reipsch, Ralph-Jurgen. Grundliche Beschreibung der wunderschonen Kirche und des kunstbaren Orgelwerks, wie auch des grossen Fasses auf dem Kurfurstlichen Residenzhause Groningen: Anlasslich der Einweihung der David-Beck-Orgel vor 400 Jahren. Ziethen, 1996.

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2

Gerd-Helge, Vogel, Ernst-Moritz-Arndt-Universität Greifswald. Caspar-David-Friedrich-Institut für Kunstgeschichte, Greifswalder Romantik-Konferenz (12th : 2007 : Greifswald, Germany), and Zürcher Symposium zur Wissenschaftlichen Illustration (1st : 2007 : Zürich, Switzerland), eds. Die Welt im Grossen und im Kleinen: Kunst und Wissenschaft im Umkreis von Alexander von Humboldt und August Ludwig Most : Festschrift zum 100. Geburtstag des Caspar-David-Friedrich-Instituts der Ernst-Moritz-Arndt-Universität Greifswald : Protokollband der XI. und XII. Greifswalder Romantikkonferenz und des 1. Zürcher Symposiums zur wissenschaftlichen Illustration. Lukas, 2009.

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3

See Under: Shoah - Imagining the Holocaust with David Grossman. BRILL, 2014.

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4

James, David. Discrepant Solace. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198789758.001.0001.

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Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic for late twentieth- and twenty-first-century fiction and memoir. Making close readings of emotion crucial to understanding literature’s work in the precarious present, David James examines writers who are rarely consid
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1891-1967, Ėrenburg Ilʹi︠a︡, Grossman Vasiliĭ Semenovich, and Patterson David, eds. The Complete black book of Russian Jewry: Ilya Ehrenburg, Vasily Grossman ; translated and edited by David Patterson ; with a foreword by Irving Louis Horowitz and an introduction by Helen Segall. Transaction Publishers, 2002.

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6

Tegtmeier, Erwin, and Javier Cumpa. Phenomenological Realism Versus Scientific Realism: Reinhardt Grossmann - David M. Armstrong Metaphysical Correspondence. De Gruyter, Inc., 2009.

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7

Tegtmeier, Erwin, and Javier Cumpa. Phenomenological Realism Versus Scientific Realism: Reinhardt Grossmann - David M. Armstrong Metaphysical Correspondence. De Gruyter, Inc., 2009.

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8

Tegtmeier, Erwin, and Javier Cumpa. Phenomenological Realism Versus Scientific Realism: Reinhardt Grossmann - David M. Armstrong Metaphysical Correspondence. De Gruyter, Inc., 2009.

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9

Grossman, Stefan. Rev. Gary Davis (Stefan Grossmans Early Masters of American Blues Guitar). Alfred Publishing, 2007.

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10

Meretoja, Hanna. Transforming the Narrative In-Between. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190649364.003.0007.

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Chapter 7 explores the ethical potential of dialogic storytelling, in dialogue with David Grossman’s To the End of the Land (2008) and Falling Out of Time (2011). It analyzes how storytelling animated by an ethos of dialogue—involving receptivity, responsivity, and openness—functions as a mode of non-subsumptive understanding, whereas subsumptive narratives, examined here against the backdrop of the Israel-Palestine conflict, tend to reinforce harmful cultural stereotyping. In relation to theories of the dialogical self and Bracha Ettinger’s and Judith Butler’s work on trans-subjectivity and v
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Book chapters on the topic "David Grossman"

1

Feinberg, Anat. "Grossman, David." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7547-1.

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Feinberg, Anat. "Grossman, David: Ajen Erech Ahawa." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7548-1.

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Feinberg, Anat. "Grossman, David: Ischa borachat mi-Bessora." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7550-1.

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Feinberg, Anat. "Grossman, David: Sefer ha-Dikdduk ha-penimi." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7549-1.

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Feinberg, Anat. "Grossman, David: Suss echad nichnas le-Bar." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7551-1.

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Birkenhauer, Anne. "Sprache und Existenz bei David Grossman und Chaim Be’er Beobachtungen der Übersetzerin." In Das Studium des Judentums und die jüdisch-christliche Begegnung. V&R Unipress, 2013. http://dx.doi.org/10.14220/9783737001670.119.

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Almog, Yael. "Das Nachleben einer Opferung. Zu David Grossmans." In Sprachen des Unsagbaren. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17347-0_9.

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Adams, Jenni. "Magic Realism and Dialogic Postmemory: David Grossman’s See Under: Love." In Magic Realism in Holocaust Literature. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_3.

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Newman, Ruby. "Postmodern Jewish Superstition in David Grossman’s To the End of the Land." In With Both Feet on the Clouds, edited by Danielle Gurevitch, Elana Gomel, and Rani Graff. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618110688-008.

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"Words Against Death: Roberto Calasso, David Grossman, and Elias Khoury." In The Thousand and One Nights and Twentieth-Century Fiction. BRILL, 2018. http://dx.doi.org/10.1163/9789004362697_015.

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