Relevant bibliographies by topics / David joselit

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'David joselit'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "David joselit"

1

BUCKNER, CLARK. "Feedback: Television against Democracyby joselit, david." Journal of Aesthetics and Art Criticism 66, no. 1 (2008): 97–99. http://dx.doi.org/10.1111/j.1540-594x.2008.00290_4.x.

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Grønstad, Asbjørn, and Øyvind Vågnes. "Objekt og nettverk: Et møte med David Joselit." Ekfrase 3, no. 01 (2012): 53–60. http://dx.doi.org/10.18261/issn1891-5760-2012-01-05.

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Joselit, David. "Heritage and Debt." October 171 (March 2020): 139–41. http://dx.doi.org/10.1162/octo_a_00381.

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In a brief excerpt from his book Heritage and Debt: Art in Globalization (MIT, Spring 2020), David Joselit discusses how global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism.
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Joselit, David, Michelle Kuo, and Amy Sillman. "Shape: A Conversation." October 172 (May 2020): 135–46. http://dx.doi.org/10.1162/octo_a_00398.

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A wide-ranging conversation between artist Amy Sillman, Museum of Modern Art curator Michelle Kuo, and October editor David Joselit on Sillman's influential Artist's Choice exhibition, The Shape of Shape, presented in the reopening of MoMA's galleries in 2019. Topics range from the re-introduction of intuition into histories of contemporary painting to strategies for expanding the modernist canon.
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Joselit, David. "Fake News, Art, and Cognitive Justice." October 159 (January 2017): 14–18. http://dx.doi.org/10.1162/octo_a_00279.

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David Joselit argues that although the politicization of information and fake news is nothing new—facts, after all, have always been ratified by power, and standards of evidence are historically specific—the mode of its authentication is now in crisis. He describes this condition as a state of cognitive conflict in which different species of knowledge battle one another for pre-eminence, rather than reach for an agonistic but productive political translation or negotiation. Adopting the concept of cognitive justice as theorized by Boaventura de Sousa Santos, Joselit proposes that under Trumpism art can be a resource for working out a politicized and materialized, even formal, theory of information. By tracking the plasticity of information—the shapes it assumes through circulation, shifts in scale and saturation, and its velocities and frictions—which is deeply enmeshed in relations of power, post-Conceptual art can have real purchase on cognitive justice.
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Joselit, David. "Seeing Oneself Seeing: A Conversation with Lucy Raven." October 162 (December 2017): 19–30. http://dx.doi.org/10.1162/octo_a_00307.

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Artist Lucy Raven speaks with David Joselit about her multidisciplinary practice and contemporary notions of image-making and viewing. Reflecting on the production and circulation of both analog and digital images—how they function, where they come from, and how they get distributed—Raven's animated films aim to denaturalize the process of viewing and draw attention to the ways in which films are inextricably bound up in complex systems of global commerce and finance.
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Allais, Lucia, Noel W. Anderson, Andrew Weiner, et al. "A Questionnaire on Monuments." October 165 (August 2018): 3–177. http://dx.doi.org/10.1162/octo_a_00327.

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“A Questionnaire on Monuments” features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: “From Charlottesville to Cape Town, there have been struggles over monuments and other markers involving histories of racial conflict. How do these charged situations shed light on the ethics of images in civil society today? Speaking generally or with specific examples in mind, please consider any of the following questions: What histories do these public symbols represent, what histories do they obscure, and what models of memory do they imply? How do they do this work, and how might they do it differently? What social and political forces are in play in their erection or dismantling? Should artists, writers, and art historians seek a new intersection of theory and praxis in the social struggles around such monuments and markers? How might these debates relate to the question of who is authorized to work with particular images and archives?”
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8

STONARD, JOHN-PAUL. "Joselit, David. After Art. Princeton University Press, 2013, 136 pp., 1 b&w + 39 color illus., $19.95 paper." Journal of Aesthetics and Art Criticism 73, no. 4 (2015): 477–79. http://dx.doi.org/10.1111/jaac.12225.

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9

Lyons, Kieran. "After Art by David Joselit. Princeton University Press, Princeton, NJ, U.S.A., 2013. 136 pp., illus. Trade. ISBN: 978-0-691-1504-4." Leonardo 47, no. 3 (2014): 298–99. http://dx.doi.org/10.1162/leon_r_00787.

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Lee, Hye Kyung. "A Study on Network Aesthetics-focused on David Joselit's 'after Art'-." Journal of Basic Design & Art 22, no. 2 (2021): 495–508. http://dx.doi.org/10.47294/ksbda.22.2.35.

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Dissertations / Theses on the topic "David joselit"

1

Meerow, Andrew. "Bad Infinity (or) Some Examples of Displacement." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2805.

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The following thesis is comprised of an edited interview between Andrew Meerow and an undisclosed questioner in which the two discuss Meerow’s visual thesis, a body of paintings titled “Some Examples of Displacement.” The interview addresses the production of art and value as Meerow's primary subject, a reflexive position that absorbs qualitative interpretation in either direction. In keeping with the intentions of the artwork, the interview is re-organized, censored, and collaged such that the discussion itself is addressed not as a procedure of truth, but as a performative gesture toward that pursuit.
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Books on the topic "David joselit"

1

Haubenstock, Susan H. Career opportunities in art / Susan H. Haubenstock, David Joselit. 1988.

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