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Relevant bibliographies by topics / David kramer

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Academic literature on the topic 'David kramer'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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Journal articles on the topic "David kramer"

1

Gaylard, Rob. "David Kramer: a biography." South African Theatre Journal 25, no. 3 (November 2011): 252–54. http://dx.doi.org/10.1080/10137548.2011.674718.

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Slabbert, M. "Animals and nature: mapping storylines and metaphors in David Kramer’s narratives." Literator 32, no. 1 (June 22, 2011): 99–120. http://dx.doi.org/10.4102/lit.v32i1.5.

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This article discusses the representation of animals and nature in selected lyrics from the oeuvre of singer, songwriter and producer David Kramer and considers his engagement with historical and contemporary discourses about human-animal and human-nature interaction in relation to ecological awareness within a South African context. I trace the socio-political commentary voiced through his depiction of animals in the folksongs he wrote during apartheid, especially in lyrics from the album “Baboondogs” (Kramer, 1986). Kramer also employs intertextual references to traditional South African folksongs and tales in his music. Furthermore, the social and environmental significance of Kramer’s representations of nature in a selection of his postapartheid lyrics is investigated. I argue that the pedagogical value of Kramer’s cultural commentary can contribute significantly to the challenge of teaching animal studies and ecocriticism in South African context.

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Weatherall, D. J. "In Quest of Tomorrow's Medicines. Jurgen Drews , David Kramer." Quarterly Review of Biology 75, no. 3 (September 2000): 361–62. http://dx.doi.org/10.1086/393606.

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Schlegel, R., and H. D. Slade. "Alteration of Macromolecular Synthesis and Membrane Permeability by a Streptococcus sanguis Bacteriocin." Microbiology 81, no. 1 (January 1, 2000): 275–77. http://dx.doi.org/10.1099/00221287-81-1-275.

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Although the elaboration of bacteriocins by streptococci has been described previously (Brock & David, 1963; Kuttner, 1966; Kelstrup & Gibbons, 1969; Overturf & Mortimer, 1970; Kramer & Brandis, 1972), few attempts have been made to purify and characterize these bactericidal factors (Kramer & Brandis, 1972). Streptococcus sanguis (strain Challis) produces a streptocin which is lethal for Streptococcus sanguis (strain Wicky) and can be purified by ammonium sulphate fractionation and Sephadex G-100 column chromatography. We exposed sensitive strain Wicky cells to Challis streptocin and observed macromolecular synthesis and membrane permeability.

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Gámez, Luis R. "The Imperial Dryden: The Poetics of Appropriation in Seventeenth-Century England by David Bruce Kramer." Comparative Drama 29, no. 3 (1995): 408–11. http://dx.doi.org/10.1353/cdr.1995.0003.

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de Villiers, Dawid W. "“Van daai plek”: David Kramer, “Die ballade van Koos Sas”, and the Ground of Being." Journal of Literary Studies 26, no. 2 (June 2010): 58–68. http://dx.doi.org/10.1080/02564711003683618.

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Hensley, Douglas. "Guitar Forum: The Flute, Viola, Guitar Trio: Its History, Literature and Performance." American String Teacher 36, no. 4 (November 1986): 73–76. http://dx.doi.org/10.1177/000313138603600433.

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Douglas Hensley has been an active chamber musician ever since he took up serious study of the classical guitar. He received bachelor and master's degrees under the direction of David Tanenbaum from the San Francisco Conservatory of Music and he has studied with many other musicians in private lessons and master classes. Over the past ten years he has premiered close to fifty new compositions, performed numerous U.S. premieres and the West Coast premiere of Elliott Carter's “Changes” for solo guitar. For Opus One Records in New York he has recorded Larry Polansky's “Hensley Variations” and David Loeb's “Trois Cansos” with flautist Kenneth Kramer and violist John Casten. He has also recorded a collection of duets with Japanese shakuhachi master Masayuka Koga, “Autumn Mist,” for Fortuna Records of Novato, California. His principal activities are as cofounder (with violist/violinist John Casten) and guitarist of the San Francisco-based contemporary performance ensemble ISKRA, which is made up of flute, clarinet, guitar, violin/viola, doublebass and soprano voice. Anyone with additional information about flute, viola, guitar trios (or other chamber music with guitar), or queries, is urged to contact him at 607-A Frederick St., San Francisco, CA 94117.

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RIVAL, ROBERT. "The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich's Seventh String Quartet." Twentieth-Century Music 6, no. 2 (September 2009): 209–35. http://dx.doi.org/10.1017/s1478572210000174.

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AbstractRecent scholarship has taken the leap from documenting cyclic form in Shostakovich's Seventh String Quartet to its interpretation. David Fanning, Judith Kuhn, and Sarah Reichardt, for instance, endorse a belief in the quartet's satisfactory closure. I propose an alternative reading that qualifies such resolution as merely apparent. I posit a musical ‘persona’ (Edward T. Cone) that achieves comfort in denial. I support my claim by analysing shifting hypermetre, metrical insertions, motif, and cyclic form, then weave my observations into a narrative interpretation. While acknowledging the limitations of the narrative analogy (following Carolyn Abbate, Lawrence Kramer, and Jean-Jacques Nattiez), I rely on its principal strength: the ability to help construct a compelling interpretation of the elusive ‘meaning’ of a piece of absolute music (Cone, Fred Maus, Anthony Newcomb, Leo Treitler). I conclude that the peculiar arrangement of shifting metrical identities and the DSCH-motto-related fragments tell a psychological story: of a musical persona's thwarted search for self.

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Thomas, Frank R. "Nicholas David et Carol Kramer, Ethnoarcheology in Action. Cambridge, Cambridge University Press, 2001, xxiv + 476 p., photogr., bibliogr., index." Anthropologie et Sociétés 26, no. 2-3 (2002): 286. http://dx.doi.org/10.7202/007075ar.

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10

Weedman, Kathryn. "Book Review: Ethnoarchaeology in Action. By Nicholas David and Carol Kramer. Cambridge University Press, Cambridge, UK, 2001, 476 pp., ISBN 0 521 66105 6." African Archaeological Review 21, no. 4 (December 2004): 233–37. http://dx.doi.org/10.1007/s10437-004-0751-8.

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Dissertations / Theses on the topic "David kramer"

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Kramer, David [Verfasser]. "Self-Awareness in Heterogeneous, Adaptive Many-Core Architectures enabling Proactive, Self-Optimizing Systems / David Kramer." Aachen : Shaker, 2012. http://d-nb.info/1066197997/34.

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Klemz, Sabrina [Verfasser], Hans-Dieter [Akademischer Betreuer] Volk, Achim [Akademischer Betreuer] Kramer, and David [Akademischer Betreuer] Gatfield. "Protein Phosphatase 4 ist ein neuer Regulator der circadianen Uhr in Säugern / Sabrina Klemz. Gutachter: Hans-Dieter Volk ; Achim Kramer ; David Gatfield." Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät I, 2014. http://d-nb.info/1058929313/34.

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James, David [Verfasser], Felix [Akademischer Betreuer] [Gutachter] Krahmer, Matthias [Gutachter] Hein, Anja [Gutachter] Sturm, Gerlind [Gutachter] Plonka-Hoch, Russell [Gutachter] Luke, and Stephan [Gutachter] Waack. "On two Random Models in Data Analysis / David James ; Gutachter: Felix Krahmer, Matthias Hein, Anja Sturm, Gerlind Plonka-hoch, Russell Luke, Stephan Waack ; Betreuer: Felix Krahmer." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1126724769/34.

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James, David Verfasser], Felix [Akademischer Betreuer] [Gutachter] Krahmer, Matthias [Gutachter] Hein, Anja [Gutachter] Sturm, Gerlind [Gutachter] Plonka-Hoch, Russell [Gutachter] [Luke, and Stephan [Gutachter] Waack. "On two Random Models in Data Analysis / David James ; Gutachter: Felix Krahmer, Matthias Hein, Anja Sturm, Gerlind Plonka-hoch, Russell Luke, Stephan Waack ; Betreuer: Felix Krahmer." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1126724769/34.

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Maccani, Mario. "David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer." Thesis, 2011. http://hdl.handle.net/2263/29006.

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This study is comprised of two parts: an unauthorised biography of the South African musician David Kramer, as well as a reflective look at the process of writing this biography. In this regard the following aspects were looked at closely: finding an appropriate style, biography versus propaganda, conjecturing, the bilingual nature of the text, problems of research, ethics, influences, make-believe, approach to the subject, intertextuality, and fictionalisation. The central question of the biography is to highlight the success of a fellow Worcester (the author’s hometown) boy. The central research questions of the thesis are the fictionalisation of the nonfiction text, intertextuality, and the question of a text written in both English and Afrikaans. With regard to the aforementioned fictionalisation, a biographical text is classified as “nonfiction”, because it deals with a real person and real events. However, a text such as David Kramer – an unauthorised biography presents an alternative perspective, in that the narrative often moves into fiction, or “creative nonfiction”. Written texts are traditionally divided into two fields: fiction or nonfiction. Nonfiction is deemed to be fact, truth, whereas fiction is the fruit of an author’s imagination. But perhaps the notion of truth versus untruth is too limited, and one should include the words “objectivity” and “subjectivity”. Some texts incorporate both elements, be they newspaper editorials which are mostly opinion, advertisements which are highly subjective, or biographies such as Taraborrelli’s Madonna – An Intimate Biography, which often reads as a novel. This doctoral thesis looks at David Kramer – an unauthorised biography, which is at times “faction”, to illuminate the sections where the text fell somewhere between fiction or nonfiction. In attempting this exercise, intertextuality was useful in two ways. Firstly, to ground the text in a reality the reader could believe, as it brought “real” things to the text, such as song lyrics, photographs, et cetera, all things which brought some credibility to the truth of the text, and secondly to place the events being described in a certain timeframe. The use of English and Afrikaans in the biography was to reflect that Kramer uses both languages in his songs, and furthermore, to give an idea of the South Africa at the time of Kramer’s early success: the divides of English/Afrikaans, white/black, liberal/conservative.
Thesis (PhD)--University of Pretoria, 2011.
Unit for Creative Writing
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Books on the topic "David kramer"

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Kraemer, David Charles. Exploring Judaism: The collected essays of David Kraemer. Atlanta, Ga: Scholars Press, 1999.

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John, Massier, and Koffler Loggia Gallery, eds. Ferengi 90210: Roger Carter, Tania Kitchell di Rosa, Alexander Irving, David Kramer, Michael Longford. North York, Ont: Loggia Gallery, 1997.

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3

Answer key to Prentice Hall workbook for writers by Glenn Leggett, C. David Mead, Melinda G. Kramer. 5th ed. Prentice Hall, 1988.

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4

Wald, Alan M. The Bitter Fruits of Anticommunism. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469635941.003.0011.

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The legacy of the Cold War Liberalism, to which many intellectuals were drawn, comes in for a harsh critique in this chapter. Following a look at the post-1960s political transformations of Susan Sontag and David Horowitz, the rightward movement of Norman Podhoretz, Midge Decter, Irving Kristol, Hilton Kramer, and others are tracked, along with some observations about the last days of Philip Rahv. This includes discussion of publications such as New Criterion and Commentary.

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Körber, Torsten, ed. Zukunft der Verteilernetze - Verteilernetze der Zukunft. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748908500.

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Der neue Tagungsband enthält die Referate der 48. Energierechtlichen Jahrestagung des Energiewirtschaftsrechtlichen Institutes der Universität zu Köln. Die Beiträge befassen sich mit den Anforderungen an Verteilernetze in Zeiten der Energiewende. Ein Schwerpunkt liegt auf aktuellen Problemen des Ausschreibungsverfahrens nach § 46 ff. EnWG, ein zweiter auf Herausforderungen der angemessenen Integration von Elektromobilität in die vorhandene und künftige Netzinfrastruktur. Mit Beiträgen von Markus Adam; Martin Burgi; David Kemnitz; Cornelia Kermel; Ulrich Kleybolte; Torsten Körber; Gabriele Krater; Felix Mansius; Matthias Pöhl

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Book chapters on the topic "David kramer"

1

Beasley, Rebecca. "The Whitechapel Group." In Russomania, 135–57. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198802129.003.0003.

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This first interchapter tells the early history of ‘the Whitechapel Group’, the network of Russian Jewish artists and writers who grew up together in the East End of London. We tend to separate the members of this group into associations with different modernist sets—David Bomberg and Jacob Kramer with Wyndham Lewis’s vorticists, Mark Gertler with the Bloomsbury group, John Rodker with James Joyce and Ezra Pound, and Isaac Rosenberg with the war poets. When the Whitechapel Group’s collective identity has been considered, it has been almost exclusively in terms of the members’ Jewish ethnicity, but this chapter examines the significance of the other shared aspect of the Whitechapel Group’s heritage—that is, their families’ lives in, and departure from, the Russian Empire.

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Panteli, Niki. "Developing Trust in Virtual Teams." In Encyclopedia of Information Science and Technology, First Edition, 844–48. IGI Global, 2005. http://dx.doi.org/10.4018/978-1-59140-553-5.ch147.

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During the last few years, there has been an increasing acknowledgment of the importance of trust in business interactions within the management and organizational literatures (e.g., Kramer & Tyler, 1996; Mayer, Davis, & Schorman, 1995; Rousseau, Sitkin, Burt, & Camerer, 1999). Trust, as a positive and confident expectation in the behavior of another party (Cook & Wall, 1980; Currall & Judge, 1995), enables cooperation and becomes the means for complexity reduction, even in situations where individuals must act under uncertainty with ambiguous and incomplete information. Therefore, it is not surprising that in the current age of global and digital economy and virtuality (Shepherd, 2004), there has been an overwhelming interest in trust. Motivated by the need to better understand trust in the digital era, this paper views the case of global virtual teams in commercial business organizations.

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Slabbert, Mathilda. "These People are my People, these Places are my Places”: Cultural Hybridity and Identity in South African Artist David Kramer’s Oeuvre." In Locating Life Stories, 55–82. University of Hawai'i Press, 2012. http://dx.doi.org/10.21313/hawaii/9780824837303.003.0004.

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"“These people are my people, these places are my places”: Cultural Hybridity and Identity in South African Artist David Kramer’s Oeuvre." In Locating Life Stories, 55–82. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824837730-005.

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