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1

Scheckter, John, Ivor Indyk, and Imre Salusinszky. "David Malouf." World Literature Today 68, no. 2 (1994): 424. http://dx.doi.org/10.2307/40150326.

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Birns, Nicholas. "David Malouf, Ransom." Zeitschrift für Australienstudien / Australian Studies Journal 24 (2010): 168–71. http://dx.doi.org/10.35515/zfa/asj.24/2010.23.

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Hassan, Ihab. "Encomium: David Malouf." World Literature Today 74, no. 4 (2000): 710. http://dx.doi.org/10.2307/40156069.

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4

Bau, Susanne. "Interview with David Malouf." Zeitschrift für Australienstudien / Australian Studies Journal 09 (1995): 71–89. http://dx.doi.org/10.35515/zfa/asj.09/1995.06.

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5

Sourav, Banerjee. "The Theme of Exile and Reconciliation in David Malouf's An Imaginary Life." postScriptum: An Interdisciplinary Journal of Literary Studies 3, no. 1 (January 1, 2018): 109–25. https://doi.org/10.5281/zenodo.1318910.

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Philip Neilsen sees that in Malouf’s works ‘nationality’ or ‘Australian-ness’ are the most prominent among other preoccupations and also that his writings show a consistent concern with the exploration of historical influences upon a present consciousness’. In his fictional works Malouf’s Australia takes shape as a nation composed of migrants and also that Malouf’s Australia is a nation on the move, created and then repeatedly transformed by the process of migration. It can also be said that while in his first novel Johnno, Malouf gives us the ‘flesh’ of Australian exile, in An Imaginary Life he gives us the precise ‘bones’ of exile, of psychological descent, and of a form of spiritual reconciliation is the fictionalisation of the late life of the Latin poet Ovid, who spent his final years as a political exile in Tomis (contemporary Constanta). I would like to show through this paper that apparently though An Imaginary Life seems to talk of Ovid and his exile, in reality, through Ovid’s experience; it also retells the Australian myth of exile. It tells of the experience of the Australian settlers, who are in a state of exile from their homeland England. It is a sense of being separated at the edge of the world, away from the centre of things. And in Ovid’s ultimate acceptance of the harsh land and exiled existence, Malouf’s novel evokes for the reader the need for the contemporary Australians to identify with and have a better sense of belonging to Australia, than just belonging to a second-hand Europe.
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Ihab Hassan. "Australia Ascending: In the Mirror of David Malouf." Antioch Review 72, no. 2 (2014): 235. http://dx.doi.org/10.7723/antiochreview.72.2.0235.

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Loughlin, G. "Found in Translation: Ovid, David Malouf and the Werewolf." Literature and Theology 21, no. 2 (April 18, 2007): 113–30. http://dx.doi.org/10.1093/litthe/frm012.

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Hartoonian, Gevork. "Kenneth Frampton, David Malouf and Juhani Pallasma,Glenn Murcutt, Architect." Architectural Theory Review 12, no. 2 (December 2007): 212–16. http://dx.doi.org/10.1080/13264820701730926.

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Hassan, Ihab. "IDENTITY AND IMAGINATION: DAVID MALOUF AND HOSSEIN VALAMANESH IN PROCESS." Religion and the Arts 6, no. 4 (2002): 441–57. http://dx.doi.org/10.1163/156852902320948303.

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10

Rooney, Brigid. "Remembering inheritance: David Malouf and the literary cultivation of nation." Journal of Australian Studies 31, no. 90 (January 2007): 65–75. http://dx.doi.org/10.1080/14443050709388110.

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Farley, Simon. "Years of agony and joy: The Sadie and Xavier Herbert Collection." Queensland Review 22, no. 1 (May 7, 2015): 96–98. http://dx.doi.org/10.1017/qre.2015.9.

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The University of Queensland's Fryer Library is home to many fine literary vintages. Established in 1927 as the J.D. Fryer Memorial Library of Australian Literature in honour of a former Arts student and soldier in the Australian Imperial Force (AIF), John Denis Fryer, the collection includes the papers of significant Australian journalists, novelists and poets, including Ernestine Hill, John Forbes, David Malouf, Bruce Dawe, Thomas Shapcott, Peter Carey and Oodgeroo Noonuccal among others.
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12

Bliss, Carolyn. "Reimagining the Remembered: David Malouf and the Moral Implications of Myth." World Literature Today 74, no. 4 (2000): 724. http://dx.doi.org/10.2307/40156072.

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13

Pons, Xavier. "Reconciling Words and Things: Language Allegories in David Malouf’s Remembering Babylon." Heritage 27, no. 1 (2004): 99–110. http://dx.doi.org/10.4000/123z9.

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A major preoccupation in David Malouf’s fiction – particularly in evidence in Remembering Babylon but also in An Imaginary Life – has to do with the relationship between words and things, and with the quest for a kind of language that might be in complete harmony with reality.At times, Malouf seems to believe this quest can be successful, in spite of the arbitrary and conventional nature of language. But this conviction is undermined by the realisation that language gives shape to reality as we see it, that it is creative rather than simply referential.
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Pandikattu, Kuruvilla. "Othering Myself: Multiply Cultured, Differently Abled and Spiritually Hybrid." Jnanadeepa: Pune Journal of Religious Studies July 2021, Vol 25/3 (January 24, 2021): 25–39. https://doi.org/10.5281/zenodo.4459887.

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The author is convinced that other begins with one’s own self. We are in fact not one monolithic self, but  a multiplicity of even contradictory and ambiguous selves.   At the postcolonial level, we can speak of the multiple discourses (conflicting and entangled narratives) governing us and so the othering of the other starts with the othering of my own self. For this we take two authors, Arundhati Roy and  David Malouf, who will show the complex and nuanced identities of oneself. After realising this complex identities,  we can try to enter into dialogue with the other, who is equally complex. This will help us to befriend the other.
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15

Thieme, John. "‘Gossip grown old’: Mythopoeic practice in Robert Drewe'sour sunshineand David Malouf ‘sremembering Babylon." European Journal of English Studies 2, no. 1 (April 1998): 27–36. http://dx.doi.org/10.1080/13825579808574402.

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Goudot, Marie. "David Malouf, L’infinie patience des oiseaux, Traduit de l’anglais (Australie) par Nadine Gassie." Études Juillet-Août, no. 7 (June 21, 2018): III. http://dx.doi.org/10.3917/etu.4251.0122c.

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17

Manning, Gerald F. "Loss and Renewal in Old Age: Some Literary Models." Canadian Journal on Aging / La Revue canadienne du vieillissement 12, no. 4 (1993): 469–84. http://dx.doi.org/10.1017/s0714980800012010.

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RÉSUMÉCet article examine un problème courant, soit la perte, totale ou partielle, des facultés chez les aînés, et donne quelques exemples fictifs de stratégies pour y faire face. La première partie du texte porte sur certains ouvrages traitant du désoeuvrement, notamment une nouvelle de Carol Bly intitulée «Gunnar's Sword,» et le roman de David Malouf An Imaginary Life. La seconde partie de cet essai compare deux romans récents décrivant le quotidien des aînés, soit Adele at the End of the Day, de Tom Marshall, et The Remains of the Day, de Kazuo Ishiguro. Tous les ouvrages examinés sont évalués selon leur contribution à la compréhension du vieillissement et leur succès sur le plan littéraire.
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18

Nirala, Bandana. "Colonial Politics and Problem of Language in David Malouf’s Remembering Babylon." International Journal of Multidisciplinary Research Configuration 1, no. 3 (July 2021): 28–34. http://dx.doi.org/10.52984/ijomrc1305.

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Language plays a critical role in postcolonial literature. English has been the dominant language of European imperialism that carried the European culture to the different colonies across the world. Australia is the settled countries where English has become not only the official and mainstream language of the country but has also put the indigenous languages on the verge of extinction. David Malouf’s Remembering Babylon is a postcolonial text that re-imagines the colonial history of Australian settlement presenting the early socio- cultural and linguistic clashes between the settlers and the Aboriginals. The present paper tries to analyze the various dimensions of language envisioning its micro to macro impacts on the individual, community and nation as well. British used English language as the weapon of spreading European culture in Australia causing the systematic replacement of local dialects and other vernacular languages; hence the issues of linguistic and cultural identities would also be among the focal points of the discussion. The paper also attempts to examine how David Malouf provides a solution by preferring and appropriating native languages and culture for the future ofs Australia.
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19

Gibson, Suzie. "Malouf's invisible city: The intertwining of place and identity in Johnno." Queensland Review 22, no. 1 (May 7, 2015): 85–95. http://dx.doi.org/10.1017/qre.2015.8.

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By the time poet David Malouf wrote Johnno (1976), his first work of prose fiction, he was in his late thirties and living in the Renaissance city of Florence. Both European Florence and antipodean Brisbane mirror and enfold the novel's eponymous hero, Johnno, and his narrator-creator, Dante. The Florentine poet, and by extension his medieval trappings, resonate throughout a tale about growing up in a frontier town far removed from the cosmopolitan centres of the Northern Hemisphere. This Italian connection can be explored further by considering Italo Calvino's Invisible Cities (1997) alongside Johnno. The depiction of Venice in Calvino's novel can operate as a point of contrast and comparison to the river city of Brisbane, conjured by Malouf's Dante.
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20

Pandey, Nishtha, and Avishek Parui. "“Do not shoot, I’m a B–b–British object!”: Reading David Malouf in Indian universities." Journal of Postcolonial Writing 58, no. 1 (January 2, 2022): 80–94. http://dx.doi.org/10.1080/17449855.2022.2026570.

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21

Randall, Don. "“Some Further Being”: Engaging with the Other in David Malouf’s An Imaginary Life." Journal of Commonwealth Literature 41, no. 1 (March 2006): 17–32. http://dx.doi.org/10.1177/0021989406062825.

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This article is most concerned with analysing the role of the other in Malouf’s fiction. It briefly considers Malouf’s relationship with history and postcoloniality before engaging in a close reading focused on Malouf’s personal grammar and figurative patterns. The argument demonstrates that Malouf’s style orients itself toward transformation: the grammar is active, movement-oriented, and the figures notably hybrid or syncretic. Text-making thus reveals itself as a principal path of approach to the other. Identification, as portrayed in psychoanalytic theory, presents itself as another path, especially in relation to imagination and dreams. The essay recognizes that a full apprehension of the other is not perhaps possible, although moments of contact and revitalizing exchange clearly are. Brief examination of the relation between otherness and the broader social world follows, giving attention to questions of gender. Extending beyond its exclusive consideration of An Imaginary Life, the essay concludes by acknowledging that Malouf explores his sense of the other most illuminatingly in relation to I-and-you.
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22

Osborne, Roger. "David Malouf , A first place, Sydney: Knopf/Random House, 2014, ISBN 9 7808 5798 4050, 350 pp., A$29.99. - David Malouf , The writing life, Sydney: Knopf/Random House, 2014, 9 7808 5798 4081, 342 pp., A$29.99. - David Malouf , Being there, Sydney: Knopf/Random House, 2015, 9 7808 5798 7211, 353 pp., A$29.99." Queensland Review 23, no. 1 (May 31, 2016): 97–99. http://dx.doi.org/10.1017/qre.2016.11.

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23

YILDIZ, Nazan. "DAVID MALOUF S REMEMBERING BABYLON AND WHITE AUSTRALIANS SEARCH FOR IDENTITY THROUGH A BLACK WHITE CHILD." Journal of International Social Research 11, no. 60 (December 20, 2018): 262–68. http://dx.doi.org/10.17719/jisr.2018.2779.

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Jolly, Roslyn. "Transformations of Caliban and Ariel: Imagination and language in David Malouf, Margaret Atwood and Seamus Heaney." World Literature Written in English 26, no. 2 (September 1986): 295–330. http://dx.doi.org/10.1080/17449858608588988.

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Riem Natale, Antonella. "Lords of Peace, Lords of War: the Master and the Terrorist in Child’s Play by David Malouf." Le Simplegadi, no. 15 (April 2016): 6–15. http://dx.doi.org/10.17456/simple-22.

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26

Boldrini, Lucia. "‘Allowing it to speak out of him’: The Heterobiographies of David Malouf, Antonio Tabucchi and Marguerite Yourcenar." Comparative Critical Studies 1, no. 3 (October 2004): 243–63. http://dx.doi.org/10.3366/ccs.2004.1.3.243.

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Goudot, Marie. "David Malouf , Une rançon , Traduit de l’anglais (Australie) par Nadine Gassie. Albin Michel, 2013, 210 pages, 17,50 €." Études mars, no. 3 (March 1, 2014): II. http://dx.doi.org/10.3917/etu.4203.0111b.

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Buckridge, Patrick. "David Malouf, Typewriter Music, St Lucia: University of Queensland Press, 2007, 85 pp, ISBN 9 7807 0223 6310, $29.95. - David Malouf, Revolving Days, St Lucia: University of Queensland Press, 2008, 198 pp, ISBN 9 7807 0223 6358, $26.95." Queensland Review 15, no. 2 (July 2008): 125–27. http://dx.doi.org/10.1017/s1321816600004827.

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29

Le Guellec-Minel, Anne. "Voss, du roman de Patrick White au livret de David Malouf : simple adaptation ou transformation de l’imaginaire national ?" Revue LISA / LISA e-journal, Vol. VI – n°2 (February 1, 2008): 149–66. http://dx.doi.org/10.4000/lisa.1142.

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Heberlé, Jean-Philippe. "Cadrage, décadrage et recadrage dans Baa Baa Black Sheep : A Jungle Tale de David Malouf et Michael Berkeley." Revue LISA / LISA e-journal, Vol. IX - n°2 (December 13, 2011): 164–78. http://dx.doi.org/10.4000/lisa.4431.

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Heberlé, Jean-Philippe. "Jane Eyre de Michael Berkeley et de David Malouf : La transposition opératique d’un grand classique de la littérature anglaise." Revue LISA / LISA e-journal, Vol. IV - n°4 (December 1, 2006): 144–57. http://dx.doi.org/10.4000/lisa.1956.

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Ackland, Michael. "“Reclaiming the Rubbish”: Outcasts, Transformation and the Topos of the Painter-Seer in the work of Patrick White and David Malouf." Le Simplegadi, no. 16 (November 2016): 27–36. http://dx.doi.org/10.17456/simple-40.

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Schwartz, Manuela. "Jean Cocteau: Textes et musique. Hrsg. von David Gullentops und Malou Haine. Sprimont: Editions Mardaga 2005." Die Musikforschung 61, no. 4 (February 24, 2025): 412–14. https://doi.org/10.52412/mf.2008.h4.4399.

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Schneider, Markus. "Jean Cocteau: Écrits sur la musique. Texte gesammelt, präsentiert und kommentiert von David Gullentops und Malou Haine." Die Musikforschung 70, no. 2 (December 18, 2024): 188–90. https://doi.org/10.52412/mf.2017.h2.3655.

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Anger, Violaine. "Jean Cocteau - Écrits sur la musique - Textes rassemblés, présentés et annotés par David Gullentops et Malou Haine, accompagnés de 137 illustrations originales. Vrin, 2016, 648 pages, 32 €." Études avril, no. 4 (March 16, 2016): XV. http://dx.doi.org/10.3917/etu.4226.0117o.

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Graves, Laurie, Gabrielle Rupprecht, Erdem Altunel, Etienne M. Flamant, Sneha Rao, Dharshan Sivara, Alexander L. Lazarides, et al. "Abstract 1061: Exportin 1 (XPO1) inhibition alone or in combination as a novel therapeutic strategy in osteosarcoma." Cancer Research 82, no. 12_Supplement (June 15, 2022): 1061. http://dx.doi.org/10.1158/1538-7445.am2022-1061.

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Abstract Background: Osteosarcoma is an aggressive bone cancer in which therapeutic advancements have been limited over the last 30 years, in part due to genomic heterogeneity. The combination of high-throughput drug screening platforms that efficiently pinpoint drug sensitivities with patient-derived cross-species models is an innovative approach to address the critical need to identify novel treatment strategies for osteosarcoma patients. Methods: We performed high-throughput drug screens on patient-derived osteosarcoma cell lines D418 (canine) and 17-3x (human), followed by validation of the top compounds, to identify drug sensitivities and novel therapeutic combinations. Results: High-throughput drug screens using 2100 bioactive compounds show that osteosarcoma cell lines D418 and 17-3x exhibited sensitivity to standard-of-care chemotherapy drugs, inhibitors of XPO1 nuclear export, and proteasome inhibitors. The XPO1 inhibitor, verdinexor (VER), and the proteasome inhibitor, bortezomib (BORT), induced dose-dependent cytotoxicity in multiple osteosarcoma cell lines (D418, IC50VER: 3187 nM, IC50BORT: 2.8 nM; 17-3x IC50VER: 679 nM, IC50BORT: 10.9 nM). In addition, dual XPO1 and proteasome inhibition synergistically reduced cell proliferation in D418 (synergy score=12.89) and 17-3x (synergy score=17.87) cell lines (p <0.05). Selinexor (SEL), an FDA approved XPO1 inhibitor used in combination with bortezomib to treat multiple myeloma, also demonstrated dose-dependent single-agent activity in patient-derived osteosarcoma cell lines (D418, IC50SEL: 370 nM; 17-3x IC50SEL: 101 nM). With drug screening of 119 oncology compounds in combination with selinexor in 17-3x cells, XPO1 inhibition again shows synergistic activity with proteasome inhibition in osteosarcoma. Conclusions: Inhibition of XPO1-mediated nuclear export is a promising therapeutic strategy in osteosarcoma. These effects may be further potentiated when used in combination with other agents, such as proteasome inhibitors. Additional drug screening and validation assays are underway to identify novel synergistic agents for use in combination with XPO1 inhibitors in osteosarcoma. Citation Format: Laurie Graves, Gabrielle Rupprecht, Erdem Altunel, Etienne M. Flamant, Sneha Rao, Dharshan Sivara, Alexander L. Lazarides, Sarah M. Hoskinson, Maya U. Sheth, Serene Cheng, So Young Kim, Kathryn E. Ware, Anika Agarwal, Mark M. Cullen, Casey Syal, Laura E. Selmic, Jeffrey I. Everitt, Shannon J. McCall, Cindy Eward, Trinayan Kashyap, Marie Maloof, Christopher J. Walker, Yosef Landesman, Lars Wagner, William C. Eward, David S. Hsu, Jason A. Somarelli. Exportin 1 (XPO1) inhibition alone or in combination as a novel therapeutic strategy in osteosarcoma [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2022; 2022 Apr 8-13. Philadelphia (PA): AACR; Cancer Res 2022;82(12_Suppl):Abstract nr 1061.
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Jaekel, Anika, Patrik Kehler, Timo Lischke, Lisa Weiß, Christoph Goletz, Evelyn Hartung, Anke Flechner, Sven Bahrke, Johanna Gellert, and Antje Danielczyk. "781 GT-001 - anti-Lewis Y antibody with superior fine-specificity and reduced off-target binding." Journal for ImmunoTherapy of Cancer 9, Suppl 2 (November 2021): A816. http://dx.doi.org/10.1136/jitc-2021-sitc2021.781.

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BackgroundThe Lewis Y (CD174) carbohydrate antigen is widely expressed in primary and metastatic epithelial tumors like colon, lung, ovarian, and breast. Targeting Lewis Y for cancer therapy was pursued before, however, other anti-Lewis Y antibodies tested in clinical trials showed cross-reactivity to related carbohydrate structures expressed on blood cells and mostly failed for efficacy and/or safety reasons.1–4 We have developed a humanized antibody (GT-001) that shows superior fine-specificity and higher affinity compared to clinically tested anti-Lewis Y antibodies BR96 and h3S193.MethodsThe specificity and cross-reactivity of GT-001, BR96 and h3S193 were compared. Cross-reactivity binding to related carbohydrate PAA-conjugates was tested via ELISA and affinity towards Lewis Y-PAA was measured using switchSENSE® technology (DRX2, Dynamic Biosensors). Functional binding to several tumor cell lines and healthy human leukocytes was analyzed via flow cytometry. Binding of GT-001 to different cancer indications was analyzed by immunohistochemistry. Inhibition of tumor cell proliferation was tested using GT-001 coupled to ProtG-MMAE.ResultsGT-001 is strictly specific for Lewis Y and does not cross-react with >90 related carbohydrate structures tested. Our lead candidate shows superior fine-specificity compared to BR96, for which we could confirm the reported cross-reactivity towards Lewis X,5 and stronger binding of Lewis Y compared to h3S193 as shown by affinity measurement. Further, GT-001 shows no/weak binding to blood cells whereas BR96 and h3S193 significantly bind to different leukocyte subsets. IHC studies reveal that GT-001 stains tumor tissue of different cancer indications (breast cancer, colorectal cancer, head and neck cancer, (non) small cell lung cancer and ovarian cancer) at a high percentage of cases. In ADC surrogate assays, GT-001 potently inhibits the proliferation of several tumor cell lines indicating effective internalization.ConclusionsLewis Y is expressed on many epithelial tumor indications of high medical need. However, several approaches of targeting Lewis Y have failed in the past for efficacy and/or safety reasons. We have developed a humanized antibody that shows superior fine-specificity and higher affinity compared to clinically tested anti-Lewis Y antibodies BR96 and h3S193. Due to the superior fine-specificity, GT-001 shows no/reduced binding of healthy leukocytes potentially reducing side effects as observed for BR96 in the clinic. Its strong target binding and internalization properties make GT-001 an ideal candidate for ADC development.ReferencesAjani JA, Kelsen DP, Haller D, Hargraves K, Healey D. A multi-institutional phase II study of BMS-182248-01 (BR96-doxorubicin conjugate) administered every 21 days in patients with advanced gastric adenocarcinoma. Cancer J 2000;6(2):78–81.Saleh MN, Sugarman S, Murray J, Ostroff JB, Healey D, Jones D, Daniel CR, LeBherz D, Brewer H, Onetto N, LoBuglio AF. Phase I trial of the anti-Lewis Y drug immunoconjugate BR96-doxorubicin in patients with lewis Y-expressing epithelial tumors. J Clin Oncol 2000;18(11):2282–92.Scott AM, Tebbutt N, Lee FT, Cavicchiolo T, Liu Z, Gill S, Poon AM, Hopkins W, Smyth FE, Murone C, MacGregor D, Papenfuss AT, Chappell B, Saunder TH, Brechbiel MW, Davis ID, Murphy R, Chong G, Hoffman EW, Old LJ. A phase I biodistribution and pharmacokinetic trial of humanized monoclonal antibody Hu3s193 in patients with advanced epithelial cancers that express the Lewis-Y antigen. Clin Cancer Res 2007;13(11):3286–92.Smaletz O, Diz MD, do Carmo CC, Sabbaga J, Cunha-Junior GF, Azevedo SJ, Maluf FC, Barrios CH, Costa RL, Fontana AG, Madrigal V, Wainstein AJ, Yeda FP, Alves VA, Moro AM, Blasbalg R, Scott AM, Hoffman EW. A phase II trial with anti-Lewis-Y monoclonal antibody (hu3S193) for the treatment of platinum resistant/refractory ovarian, fallopian tube and primary peritoneal carcinoma. Gynecol Oncol 2015;138(2):272–7.Zhang S, Zhang HS, Cordon-Cardo C, Reuter VE, Singhal AK, Lloyd KO, Livingston PO. Selection of tumor antigens as targets for immune attack using immunohistochemistry: II. Blood group-related antigens. Int J Cancer 1997;73(1):50–6.
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38

Allington, Patrick. "Provocatively calm: on David Malouf as essayist." TEXT, April 30, 2017. http://dx.doi.org/10.52086/001c.26086.

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39

Seger, Natalie. "Imagining Transcendence : The Poetry of David Malouf." Australian Literary Studies, October 1, 2005. http://dx.doi.org/10.20314/als.a0ab498573.

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Scheckter, John. "Review of *David Malouf*, by Don Randall." Australian Literary Studies, November 1, 2008. http://dx.doi.org/10.20314/als.a0f98cb5ba.

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41

Thakur, Chinmaya Lal. "David Malouf and the Event of Writing." Journal of Language, Literature and Culture, December 16, 2020, 1–14. http://dx.doi.org/10.1080/20512856.2020.1849944.

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42

Thakur, Chinmaya Lal. "David Malouf and the Secret of Literature." Journal of Language, Literature and Culture, December 27, 2022, 1–15. http://dx.doi.org/10.1080/20512856.2022.2161042.

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43

Indyk, Ivor. "Review of *Imagined Lives: A Study of David Malouf*, *Sheer Edge: Aspects of Identity in David Malouf's Writing*, *David Malouf*, and *Randolph Stow*." Australian Literary Studies, May 1, 1992. http://dx.doi.org/10.20314/als.e8e2b5425e.

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44

"An Imaginative Life: David Malouf interviewed by Lee Spinks." Journal of Commonwealth Literature 44, no. 2 (May 20, 2009): 5–14. http://dx.doi.org/10.1177/0021989409105115.

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Attar, Samar. "A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf." Australian Literary Studies, May 1, 1988. http://dx.doi.org/10.20314/als.44863ad7f8.

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46

Leer, Martin. "At the Edge: Geography and the Imagination in the Work of David Malouf." Australian Literary Studies, May 1, 1985. http://dx.doi.org/10.20314/als.e9938dde39.

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47

Reza, Samim. "DISCOURSING TRANSNATION SPACE AND LOCATING SUBJECT POSITION IN JM COETZEE’S ELIZABETH COSTELLO AND SLOW MAN: DAVID MALOUF IN CONTEXT." ShodhKosh: Journal of Visual and Performing Arts 5, no. 1 (June 30, 2024). http://dx.doi.org/10.29121/shodhkosh.v5.i1.2024.2213.

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In the Neustadt Prize acceptance lecture (2000), David Malouf had exuded due pride as an Australian and argued that the “power of language” enables one to remap the world “so that wherever you happen to be is the center” (Le, 2019). Malouf’s statement, it is argued, embraces a conspicuous turn from cosmopolitan to transnational. Although, the transnational turn yields certain benefits which are not served in being a cosmopolitan, however, according to Bill Ashcroft, it still fails to fix a definite “subject position”. Ashcroft argues that a definable subject position can be achieved not through embracing transnational turn but being within the space which he calls “Transnation”. This article interrogates the case of JM Coetzee, the South African born Nobel Laureate (2003) who happens to be an immigrant to Australia (therefore, bearing a hyphenated identity), and also contextualizes Elizabeth Costello, a fictional character in two of Coetzee’s Australian novels, in order to discourse the transnation space and locate Costello’s subject position.
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Burrows, Lianda. "Not Today, Old Man." eTropic: electronic journal of studies in the tropics 18, no. 2 (October 18, 2019). http://dx.doi.org/10.25120/etropic.18.2.2019.3711.

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‘Not Today, Old Man’ was written to the journal’s call-out theme ‘Tropical Gothic’. Informed by these ideas and a long tradition of women’s writing from Austen to Atwood, ‘Not Today, Old Man’ interrogates the relationship between women and violence.Throughout most of the twentieth century, ongoing abuse of women in a domestic environment was not considered a mitigating factor in violent action performed against the perpetrator, or indeed ‘self-defence’, unless taken at the time of attack. Unable to physically shield themselves from their abusers, and without a legal defence should they seek to protect themselves outside the temporal boundary of a violent attack, women were in a sense imprisoned within these relationships. In the comparatively rare instance that a woman was the perpetrator of domestic violence, ‘Battered Woman Syndrome’ was not available for defence in the context of Australian provocation law until the end of the twentieth century (see R v Kontinnen 1991; R v Runjanjic 1992). It is worth considering that in this same era, a man making unwelcome sexual advances to another man was considered reasonable grounds for ‘self-defence’ (R v Green 1997).The landscape in ‘Not Today, Old Man’ is predominantly set in the tropics, but the story also alludes to the diversity of countryside and climate within Australia, both in the text itself and through allusions to authors like Gerald Murnane. The dark undertones of the piece are embedded in the depiction of these landscapes and the images they evoke. The oppressive heat, humidity, and comparatively low population of Australia’s tropical regions lends itself to gothic exploration. This dark undertone was modelled on writers like David Malouf, whose fiction and poetry have been significant in endowing Australia with a sense of mythology associated with its Northern environments. As Malouf has explained, re-mythologizing the postcolonial Australian landscape gives its diverse inhabitants a renewed, ‘symbolised place’ to ‘exist in’ (cited in Mulligan & Hill, 2001, p.110).
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Schaffeld, Norbert. "Jörg Heinke: Die Konstruktion des Fremden in den Romanen von David Malouf (Kieler Beiträge zur Anglistik und Amerikanistik, NF 22)." Archiv für das Studium der neueren Sprachen und Literaturen, no. 1 (April 1, 2008). http://dx.doi.org/10.37307/j.1866-5381.2008.01.35.

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50

Kiernan, Brian. "Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*." Australian Literary Studies, October 1, 1995. http://dx.doi.org/10.20314/als.8e061414f7.

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