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Relevant bibliographies by topics / Dávila

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Academic literature on the topic 'Dávila'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Dávila"

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Dávila, Amparo, and Erica Frouman-Smith. "Entrevista con Amparo Dávila." Chasqui 18, no. 2 (1989): 56. http://dx.doi.org/10.2307/29740181.

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Contreras Jiménez, María Eugenia. "La memoria del linaje Arias Dávila en la cofradía y hospital de San Cosme y San Damián de Valladolid (siglos XV a XVII) = The Memory of the Arias Dávila Lineage and the Confraternity and Hospital of Saints Cosme and Damian of Valladolid (Fifteenth to Seventeenth Centuries)." Espacio Tiempo y Forma. Serie III, Historia Medieval, no. 33 (April 21, 2020): 157. http://dx.doi.org/10.5944/etfiii.33.2020.26734.

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El estudio aborda la relación mantenida por un linaje castellano y una cofradía y su hospital, así como el cambio que paralelamente se produce en la apreciación de la propia memoria del grupo familiar, desde categorías individuales a grupales, a medida que evolucionan los dos mayorazgos instituidos en la rama masculina de los Arias Dávila. Las fuentes, en gran parte inéditas, permiten ver cómo Pedrarias Dávila, gobernador en América, enalteciendo el origen de su propia rama, el obispo don Juan Arias, estableció las bases del proceso analizado.AbstractThis study examines the relationship between a Castilian lineage and a confraternity and its hospital, as well as the change that took place at the same time, in the self-assessment of the family’s memory, both on an individual and a group level, in the development of the entailed estates (mayorazgos) of the male branch of the Arias Dávila lineage. The documentary records, many of which are unpublished, allow us to establish how Pedrarias Dávila, governor in America, laid the foundations for his family’s memory by extolling the origin of his branch founded by bishop Juan Arias.

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Naseiro Ramudo, Ana. "Entrevista a Alfonso Dávila Oliveda: Archivero del Cuerpo Facultativo de Archivos." CLIP de SEDIC: Revista de la Sociedad Española de Documentación e Información Científica, no. 83 (June 10, 2021): 39–51. http://dx.doi.org/10.47251/clip.n83.49.

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Entrevista concedida por D. Alfonso Dávila Oliveda, destacado archivero y gran profesional de los Archivos Estatales españoles, quien ha ejercido su labor profesional de manera continuada en los archivos históricos. D. Alfonso Dávila Oliveda muestra en esta entrevista su experiencia humana y profesional en la dirección de dos destacados archivos, asimismo, nos invita a conocer su faceta como escritor biógrafo-historiador de Miguel Cervantes de Saavedra.

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Dávila Vázquez, Jorge. "El Dios de César Dávila Andrade." Revista Iberoamericana 54, no. 144 (December 30, 1988): 779–87. http://dx.doi.org/10.5195/reviberoamer.1988.4487.

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Jacques, Wesley. "Five Midnights by Ann Dávila Cardinal." Bulletin of the Center for Children's Books 72, no. 9 (2019): 383. http://dx.doi.org/10.1353/bcc.2019.0314.

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Field, Thomas C. "Jerry Dávila, Dictatorship in South America." Journal of Contemporary History 51, no. 1 (January 2016): 206–8. http://dx.doi.org/10.1177/0022009415620132j.

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Barrios, Begoña, and Maria Medina. "Strong maximum principles for fractional elliptic and parabolic problems with mixed boundary conditions." Proceedings of the Royal Society of Edinburgh: Section A Mathematics 150, no. 1 (January 26, 2019): 475–95. http://dx.doi.org/10.1017/prm.2018.77.

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AbstractWe present some comparison results for solutions to certain non-local elliptic and parabolic problems that involve the fractional Laplacian operator and mixed boundary conditions, given by a zero Dirichlet datum on part of the complementary of the domain and zero Neumann data on the rest. These results represent a non-local generalization of a Hopf's lemma for elliptic and parabolic problems with mixed conditions. In particular we prove the non-local version of the results obtained by Dávila and Dávila and Dupaigne for the classical cases= 1 in [23, 24] respectively.

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Kosilova, Elena. "Genuine Reactionary: The Works of Nicholás Gómez Dávila." Sotsiologicheskoe Obozrenie / Russian Sociological Review 20, no. 1 (2021): 229–43. http://dx.doi.org/10.17323/1728-192x-2021-1-229-243.

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The article deals with the work of the Colombian philosopher and writer Nicholás Gómez Dávila, and primarily his five-volume work Scholia to an Implicit Text (Escolios a un texto implícito). This work is a collection of over 10,000 brilliant aphorisms. Gómez Dávila called himself a reactionary thinker. His aphorisms express a critical attitude towards the modern world. He criticized the shortcomings of democracies, and was strongly opposed to revolutions and the idea of progress. He saw progress as a gradual slide down an inclined plane. His ideal is a traditional society that is organized hierarchically. He also sharply criticized contemporary art, in which he believed little skill was left with very large pretensions for originality. He is a religious thinker who did not accept the ecclesiastical relief of the Second Vatican Council. An unattractive portrait of a man of our day looms in his aphorisms. He writes about fools and vulgar people who pursue fashion that attracts them by its superficial brilliance, while the “genuine reactionary” is always opposed to fashion. The reactionary is a loner by nature, does not tolerate crowds, lives an inner life, and communicates with philosophy and art. In the modern world, Gómez Dávila finds expressions of Gnostic tendencies from which comes the idea of the deification of man and the oblivion of God. He contrasts the intellect as something dry and abstract to intelligence which must live through existential conflicts. Some have compared Gómez Dávila with Nietzsche, but this comparison does not seem relevant.

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Molina, Tomás Felipe. "La Modernidad democrática como religión: una lectura intertextual de la crítica de Gómez Dávila en Textos." Revista de filosofía DIÁNOIA 65, no. 84 (May 27, 2020): 59. http://dx.doi.org/10.22201/iifs.18704913e.2020.84.1612.

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Nicolás Gómez Dávila caracteriza laModernidad democrática como una época gnóstica. En este artículo pretendo reconstruir esta caracterización a partir de una lectura intertextual de Textos. Desde una filosofía de la historia (9◦ texto) y desde una antropología filosófica (5◦ texto) Gómez Dávila interpreta fenómenos históricos como la Modernidad y la democracia (6◦ texto) con una perspectiva que privilegia lo religioso. Su conclusión es que en la Modernidad democrática el ser humano se ha arrogado atributos divinos, es decir, se ha divinizando. Así, intentaré mostrar cómo funciona la intertextualidad de Textos en la crítica a la Modernidad democrática y ofreceré además algunas consideraciones críticas

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Dávila Vargas-Machuca, Miguel. "Introducción a Nikos Kazantzakis: trasvases del papel a la gran pantalla." Trasvases entre la literatura y el cine, no. 2 (October 14, 2020): 119–21. http://dx.doi.org/10.24310/trasvasestlc.vi2.10406.

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Dissertations / Theses on the topic "Dávila"

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Romero, Patricia E. "El Ser Escindido En Céar Dávila Andrade." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123685298.

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Rabier, Michael. "Philosophie, gnose et modernité. Nicolás Gómez Dávila lecteur d'Éric Voegelin." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0110.

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Par-delà la dispersion thématique et aphoristique de l’œuvre du philosophe colombien Nicolás Gómez Dávila (1913-1994), un spectre hante sa pensée : le spectre du gnosticisme. Quel lien ce courant religieux ou para religieux né au sein de l’Empire romain entre le Ier et le IIIe siècle de notre ère, peut-il avoir avec notre monde moderne ? Quel rapport entretien ce courant avec la philosophie ? En effet, la connaissance philosophique est totalement différente de la « connaissance » gnostique (gnosis). Alors que la philosophie, d’une part, se fonde sur une recherche de la vérité à partir d’un questionnement sur la réalité, la gnose est étroitement liée à une expérience de révélation, de sorte que la réception de la vérité, par illumination intérieure, remplace la théorie et l’argument rationnel. D’autre part, elle a pour objet la voie du salut, sans enseignement théorique, par transformation ou destruction de la réalité. On ne peut donc que s’interroger sur les coïncidences entre la gnose ancienne et ce que le philosophe austro-américain Éric Voegelin (1901-1985) a nommé « la modernité sans frein ». Ne pourrait-on pas voir dans les idéologies modernes (communisme, socialisme, nationalisme, libéralisme, etc.) à l’instar d’Éric Voegelin, des « religions politiques » ou, comme il le développera ensuite dans son œuvre une résurgence et excroissance du gnosticisme cherchant ici-bas le salut par la divinisation de l’homme ? C’est la thèse de Gómez Dávila qui radicalise celle de Voegelin en faisant de la gnose l’origine de la religion démocratique et de ses dérivations dans l’ordre théologico-politique (athéisme, progressisme, relativisme, étatisme et totalitarisme) et anthropologico-juridique (égalitarisme, jusnaturalisme et individualisme)
Beyond dispersion set of themes and aphoristic of the work of the Colombian philosopher Nicolás Gómez Dávila (1913-1994), a spectrum haunts his thought: the spectrum of the Gnosticism. Which link this current religious or para religious born within the Roman Empire between 1st and the 3rd century of our era, can it have with our modern world? Which maintenance report this current with philosophy? Indeed, philosophical knowledge is completely different from gnostic “knowledge” (gnosis). Whereas philosophy, on the one hand, is based on a research of the truth starting from a questioning on reality, the gnosis is closely related to an experiment of revelation, so that the reception of the truth, by interior illumination, replaces the theory and the rational argument. In addition, it has as an aim the way of the salvation, without theoretical teaching, by transformation or destruction of reality. One can thus only wonder about coincidences between the old gnosis and what the Austria-american philosopher Éric Voegelin (1901-1985) named “modernity without restraint”. Couldn’t one see in the modern ideologies (communism, socialism, nationalism, liberalism, etc.) following the example of Éric Voegelin, “political religions” or, as it will then develop it in his work a resurgence and growth of Gnosticism seeking here below salvation by the deification of the man? It is the thesis of Gómez Dávila which radicalizes that of Voegelin by making gnosis the origin of the democratic religion and its derivations in the theologico-polical (atheism, progressism, relativism, statism and totalitarianism) and anthropologico-legal order (egalitarianism, jusnaturalism and individualism)

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Lopez, Rodrigo. "La vía del abandono en los cuentos de Amparo Dávila." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609124/.

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Amparo Davila's writing style is characterized by circumventing the boundaries between the real and the fantastic and between the known and the unknown. The author creates a narrative that evokes horror in the reader by mixing the uncanny of the unknown with the reality of the world. This study proposes that the sinister in Davila's stories are created by abandonment. This abandonment is the peremptory element of Davilian narrative and can be seen and examined throughout the author's literary work. The abandonment wields a mechanism of loneliness, madness, hopelessness and chaos that eventually provokes the sinister. The element of abandonment disturbs the main character of the story and makes him fall into an abyss from which he or she cannot escape. This abandonment is not always obvious, since most of the time the abandonment is veil by a halo of gothic and fantastic elements. The present thesis has the task of breaking down the different types of abandonment that are presented throughout this narrative, its sinister function and the theoretical and historical interpretation of the various abandonments both personal and collective that Amparo Davila presents. The route of abandonment proposed in this thesis is explained in the following three stories: "El desayuno" (1961), "La quinta de las celosías" (1959) and "La señorita Julia" (1959).

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Caraucán, Dávila Miguel Ángel [Verfasser]. "Systematic Investigation of Distillation Efficiency in Aqueous Systems / Miguel Ángel Caraucán Dávila." Aachen : Shaker, 2015. http://d-nb.info/1074087615/34.

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Castillo, Medrano Andrés, Román Arturo Figueroa, Vallejos Matías Freire, and Ballesteros Rodrigo Ibáñez. "Los cien días de Dávila: la política económica del "Socialismo de Estado"." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110270.

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Informe de Seminario para optar al grado de Licenciado en Historia.
Específicamente, el presente informe no abarcará el periodo mencionado en su integridad, sino que le dará énfasis a los últimos días de la presidencia de Juan Esteban Montero hasta la caída de Carlos Dávila. Es precisamente este último personaje el foco de atención de nuestro estudio. Es una personalidad sumamente intrigante, pues, sin levar a término su carrera de Derecho en la Universidad de Chile y sin ser periodista, ingresó a El Mercurio y posteriormente al diario La Nación, en los cuales escaló posiciones rápidamente, hasta llegar incluso a ser Director del último medio de prensa mencionado. Pudo convertirse en embajador en los Estados Unidos, logrando numerosos e importantes contactos, así como también titularse de abogado en la prestigiosa Universidad de Columbia. Finalmente, llegó a la cabeza de la nación, desplazando a un popular caudillo como lo fue Marmaduque Grove, e inclusive al temido Carlos Ibañez del Campo, su ex mentor.

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Goenaga, Francia Elena. "Trois moralistes : Marie Linage, François de la Rochefoucauld et Nicolás Gómez Dávila." Paris 8, 2006. http://octaviana.fr/document/117579874#?c=0&m=0&s=0&cv=0.

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Cette thèse cherche à mettre en situation trois moralistes : d’une part, Marie Linage et François de la Rochefoucauld, tous les deux du XVIIème siècle français et, d’autre part, Nicolás Gómez Dávila, un auteur colombien du XXème siècle. Pourquoi sont-ils nos contemporains, malgré les distances temporelles et géographiques ? D’abord, à cause d’une tradition : l’écriture fragmentaire. Ensuite, à cause d’une intention : examiner la nature humaine. Nous essayons donc de comprendre la spécificité de l’usage du fragment chez chacun d’eux (des questions sans réponse, des maximes et des scolies, respectivement), ainsi que les particularités de leur respectif abord de la question portant sur homme. Outre des essais, notre thèse comporte des éditions critiques des deux auteurs français et une sélection traduite des textes du Colombien
This PhD dissertation seeks to put in situation three moralists: on the one hand, Marie Linage and François de la Rochefoucauld, both living in the French 17th century and, on the other hand, Nicolás Gómez Dávila, a Colombian author of the 20th century. Why are they our contemporaries, in spite of the temporal and geographical distances? Initially, because of a tradition: the fragmentary writing. Then, because of an intention: to examine the human nature. We try to understand the specificity of the use of the fragment in each of them (questions without answer, maxims and scholiums, respectively), as well as the characteristics of their respective access to the question relating to man. In addition to essays, our dissertation comprises critical editions of the two French authors and a translated selection of the texts of the Colombian

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Dávila, Céspedes Antonio [Verfasser]. "Metabolites of bacteria isolated from marine environments: chemistry and bioactivities / Antonio Dávila Céspedes." Bonn : Universitäts- und Landesbibliothek Bonn, 2018. http://d-nb.info/119893333X/34.

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Díaz, Gutiérrez Daphne Colette. "La comunicación en la obra literaria: análisis del cuento fantástico Griselda de Amparo Dávila." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2021. http://hdl.handle.net/20.500.11799/110559.

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Las producciones en el ámbito del arte literario son una manifestación de la cultura a la que pertenece tanto el autor como el lector de las mismas. Sin embargo la literatura es también, en tanto que producción artística, una reinterpretación del mundo real, un esfuerzo por reconfigurarlo y crear un nuevo mundo empleando el lenguaje escrito, asimismo es la proyección de esta ficción dirigida a un lector, que ya se considera desde que se escribe la obra e incluso sin que esta llegue aún a ser leída.

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Tapia, Solís Giannina. "Juan Domingo Dávila : una lectura sobre el recurso de la cita en su obra pictórica." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/131177.

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Autor no autoriza el acceso a texto completo de su documento hasta marzo de 2016.
Licenciado en artes con mención en teoría e historia del arte
Una de las formas en la que se ha atentado en contra de la pureza de la pintura como género ha sido mediante la cita, pues ésta permite diluir los límites de la obra, convirtiéndola en un espacio de debate pictórico a partir de los diversos referentes interactuantes en la obra que generarán nuevos sentidos debido a su yuxtaposición. La cita, en la historia del arte, se ha concebido desde el homenaje al vincularse a una tradición o autor, la de parodia hacia una obra o movimiento y desde el comentario que se encuentra en una posición intermedia, pues no pretende loar o insultar la referencia3. También es posible encontrar la autocitación, en donde un autor inserta en su obra fragmentos de otras hechas anteriormente.

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Berge, Caroline. "Quête spirituelle, quête de soi dans les œuvres complètes de César Dávila Andrade : une écriture en mouvement." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100158/document.

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Les œuvres de César Dávila Andrade sont encore largement méconnues et peu diffusées. Elles ont également été peu étudiées par la critique. Notre corpus comprend les œuvres complètes de César Dávila Andrade, à savoir l'ensemble de son œuvre poétique, les nouvelles et les essais. À partir des héritages et des influences de l'écrivain, il s'agit de montrer comment, autour d'un travail sur le langage et l'imagination, l'auteur part à la conquête de nouveaux paysages littéraires. L'écriture, en effet, se veut dynamique et en mouvement, repoussant toujours les limites du domaine littéraire, afin d'atteindre la connaissance du véritable moi de l'homme, et de transmettre la parole du poète
César Dávila Andrade’s works are still underestimated and enjoy limited distribution. Moreover, they have been largely unexplored until now. Our corpus is composed of the César Dávila Andrade‘s complete works, which means his total body of poetic work, the short stories and the essays. We will focus on the legacies and the influences of the writer, in order to study the language and the imagination. We will show how the author is in search of new literary landscapes. Indeed, as his purpose is to find a dynamic writing, in movement; the author breaks up the limits of the field of literature. He explores a new way that could give him access to transcendental higher-order knowledge, so as to reveal the Word

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Books on the topic "Dávila"

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Dávila, Miguel. Miguel Dávila. Buenos Aires, Argentina: [s.n.], 2003.

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Aguirre, Odila Fuentes. Jorge Dávila. Saltillo, Coahuila, Mexico]: Icocult, Instituto Coahuilense de Cultura, 2009.

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1963-, Fresán Rodrigo, and Juliá Pablo, eds. Ricky Dávila. Barcelona: Lunwerg, 2010.

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Miguel Dávila. Buenos Aires, Argentina: [s.n.], 2003.

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Dávila, Jose. Jose Dávila, cutouts. London: Max Wigram Gallery, 2014.

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Sancho Dávila, soldado del rey. Ávila: Institución Gran Duque de Alba, 2010.

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Nicolás Gómez Dávila: Parteigänger verlorener Sachen. Schnellroda: Edition Antaios, 2003.

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1935-, Dávila José Antonio, ed. José Antonio Dávila y su obra. Caracas: Armitano, 2005.

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Salazar, Oswaldo. Oswaldo Salazar conversa con Amílcar Dávila. Guatemala Ciudad: Centro Cultural de España, Guatemala, 2000.

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Katholische Protestanten: Gómez Dávila und Donoso Cortés. Dettelbach: J. H. Röll, 2008.

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Book chapters on the topic "Dávila"

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"Sancho Dávila:." In Protagonists of War, 115–97. Leuven University Press, 2021. http://dx.doi.org/10.2307/j.ctv1xtwqc7.7.

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"Los otros escritos de Nicolás Gómez Dávila." In Lo jurídico como categoría del espíritu. Ensayo sobre el pensamiento de Nicolás Gómez Dávila. Serie Teoría Juridica y Filosofía del Derecho N. 99, 89–96. Universidad del Externado de Colombia, 2020. http://dx.doi.org/10.2307/j.ctv1rcf0zs.7.

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Pitol, Maricarmen. "AMPARO DÁVILA, EL ANGUSTIOSO RETORNO AL MUNDO INFANTIL." In Escribir la infancia, 285–98. El Colegio de México, 1996. http://dx.doi.org/10.2307/j.ctv3dnpqs.19.

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"Printing permission granted by Gonzalo Dávila, Society of Jesus." In Natural and Moral History of the Indies, 3. Duke University Press, 2002. http://dx.doi.org/10.1215/9780822383932-200.

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"Jesús González Dávila - Ciudad de México: el Moloc implacable." In Un viaje sin fin, 147–54. Vervuert Verlagsgesellschaft, 2004. http://dx.doi.org/10.31819/9783964563521-014.

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Cázares H., Laura. "EL PANTEÓN FAMILIAR EN “MATILDE ESPEJO”, DE AMPARO DÁVILA." In Entre la tradición y el canon, 227–38. El Colegio de México, 2009. http://dx.doi.org/10.2307/j.ctv6jmx0x.21.

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"Printing permission granted by Gonzalo Dávila, Society of Jesus." In Natural and Moral History of the Indies, 3. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822383932-004.

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"PRINTING PERMISSION GRANTED BY GONZALO DÁVILA, SOCIETY OF JESUS." In Natural and Moral History of the Indies, 3. Duke University Press, 2002. http://dx.doi.org/10.2307/j.ctv11cw7z1.6.

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MEDINA, MANUEL F. "Migration, Exile, and Identities in Abuelos, by Carla Valencia Dávila." In Telling Migrant Stories, 136–54. University of Florida Press, 2018. http://dx.doi.org/10.2307/j.ctvx073xt.10.

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Quevedo, Amalia. "Esbozo del pensamiento de Nicolás Gómez Dávila, “el Nietzsche colombiano”." In Proceedings of the XXIII World Congress of Philosophy, 225–29. Philosophy Documentation Center, 2018. http://dx.doi.org/10.5840/wcp23201810276.

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