Relevant bibliographies by topics / Dazai

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Dazai'

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Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Dazai"

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Orbaugh, Sharalyn, and Alan Wolfe. "Suicide and Dazai." Journal of the Association of Teachers of Japanese 24, no. 2 (November 1990): 185. http://dx.doi.org/10.2307/488953.

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Devi, Rima, Aminah Hasibuan, and Ferdinal Ferdinal. "The Reflection of Wabi Sabi in the Novel Joseito by Dazai Osamu." Lingua Cultura 15, no. 2 (November 30, 2021): 167–73. http://dx.doi.org/10.21512/lc.v15i2.7004.

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The research examined the life’s perspective of the author that was reflected in wabi sabi in the novel ‘Joseito’ by Dazai Osamu. The life of the Joseito character described by Dazai Osamu in the Joseito novel had individual values (honne), and Joseito desired to equate it with collective values (tatemae). However, Joseito could not unite the two contradictory values and accepted the contradiction. The method used was descriptive qualitative, with the sociology of literature approach and focused on the sociology of the author using the concept of wabi sabi. Data on wabi sabi were collected from reading Joseito’s novels. The research results find that Dazai Osamu sincerely accepts the contradictions in Japanese society because Dazai can place himself where he is. Dazai is willing to accept contradictions in Japanese society by understanding the meaning of wabi sabi. He learns to appreciate, accept what it is, and be grateful for the contradictions in society because these contradictions can establish harmony in a beautifully ordered life through wabi sabi.
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Rogers, Lawrence, Dazai Osamu, and James O'Brien. "Dazai Osamu: Selected Stories and Sketches." Journal of the Association of Teachers of Japanese 21, no. 1 (April 1987): 113. http://dx.doi.org/10.2307/488901.

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Kim, Na-kyung. "The attitude of the middle dazai." Japanese Language and Literature Association of Daehan ll, no. 46 (May 2010): 129–40. http://dx.doi.org/10.18631/jalali.2010..46.007.

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中嶋駒子. "A study of Dazai Osamu's "Chikyuzu"." Japanese Language and Literature Association of Daehan ll, no. 73 (February 2017): 125–44. http://dx.doi.org/10.18631/jalali.2017..73.007.

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전봉이. "The Study of Dazai osamu “Sinrou”." Journal of Japanese Studies ll, no. 33 (September 2007): 139–54. http://dx.doi.org/10.15733/jast.2007..33.139.

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정부용. "Dazai Osamu's ‘Art for Art's Sake’." Journal of the society of Japanese Language and Literature, Japanology ll, no. 38 (August 2007): 449–76. http://dx.doi.org/10.21792/trijpn.2007..38.022.

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Rabson, Steve, and James O'Brien. "Akutagawa and Dazai: Instances of Literary Adaptation." Journal of the Association of Teachers of Japanese 23, no. 2 (November 1989): 176. http://dx.doi.org/10.2307/489063.

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Wilson, Michiko N., and James O'Brien. "Akutagawa and Dazai: Instances of Literary Adaptation." Monumenta Nipponica 44, no. 3 (1989): 352. http://dx.doi.org/10.2307/2384615.

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황진. "A study on “sarumenkanja” by Dazai Osamu." Japanese Language and Literature Association of Daehan ll, no. 56 (November 2012): 275–87. http://dx.doi.org/10.18631/jalali.2012..56.016.

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Dissertations / Theses on the topic "Dazai"

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Cox, Jamie Walden. "Dazai's Women: Dazai Osamu and his Female Narrators." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/132.

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Dazai Osamu (born Tsushima Shûji) was a post-WWII writer who wrote a number of works using a female narrator. This thesis research focused on the reasons as to why Dazai may have written using female narratives, taking into consideration the time period and social milieu in which he was writing, as well as his own personal history with women. In addition, the history of male authors utilizing female narratives was explored, as well as the ideas of gender in the Japanese arts. Dazai works were also compared with Tankizaki Junichirô's to see how the roles of women in their works differ. The four main Dazai works analyzed were "Magic Lanterns" ("Tôrô"), "The Schoolgirl" ("Joseito"), "December 8th" ("Jûnigatsu yôka"), and "Villon's Wife" ("Biyon no tsuma"). The conclusion was that Dazai was using female narrators as a different approach to further critiquing himself, with the female narrator being used to critique a Dazai-like persona in the works.
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Lubitz, Joseph B. "Anxious Seas: Reading Affect in Dazai and Murdoch." Oberlin College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1451406893.

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Nagaike, Kazumi. "Dazai Osamu's Otogi zoshi, a structural and narratological analysis." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22546.pdf.

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Lavelle, Isabelle. "Littérature et imposture : Identités narratives chez Dazai Osamu (1909-1948)." Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC031.

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Toute l'oeuvre de l'écrivain japonais Dazai Osamu est au service d'une création de soi autoréflexive. Brouillant jusqu'à l'extrême les limites entre personne et personnage, sa littérature construit une figure auctoriale qui affirme sa légitimité en mettant constamment en question les codes de la fiction. Cette thèse aborde les multiples incarnations de « Dazai Osamu » à travers sa posture, concept qui permet de réunir la conduite et l'ethos par lesquels le personnage auctorial se met en scène. Celui-ci est ainsi abordé à travers son positionnement par rapport aux discours de son temps. L'identité chez Dazai s'élabore en effet en fonction des perceptions d'autrui : l'auteur n'existe que pour répondre aux attentes dont il fait l'objet. La posture conçue comme imposture débouche alors sur une quête existentielle qui interroge sa légitimité à être humain
Japanese writer Dazai Osamu's literature can be seen as an experiment in self¬creation. Through the use of metafictional reflexivity, the author states his legitimacy as a person made character by constantly challenging the rules of fiction. Dazai creates his identity as a mere reflection of the perceptions of himself he anticipates within the other's gaze. This thesis aims to analyze how "Dazai Osamu" emerges through multiple narrative incarnations by focusing on the notion of posture. Understood as the way an author positions him/herself within the discursive flux of his/her time, the notion allows us to consider the behavioral and linguistic elements which constitute literary self-representation as a whole. Within Dazai's literature, the "author" being only the sum of discourses held about him, posture is apprehended as imposture. His works reflect an existential quest about the meaning of being human
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Kawana, Karen Kazue. "Reflexões sobre a mulher no Japão e nos textos de Osamu Dazai." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-10032016-131544/.

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Osamu Dazai é um dos poucos escritores japoneses da primeira metade do século XX que emprega mulheres como narradoras. Procuramos explorar essa peculiaridade de seus textos comparando-os, embora brevemente, com aqueles de alguns de seus contemporâneos, como Yasunari Kawabata e Junichirô Tanizaki. Fazemos algumas incursões na ideia de feminilidade que permeava a sociedade japonesa no início do século XX e as transformações que ela sofre até o final da Segunda Guerra, pois acreditamos que essas mesmas mudanças na imagem do feminino também sejam refletidas pelos textos de Dazai. Analisamos alguns de seus textos com narradoras para observar o quanto elas se distanciam ou se aproximam dos ideais de feminilidade da sociedade da época. Por fim, também comparamos as figuras femininas de suas obras do pós-guerra com suas figuras masculinas, estas, muito parecidas com o próprio autor, presas do niilismo e em rota de autodestruição. Nossa intenção, em suma, é explorar, mesmo que de forma limitada, as relações entre a cultura da época e a literatura por meio da análise de alguns textos com narradoras de Osamu Dazai, bem como sublinhar o caráter peculiar dessas mesmas narradoras no interior das obras do autor e em relação aos textos de seus contemporâneos.
Osamu Dazai is one of the few Japanese writers from the first half of the 20th century in whose texts we find female narrators. We intend to explore, although briefly, this peculiarity comparing his texts with those written by authors like Yasunari Kawabata and Junichirô Tanizaki. We make some incursions into the idea of womanliness which permeated the Japanese society in the beginning of the 20th century and the changes which it undergoes until the end of the Second World War because we believe that the same changes in the female image are reflected in Dazais texts. We analyze some of his texts with female narrators to see how far or close they are to societys ideals of womanliness. Lastly, we compare the female characters of Dazais postwar texts with the male ones (who resemble the author himself in their nihilism and self-destructive tendencies). In short, our objective is to examine, even if not as comprehensively as we could wish, how the culture of the period and the literature are related by analyzing some texts with female narrators written by Osamu Dazai. We also hope to stress the uniqueness of these female narrators within the authors texts and in relation to those of his contemporaries.
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Silva, Hiroko Hashimoto da. "A estética do espaço na obra Pôr-do-Sol, de Dazai Osamu." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-31082010-143013/.

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Esta pesquisa visa analisar a estética do espaço e a estética literária empregadas na narrativa da obra Pôr-do-Sol, de Dazai Osamu, bem como resgatar a essência da cultura japonesa contemporânea de um Japão devastado pela Segunda Guerra Mundial, onde o autor expressa toda a sua sensibilidade poética. Este trabalho baseia-se na pesquisa biográfica de Dazai Osamu, com ênfase ao momento histórico que o autor testemunhou e onde realizou suas escritas, visando o levantamento da iconografia, pictografia e metonímia na linguagem de sua obra. Através deste estudo buscam-se os elementos que o enquadrem no gênero literário denominado Romance do Eu e as influências exercidas pelo Naturalismo europeu e movimentos sociais em sua carreira literária por meio da análise da hereditariedade, das influências do meio social no ambiente da obra e a estética literária empregada em sua técnica narrativa. O estudo desenvolvido demonstra as interferências ocidentais na Literatura Japonesa através da intertextualidade de obras japonesas e ocidentais, que dialogam entre si, e apresentam uma narrativa ao redor da estética do espaço na obra Pôr-do-Sol, retratando a essência humana, o irracional, as emoções, o onírico, as alegrias e desilusões inerentes a todos os seres humanos, principalmente na sociedade japonesa do período histórico do pós-guerra.
This research seeks analyze Dazai Osamu\'s spatial aesthetics and his literary style, which was used in his novel Setting Sun, besides to bring off essence of Japan Contemporary Culture, that was devastated in this country due to World War II. Another point of this study is the narrative aesthetics, where the writer expresses his poetic sensitiveness. This study is based on Dazai Osamu\'s autobiographic research, emphasizing a historical moment of Japan, which he witnessed and finished his writings despite of war; in his novel, Dazai aimed the language of: iconography survey, pictorial survey and metonymy language. This study will search for elements that fit in the literary genre named I Novel, as well as influences the writer suffered from European Naturalism and social movements in his literary carrier; Dazai analyzed the heredity and the influences of social means described in atmosphere of his work and the literary aesthetic (spatial) carried out in his narrative techniques. The study developed here points out western interference in Japanese literature, which can be noticed in the inter-textuality of literary works between west and east, that inter-act itself; therefore introduces a narrative related to spatial aesthetic in the Setting Sun which the writer describes the essence of human beings´nature such as: irrational feelings, the emotions, the day-dreams, the cheerfulness and disappointments, inherent in whole human beings, especially in the Japanese society in certain historical time after war.
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Nagae, Neide Hissae. "De Katai a Dazai: apontamentos para uma morfologia do romance do eu." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-14052007-151503/.

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O presente trabalho constitui um estudo sobre um conjunto de obras pertencentes ao gênero japonês de cunho autobiográfico denominado Romance do Eu, com o intuito de traçar características comuns a essas obras que sirvam como apontamentos para uma morfologia desse gênero surgido no início do século XX. Num primeiro momento, situamos o Romance do Eu no contexto histórico-literário do Japão e apresentamos as discussões de estudiosos japoneses na fase inicial de desenvolvimento dessa forma literária, além da visão de dois estudiosos estrangeiros sobre o gênero. Nesse percurso, traçamos ligações entre as obras estudadas com a repressão ideológica e o exercício da liberdade de expressão na postura acuada e resignada dos protagonistas, encontradas num conjunto de obras analisadas num segundo momento, que vão desde 1906, com a obra Futon (Acolchoado), de Tayama Katai, até o final da Segunda Guerra Mundial. Tais obras revelaram uma sensível e rica diversidade quando analisadas pelos elementos da narrativa que estruturam o texto, mas não foi possível encontrar textualmente aspectos que identificassem o protagonista da obra com seu autor. Na realidade, elas se mostraram uma forma velada de contestação ao sistema autoritário do Japão ao centrarem seu conteúdo em fatos da vida pessoal do autor e parodiarem os romances europeus introduzidos na época. Esse dialogismo do Romance do Eu desenvolve-se também no nível textual da obra de Dazai Osamu, intitulada Pôr-do-Sol, escrita em 1947, logo após a rendição do Japão e ainda sob a ocupação das tropas norte-americanas, incumbidas de iniciar a democratização do país. O estudo desenvolvido nesse terceiro momento mostra que o autor utiliza, ainda, outras formas literárias que privilegiaram a ficção na literatura japonesa, elabora personagens que são desdobramentos de si mesmo e que dialogam entre si e faz uso de diferentes formas narrativas, que se mesclam à intertextualidade de obras japonesas e ocidentais, criando, assim, uma obra que dispensa o rótulo de Romance do Eu e assegura a sobrevivência dessa forma narrativa na prosa moderna do Japão.
ABSTRACT From Katai to Dazai: Notes for Morphology of the Novel of the Self consists of a study on a set of literary works belonging to the autobiographical character Japanese genre denominated Novel of the Self, aiming at outlining common characteristics to these works that serve as notes for a morphology of this genre started in the beginning of the XX century. In a first instance the Novel of the Self is placed in the Japanese historical-literary context and the discussions of Japanese scholars in the initial development phase of this literary form are presented, as well as the vision of two foreign scholars about the genre. In this trajectory are outlined connections of the works studied with the ideological repression and the exercise of the freedom of expression in the cornered and acquiescent posture of protagonists, being these connections found in a set of works analyzed in a second instance, comprehending 1906 with the work of Futon (Quilt) by Tayama Katai, up to the end of the Second World War. Such works have revealed an insightful and rich diversity when analyzed by the elements of the narrative which structure the text, but aspects that could identify the work?s protagonist with its author have not been possible to find textually. As a matter of fact, they have revealed a veiled way of contest to the Japan?s authoritative way as they have focused their content on facts of the author?s personal life and parodied the European novels introduced at that time. This dialogism in the Novel of the Self is also developed on the textual level of the work of Dazai Osamu entitled Sunset, written in 1947, right after the surrender of Japan while under the occupation of the American troops charged with the task of beginning the country?s democratization. The study developed in this third instance reveals that the author uses, in addition, other literary forms that benefit the fiction in the Japanese literature, makes up characters that are developments of himself and that also talk among themselves, and makes use of different forms of narratives that merge to the intertextuality of Japanese and Western works, creating, as a result, a work that excuses the label of Novel of the Self and, assures the endurance of this narrative form in the Japans modern prose.
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Nielsen, Oskar. "Dazai på svenska : En kommenterad översättning av novellerna 走れメロス – Hashire Merosu (”Spring, Moerus!”) och 富嶽百景 – Fugaku Hyakkei (”Hundra vyer över Fuji”) av Osamu Dazai." Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117809.

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Denna uppsats består av två översättningar av den japanska författaren Osamu Dazais noveller Spring, Moerus! och Hundra vyer över Fuji från japanska till svenska samt en analys som ur ett litteratur-vetenskapligt perspektiv hjälper till att fastställa översättningsstrategin – att göra en adekvansinriktad och främmandegörande översättning. Översättningarna följs av en översättningsteoretisk kommentar som fokuserar på de tre problemområdena grammatik och lexikon, menings- och styckesstruktur samt passivering. Ett litteraturvetenskapligt perspektiv för källtextanalysen visar sig vara mycket tillämpbart för dessa texter på grund av deras genre, jag-romanen, som är typisk för japansk 1900-talslitteratur. Källtexterna och måltexterna finns med som bilagor.
This essay consists of two translations of the two Japanese short stories Hashire Merosu and Fugaku Hyakkei (in Swedish Spring Moerus! and Hundra vyer över Fuji) by the author Osamu Dazai from Japanese to Swedish. An analysis through a literary science perspective helps to establish the translation strategy, which is to make an adequate and foreignized translation. The translations are followed by a theoretical translation annotation which focuses on the issues of grammar and lexicon, sentence and paragraph structure along with the usage of the passive form. A literary science perspective on the source text analysis proves to be very applicable for these texts because of their genre, the I-novel, which is typical for 20th century Japanese literature. The source and target texts are available as appendixes at the end of the essay.
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Nakada, Akio. "Genèse de la pensée économique japonaise l'économie politique confucéenne chez Shundai Dazai (1680-1747) à l'époque des Tokugawa /." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb376083720.

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Nakada, Akio. "Genèse de la pensée économique japonaise : l'économie politique confucéenne chez Shundai Dazai (1680-1747) à l'époque des Tokugawa." Paris 1, 1987. http://www.theses.fr/1987PA010008.

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Dans le travail presente, nous n'avons pas aborde l'histoire de la pensee economique japonaise dans son ensemble. L'etude cerne l'epoque des tokugawa (1603-1868) ou la pensee economique proprement japonaise nait et se developpe jusqu'a un certain point. L'objet de cette these est de montrer ce qu'etait la pensee economique japonaise avant que l'influence des idees europeennes ne se manifeste. Dans nos recherches, deux parties essentielles se sont imposees. Une premiere esquisse l'histoire du confucianisme, tout d'abord en chine puis au japon, de ses origines jusqu'a son ultime developpement, le neo-confucianisme. Durant la periode des tokugawa, la plupart des "economistes" subissaient l'influence des idees chinoises et notamment celle du confucianisme. D'ailleurs, cette doctrine, et plus precisement celle du neo-confucianisme de zhu xi (j. Shushi-gaku), est devenue l'idee orthodoxe du gouvernement shogunal. Etudier les "economistes" de cette epoque dans leur contexte necessite donc cette phase preliminaire de connaissance du confucianisme. La deuxieme partie de ce travail s'interesse aux travaux de shundai dazai (1680-1747), economiste confuceen dont la pensee economique se presente comme relativement systematique par rapport a celles des autres economistes japonais contemporains. De plus, sa theorie n'est pas encore influencee par les idees nationales (koku-gaku) ou celles issues des etudes hollandaises (ran-gaku). A cet egard, sa theorie est vraiment fortement marquee par les idees du confucianisme. Sa pensee economique peut donc etre entrevue comme une sorte de pensee economique confuceenne. Avec shundai dazai et par le biais de ses theories, cette etude analyse le contenu de la pensee economique confuceenne
In the work we are presenting, we have not touched upon the history of the japanese thought as a whole. This study tries to determine the tokugawa epoch (1603-1868) when the economic japanese thought as such is born, and even increased to a certain extent. The object of this thesis is to show what the japanese economic thought was before the influence of european ideas manifested itself. In our research two essential parts were imposed. The first part outlines the history of confucianism, first in china and then in japan, from its origins until its ultimate development, the neoconfucianism. During the tokugawa period, most of the "economists" were submitted to the influence of chinese ideas and in particular those of the confucianists. In fact, this doctrine, and more precisely that of the neo-confucianism of zhu xi (j. Shushi-gaku), has become the orthodox opinion of the shogunal government. The study of the "economists" of this epoch in their true context requires this preliminary phase into the knowledge of confucianism. The second part of this study treats the works of shundai dazai (1680-1747). Economic thought of this confucian economist is relatively systematic compared to those of the other contemporary japanese economists. Besides, his theory is not yet influenced by national ideas (koku-gaku) or those which have come out of dutch studies (ran-gaku). In this view, his theory is truly and strongly influenced by the ideas of confucianism. His economic thought can hence be foreseen as some kind of confucian economic thought. With shundai dazai and through the approach of his theories, this study analyses the contents of the confucian economic thought
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Books on the topic "Dazai"

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Dazai, Osamu. Dazai Osamu. Tōkyō: Chikuma Shobō, 1991.

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Dazai Osamu. Tōkyō: Iwanami Shoten, 1998.

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Dazai, Osamu. Dazai Osamu. Tōkyō: Nihon Tosho Sentā, 1996.

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Gakkai, Nihon Rekishi, ed. Dazai Shundai. Tōkyō: Yoshikawa Kōbunkan, 1997.

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Fukunaga, Shūsuke. Dazai Osamu ron. Tōkyō: Hoppō Shinsha, 1985.

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1909-1948, Dazai Osamu, ed. Dazai Osamu seishunfu. Tōkyō: Kirin Shobō, 1987.

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Deguchi, Yūkō. Dazai Osamu henshintan. Tōkyō: Asukashinsha, 2004.

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Ono, Ryūshō. Dazai Osamu seishunfu. Tōkyō: Kirin Shobō, 1987.

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Satō, Yasumasa. Sōseki Akutagawa Dazai. Tōkyō: Chōbunsha, 1992.

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Yamagishi, Gaishi. Ningen Dazai Osamu. Tōkyō: Chikuma Shobō, 1989.

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Book chapters on the topic "Dazai"

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Königsberg, Matthew. "Dazai Osamu." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2109-1.

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Naumann, Nelly. "Dazai Osamu: Shayō." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2110-1.

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De Boissieu, Michel. "Le Mont crépitant commenté par Dazai Osamu." In Pragmatique du commentaire, 157–70. Turnhout, Belgium: Brepols Publishers, 2018. http://dx.doi.org/10.1484/j.ash.5.114316.

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Flueckiger, Peter. "Human Nature and the Way in the Philosophy of Dazai Shundai." In Dao Companion to Japanese Confucian Philosophy, 215–32. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-90-481-2921-8_8.

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Larson, Paul. "Dalai Lama." In Encyclopedia of Psychology and Religion, 446–47. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_150.

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Diamond, Stephen A., Paul Larson, Jennifer Amlen, Kathryn Madden, Kathryn Madden, Todd DuBose, Bonnie Smith Crusalis, et al. "Dalai Lama." In Encyclopedia of Psychology and Religion, 199–200. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_150.

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von Behr, Benita. "Dalai Lama." In Metzler Lexikon Religion, 236–38. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_82.

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Kumar, Pradeep, Patsy Kraeger, Anael Labigne, Christoph Golbeck, Dalia Yusuf, Martin Hölz, Jenny Harrow, et al. "Dalai Lama." In International Encyclopedia of Civil Society, 601–2. New York, NY: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-93996-4_788.

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Larson, Paul. "Dalai Lama." In Encyclopedia of Psychology and Religion, 586–87. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_150.

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Uno, Roberta, Kristen Adele Calhoun, Daniela Alvarez, and Kassandra L. Khalil. "Danai Gurira." In Contemporary Plays by Women of Color, 50–52. Second edition. | Milton Park, Abingdon, Oxon: New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315641584-7.

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Conference papers on the topic "Dazai"

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Sukamto, Sukamto. "NEGOSIASI ANTARA BUDAYA BARAT DENGAN BUDAYA LOKAL DALAM USAHA PENYEBARAN KRISTEN PROTESTAN DI KALANGAN ORANG SUNDA PADA ABAD KE-19." In Seminar Nasional Arkeologi 2019. Balai Arkeologi Jawa Barat, 2020. http://dx.doi.org/10.24164/prosiding.v3i1.20.

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Artikel ini membahas pertanyaan mengapa penyebaran Protestanisme di kalangan orang Sunda yang dilakukan oleh kelompok Anthing dianggap lebih berhasil jika dibandingkan dengan usaha yang dilakukan oleh para zending NZV? Dengan menggunakan metode sejarah didapat beberapa kesimpulan: (1) Dalam proses penyebaran Protestanisme di Sunda yang dilakukan baik oleh kelompok Anthing maupun oleh para zendeling NZV terjadi akulturasi antara budaya Eropa dengan budaya lokal. Proses akulturasi yang dilakukan dengan damai akan lebih berhasil jika dibandingkan dengan proses akulturasi dengan pemaksaan (akulturasi ekstrim). (2) Kelompok Anthing melakukan penyebaran Protestanisme dengan menerapkan akulturasi damai yaitu menyesuaikan dengan budaya lokal sehingga didirkan beberapa komunitas Kristen di sekitar Batavia. (3) Zendeling NZV sebaliknya cenderung memaksakan (akulturasi ekstrim) budaya Barat pada masyarakat Sunda sehingga terjadi penolakan terhadap Protestanisme.
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Razak, Yusron, Ilham Mundzir, Izza Rohman, and Ervan Nurtawab. "Da'watainment and Commercial Display in Live Program Damai Indonesiaku." In Third International Conference on Social and Political Sciences (ICSPS 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icsps-17.2018.19.

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Yudhaswari, Adek Triana. "Peran Indonesia dalam Fora Internasional untuk Penggunaan Antariksa." In Seminar Nasional Kebijakan Penerbangan dan Antariksa II. Bogor: In Media, 2018. http://dx.doi.org/10.30536/p.sinaskpa.ii.1.

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Perkembangan teknologi mempengaruhi segala aspek di kehidupan manusia, khususnya negara. Mengingat pentingnya penguasaan teknologi, Indonesia berupaya turut berperan untuk menyelesaikan permasalahanpermasalahan yang ada di dalam Komite PBB untuk Penggunaan Antariksa untuk Tujuan Damai (UNCOPUOS), khususnya pemanfaatan antariksa. Melalui penguasaan teknologi diharapkan dapat membangun Indonesia menjadi negara yang mandiri dan sejahtera sehingga tidak kalah dengan negara lainnya.
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Norman, Masayu, Noorzalianee Ghazali, and Ahmad Fathil Mubashshir Abd Manaf. "Shoreline siltation monitoring using remote sensing techniques: Study Area: Tg. Dawai, Kedah, Malaysia." In 2012 IEEE Colloquium on Humanities, Science and Engineering (CHUSER). IEEE, 2012. http://dx.doi.org/10.1109/chuser.2012.6504283.

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HERMAWAN, ADY SEPTANTO. "Jenis dan fluktuasi capung pada Taman Kota Bumi Serpong Damai, Tangerang Selatan, Banten." In Seminar Nasional Masyarakat Biodiversitas Indonesia. Masyarakat Biodiversitas Indonesia, 2015. http://dx.doi.org/10.13057/psnmbi/m010808.

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Wang, Gaokun, and Renzenglaqingwangmu Ms. "Deconstruction of Text Structure and Character Images in “The Autobiography of Dalai Lama V”." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.48.

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Ichwal, Muchsidin, and Sapriya Sapriya. "Strengthening the Organization of the Aliansi Indonesia Damai in Internalizing Peace Values." In Annual Civic Education Conference (ACEC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220108.044.

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Achsin, M. "The Role of Youth in Preventing Violent Extremism in Indonesia. A Study of Duta Damai." In Proceedings of the First Brawijaya International Conference on Social and Political Sciences, BSPACE, 26-28 November, 2019, Malang, East Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.26-11-2019.2295204.

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MULYASARI, DIAN ALIN, and ANTONY SIHOMBING. "FEELING OF BEING OUT OF PLACE: A CASE STUDY OF KAMPUNG IN BUMI SERPONG DAMAI, INDONESIA." In SUSTAINABLE CITY 2017. Southampton UK: WIT Press, 2017. http://dx.doi.org/10.2495/sc170371.

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Hettiarachchi, Hansi, Mariam Adedoyin-Olowe, Jagdev Bhogal, and Mohamed Medhat Gaber. "DAAI at CASE 2021 Task 1: Transformer-based Multilingual Socio-political and Crisis Event Detection." In Proceedings of the 4th Workshop on Challenges and Applications of Automated Extraction of Socio-political Events from Text (CASE 2021). Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.case-1.16.

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Reports on the topic "Dazai"

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Cox, Jamie. Dazai's Women: Dazai Osamu and his Female Narrators. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.132.

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Anolis urraoi Grisales-Martínez, Velasco, Bolívar, Williams - Daza, 2017. Universidad de La Salle, May 2020. http://dx.doi.org/10.19052/mls_1480anolis_urraoi.

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Anolis urraoi Grisales-Martínez, Velasco, Bolívar, Williams - Daza, 2017. Universidad de La Salle, May 2020. http://dx.doi.org/10.19052/mls_1481anolis_urraoi.

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