Academic literature on the topic 'De Wet, Reza – Drif'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'De Wet, Reza – Drif.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "De Wet, Reza – Drif"
Hauptfleisch, Temple. "Reza de Wet (1952–2012)." South African Theatre Journal 26, no. 1 (March 2012): 1. http://dx.doi.org/10.1080/10137548.2012.754082.
Full textPrins, Mike. "Reza de Wet herlees Alba Bouwer." Journal of Literary Studies 12, no. 4 (December 1996): 487–501. http://dx.doi.org/10.1080/02564719608530154.
Full textHauptfleisch, Temple, Anja Huismans, and Juanita Finestone. "Unwilling champion — An interview with Reza de Wet." Contemporary Theatre Review 9, no. 1 (January 1999): 53–63. http://dx.doi.org/10.1080/10486809908568540.
Full textMouton, M. "Die rol en funksies van die didaskalia in Reza de Wet se Diepe grond." Literator 9, no. 2 (May 7, 1988): 29–47. http://dx.doi.org/10.4102/lit.v9i2.847.
Full textKeuris, Marisa. "Found in translation: Chekhov revisited by Reza de Wet and Janet Suzman." Journal of Literary Studies 20, no. 1-2 (June 2004): 148–64. http://dx.doi.org/10.1080/02564710408530349.
Full textKrueger, A. "Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet’s English plays." Literator 31, no. 2 (July 13, 2010): 45–60. http://dx.doi.org/10.4102/lit.v31i2.46.
Full textHarpin, Tina. "La violence et la culpabilité en partage : le destin national du thème de l’inceste dans la fiction sud-africaine." Études littéraires africaines, no. 38 (February 16, 2015): 19–30. http://dx.doi.org/10.7202/1028671ar.
Full text"Anja Huismans and Juanita Finestone Talk to Reza de Wet." South African Theatre Journal 9, no. 1 (January 1995): 89–95. http://dx.doi.org/10.1080/10137548.1995.9688143.
Full textMawarni, Annisa, Firda Nabila Nur Azizah, Heni Wahyu Sartika, Suwarno Hadisusanto, Dwinda Mariska Putri, and Akbar Reza. "Short Communication: Community of phytoplankton in peatland canal, Riau, and wet dune slacks of Parangtritis, Yogyakarta, Indonesia." Biodiversitas Journal of Biological Diversity 21, no. 5 (April 11, 2020). http://dx.doi.org/10.13057/biodiv/d210513.
Full textDissertations / Theses on the topic "De Wet, Reza – Drif"
Buys, Helga Minnette. "Die gruwel en die Gotiese in drie hedendaagse tekste : Die nag het net een oog - Francois Bloemhof, Drif - Reza de Wet, Een hart van steen - Renate Dorrestein." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52778.
Full textENGLISH ABSTRACT: This thesis contains the results of an investigation into the elements of the horror story and the Gothic novel in three contemporary works. The investigation was conducted within the theoretical framework of the original historical Gothic novel of the eighteenth century, in comparison with contemporary theorization on the Gothic, with specific reference to the study of Eddy Bertin, and to some extent Hendrik van Gorp and Fred Botting. Four conventions of the Gothic genre were identified, and were applied to an Afrikaans novel and drama, as well as a Dutch novel, to establish to which extent the Gothic manifests itself in these contemporary texts. The study focussed on The night only has one eye (1991) by Francois Bloemhof, Crossing/ Passion (1994) by Reza de Wet and A heart of stone (1999) by Renate Dorrestein. From these texts, which were read within a Gothic framework, it could be deduced that there is a deviation from the conventional Gothic texts within both the Afrikaans and the Dutch texts. This deviation especially occurs with regard to characterization, with specific reference to the female character. The authors use the traditional Gothic characters as a point of departure, but bring about renewal in the texts by making them part of a wider philosophical field. The portrayal of the themes of good versus evil, space and tension, also shows a deviation from the Gothic conventions. An important finding in this study is that the Gothic genre in its pure form can not successfully be traced in contemporary literature. The three texts under discussion show the occurrence of allogamy between the different sub-categories of horror. A further important conclusion is that these three texts cannot be merely categorized as Popular literature because of the renewal it brings regarding the traditional Gothic conventions.
AFRIKAANSE OPSOMMING: Hierdie tesis bevat die resultate van 'n ondersoek na elemente van die gruwelverhaal en die Gotiese roman in drie kontemporêre tekste. Die ondersoek is gedoen binne die teoretiese raamwerk oor die genre van die oorspronklike historiese Gotiese roman van die agtiende eeu, in vergelyking met die hedendaagse teoretisering oor die Gotiek, met spesifieke verwysing na die navorsing van Eddy Bertin, en in 'n mindere mate Hendrik van Gorp en Fred Botting. Vier konvensies van die Gotiese verhaaltipe is geïdentifiseer en toegepas op 'n Afrikaanse roman en drama, asook 'n Nederlandse roman, om vas te stel in watter mate en op watter wyse die Gotiek gemanifesteer word in dié hedendaagse tekste. Die navorsing fokus op Die nag het net een oog (1991) van Francios Bloemhof, Drif (1994) van Reza de Wet en Een hart van steen (1999) van Renate Dorrestein. Dié tekste vertoon al drie duidelik Gotiese kenmerke, maar vertoon daarbyook opvallende afwykings van die tradisionele verskyningsvorme van die Gotiek. Dit geld veral vir karakterisering - meer spesifiek die vroulike karakter en die verhouding tussen die twee geslagte. Die outeurs gebruik die tradisionele Gotiese tipe karakters as vertrekpunt, maar bring vernuwing deur die tekste deel te maak van 'n wyer filosofiese veld. Die tekste se hantering van ander konvensies op die terrein van die tematiese (die goeie versus die bose), ruimte en spanning wyk ook af van die historiese Gotiek. 'n Belangrik aspek wat in die ondersoek na vore kom, is dat die Gotiek as verhaaltipe selde nog in sy suiwer vorm in literatuur aangetref word. Die drie tekste onder bespreking toon in watter aansienlike mate kruisbestuiwing plaasvind tussen die onderskeie sub-kategorieë van die riller. Laastens word daar aangevoer dat die Gotiese en gruwel-elemente binne dié drie tekste op so 'n vernuwende wyse geproblematiseer en uitgedaag word, dat dit nie sonder meer as triviaalliteratuur beskou kan word nie.
Smuts, Jacqui. "Die destabilisering van binêre geslagsopposisies by wyse van magiese realisme in Reza de Wet se drama 'Breathing in'." Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-10162009-123352.
Full textVan, der Wal Hester Rossly. "Vrouefigure in Reza de Wet se drama-oeuvre." Diss., 2005. http://hdl.handle.net/10500/1991.
Full textAfrikaans & Theory of Literature
M.A. (Afrikaans)
Van, der Westhuizen Pieter Christoffel. "Parodie en pastiche in die (post)modernistiese drama/teater." Thesis, 1997. http://hdl.handle.net/10500/3432.
Full textThe concepts of parody and pastiche are oftell employed by leading theoreticians to offer definitions of the elusive term "Postmodernism". One is led to conclude that parody and pastiche are direct1y linked to Postmodernism. This is especially valid in the case of pastiche. Indeed, it appears, therefore, that the continllous assumption of the appellation "pastiche" in the Postmodernist discourse could reveal its link to Postmodernism and Postmodernity in general. While parody and pastiche are not new phenomena, the question is why, ill our time, these concepts should be so acutely present in the discourse of literary theory - especially in theoretic contributions on Postmodernism and/or Postmodernis! texts. However, an investigation of the studies done on Postmodernist drama/theatre reveals a distinct lack of reflection about the role of parody and pastiche and a disturbing absence of publication on the the subject. This state of affairs reveals a conspicuous delay in terms of theoretical deliberation when compared to other investigat1ve practices, i.e. literary criticism and philosophy. This study, then, is essentially interested in transposing the present emphasis on parody and pastiche found in contemporary literary theory to Postmodernist drama/theatre. The final objective of this study is to explore the impact of the concepts of parody and pastiche on twentieth century drama/theatre and their possible contribution to a better understanding of the elusive term "Postmodemist drama/theatre".
Afrikaans and Theory of Literature
D. Litt. et Phil. (Literature)
Holtzhausen, Maria Elizabeth. "Die manifestasie van die Christelik-religieuse in die tagtigerdrama in Afrikaans met besondere klem op Reza de Wet se Diepe grond / Maria Elizabeth Holtzhausen." Thesis, 1991. http://hdl.handle.net/10394/14631.
Full textThesis (MA)--PU vir CHO, 1992
Krueger, Anton Robert. "Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007." Thesis, 2008. http://hdl.handle.net/2263/29095.
Full textThesis (DLitt)--University of Pretoria, 2008.
English
unrestricted
Books on the topic "De Wet, Reza – Drif"
Unknow and Reza De Wet. Reza De Wet: Plays Two (Oberon Modern Playwrights). Oberon Books, 2007.
Find full textBook chapters on the topic "De Wet, Reza – Drif"
Marshall, Cécile. "« Behind the curtain, was it a devil or an angel? » Mise en scène de fictions identitaires dans le théâtre de Reza De Wet." In Théâtre et nation, 143–56. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.81144.
Full text