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Journal articles on the topic 'Dead (Joyce, James)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Besa Camprubí, Josep. ""The Dead", de James Joyce, desde la narratología." Cuadernos de Investigación Filológica 21 (July 16, 1996): 215. http://dx.doi.org/10.18172/cif.2358.

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2

Wegner, Phillip E. "The Event of 1907; or, James Joyce, Artist." Modernist Cultures 13, no. 2 (2018): 141–64. http://dx.doi.org/10.3366/mod.2018.0203.

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In the history of modernism, the year 1907, like 1922, represents an underappreciated annus mirabilis, a year of miracles. Among the many artistic events to occur that year, perhaps none is more significant than James Joyce's completion of what would become the final story in Dubliners (1914) and a work Richard Ellmann describes as ‘his first song of exile’, ‘The Dead’. ‘The Dead’ achieves the indispensable breakthrough of bringing to a close Joyce's initial project and inaugurates an unparalleled process of experimentation and invention that will extend through the rest of his career. At the

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3

BALKAYA, Mehmet Akif. "VOICES IN JAMES JOYCE S "THE DEAD": A BAKHTINIAN READING." Journal of International Social Research 10, no. 52 (2017): 69–74. http://dx.doi.org/10.17719/jisr.2017.1872.

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4

Salvato, Nick. "“Ta daaaa”: Presenting Pig Iron Theatre Company." TDR/The Drama Review 54, no. 4 (2010): 206–23. http://dx.doi.org/10.1162/dram_a_00033.

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If the recent attention given to Pig Iron Theatre Company is any indication, 2010 may be the year of the pig. Although the group's founders met 20 years ago, it was their 2003 show James Joyce Is Dead and So Is Paris: The Lucia Joyce Cabaret and the 2010 production of Chekhov Lizardbrain that landed the Philadelphia group in the New York theatre scene. Pig Iron's abiding investment in adaptation's possibilities and continued commitment to physically intricate performance is now being passed on through their latest venture: a training program in physical theatre.

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5

UHLENBRUCH, BERND. "Heaps of Dead LanguageundFriedhof der Worte- Russische Parallelen zu James Joyce." arcadia - International Journal for Literary Studies 21, no. 1-3 (1986): 145–65. http://dx.doi.org/10.1515/arca.1986.21.1-3.145.

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6

Lommel, Michael. "Erinnerung und Dissolve: Zum Gedächtniskino in James Joyce’ Erzählung The Dead." Zeitschrift für Literaturwissenschaft und Linguistik 38, no. 4 (2008): 113–26. http://dx.doi.org/10.1007/bf03379808.

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Daneshzadeh, Amir. "Analysis of James Joyce Short Stories." International Letters of Social and Humanistic Sciences 54 (June 2015): 115–22. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.115.

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Collection of short stories of James Joyce in a book under the title of “Dubliners” (1914) is a collection composing of 15 short stories, which topic of all of them is living in Dublin (stories about death, love, live in school, etc.). Short story of “sisters” narrates feelings of a boy about death of a priest. The first woman, who is afraid of love, a mother in law speaks about ambition and destroys her daughter. It ispainful narrative of a single man, who leaves the woman he loves and the woman finds in the time of her death that he has been in his loneliness all his life. Accordingly, it co

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8

Marandi, Pegah, and Alireza Anushiravani. "Uncovering Cinematic Adaptations of James Joyce’s The Dead." International Journal of Comparative Literature and Translation Studies 5, no. 4 (2017): 38. http://dx.doi.org/10.7575//aiac.ijclts.v.5n.4p.38.

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The relationship between literature and film is the subject of plentiful analyses and reflections within the general framework of Comparative Literature. A comparison between a literary work and its adaptations shows how filmmakers adhere to the principles of intertextuality. Exploring various adaptations of James Joyce’s The Dead (1914) and comparing them against each other are the main objectives of this research. This study examines how John Huston (1987), Travis Mills and William Ivey Long (2013) adapted James Joyce’s The Dead (1914) culturally, geopolitically, and sociologically. This stu

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Amaral, Vitor Alevato do. "Death and the Snow: an inconspicuous relation in James Joyce's "The Dead"." Cadernos de Tradução 40, no. 3 (2020): 210–21. http://dx.doi.org/10.5007/2175-7968.2020v40n3p210.

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O presente artigo argumenta que, no conto de James Joyce “Os mortos” (Dublinenses, 1914), o verbo lie (jazer) – ao se referir tanto à neve quanto ao corpo de Michael Fury – e o substantivo snow (neve) se associam de forma que reforçam a constante presença da morte na narrativa. O objetivo deste artigo é demonstrar como essa associação opera em prol da criação de um sentido de unidade na narrativa e discutir as traduções do par lie-snow pelo tradutor brasileiro Caetano Galindo.

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Millán-Varela, Carmen. "Hearing voices: James Joyce, narrative voice and minority translation." Language and Literature: International Journal of Stylistics 13, no. 1 (2004): 37–54. http://dx.doi.org/10.1177/0963947004039486.

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This article explores the question of voice in translated texts, more specifically in the case of literary texts translated into a minority language. Drawing on Bakhtinian concepts, and focusing on the Galician translation of James Joyce’s ‘The Dead’, this study traces back the translators’ voice and its interaction with other voices already present in the source text. This type of qualitative study shows, I would like to argue, how texts translated into minoritized languages become an ideal arena in which to explore not only translating processes, but also issues of language, ideology and ide

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11

Lv, Wenhui. "Research on the Narrative Spaces of James Joyce’s Novels——Taking The Dead as an Example." International Journal of Social Science Research and Review 8, no. 1 (2025): 51–60. https://doi.org/10.47814/ijssrr.v8i1.2404.

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This study addresses the narrative space of James Joyce in his work The Dead(1914), and explores how it collectively enhance the thematic impact of The Dead, showcasing the paralysis state of Dubliners, especially Gabriel. The novel explores the spiritual death, social norms and character loss, love and marriage, nationalism and cultural identity of Dubliners, leading to Gabriel’s psychological paralysis. This study provides an analysis of three narrative spaces of James Joyce’s The Dead, focusing on Gabriel Zoran’s spatial criticism theory. The above three narrative spaces include topographic

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Paudel, Shiv Raj, and Babu Ram Dahal. "Constructing the Epiphany: Joycean Approach to Selected Stories from Dubliners." Janajyoti Journal 2, no. 1 (2024): 68–82. http://dx.doi.org/10.3126/jj.v2i1.68312.

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By using the Joycean lens in the construction of epiphany in some selected stories from Dubliners, James Joyce tries to uncover how tactfully he examines inner lives of his characters and their socio-cultural environment. By emphasizing on simple ordinary events Joyce finds extraordinary within the mundane offering deep insights into the characters of the stories in Dubliners. With regard to use of epiphany in the selected stories of the book Dubliners, the present study tries to investigate how James Joyce adopted the literary device of "epiphany" in Dubliners. It is argued that Joycean style

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13

Alevato do Amaral, Vitor, Elis Maria Cogo, and Eloísa Dall’Bello. "As nove vidas de um conto: as traduções de “Os mortos”, de James Joyce, em português brasileiro (1942-2018)." Gragoatá 24, no. 49 (2019): 493–512. http://dx.doi.org/10.22409/gragoata.v24i49.34088.

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O presente artigo consiste em um estudo das nove traduções brasileiras de “Os mortos” (“The Dead”), do livro de contos Dublinenses (Dubliners, 1914), do escritor irlandês James Joyce (1882-1941). A primeira tradução desse conto foi publicada em 1942, e a última, em 2018. Esse artigo é, salvo engano, o primeiro estudo que abarca todas as traduções de “Os mortos” no Brasil, entre as que figuram em uma das cinco traduções integrais de Dublinenses (1964, 1992, 2012, 2012, 2018), as publicadas como livro (2014, 2016), a que está inserida em uma seleção (2013) e a publicada em revista (1942). Para e

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14

Zirra, Ioana. "The Humour-Pathos Link from Late-Victorian Aestheticism." University of Bucharest Review Literary and Cultural Studies Series 13, no. 1 (2023): 52–65. http://dx.doi.org/10.31178/ubr.13.1.5.

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By using Freud’s theory of humour (1927) and his Jokes in their relation to the unconscious (1905), we follow the dominant features of the humour-pathos nexus from the late Victorian to the postmodernist literary decadence, taking in our stride the two peaking twentieth century modernist texts published by T.S. Eliot and James Joyce in 1922 Britain. We begin with Oscar Wilde’s popular The Importance of Being Earnest (1895) in relation to Walter Pater’s less well-known autobiographical novel Marius the Epicurean (1885), showing what relation the latter has with T.S. Eliot’s The Waste Land and J

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15

Didi-Huberman, Georges. "Aperçues." Zeitschrift für Kunstgeschichte 81, no. 2 (2018): 256–67. http://dx.doi.org/10.1515/zkg-2018-0018.

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Abstract This text attempts a new genre: the aperçue – from the French verb apercevoir, seeing in passing by, voir en passant. From Baudelaire’s Passante, the aperçues inherit the rhythm of appearing and disappearing and the emotion of seeing, which only unfolds in the temporality of memory and imagination. They are related to figures of afterlife and actualization such as Warburg’s Ninfa and Freud’s Gradiva, capturing ephemeral moments in which the long and discontinuous temporality of memory – and thus also a dimension of lament for the dead – is at work. Lastly, the aperçues are a literary

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16

Hecht, Paul J. "Receiving and Rendering: Notes on the Edited Shakespeare Page." Textual Cultures 9, no. 1 (2015): 142–59. http://dx.doi.org/10.14434/tc.v9i1.20118.

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This essay argues for a greater variety of approaches to editing Shakespeare, including editors who may creatively and productively refashion or distort the text, not just clarify it. Following an aggressive, seemingly spurious emendation to a speech in As You Like It by eighteenth-century editor William Warburton (here called a “dead crux”), the author explores how the dynamics of a Shakespeare scene inflect and infect the voice of the editor, in a way all but unimaginable within the predominant, professional tone of present-day Shakespeare editing. Working from the speculative writing of Law

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17

Manggong, Lestari. "Analysis of Free Indirect Discourse Narratives in the Works of Austen, Joyce, and Kingston." Journal of Language and Literature 17, no. 1 (2017): 10–16. http://dx.doi.org/10.24071/joll.v17i1.580.

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Language, with the complexity of its structure, can be problematic in terms of interpreting works of literature. This essay discusses the problems perceived in the process of interpretation of free indirect discourse narratives in Jane Austens Pride and Prejudice and Emma, James Joyces A Portrait of an Artist as a Young Man and The Dead, and Maxine Hong Kingstons Tripmaster Monkey. Narratives with free indirect discourse opens up possibility of misinterpretation caused by the misconception of whose point of view the story is told. By looking at the works within the concept of narratology by Ch

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18

Rodríguez-Salas, Gerardo. "El enigma de la feminidad: La música en “The Dead” de James Joyce y la adaptación cinematográfica de John Huston." Estudios Irlandeses, no. 1 (March 15, 2006): 90–102. http://dx.doi.org/10.24162/ei2006-1464.

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19

Gibbons, Luke. ""The Cracked Looking Glass" Of Cinema: James Joyce, John Huston, and the Memory of "The Dead"." Yale Journal of Criticism 15, no. 1 (2002): 127–48. http://dx.doi.org/10.1353/yale.2002.0007.

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20

Kim, Jiyoung. "The Multi-layer Interpretation of James Joyce Literature: deficiency, open ending, and the aesthetics of masochism." Global Association of Applied Liberal Arts Studies 3, no. 1 (2025): 67–83. https://doi.org/10.58990/galas.2025.3.1.67.

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This study delves into James Joyce’s literary universe through three underexplored perspectives: the aesthetics of absence, open endings, and masochism. The aesthetics of absence examines how themes of loss and lack, particularly in Dubliners, function as narrative forces that generate new meanings and emotional depth. Stories such as “Eveline” and “The Dead” illustrate how absence transcends mere deficiency, becoming a catalyst for reflection and interpretive engagement. This absence mirrors Dublin’s oppressive atmosphere while inviting readers to fill the gaps with imagination and emotion. T

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21

Roche, Anthony. "‘Mirror up to nation’: Synge and Shakespeare." Irish University Review 45, no. 1 (2015): 9–24. http://dx.doi.org/10.3366/iur.2015.0146.

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Christopher Murray, Philip Edwards, and Rebecca Steinburger have examined the ways in which the Irish Dramatic Revival drew on the example and plays of Shakespeare. Their emphasis falls on Yeats and O'Casey, both of whom have written extensively on Shakespeare in their prose essays and autobiographies. The allusions to Shakespeare by Synge are much briefer and more cryptic. And yet there is a deep and complex relationship between Shakespeare and Synge, as this essay will indicate. The one writer who has paired the two is James Joyce, in the Library chapter of Ulysses, set in the same year that

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22

Moklytsia, M. "THE METHODOLOGY OF ANALYSIS OF J. JOYCE'S NOVEL "ULISSES" (EMPHASES OF DARIA VIKONSKA)." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 2(95) (December 17, 2021): 67–75. http://dx.doi.org/10.35433/philology.2(95).2021.67-75.

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The relevance of the study is due to the need to include the novel "Ulysses" by J. Joyce in university and, if possible, school curricula in foreign literature, as well as the need for its interpretation, despite the excessive complexity of the text and difficulty of perception. It is also important to return the legacy of D. Vikonska, a writer, critic, art critic and literary critic, to modern Ukrainian culture. Research methodology: a model of analysis of the modernist novel "Ulysses", created on the basis of the research work of D. Vikonska “James Joyce. The secret of his artistic face” (19

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23

Kurdi, Mária. "A Most Distinguished Hungarian Scholar of Eugene O’Neill." FOCUS: Papers in English Literary and Cultural Studies 13, no. 1 (2022): 103–7. http://dx.doi.org/10.15170/focus.13.2022.1.103-107.

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Péter Egri (1932-2002) would have attained the age of ninety this year, has he not been, unfortunately, dead for twenty years. He became professor and chair of the English Department of Kossuth Lajos University, Debrecen, in the 1970s, then professor and for some years chair of the English Department in Eötvös Loránd University, Budapest. The range of his scholarly interests was both wide and far-reaching. Shortly after Egri’s untimely death Zoltán Abádi Nagy wrote “A Memorial Tribute,” which says: “Péter Egri, who excelled in English, Irish and American comparative studies and aesthetics, was

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24

Mele, Valentina. "Joyce, Rossetti, Dante. L’edizione “preraffaellita” della "Vita Nuova" nella biblioteca e nell’immaginario di James Joyce." Dante e l'Arte 11 (January 31, 2025): 151–70. https://doi.org/10.5565/rev/dea.226.

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Grazie alle ricostruzioni della biblioteca personale di Joyce (Ellmann, 1977; Power 2018), ci è noto che l’edizione della Vita Nuova acquistata dallo scrittore è una prestigiosa ristampa (datata 1911) del libello di Dante, illustrata dai quadri di Dante Gabriel Rossetti, pubblicata per la prima volta in Italia nel 1902 per Roux e Viarengo. Joyce comprò la sua copia a Trieste, di seconda mano, in un periodo compreso tra il 1912 e il 1915. Il presente contributo intende sondare l’influenza della cosiddetta edizione “preraffaellita” del libello di Dante nell’immaginario Joyciano, tramite un’anali

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25

Marțole, Daniela Maria. "CAUGHT IN THE LABYRINTH OF INTERPRETATION. THE QUEST FOR IDENTITY IN A PORTRAIT OF THE ARTIST AS A YOUNG MAN AND LANARK." Messages, Sages and Ages 6, 2019, no. 2 (2019): 41–45. https://doi.org/10.5281/zenodo.3558433.

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This paper sets out to make a comparative study between James Joyce's A Portrait of the Artist as a Young Man and Alasdair Gray's Lanark, analysing the way in which the narrative structure in the two novels is used to organize the strategy for the delineation of the main characters. Thematically, both novels deal with artists' inner struggle to shape their identity and dwell upon a series of similarities such as the motifs of transformation and flight or the water symbolism. Although the two novels belong to different literary backgrounds, they both try to resist a coherent reading

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Silva, Ana Carolina Carvalho Monaco da. "“My dear Stevie, from Nonno”: translations and illustrations of a Joycean verbal text for young readers." ABEI Journal 26, no. 1 (2024): 25–34. http://dx.doi.org/10.11606/issn.2595-8127.v26i1p25-34.

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James Joyce (1882-1941) foi um dos mais revolucionários e influentes escritores modernistas, dentro e fora da literatura anglófona. Notoriamente, o autor não escreveu para crianças, mas uma carta enviada a seu neto, Stephen James Joyce (1932-2020), e publicada pela primeira vez em 1957, foi intitulada The Cat and the Devil e lançada como livro infantojuvenil. As traduções desta carta, realizadas em mais de vinte idiomas ao longo dos últimos 60 anos, trazem temas e elementos da escrita joyciana para adultos, ao mesmo tempo que se revelam como produtos de seu próprio tempo e da sociedade em que

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27

Sargsyan, Lusine. "Musical Allusions in James Joyce's Dubliners and the Problem of Their Translation." Translation Studies: Theory and Practice 1, no. 2 (2021): 45–54. http://dx.doi.org/10.46991/tstp/2021.1.2.045.

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Abstract: The importance of music in the works of James Joyce has long been acknowledged by Joycean scholars, though few systematic attempts have been made to deal with musical allusions. A tenor singer in his youth, Joyce fills his writings with musical references and allusions used for certain purposes in his own style. No matter how music is applied, one thing is certain - musical allusions always add a further dimension to his stories, provide a deeper understanding to a piece of literature making it unique and revealing the unknown. Translation of allusive texts has always been of great i

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28

Chakraborty, Abhipsa. "Vernacular Acoustics: Caste, Embodiment, and the Politics of Listening in Mulk Raj Anand's Untouchable (1935)." Journal of Modern Literature 47, no. 4 (2024): 55–72. http://dx.doi.org/10.2979/jml.00044.

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Abstract: Mulk Raj Anand's novel Untouchable (1935) uses vernacular sounds, aurality, and bilingual translation to deal with themes of colonial modernity, casteism, and nationalism. Demonstrating the power of literary language (Indian-English or "pigeon-English" in Anand's formulation) the novel evokes a sonorous world of colonial modernity with the sounds of local dialects transcribed in the Anglophonic register. Further, Anand's radical ideological aims in his writing, ranging from critiquing caste-based discrimination, to portraying an embodiment of untouchability and masculinity are closel

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Gamini Fonseka, Dr EA. "Self-Realisation at the Risk of Tranquillity in a Carceral Social Environment: A Critique of ARABY by James Joyce." Universal Library of Arts and Humanities 01, no. 02 (2024): 04–10. http://dx.doi.org/10.70315/uloap.ulahu.2024.0102002.

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James Joyce’s collection of short stories under the title Dubliners is a landmark contribution to Irish literature that reveals the frustration of the Irish people of his time. While many of the short stories there deal with men and women, old and young, “Araby” specifically concentrates on a juvenile. The carceral social atmosphere prevailing in the environment limits his space to the nearest possibilities of pleasure and drives him in a direction determined by his libidinal energy. Unfortunately, a young woman much older than him becomes the centre of his interest and later the target of his

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Swarnananda, K. G., and Thilina Indrajie Wickramaarachchi. "“What is to be a ‘Mother’?”—An Exposition of “Non-biological Mothers” in Literary Texts." English Language and Literature Studies 6, no. 1 (2016): 75. http://dx.doi.org/10.5539/ells.v6n1p75.

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<p>This paper investigates the identity formation of “non-biological mothers” in a sample of texts which include primarily “The Caucasian Chalk Circle” by Bertolt Brecht, “Wuthering Heights” by Emily Brontë and “Eveline” by James Joyce. Three characters are selected from the works who perform the role of “mother” at different levels for children who are “biologically” not their own. In Brecht’s play, Grusha cares for the child that is left by his own mother. In Bronte’s novel, Nelly Dean looks after both Hareton and Junior Catherine, children who have lost their “biological” mother, as w

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31

Álvarez Pérez, Iciar. "The Linden Tree in ‘The Dead’ by James Joyce." ODISEA. Revista de estudios ingleses, no. 12 (March 15, 2017). http://dx.doi.org/10.25115/odisea.v0i12.217.

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Abstract:James Joyce uses in his short story ‘The Dead’, included in the collection Dubliners (1914), different literary motives that contribute to construct the subject of the story, which is not other than the fragility that exists between death and life. Among these motives there is the Linden tree that probably Joyce adapted from the song ‘Lindenbaum’ written by Franz Schubert and included in the song cycle Winter Journey (1828). This article attempts to investigate the parallelisms that exist between both works of art and to explain how Joyce succeeds in creating the necessary atmosphere

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De Figueiredo, Mariana Luísa. "GABRIEL CONROY E O ÚLTIMO MOCINHO DO MUNDO OCIDENTAL." Revista Intertexto 8, no. 1 (2016). http://dx.doi.org/10.18554/ri.v8i1.1067.

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Yeats, Lady Gregory e Synge escrevem sobre o passado mitológico da Irlanda e enaltecem a vida rústica enquanto James Joyce (1882-1941) disseca o cotidiano das pessoas que vivem na tumultuada Dublin da virada do século. Os camponeses são o tema de The Playboy of the Western World (1907) por Synge, mas é um engano pensar que a peça do dramaturgo nacionalista e o episódio de sua estreia no Abbey Theater estejam completamente distanciados do retrato da burguesia irlandesa e do altivo e cosmopolita no Gabriel Conroy de “The Dead”, o último e mais extenso conto da coletânea de histórias sobre os dub

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Davis, Michael F. "Anatole France, Oscar Wilde, and James Joyce A Queer Genealogy of “The Dead”." English Literature, no. 1 (April 13, 2023). http://dx.doi.org/10.30687/el/2420-823x/2022/01/003.

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This essay re-situates James Joyce’s story “The Dead” in the alternative intellectual genealogy of late-nineteenth-century European religious skepticism, its reexamination of the historical origins of Christianity, and its fresh reinterrogation of the epochal transition between the pre-Christian and the Christian worlds. Taking a cue from Richard Ellmann’s suggestion that it was Anatole France’s “The Procurator of Judea” that inspired “The Dead”, the essay argues that just as France had written a revisionist story about the disappearance of Jesus from the history, so did Joyce write a similar

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34

Saramago Pádua, Victoria. "O de sempre e o de nunca: gelo e neve em Cien años de soledad, de Gabriel García Márquez, e "The dead", de James Joyce." Revista Letras 78 (August 31, 2009). http://dx.doi.org/10.5380/rel.v78i0.15813.

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O presente artigo propõe um estudo contrastivo do conto “The Dead”, de James Joyce, e do romance Cien años de soledad, de Gabriel García Márquez, a partir da utilização de um mesmo elemento: a neve e/ou o gelo. Conclusivo, melancólico e universalizante, num caso; noutro, introdutório, vibrante e exótico, a presença do gelo revela-se um meio interessante de analisar, em cada obra, noções como local, universal, cotidiano e exótico, bem como as soluções narrativas encontradas por Joyce e Márquez, distintas porém curiosamente semelhantes.

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Rodovalho, Omar, and Fabio Akcelrud Durão. "DAS ASPAS INVISÍVEIS EM “THE DEAD’. [LILY, GABRIEL E O VENTRILOQUISMO DO NARRADOR JOYCEANO]." Cadernos de Letras da UFF 24, no. 48 (2014). http://dx.doi.org/10.22409/cadletrasuff.2014n48a130.

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Existindo já, em português, sete traduções integrais do Dubliners de James Joyce e pelo menos outras duas a ponto de serem publicadas, interessará ao presente artigo discutir alguns dos aspectos desses 15 contos que seguem chamando a atenção dos críticos e permitem estabelecer um link direto com a prosa mais madura do autor, link esse que mal se permite ver nas traduções de que atualmente dispomos.

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36

Kane, Michael. "Seeing beyond the Anthropocene with Joyce and Beckett." Lagoonscapes, no. 2 (December 6, 2024). https://doi.org/10.30687/lgsp/2785-2709/2024/02/011.

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This article suggests that the literary works of James Joyce and Samuel Beckett may offer a means of ‘seeing beyond the Anthropocene’. A close look at Joyce’s “The Dead” and the “Proteus” and “Penelope” episodes of Ulysses as well as at Beckett’s play Endgame and other works will show how these writers’ distinct ways of looking at the world, and the life and death of mortal human beings, provide radical critiques of (and perhaps alternatives to) anthropocentric idealism. Their insights are still highly relevant today as the ecological crisis demands a fundamental reorientation of the (post)hum

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Fomenko, Elena. "EPIPHANIC SYNERGISM IN JAMES JOYCE’S “THE DEAD” and ROBERT MUSIL’S “TONKA”." Panacea Journal of Linguistics & Literature 2, no. 1 (2023). http://dx.doi.org/10.59075/pjll.v2i1.193.

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The article uses the linguistic-synergetic approach to examine the narrative structure and verbalization patterns in modernist short fiction based on “The Dead” by James Joyce and “Tonka” by Robert Musil. From this perspective, the study relates the epiphany-oriented non-hierarchical LIKE-THAT – SOMETHING-LIKE-THAT – NEVER-SOMETHING-LIKE-THAT narrative structure to verbalization of self-organized simultaneity in modernist short fiction. From this study’s findings, both writers similarly replace a conventional narrative hierarchy with a verbal event whose verbalization, namely, repetitions at a

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Mills, Imogen. "Dublin 1904: Conflict in ‘The Dead’." Amsterdam Museum Journal: War 1, no. 1 (2023). http://dx.doi.org/10.61299/3n_c141.

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In recent years, there has been growing interest in the role of futurity and hope in memory studies. This paper contributes to this conversation by examining futurity in a city marked by colonial conflict in the context of “The Dead”, the final short story from Dubliners by James Joyce. Drawing on discursive analysis, I argue that the postcolonial writer can rewrite the city, ripe for a new and unknown future. To support this argument, I analyze layers of the colonized urban space. Specifically, I look at the Wellington monument and the statue of Daniel O’Connell. Through this analysis, I demo

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Li, Na. "An Analysis into Joyce’s Narrative Devices and the Realization of Epiphany in “The Dead”." International Journal of Social Science and Research, September 27, 2023. http://dx.doi.org/10.58531/ijssr/1/1/7.

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“The Dead” is the last piece in James Joyce’s Dubliners. Epiphany is the basis of his renowned stream of consciousness. It describes the sudden revelation which is the climax of people’s psychological activities. The realization of the climax of Epiphany in his work not only relies on the characterization and symbolism, but also on the application of various narrative devices. The realization of Epiphany in “The Dead” is linear in protagonist’s mental activity. Joyce mainly uses two narrative devices to promote the mental process of realizing Epiphany, one is the alternation of focalization, t

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Kao, Pei-Wen Clio. "Empowering the Virgin. Rethinking the Agency of the Feminine Characters in James Joyce’s Works." English Literature, no. 1 (April 13, 2023). http://dx.doi.org/10.30687/el/2420-823x/2022/01/005.

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In the literary convention of ‘Blessed Virgin’, female purity and spirituality are most often emphasized, as represented by the Virgin Mary in the Middle Ages and by the Angel in the House in the more secular nineteenth century. The patriarchal idealization of womanhood has deprived it of bodily desires and free will; the Blessed-Virgin women are praised and worshipped at the cost of individuality and sexuality. The Victorian conception of the ‘Angel in the House’ was the manifestation of the dominant patriarchal ideology of the nineteenth century, and was reflected in the works of a great num

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"A stylistic study of point of view in James Joyce's The dead Basra General Directorate of Education." Journal Ishraqat Tanmawya 38 (March 2024). http://dx.doi.org/10.51424/ishq.38.37.

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The aim of this paper is to examine how point of view is signaled in Joyce's " The Dead " and how it is used to exercise control over the attitudes of characters and events in the story. It aims to illustrate who sees and who speaks in the story, whose views or ideas are being expressed as well as how characters and events are represented via the text. It characterizes the predominant stylistic and linguistic capabilities. A unique focus is positioned upon the issue of modality as related to the point of view. Modality expresses the mode within which the propositional content of a sentence is

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Vukićević - Garić, Vanja. "THE SENSE OF THE UNENDING IN JOYCE’S DUBLINERS." Folia linguistica et litteraria, December 25, 2018, 87–104. http://dx.doi.org/10.31902/fll.25.2018.5.

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Based on the main structural and narrative elements and drawing on the predominant views in the short story theory, this paper deals with the analysis of endings in Joyce’s Dubliners, as well as with various modes of their constitution regarding the effect they produce. Since the ending is regarded as the crucial component of short fiction, and bearing in mind the exuberant formal, thematic, symbolic and poetic potential that Joyce’s concept of epiphany has in the structuring of ends, it can be said that Dubliners is a collection that set the standard in the genre. This article aims at delinea

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Magalhães, Célia Maria, Taís Blauth, and Natália Cristófaro. "Mudanças na interação tradutor-leitor e intervenção tradutória em retraduções brasileiras de Os Mortos e Arábia(s): apresentação da fala e a valoração em tradução." Mutatis Mutandis. Revista Latinoamericana de Traducción 11, no. 1 (2018). http://dx.doi.org/10.17533/udea.mut.327563.

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O objetivo deste artigo é examinar mudanças na interação tradutor/leitor e a intervenção tradutória em dois contos de James Joyce, The dead e Araby, (re)traduzidos do inglês para o português por três tradutores distintos. Propõe-se uma adaptação das propostas de Rosa (2008) e Munday (2012, 2015), de análise da função interpessoal da linguagem nos textos traduzidos, por meio do estudo da apresentação da fala e dos recursos avaliativos nos textos. As abordagens teóricas usadas são a narratologia e a estilística para o estudo da estrutura comunicativa da narrativa, apresentação da fala e voz do t

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Lecomte, Héloïse. "Un tombeau en musique : souvenir et rituel de deuil dans la fiction britannique et irlandaise contemporaine." Textes et contextes, no. 19-1 (July 15, 2024). http://dx.doi.org/10.58335/textesetcontextes.4684.

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Le mythe d’Orphée offre un exemple paradigmatique des liens qui unissent les pouvoirs incantatoires de la musique et le désir (aporétique ?) de ranimer les ombres des morts dans le récit de deuil. Dans la lignée de ce mythe, plusieurs ouvrages de fiction britannique et irlandaise contemporaine comportent des scènes musicales qui semblent œuvrer à la fois à préserver le souvenir des défunts et à constituer un rituel funéraire pour accompagner le processus de deuil. La fin de la nouvelle « The Dead » dans Dubliners (1914) de James Joyce met en scène l’écoute d’une chanson qui mène à une profonde

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Gelashvili, Tamar. "Political Discourse in Modernist and Meta-Postmodernist Irish Drama." Text and Interpretation, 2023. http://dx.doi.org/10.55804/jtsu-2960-9461-2023-6.

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The role and place of political discourse in fiction is a complex and intricate problem. The attitude of scholars and the authors towards the extent to which political discourse is permissible in the literature is heterogeneous. Various writers, like the famous Irish modernist writer James Joyce, believe that literature should be distant from politics, or as Gabriel Conroy, one of the characters in his short stories (The Dead) puts it, "Literature is above politics". However, Joyce contradicts this statement within the story by showing how literature is the medium of politics, for it has the p

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Engelking, Wojciech. "Transubstantiation as a normative process: James Joyce and Carl Schmitt in 1922." Thesis Eleven, April 4, 2024. http://dx.doi.org/10.1177/07255136241240082.

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The thesis that legal norms are rooted in theology is not new. It is worth considering, however, to what extent not only singular norms, but also models of normativity are the structural representation of theological concepts. In this article, I consider transubstantiation as one of such ideas. I analyse its place in two political theologies published at the same time (in 1922): Carl Schmitt’s Political Theology and James Joyce’s Ulysses. I argue that both thinkers used the idea of transubstantiation as a normative mechanism to deal with anomie that encompassed European societies after the Fir

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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th

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T. R., Deepak, Prasannakumar K. M., Naveen. S., and Suma H. P. "THE ESSENCE OF MODERNISM IN JAMES JOYCE’S A PORTRAIT OF THE ARTIST AS A YOUNG MAN." ShodhKosh: Journal of Visual and Performing Arts 4, no. 2 (2023). https://doi.org/10.29121/shodhkosh.v4.i2.2023.3515.

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Literature is an eternal mechanism to document the experiences of people in diverse forms. It also acts as the storehouse of different features witnessed in the course of literary movements. Many writers have considered literature as a platform to historicise the changes or spirits of society. James Joyce is one of the exponents of literature who provides the required impetus to represent modernity in the literary expressions. His novel A Portrait of the Artist as a Young Man (1916) has exemplified modernism in a European society. He has touched upon the evolving, fascinating, challenging and

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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre

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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha

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